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A quirky and reverent romp through nature with an irreverently funny guide.
"Among nature writers now working, Charles Hood may be my favorite. He never stops telling stories, and his perspective is fundamentally comic, even when he's recounting a tragedy." —Jonathan Franzen
In these wry and explosively funny essays, nature obsessive Charles Hood reveals his abiding affection for the overlooked and undervalued parts of the natural world. Like a Bill Bryson of the Mojave exurbs, Hood takes us on a joyride through the obscure, finding wilderness in Hollywood palms, the airports of Alaska, and the empty lots of Palmdale. In a zinger-filled whirl of literary and artistic allusions, he celebrates Audubon’s droopy condor, the world-changing history of a cactus parasite, and the weird art of natural history dioramas. This debut collection of creative nonfiction from a widely published poet, photographer, and wildlife guide unveils the wonderment of nature’s underbelly with poetic vision and singular wit.
"What makes this collection such a consistent joy is ultimately how hopeful the author feels, and how much he continues to enjoy moving through the world despite the twin realities of bad knees and climate change. [...] Reading Hood's work will make you feel smarter but, even more crucially in this dire age, more open to the sublime. [...] Read this book. It's a true delight." —Los Angeles Times
"Among nature writers now working, Charles Hood may be my favorite. He never stops telling stories, and his perspective is fundamentally comic, even when he's recounting a tragedy." —Jonathan Franzen
"Once you’ve had a taste of the world of Charles Hood, you’ll want to follow him wherever he goes. He’s brilliantly entertaining and this is his best book yet." —Elizabeth McKenzie, author of The Portable Veblen"Hood is the love child of Rebecca Solnit and Edward Abbey, assuming such a child had been raised in an art colony by demented garden gnomes." —Michael Guista, author of Brain Work, winner of the Bakeless Prize for Literature
"Charles Hood’s essay about James Audubon’s work should be required for anyone who possesses a pair of eyes, whether or not they use them for birdwatching or perusing art." —William Fox, Director of The Center for Land + Environment, Nevada Museum of Art
The Lure of the List
Nature Journals for Fun and Profit
Fifty Dreams for Forty Monkeys
Things You Can Do with Water
Two Thousand Palm Trees
Divorce Insurance
A Small, Humble Addiction
Confessions of an Amateur
Today I Will Draw a Penguin
Love and Sex in Natural History Dioramas
Cochineal and the Color Red
Audubon’s Tiny Houses
Landscape with Unicorns and Barnacles