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Sentimental Songs, Melodrama and Filmic Narrative in Bollywood’s Golden Age (1951–1963)
The way in which the spectator responds to the song and how narrative, lyrics, music, mise-en-scènes, all come together to accentuate sentimentality and melodrama in the Golden Age of Bollywood cinema (1951–1963) is the book’s key thematic concern.
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Molière on Stage
‘Molière on Stage’ takes the reader onstage, backstage and into the audience of Molière’s plays, and analyzes the performance of his works in both his own time and ours.
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Horror and the Horror Film
‘Horror and the Horror Film’ is a vivid, compelling, insightful and well-written study of the horror film and its subgenres from 1896 to the present, concentrating on the nature of horror in reality and on film.
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Bollywood and Globalization
This book is a collection of incisive articles on the interactions between Indian Popular Cinema and the political and cultural ideologies of a new post-Global India.
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The Post-traumatic Theatre of Grotowski and Kantor
A historical and critical analysis of the post-traumatic theatre of Grotowski and Kantor, examining the ways they represent Auschwitz in their respective pivotal works ‘Akropolis’ and ‘Dead Class’.
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Theatricality in the Horror Film
As is well known, the horror film generally presents a situation where normality is threatened by a monster. From this premise, ‘Theatricality in the Horror Film’ argues that scary movies often create their terrifying effects stylistically and structurally through a radical break with the realism...
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American Horror Story and Cult Television
This collection of essays approaches the American Horror Story cult television series through a rich variety of critical perspectives within the broader field of television studies and its transections with other disciplines.
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'Grease Is the Word'
Bringing together a group of international scholars, ‘Grease Is the Word’ offers fresh insight into the impact and legacy of the cultural phenomenon that is Grease.
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Tennessee Williams, T-shirt Modernism and the Refashionings of Theater
Tennessee Williams, T-shirt Modernism and the Refashionings of Theater engages the Williams we thought we knew, as he grew, developed, reconfigured himself into a playwright we didn’t, in his attempts to refashion himself amid the vortices of changing sexual mores, including the performance of ma...
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Unhomely Cinema
Representations of troubled and inhospitable domestic places are a common feature of many cinematic narratives. “Unhomely Cinema” explores how the unhomely nature of contemporary film narrative provides an insight into what it means to dwell in today’s global societies.
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Screen Writings
'Screen Writings: Partial Views of a Total Art, Classic to Contemporary' offers close readings of individual films intended to explain how moviemakers use the resources of the medium to pursue complex and significant humanistic goals.
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Staging Memory and Materiality in Eighteenth-Century Theatrical Biography
“Staging Memory and Materiality in Eighteenth-Century Theatrical Biography” examines theatrical biography as a developing genre in eighteenth-century England. Drawing heavily on primary sources, then-contemporary reviews and archival material in the form of extra-illustrated or “scrapbooked” copi...
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A Cultural History of the Bushranger Legend in Theatres and Cinemas, 1828–2017
‘A Cultural History of the Bushranger Legend in Theatres and Cinemas, 1828–2017’ is a cultural history of the bushranger legend on stage and screen from colonial to contemporary Australia. It provides a detailed analysis of the mechanisms through which bushrangers became an indelible part of the ...
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Kunqu Masters on Chinese Theatrical Performance
Kunqu is among the oldest and most refined traditions of the family of genres known as xiqu (music-drama or “Chinese opera”). This book consists of translated performer narrations that illuminate how one of the major Chinese theatrical forms has been taught and transmitted over the past century.
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Screen Writings
'Screen Writings: Genres, Classics, and Aesthetics' offers close readings of genre films and acknowledged film classics in an attempt to explore both the aesthetics of genre and the definition of 'classic' - as well as the changing perception of so-called classic movies over time.
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From Happy Homemaker to Desperate Housewives
‘Motherhood and Popular Television’ is designed to introduce readers to key debates concerning the representations of motherhood and the maternal role in contemporary television programming.
