Accidental Death of an Anarchist (West End edition)

People have been using tobacco in a variety of forms for centuries. Remarkably, it was originally seen as something that could promote vigor and health. Of course, now we all know that tobacco use causes death and disability in epidemic proportions. If smoking is so bad for us, why in heaven’s name would anyone still smoke?

Quite a bit has changed since tobacco first made the transition to a widely available agricultural product. Unfortunately, the general clinical approach to addressing this problem has failed to keep pace with tobacco technology and its addictive properties. People around the world who have fallen prey to the subtleties of nicotine addiction, or who care for those who have, would benefit from a deeper understanding of the ways in which nicotine can affect the brain’s function and change behaviors over a lifetime. Why People Smoke breaks down the science of tobacco dependence and presents it in a way that is both easily understandable and clinically useful for anyone interested in helping people break free of nicotine’s influence.

Why People Smoke is a first-of-its-kind clinical guide to treating tobacco dependence. The book helps readers make meaningful connections between tobacco’s effects at the cellular level, the predictable behavioral manifestations of the disorder, and the social science and systems requirements required to make a fundamental impact on this disorder. Unlike previous publications like self-help books, step-by-step curricula, or clinical guidelines, Why People Smoke puts practical clinical insights—gained from twenty-five years of practice—into perspective, helping the reader understand how “brain change” translates into “mind change” and the persistent compulsion to smoke . . . despite a person’s desperate desire to stop.

Reading Why People Smoke will change the way you see smoking forever.

A girl made of glass. Gods and murders. A serial killer’s friends. And a secret in a bottle. This volume also contains the short plays Seven Jewish Children, Ding Dong the Wicked, Pigs and Dogs, War and Peace Gaza Piece, Tickets Now on Sale, and Beautiful Eyes.

“This new play is a subversive enchantment. It is part absurd domestic seriocomedy, part erotic magic realism, unflinching about taboos and about questioning that, just maybe, monogamy isn’t enough.” —Linda Winer, Newsday

Over dinner with another married couple, George and her husband grow fascinated by stories of their friends’ new acquaintance—an intriguing younger woman named Pip. What begins as an innocent intellectual discussion turns into a sexually explosive New Year’s Eve party after George extends an invitation to Pip and her two live-in boyfriends, raising the question: What ultimately binds human beings together?

“Smart, funny and utterly engrossing…This unexpectedly rich sequel reminds us that houses tremble and sometimes fall when doors slam, and that there are living people within, who may be wounded or lost…Mr. Hnath has a deft hand for combining incongruous elements to illuminating ends.” —Ben Brantley, New York Times

It has been fifteen years since Nora Helmer slammed the door on her stifling domestic life, when a knock comes at that same door. It is Nora, and she has returned with an urgent request. What will her sudden return mean to those she left behind? Lucas Hnath’s funny, probing, and bold play is both a continuation of Ibsen’s complex exploration of traditional gender roles, as well as a sharp contemporary take on the struggles inherent in all human relationships across time.

August Wilson's Century Cycle is one of the most ambitious dramatic projects ever undertaken (The New York Times). With it, Wilson dramatized the African American experience and heritage in the twentieth century, with a play for each decade, almost all set in the Hill District of Pittsburgh, where he grew up. Wilson's extraordinary lifework—completed just before his death in October 2005—is presented here for the first time in its entirety.

"Art is beholden to the kiln in which the artist was fired. Before I am anything, a man or a playwright, I am an African American…The cycle of plays that I have been writing since 1979 is my attempt to represent that culture on stage in all its richness and fullness and to demonstrate its ability to sustain us in all areas of human life and endeavor and through profound moments of our history in which the larger society has thought less of us than we have thought of ourselves.

The characters in the plays still place their faith in America's willingness to live up to the meaning of her creed. It is this belief in America's honor that allows them to pursue the American Dream even as it remains elusive…They shout, they argue, they wrestle with love, honor, duty, betrayal; they have loud voices and big hearts; they demand justice, they love, they laugh, they cry, they murder, and they embrace life with zest and vigor…In all the plays, the characters remain pointed towards the future, their pockets lined with fresh hope and an abiding faith in their own abilities and their own heroics."—August Wilson

• Gem of the Ocean (9781559362818)
• Joe Turner’s Come and Gone (9781559362986)
• Ma Rainey’s Black Bottom (9781559362993)
• The Piano Lesson (9781559363006)
• Seven Guitars (9781559363013)
• Fences (9781559363020)
• Two Trains Running (9781559363037)
• Jitney (9781559363044)
• King Hedley II (9781559363051)
• Radio Golf (9781559363068)

From whimsical comedies to nail-biting chillers, Julia Cho is one of the most versatile playwrights in the contemporary theater. Her plays have been produced at Playwrights Hori­zons, Roundabout Theatre Company, Vineyard Theatre, New York Theatre Workshop, South Coast Repertory, Berkeley Repertory Theatre, and Long Wharf Theatre, among others. She’s the recipient of a Susan Smith Black­burn Prize and is an alumna of New Dramatists. This collection includes the plays The Language Archive, Durango, Aubergine, The Piano Teacher, and Office Hour.