Monkfish Book Publishing

This volume contains the two last works by HG Wells. Nearing the end of his life, increasingly distressed over the war, Wells deals with death and apocalypse, mortality and religion, and with “human insufficiency.”
 
Mind at the End of its Tether
 
“One approaches it with awe. You come across references to it everywhere: Colin Wilson, Priestly, Koestler. It seems to have been a wounding work; something no one could agree with, but something that couldn’t be taken lightly.”—Art Beck
 
“In the face of our universal inadequacy . . . man must go steeply up or down and the odds seem to be all in favor of his going down and out. If he goes up, then so great is the adaptation demanded of him that he must cease to be a man. Ordinary man is at the end of his tether.”—HG Wells
 
The Happy Turning
 
Wells’ barbed fantasies about the afterlife take the forms of “happy” dream walks. In one he converses with Jesus:
 
But being crucified upon the irreparable things that one has done, realizing that one has failed, that you have let yourself down and your poor silly disciples down and mankind down, that the God in you has deserted you—that was the ultimate torment. Even on the cross I remember shouting out something about it.”
“Eli. Eli, lama sabachthani?” I said.
“Did someone get that down?” he replied.
“Don’t you read the Gospels?”
“Good God, No!” he said. “How can I? I was crucified before all that.”

Circa 2100

A scourge of sex and death from an alien spaceship

WHEN CAPTAIN CARLSEN ENTERED THE VAST DERELICT SPACESHIP, he was shaken by the discovery of its immobilized humanoid passengers.

Later, after three of the strange aliens had been transported to Earth, his foreboding was more than justifi ed. The creatures were energy vampires whose seductive embraces were fatal, whose lust for vitality was boundless. As they took over the willing bodies of their victims and sexual murders spread terror throughout the land, Carlsen worked toward their destruction-even while he was erotically drawn to the most beautiful vampire of all!

 "Thoroughly intriguing" -Chicago Sun-Times (1976)

"New slant on horror...unique rendering of the age-old enigma of the kiss of death" -Chicago Tribune (1976)

COLIN WILSON is the author of more than 100 fiction and nonfiction books. The Outsider (1956), published at the age of 24, earned him worldwide critical acclaim. The Space Vampires, his fi fty-fi rst book, was translated into Spanish, Japanese, French, Dutch and Swedish and was later adapted for screen in the movie LIFEFORCE, directed by Tobe Hooper (SALEM'S LOT, POLTERGEIST, THE TEXAS CHAIN SAW MASSACRE). The movie failed however to capture the true spirit of the cult classic reprinted here by popular demand.

"Smart and earthy . . . richly imaginative . . . the epitome of the storyteller's art."—St. Louis Post-Dispatch, named one of "The Year's Best Books"

"This amazing book could well become a classic of women's literature."—Booklist, named one of the "Year's Ten Best Fantasy Books"

Young Magdalen and Jesus, brimming with youthful charm and arrogance, find each other and fall in love, forging a bond that is stronger than death. Their pleasure is overshadowed by a brilliant but unbalanced druid who knows a perilous secret about Maeve's past. The prequel to The Passion of Mary Magdalen. Now in paperback!

God of Love is Mirabai Starr’s passionate and personal exploration of the interconnected wisdom of the three Abrahamic faiths. She shares an overview of essential teachings, stories of saints and spiritual masters, prophetic calls for peace and justice, and for the first time in print, deeply engaging narratives from her own spiritual experiences. She guides readers to recognize the teachings and practices that unify rather then divide the three religions, and sheds light on the interspiritual perspective, which celebrates the Divine in all paths. It is Mirabai’s hope that this book will serve as a reminder that a dedication to lovingkindness is the highest expression of faith for all three religions.