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Cinema at the Margins
“Cinema at the Margins” is a collection that aims to highlight some of the lesser-known films and filmmakers of the past that are being marginalized and forgotten in today’s reductive popular memory of movie history.
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Belarusian Theatre and the 2020 Pro-Democracy Protests
This book highlights the important creative work of Belarusian theatre and filmmakers seeking to raise awareness of the Pro-democracy movement and human rights abuses in Belarus and to build communities of care and mourning following the fraudulent 2020 presidential elections in Belarus.
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The Final Curtain: The Art of Dying on Stage
It is a book about dying, or, more accurately, about the representation of dying in the theatre. Its chief concern is how actors undertook to translate words and concepts into forms legible and significant to an audience. It deals with the ways in which playwrights wrote about death and attitudes...
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Adoption Reckonings
This book presents a new theater play, titled For Three Refrigerators and a Washing Machine, along with a thorough introduction that provides historical context and theoretical framing of the “historic” child adoptions from postwar Greece.
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World Cinema and the Visual Arts
‘World Cinema and the Visual Arts’ combines new analyses of two subjects of ongoing research in the field of humanities: cinema and the visual arts. The films analysed encompass a wide geographical base, and have been drawn from a diverse array of cultural traditions.
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The Whole Durn Human Comedy: Life According to the Coen Brothers
A groundbreaking, incisive critical study of the Coen Bros., the quirky team of filmmaking brothers who delight in unsettling cinematic conventions and confounding audiences while raising disturbing questions about human nature.
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Aesthetics and the Cinematic Narrative
‘Aesthetics and the Cinematic Narrative’ examines the manner in which disparate Aesthetic traditions inform the conception, creation and reception of cinematic narrative while placing film, as an art form, in a wider historical and aesthetic context.
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Truth and Storytelling
The book offers a guide for writers to better understand and confront the truths they want to reveal through narrative stories and how to find legitimacy in the fictional characters and situations they create.
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The Dancing Body in Renaissance Choreography
The Dancing Body in Renaissance Choreography is a study of the theory of kinetic theatricality in the western European context. The dancing body of courtly social dance is analyzed in French and Italian dance treatises of the Renaissance through the intertexts of oratorical action, pedagogical di...
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Australian Theatre, Modernism and Patrick White
‘Australian Theatre, Modernism and Patrick White’ details the rejection of two Patrick White plays – ‘The Ham Funeral’ and ‘Night on Bald Mountain’ – by the Adelaide Festival of Arts in Australia in the early 1960s.
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Antonio Pietrangeli, The Director of Women
This book re-examines the films of Antonio Pietrangeli, one of the founding fathers of neorealism in the postwar period in Italy, from a feminist perspective. Of the ten full-length films completed by Antonio Pietrangeli, eight featured a female protagonist. This attention to the female subject i...
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Challenging the Narrative
Filmmaker McLaughlin addresses the need to create platforms for survivors of political violence to tell their stories in order to challenge marginalizing narratives and injustices and as a form of public acknowledgement and personal healing.
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The “Slumdog” Phenomenon
Featuring a dynamic combination of landmark essays by leading critics and theorists, “The ‘Slumdog’ Phenomenon: A Critical Anthology” addresses multiple issues relating to “Slumdog Millionaire,” providing new ways of looking at this controversial film.
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Stages of Life
Four autobiographies of early twentieth-century actors and playwrights are presented in English translation, with substantive chapters on the Parsi theatre and strategies for reading autobiography in the Indian context.
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A History of Three-Dimensional Cinema
A History of Three-Dimensional Cinema chronicles 3-D cinema from its origins in 19th-century stereoscopic photography through anaglyphic/digital stereoscopic cinema in the 20th century to the promise of Virtual Reality in the 21st century.
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Performing the Iranian State
This book discusses what it means to “perform the State,” what this action means in relation to the country of Iran and how these various performances are represented.
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Finding Queensland in Australian Cinema
'Finding Queensland in Australian Cinema' explores gender, race and place in selected Australian films in various phases of Australian cinema: from Charles Chauvel’s 'Jedda' (1955), to the ‘period’ films of the New Wave in the 1970s, to the Indigenous filmmakers since the 1990s, and the contempor...
