A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. The colonial experience of... Read More
Description
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more.
The colonial experience of the early twentieth century shaped Korea’s culture and identity, leaving a troubling past that was subtly reconstructed in South Korean postcolonial cinema. Relating postcolonial discourses to a reading of Manchurian action films, kisaeng and gangster films, and revenge horror films, Parameters of Disavowal shows how filmmakers reworked, recontextualized, and erased ideas and symbols of colonial power. In particular, Jinsoo An examines how South Korean films privileged certain sites, such as the kisaeng house and the Manchurian frontier, generating unique meanings that challenged the domination of the colonial power, and how horror films indirectly explored both the continuing trauma of colonial violence and lingering emotional ties to the colonial order. Espousing the ideology of nationalism while responding to a new Cold War order that positioned Japan and South Korea as political and economic allies, postcolonial cinema formulated distinctive ways of seeing and imagining the colonial past.
The colonial experience of the early twentieth century shaped Korea’s culture and identity, leaving a troubling past that was subtly reconstructed in South Korean postcolonial cinema. Relating postcolonial discourses to a reading of Manchurian action films, kisaeng and gangster films, and revenge horror films, Parameters of Disavowal shows how filmmakers reworked, recontextualized, and erased ideas and symbols of colonial power. In particular, Jinsoo An examines how South Korean films privileged certain sites, such as the kisaeng house and the Manchurian frontier, generating unique meanings that challenged the domination of the colonial power, and how horror films indirectly explored both the continuing trauma of colonial violence and lingering emotional ties to the colonial order. Espousing the ideology of nationalism while responding to a new Cold War order that positioned Japan and South Korea as political and economic allies, postcolonial cinema formulated distinctive ways of seeing and imagining the colonial past.
Details
- Price: $34.95
- Pages: 204
- Carton Quantity: 40
- Publisher: University of California Press
- Imprint: University of California Press
- Series: Global Korea
- Publication Date: 8th June 2018
- Trim Size: 6 x 9 in
- Illustration Note: 12 b-w
- ISBN: 9780520295308
- Format: Paperback
- BISACs:
PERFORMING ARTS / Film & Video / History & Criticism
HISTORY / Asia / Korea
HISTORY / Asia / General
Reviews
- Cross-Currents"An’s study is complex as he deals with people and culture at different times—colonial days, the days of producing the films, and contemporary audiences and critics. His painstaking work of sorting and collecting relevant films and analyzing such a huge data set indeed represents a tremendous effort and achievement. The memory of colonial days should not be forgotten; Koreans have to embrace, cherish, and be able to confidently live with this enduring han."
Author Bio
Table of Contents
List of Illustrations
Acknowledgments
Introduction
1. Under the Banner of Nationalism: The Changing Imagery of Anticolonial Leadership
2. Film and the Waesaek (“Japanese Color”) Controversies of the 1960s
3. The Manchurian Action Film: A New Anticolonial Imaginary in the Cold War Context
4. In the Colonial Zone of Contact: Kisaeng and Gangster Films
5. Horror and Revenge: Return of the Repressed Colonial Violence
Coda: After 2000
Notes
Bibliography
Index
Acknowledgments
Introduction
1. Under the Banner of Nationalism: The Changing Imagery of Anticolonial Leadership
2. Film and the Waesaek (“Japanese Color”) Controversies of the 1960s
3. The Manchurian Action Film: A New Anticolonial Imaginary in the Cold War Context
4. In the Colonial Zone of Contact: Kisaeng and Gangster Films
5. Horror and Revenge: Return of the Repressed Colonial Violence
Coda: After 2000
Notes
Bibliography
Index
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more.
The colonial experience of the early twentieth century shaped Korea’s culture and identity, leaving a troubling past that was subtly reconstructed in South Korean postcolonial cinema. Relating postcolonial discourses to a reading of Manchurian action films, kisaeng and gangster films, and revenge horror films, Parameters of Disavowal shows how filmmakers reworked, recontextualized, and erased ideas and symbols of colonial power. In particular, Jinsoo An examines how South Korean films privileged certain sites, such as the kisaeng house and the Manchurian frontier, generating unique meanings that challenged the domination of the colonial power, and how horror films indirectly explored both the continuing trauma of colonial violence and lingering emotional ties to the colonial order. Espousing the ideology of nationalism while responding to a new Cold War order that positioned Japan and South Korea as political and economic allies, postcolonial cinema formulated distinctive ways of seeing and imagining the colonial past.
The colonial experience of the early twentieth century shaped Korea’s culture and identity, leaving a troubling past that was subtly reconstructed in South Korean postcolonial cinema. Relating postcolonial discourses to a reading of Manchurian action films, kisaeng and gangster films, and revenge horror films, Parameters of Disavowal shows how filmmakers reworked, recontextualized, and erased ideas and symbols of colonial power. In particular, Jinsoo An examines how South Korean films privileged certain sites, such as the kisaeng house and the Manchurian frontier, generating unique meanings that challenged the domination of the colonial power, and how horror films indirectly explored both the continuing trauma of colonial violence and lingering emotional ties to the colonial order. Espousing the ideology of nationalism while responding to a new Cold War order that positioned Japan and South Korea as political and economic allies, postcolonial cinema formulated distinctive ways of seeing and imagining the colonial past.
- Price: $34.95
- Pages: 204
- Carton Quantity: 40
- Publisher: University of California Press
- Imprint: University of California Press
- Series: Global Korea
- Publication Date: 8th June 2018
- Trim Size: 6 x 9 in
- Illustrations Note: 12 b-w
- ISBN: 9780520295308
- Format: Paperback
- BISACs:
PERFORMING ARTS / Film & Video / History & Criticism
HISTORY / Asia / Korea
HISTORY / Asia / General
– Cross-Currents"An’s study is complex as he deals with people and culture at different times—colonial days, the days of producing the films, and contemporary audiences and critics. His painstaking work of sorting and collecting relevant films and analyzing such a huge data set indeed represents a tremendous effort and achievement. The memory of colonial days should not be forgotten; Koreans have to embrace, cherish, and be able to confidently live with this enduring han."
List of Illustrations
Acknowledgments
Introduction
1. Under the Banner of Nationalism: The Changing Imagery of Anticolonial Leadership
2. Film and the Waesaek (“Japanese Color”) Controversies of the 1960s
3. The Manchurian Action Film: A New Anticolonial Imaginary in the Cold War Context
4. In the Colonial Zone of Contact: Kisaeng and Gangster Films
5. Horror and Revenge: Return of the Repressed Colonial Violence
Coda: After 2000
Notes
Bibliography
Index
Acknowledgments
Introduction
1. Under the Banner of Nationalism: The Changing Imagery of Anticolonial Leadership
2. Film and the Waesaek (“Japanese Color”) Controversies of the 1960s
3. The Manchurian Action Film: A New Anticolonial Imaginary in the Cold War Context
4. In the Colonial Zone of Contact: Kisaeng and Gangster Films
5. Horror and Revenge: Return of the Repressed Colonial Violence
Coda: After 2000
Notes
Bibliography
Index