EARLY REVIEWS FOR God of Love

“Mirabai Starr takes us out dancing with the One. God of Love is a confluence of the currents of Judaism, Islam and Christianity all emptying into the great ocean of Love.”
—Ram Dass, Author Be Here Now

“In a time of division between people, this book — which is a masterful blend of research, storytelling, poetry, and memoir — is like a sacred magnet, pulling on the spiritual heart of all seekers.”
—Elizabeth Lesser, Cofounder, Omega Institute; Author, Broken Open: How Difficult Times Can Help Us Grow

“Mirabai Starr writes of the divine from a luminous gene inherited by only a few. We hear The True Song in each word she attributes to the holy. It is more than just her song; it is the Melody of the Spheres translated by an astute musician. We are always touched by the genuine in her call to the reader to love and love well, to see with the sacred eye of beauty.”
-Ondrea & Stephen Levine, Authors Embracing the Beloved

"Mirabai's book has brought me great consolation."
-Daniel Berrigan, S. J. activist-priest; Author, No Gods but One

“This book brilliantly reminds us that in the heart of the Abrahamic traditions there burns a singular divine flame.”
-Rev. Robert V. Thompson, Author A Voluptuous God

“A wonderful and ‘perfect’ book. Highly recommended.”
-Rabbi David A. Cooper, Author God Is a Verb

“[God of Love] will expand your vision and inspire your search; I recommend it with great joy.” -Andrew Harvey, Author The Hope: A Guide to Sacred Activism

“At home in the three great Abrahamic traditions, Mirabai Starr takes us on a deeply personal journey 'Toward the One,' exploring aspects of the 'God of Love' as seen through the eyes of Jewish, Christian and Muslim mystics. This is a book which will delight the seeker of sacred connections between these traditions and those who look forward to a day when Jerusalem, the city shared by all these faiths, will be a house of prayer for all people."
-Reb Netanel Miles-Yepez, Co-Author A Heart Afire: Stories and Teachings of the Early Hasidic Masters

“The best one yet!”—Catherine MacCoun, author of On Becoming an Alchemist

"As usual, Cunningham provides plenty of juicy controversy embodied by vivid characters and expressed in vigorous action, all in crisply drawn biblical settings."—Booklist

"Gleefully iconoclastic. For that dwindling demographic with a sense of humor about religion, Maeve’s profane skewering of the all-too-human foibles of the Church fathers is a hoot." Kirkus Reiews

""Elizabeth Cunningham has again delved into her fabulous treasure trove of impeccable research, and come up with gold. In Bright Dark Madonna, her interweaving of Biblical-Celtic themes brings the first century to life with unexpected freshness and many surprises." —Katherine Neville, author of The Eight and The Fire

After playing an intimate role in the mystery of the Resurrection, what is left for Maeve, the Celtic Mary Magdalen? Never a follower, will she emerge as a leader of the early church? Will she retire quietly to mother a sacred bloodline? Will she set sail for France to proselytize and go spelunking? The answer: all and none of the above. No sooner does Maeve open her mouth to preach the gospel her way than a fierce debate begins about what to do with the child she is carrying. Maeve has her own ideas about where best to raise the savior’s scion. When she returns to Temple Magdalen, the holy whorehouse she founded, a custody battle of biblical proportions ensues. Maeve, her infant daughter Sara, and Jesus’ mother flee to the remote Taurus Mountains where they live in hiding among the Galatians until a mysterious man is dumped on their doorstep more dead than alive. When Maeve discovers the identity of the man she has healed, she is appalled and determined to keep her family’s secret. But Maeve has reckoned without the will of her brilliant, angry adolescent daughter who resolves to find out the truth about her father—for herself.

Required reading for fans and accesible to those new to The Maeve Chronicles, Bright Dark Madonna takes the reader on a breathtaking journey from the temple porticoes of Jerusalem, to the Temple of Artemis in Ephesus, to the south of France, and, as always, to the treacherous, beautiful terrain of the human heart.

“Cunningham weaves Hebrew scripture, Celtic and Egyptian mythology, and early Christian legend into a nearly seamless whole, creating an unforgettable fifth gospel story in which the women most involved in Jesus’s ministry are given far more representation.”—Library Journal

“This year’s must-have summer reading.”—KINK Radio

“Lavish and lusty . . . Cunningham’s Celtic Magdalen is as hot in the mouth as Irish whiskey.”—Beliefnet (chosen as one of this year’s “heretical beach-books”)

“Explodes off the page with its tales of love, hope, power, and redemption—book clubs looking for a great discussion, take note.”—TheBookBrothel.com