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Action!
‘Action!’ draws on the very best published and unpublished interviews of the ‘Bright Lights Film Journal’, and contains many gems, including the last ever interview given by Francois Truffaut, four months before he died.
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Selected Film Essays and Interviews
A collection of Bruce F. Kawin’s most engaging and important essays on film, accompanied by his interviews with Lillian Gish and Howard Hawks.
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Cinema at the Margins
“Cinema at the Margins” is a collection that aims to highlight some of the lesser-known films and filmmakers of the past that are being marginalized and forgotten in today’s reductive popular memory of movie history.
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Ballet
Ballet is a breathtaking photographic collection, celebrating the precision, athleticism and artistry of classical and contemporary ballet.Live performances allow us to admire ballet’s visual splendour from afar, but rarely are we given the opportunity to study dynamic poses, leaps and lifts in i...
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The Arab National Project in Youssef Chahine’s Cinema
In a major addition to the academic library on the cinema of Youssef Chahine and on Arab and Egyptian cinema in general, Malek Khouri here presents the most comprehensive and up-to-date study on Chahine’s work to appear since his death in 2008. The methodological approach of the book, and more pr...
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The Alphabet About Nothing
From Babu Bhatt to Elaine, Newman to Kramer, The Alphabet About Nothing reviews an unforgettable cast of characters encountered by Jerry and his gang.Written and illustrated before a live studio audience, The Alphabet About Nothing teaches important lessons about something to young fans of the mo...
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Why Britain Rocked
Why Britain Rocked: How Rock Became Roll and Took Over the World challenges the origins of ‘Beatlemania’ by travelling deep into Britain’s history to trace the events that led to Britain’s twentieth century musical explosion. With rigorous in-depth research, new discoveries and original insights ...
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Balanchine and Me
Born in St. Petersburg, Russia, in 1904, George Balanchine was the 20th century’s towering figure of classical ballet. Coming to America in 1933, Balanchine founded the School of American Ballet and the New York City Ballet, where he hired the Danish-born Peter Martins as a dancer and, later, as ...
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Anything But Dull
Anything But Dull: the Life and Art of Jeff Nuttall reveals the life lived and the art created by a visionary polymath whose generosity of spirit defined his character. From childhood traumas to revolutionary acts, through triumphs, defeats and resurrections Jeff Nuttall’s story is told here for ...
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Approaches to the Contemporary American Theatre
In this engaging study, theatre scholar Robert J. Andreach argues, in what will be his final book, that the contemporary American theatre merits appreciation for dramatizing experiences in genres that jostle the audience into thinking about the experiences in new ways, based on five units of anal...
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Contemporary North American Film Directors
This revised and updated edition of the Critical Guide encompasses the careers of over 500 directors that have worked within the North American film industry, including Canada, since the early 1990s. This edition features new or revised material on 150 directors, and includes coverage of mainstre...
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Dreaming of Cinema
Video games, YouTube channels, Blu-ray discs, and other forms of "new" media have made theatrical cinema seem "old." A sense of "cinema lost" has accompanied the ascent of digital media, and many worry film's capacity to record the real is fundamentally changing. Yet the Surrealist movement never...
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The Art of Film
John Box had one of the most productive design careers in British cinema, winning a record four Academy Awards and four BAFTAs. He shot to fame with Lawrence of Arabia (1962)., and directors ranging from David Lean and Carol Reed to Michael Mann and Norman Jewison have all valued his abilit to br...
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Storytelling in World Cinemas
Storytelling in World Cinemas, Vol. 2: Contexts addresses the questions of what and why particular stories are told in films around the world, both in terms of the forms of storytelling used, and of the political, religious, historical, and social contexts informing cinematic storytelling. Drawin...
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Light Readings
Did the 1990s see cinema, as a medium and collective experience, become subsumed into a converging universe of multiple-media? Does our understanding of "cinema" need to be reconsidered to accommodate emerging digital possibilities for the moving image? In Light Readings, leading critic Chris Dar...
