In Lucy Kirkwood's version of Hedda Gabler, Ibsen's nineteenth-century heroine is relocated to present-day London, to startling effect.

Hedda, still mourning for the father she adored, returns from honeymoon with a husband she doesn't love, to a flat and a pregnancy she doesn't want. Trapped by her past and terrified of her future, bored by her life but too cowardly to walk away from it, she finds herself caught between three men. And in the end, something has to give