Based on an actual experience, Sleep Deprivation Chamber depicts the emotional devastation of police brutality and the criminal justice system on a highly educated, middle class black family.
Based on an actual experience, Sleep Deprivation Chamber depicts the emotional devastation of police brutality and the criminal justice system on a highly educated, middle class black family.
A gripping examination of the conflicting realities of the Black experience of twentieth-century America.
A broken taillight leads to the brutal beating of a highly educated, middle-class black man by a policeman in suburban Virginia. The Kennedys interweave the trial of the victimized son (subsequently accused of assaulting the offending officer) with his mother's poignant letters of defense and remembrance.
Details
Price: $14.95
Pages: 112
Carton Quantity: 124
Publisher: Theatre Communications Group
Imprint: Theatre Communications Group
Publication Date: 1st November 1996
Trim Size: 5.4 x 8.5 in
ISBN: 9781559361262
Format: Paperback
BISACs: SOCIAL SCIENCE / Ethnic Studies / African American Studies DRAMA / Women Authors DRAMA / Subjects & Themes / Diversity & Multicultural DRAMA / American / African American DRAMA / Contemporary
Reviews
The most powerful play I've seen in many years. —Ishmael Reed, composer, playwright, publisher, multi-hyphenate
Author Bio
Adam P. Kennedy is a writer and producer. His television production company, R.A.V.E., has produced shows for teens that have aired nationally on PBS and network television, including Africa/USA: The Connection; The World Connection, a three-part series; and Phat Traks, a weekly hip-hop music program. In 1997, Kennedy, along with Karen Lauder and Marcus Ticotin, founded Abandon Entertainment, a television and movie company. His eponymous Kennedy Publishing won the 2007 the Pen Oakland Josephine Miles Award for excellence in literature, for Mom, How Did You Meet the Beatles.
Adrienne Kennedy has been an important figure in the American theatre since the early 1960s, influencing generations of playwrights. She is a three-time Obie-award winning playwright, including Funnyhouse of a Negro in 1964 and June and Jean in Concert in 1996. Among Kennedy's many honors are the American Academy of Arts and Letters award and the Guggenheim fellowship. She has been commissioned to write works for the Public Theater, Jerome Robbins, the Royal Court Theatre, the Mark Taper Forum and Juilliard. In 1995-1996, Signature Theatre Company dedicated its entire season to presenting her works. Kennedy has been a visiting professor at Yale University, Princeton, Brown University, the University of California at Berkeley and Harvard University. Kennedy attended Ohio State University and received an honorary doctorate in 2003 in recognition of the 50th anniversary of her graduation.
A gripping examination of the conflicting realities of the Black experience of twentieth-century America.
A broken taillight leads to the brutal beating of a highly educated, middle-class black man by a policeman in suburban Virginia. The Kennedys interweave the trial of the victimized son (subsequently accused of assaulting the offending officer) with his mother's poignant letters of defense and remembrance.
Price: $14.95
Pages: 112
Carton Quantity: 124
Publisher: Theatre Communications Group
Imprint: Theatre Communications Group
Publication Date: 1st November 1996
Trim Size: 5.4 x 8.5 in
ISBN: 9781559361262
Format: Paperback
BISACs: SOCIAL SCIENCE / Ethnic Studies / African American Studies DRAMA / Women Authors DRAMA / Subjects & Themes / Diversity & Multicultural DRAMA / American / African American DRAMA / Contemporary
The most powerful play I've seen in many years. —Ishmael Reed, composer, playwright, publisher, multi-hyphenate
Adam P. Kennedy is a writer and producer. His television production company, R.A.V.E., has produced shows for teens that have aired nationally on PBS and network television, including Africa/USA: The Connection; The World Connection, a three-part series; and Phat Traks, a weekly hip-hop music program. In 1997, Kennedy, along with Karen Lauder and Marcus Ticotin, founded Abandon Entertainment, a television and movie company. His eponymous Kennedy Publishing won the 2007 the Pen Oakland Josephine Miles Award for excellence in literature, for Mom, How Did You Meet the Beatles.
Adrienne Kennedy has been an important figure in the American theatre since the early 1960s, influencing generations of playwrights. She is a three-time Obie-award winning playwright, including Funnyhouse of a Negro in 1964 and June and Jean in Concert in 1996. Among Kennedy's many honors are the American Academy of Arts and Letters award and the Guggenheim fellowship. She has been commissioned to write works for the Public Theater, Jerome Robbins, the Royal Court Theatre, the Mark Taper Forum and Juilliard. In 1995-1996, Signature Theatre Company dedicated its entire season to presenting her works. Kennedy has been a visiting professor at Yale University, Princeton, Brown University, the University of California at Berkeley and Harvard University. Kennedy attended Ohio State University and received an honorary doctorate in 2003 in recognition of the 50th anniversary of her graduation.