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Be Sand, Not Oil
Amos Vogel was one of America's most innovative film historians and curators. An émigré from Austria who arrived in New York just before the Second World War, in 1947 he created Cinema 16, a pioneering film club aimed at audiences thirsty for work "that cannot be seen elsewhere," and in 1963 was ...
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Suzuki Seijun and Postwar Japanese Cinema
William Carroll offers a new account of Suzuki Seijun’s career that highlights the intersections of film theory, film production, cinephile culture, and politics in 1960s Japan. This book presents both a major reinterpretation of Suzuki’s work and a new lens on postwar Japanese film culture and i...
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Dominik Graf [German-language Edition]
Dominik Graf, an exception in the film/television business, is a man of many parts. This is precisely what makes him so fascinating. He is a genre filmmaker, who guilefully attained freedom from within the rigid confines of television, and wrote (German) TV history with his episodes of Der Fahnde...
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The Cinema of Terrence Malick
With 2005's acclaimed and controversial The New World, one of cinema's most enigmatic filmmakers returned to the screen with only his fourth feature film in a career spanning thirty years. While Terrence Malick's work has always divided opinion, his poetic, transcendent filmic language has unques...
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Contemporary Romanian Cinema
This book is the first to provide in-depth analyses of essential works in Romanian cinema ranging from the silent period to contemporary productions.
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Hollywood’s Copyright Wars
Copyright law is important to every stage of media production and reception. It helps determine filmmakers' artistic decisions, Hollywood's corporate structure, and the varieties of media consumption. The rise of digital media and the internet has only expanded copyright's reach. Everyone from pr...
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My Affair with Art House Cinema
My Affair with Art House Cinema presents Phillip Lopate’s selected essays and reviews from the last quarter century, inviting readers to experience films he found exhilarating, tantalizing, and beguiling—and sometimes disappointing or frustrating—through his keen eyes.
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Sentimental Fabulations, Contemporary Chinese Films
What is the sentimental? How can we understand it by way of the visual and narrative modes of signification specific to cinema and through the manners of social interaction and collective imagining specific to a particular culture in transition? What can the sentimental tell us about the precario...
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Philosophers on Film from Bergson to Badiou
Philosophers on Film from Bergson to Badiou is an anthology of writings on cinema and film by many of the major thinkers in continental philosophy. The book presents a selection of fundamental texts, each introduced by the editor, Christopher Kul-Want, who places the philosophers within a histori...
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Hitchcock Annual
Hitchcock Annual, volume 21, contains essays on textured characters in The Skin Game, hospitality in Dial M for Murder, sparse sonic set pieces in various Hitchcock films, and two detailed review essays on recent books on Hitchcock.
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Hideous Progeny
Twisted bodies, deformed faces, aberrant behavior, and abnormal desires characterized the hideous creatures of classic Hollywood horror, which thrilled audiences with their sheer grotesqueness. Most critics have interpreted these traits as symptoms of sexual repression or as metaphors for other k...
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The Cinema of John Carpenter
John Carpenter is a seminal figure in the history of horror and science fiction filmmaking. His work in these genres has been highly influential in their ongoing development. This book gives Carpenter's output the sustained critical treatment it deserves. It comprises essays that address the whol...
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Bring Me the Head of Alfredo Garcia
In 1974, The Wall Street Journal called this movie "grotesque, sadistic, irrational, obscene, incompetent," while New York Magazine declared it "a catastrophe." Upon its initial release, Sam Peckinpah´s notorious work took a critical and commercial nosedive, but in later years, the work was heral...
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The Cinema of Hal Hartley
Featuring new essays on this important director and his films, this collection explores Hartley’s work from a variety of aesthetic, cultural, and economic contexts, while also looking closely at his collaborations with actors, his reworking of the romantic comedy and other genres, and the shiftin...
