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French Organ Music from the Revolution to Franck and Widor
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Essays by prominent scholars and organists examine the music of Franck and other nineteenth-century French organist-composers through stylistic analysis, study of compositional process, and explora...
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01 October 1995

Essays by prominent scholars and organists examine the music of Franck and other nineteenth-century French organist-composers through stylistic analysis, study of compositional process, and exploration of how ideas about organ technique and performance-practice traditions developed and became codified.
Nineteenth-century French organ music attracts an ever-increasing number of performers and devotees. The music of Cesar Franck and other distinguished composers-Boëly, Guilmant, Widor-and the impact upon this repertoire of the organ-building achievements of Aristide Cavaillé-Coll, are here explored through stylistic analysis, the study of the compositional process, and the exploration of how ideas about organ technique and performance practice traditions developed and became codified. New consideration is also given to the political and cultural contexts within which Franck and other French organist-composers worked.
Contributors: Kimberley Marshall, William J. Peterson,Benjamin van Wye, Craig Cramer, Jesse E. Eschbach, Karen Hastings-Deans, Marie-Louise Jaquet-Langlasi, Daniel Roth, Edward Zimmerman, Lawrence Archbold, Rollin Smith
Nineteenth-century French organ music attracts an ever-increasing number of performers and devotees. The music of Cesar Franck and other distinguished composers-Boëly, Guilmant, Widor-and the impact upon this repertoire of the organ-building achievements of Aristide Cavaillé-Coll, are here explored through stylistic analysis, the study of the compositional process, and the exploration of how ideas about organ technique and performance practice traditions developed and became codified. New consideration is also given to the political and cultural contexts within which Franck and other French organist-composers worked.
Contributors: Kimberley Marshall, William J. Peterson,Benjamin van Wye, Craig Cramer, Jesse E. Eschbach, Karen Hastings-Deans, Marie-Louise Jaquet-Langlasi, Daniel Roth, Edward Zimmerman, Lawrence Archbold, Rollin Smith
Price: $36.95
Pages: 337
Publisher: Boydell & Brewer Inc.
Imprint: University of Rochester Press
Publication Date:
01 October 1995
Trim Size: 22.80 X 15.20 in
ISBN: 9781580460712
Format: Paperback
BISACs:
MUSIC / Musical Instruments / General, Musical instruments
Excellent scholarship; highly recommended for all academic collections.
Introduction
From the Revolution to Franck
Evolutionary Schemes: Organists and Their Revolutionary Music
Organ Music in the Mass of the Parisian Rite to 1850 with Emphasis on the Contributions of Boёly
Boёly's Quatorze Préludes sur des cantiques de Denizot, op.15, and the Creation of a French "Christmas" Orgelbüchlein
Lemmens, His École d'orgue, and Nineteenth-Century Organ Methods
Franck: The Texts
Paris, Bibliothèque Nationale, MS 8707: A New Source for Franck's Registrational Practices and Its Implications for the Published Registrations of His Organ Works
From Manuscript to Publication: Franck's Choral No. 1
Franck: Issues in Performance
The Organ Works of Franck: A Survey of Editorial and Performance Problems
Some Thoughts on the Interpretation of the Organ Works of Franck, on His Organ, and on the Lemmens Tradition
Widor and His Contemporaries
"Why Should We Not Do the Same with Our Catholic Melodies?": Guilmant's L'Organiste liturgiste, op. 65
Widor's Symphonie romane
The Organ of the Trocadéro and Its Players
Contributors
Index
From the Revolution to Franck
Evolutionary Schemes: Organists and Their Revolutionary Music
Organ Music in the Mass of the Parisian Rite to 1850 with Emphasis on the Contributions of Boёly
Boёly's Quatorze Préludes sur des cantiques de Denizot, op.15, and the Creation of a French "Christmas" Orgelbüchlein
Lemmens, His École d'orgue, and Nineteenth-Century Organ Methods
Franck: The Texts
Paris, Bibliothèque Nationale, MS 8707: A New Source for Franck's Registrational Practices and Its Implications for the Published Registrations of His Organ Works
From Manuscript to Publication: Franck's Choral No. 1
Franck: Issues in Performance
The Organ Works of Franck: A Survey of Editorial and Performance Problems
Some Thoughts on the Interpretation of the Organ Works of Franck, on His Organ, and on the Lemmens Tradition
Widor and His Contemporaries
"Why Should We Not Do the Same with Our Catholic Melodies?": Guilmant's L'Organiste liturgiste, op. 65
Widor's Symphonie romane
The Organ of the Trocadéro and Its Players
Contributors
Index