August Wilson's Century Cycle is one of the most ambitious dramatic projects ever undertaken (The New York Times). With it, Wilson dramatized the African American experience and heritage in the twentieth century, with a play for each decade, almost all set in the Hill District of Pittsburgh, where he grew up. Wilson's extraordinary lifework—completed just before his death in October 2005—is presented here for the first time in its entirety.
"Art is beholden to the kiln in which the artist was fired. Before I am anything, a man or a playwright, I am an African American…The cycle of plays that I have been writing since 1979 is my attempt to represent that culture on stage in all its richness and fullness and to demonstrate its ability to sustain us in all areas of human life and endeavor and through profound moments of our history in which the larger society has thought less of us than we have thought of ourselves.
The characters in the plays still place their faith in America's willingness to live up to the meaning of her creed. It is this belief in America's honor that allows them to pursue the American Dream even as it remains elusive…They shout, they argue, they wrestle with love, honor, duty, betrayal; they have loud voices and big hearts; they demand justice, they love, they laugh, they cry, they murder, and they embrace life with zest and vigor…In all the plays, the characters remain pointed towards the future, their pockets lined with fresh hope and an abiding faith in their own abilities and their own heroics."—August Wilson
Titles included in the set:
Gem of the Ocean (9781559362818)
Joe Turner’s Come and Gone (9781559362986)
Ma Rainey’s Black Bottom (9781559362993)
The Piano Lesson (9781559363006)
Seven Guitars (9781559363013)
Fences (9781559363020)
Two Trains Running (9781559363037)
Jitney (9781559363044)
King Hedley II (9781559363051)
Radio Golf (9781559363068)
The Intelligent Homosexual's Guide to Capitalism and Socialism with a Key to the Scriptures
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“iHo is a vast, rich work of public-intellectual engagement. . . The values built into this beautifully inquiring play operate outside of common dramatic economies. Kushner’s carefully organized labor of love is a spur to the active mind.”—Adam Feldman, Time Out New York
Gus Marcantonio, a retired longshoreman, summons his adult children home to the family’s Brooklyn brownstone to discuss his recent decision to commit suicide. With his trademark mix of soaring intellect, searing emotion, and biting wit, Kushner unfurls an epic tale of revolution, radicalism, family, love, sex, politics, real estate, unions, and debts both unpaid and unpayable.
The Long Revolution
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This volume gathers sixty years of essays, speeches, and manifestos by the founding mother of the resident professional theatre movement.
As a founder and artistic director of the flagship Arena Stage in Washington, D.C., and chair of New York University’s Graduate Acting program, the late Zelda Fichandler changed the where and how of the American theatre.
The Long Revolution gathers Fichandler’s most prescient writing about that movement, ranging over such topics as The Institution as Art-Work, the Profit in NonProfit, Race and a Deepening Aesthetic, and Creativity and the Public Mind. It also includes intimate portraits of artists with whom she frequently collaborated and director’s notes from the major productions that defined her vision.
Celebrated as the defining architect and builder of the most sweeping transformation of twentieth-century American theatre, her brilliant writing reestablishes Fichandler as one of its most expansive and provocative thinkers.
Fat Ham
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Winner of the 2022 Pulitzer Prize for Drama, James Ijames' Fat Ham reinvents Shakespeare's masterpiece in startling and hilarious ways amidst the backdrop of a family barbecue in the American South.
Winner of the 2024 Lambda Literary Award for LGBTQ+ Drama.
Juicy—a young, queer, Southern man, who is grappling with questions of identity—is visited by the ghost of his father (Pap) at his mother’s wedding/family barbecue. Pap demands that Juicy avenge his recent murder. How will Juicy, a sensitive and self-aware young Black man, trying to break a cycle of trauma and toxic masculinity, avenge his father’s premature death? Fat Ham reinvents Shakespeare’s masterpiece in startling and hilarious ways amidst the backdrop of a family barbeque in the American South.
English / Wish You Were Here
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WINNER OF THE PULITZER PRIZE FOR DRAMA 2023 —ENGLISH
In this two-play volume, Pulitzer Prize–winning playwright Sanaz Toossi explores the emotional toll of migration, both for those who leave and those who stay.
Taken together, English and Wish You Were Here offer a moving portrait of the complex effects of the Iranian diaspora.
100 Plays to Save the World
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This book is a guide to one hundred plays addressing the most urgent and important issue of our time: the climate crisis
100 Plays to Save the World is a book to provoke as well as inspire—to start conversations, inform debate, challenge our thinking, and be a launchpad for future productions. Above all, it is a call to arms—to step up, think big, and unleash theatre’s power to imagine a better future into being.
Each play is explored with an essay illuminating key themes in climate issues: Resources, Energy, Migration, Responsibility, Fightback, and Hope.
100 Plays to Save the World is an empowering resource for theatre directors, producers, teachers, youth leaders, and writers looking for plays that speak to our present moment.