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The Essay Film
The essay film as a visual form raises new questions about the construction of the subject, its relationship to the world, and the aesthetic possibilities of cinema. This volume examines the potential of the essayistic to question, investigate, and reflect on all forms of cinema.
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Theater in the Face of War
This book aims to commemorate and honor people and events in Polish and Ukrainian theater at a time when people-to-people solidarity is especially important and should rise above nationalistic prejudices, historical resentments or political interests.
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The Sounds of Commerce
The Sounds of Commerce is the first book to present a detailed historical analysis of popular music in American film, from the era of sheet music sales, to that of orchestrated pop records by Henry Mancini and Ennio Morricone in the 1960 to the MTV-ready pop songs that occupy soundtrack CDs of t...
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Fantasy Cinema
Often dismissed as escapist tales of sword and sorcery or childish fairytales, fantasy is one of the fundamental impulses in filmmaking, a source of some of the most vivid and memorable films ever made. This volume covers the major genres, stylistic approaches, and exponents of cinematic fantasy,...
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Dziga Vertov
For the Russian filmmaker and film theorist Dziga Vertov (1896-1954), cinema was both a bold aesthetic experiment and a document of contemporary life. This English/German bilingual catalogue includes films, photographs, posters, letters and a large number of previously unpublished sketches, drawi...
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Screen Methods
Screen Methods: Comparative Readings in Film Studies is a collection of essays that explores the progression of film studies, an increasingly popular subject at universities, and how it has been approached theoretically, culturally and historically. In doing so, the contributors provide invaluabl...
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Storytelling in World Cinemas
Storytelling in World Cinemas, Vol. 1: Forms is an innovative collection of essays that discuss how different cinemas of the world tell stories. The book locates European, Asian, African, and Latin American films within their wider cultural and artistic frameworks, showing how storytelling forms ...
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Brazilian Cinema
From the documentary to the cinema novo and cannibalism, from Nelson Pereira dos Santos's Vidas Secas to music in the films of Glauber Rocha, this third, revised edition is a century-spanning introduction to the story of a medium that flourished in one of the most developed of 'underdeveloped' na...
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Hitchcock Annual
Includes Screenwriter's Forum; Psycho dossier; essays on The Lodger, Rear Window, and To Catch a Thief; Hitchcock and French Film Criticism; and reviews.
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Reconstructing Strangelove
With rare access to unpublished materials, this volume assesses Dr. Strangelove's narrative accuracy, consulting recently declassified Cold War nuclear-policy documents alongside interviews with Kubrick's collaborators. It focuses on the myths surrounding the film.
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Millennial Cinema
In spite of the overwhelming interest in the study of memory and trauma, no single volume has yet explored the centrality of memory to films of this era in a global context; this volume is the first anthology devoted exclusively to the study of memory in twenty-first-century cinema. Combining ind...
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Deviant Eyes, Deviant Bodies
Straayer looks at commercial film and video from a new angle, and compels readers to consider the wealth of films made by and for non-traditional viewers. She surveys Hollywood productions ranging from the 1935 Stella Dallas to 1994's Mrs. Doubtfire.
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Hitchcock Annual
A yearly collection of essays about Hitchcock's work and life.
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Jean-Marie Straub and Danièle Huillet
From their first film in 1963, Jean-Marie Straub and Danièle Huillet distinguished themselves as two of Europe's most inventive, generous, and uncompromising filmmakers. From Machorka-Muff (1963) through These Encounters of Theirs (2006), and in the subsequent solo work of Jean-Marie Straub, they...
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The Disappearing Christ
Phillip Maciak examines filmic depictions of Jesus to argue that cinema developed as a model technology of secularism, training viewers for belief in a secular age. Cinematic depictions of an appearing and disappearing Christ became a powerful vehicle for Americans to navigate a rapidly modernizi...
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Disaster Movies
Stephen Keane's history of the disaster genre offers a detailed analysis of films such as The Towering Inferno, Independence Day, Titanic, and The Day After Tomorrow. He looks at the ways in which disaster movies can be read in relation to both contextual considerations and the increasing commerc...
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