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“The depth, breadth, and height of scholarship in Piece by Piece is evident throughout, yet the writing is graceful and clear . . . In each of these thirty pieces, Hadas takes us on the scenic and historic route to our destination, and we’re grateful for the trip.”—Literary Matters
“Rachel Hadas, one of our best poets, has once again proved herself a lively, indispensable essayist. She has spent a lifetime falling in love with books, and it shows. In Piece by Piece she ranges superbly from Kipling and Salinger to thirtysomething contemporary poets. Her personal essays, poignantly evoking parents and friends, are haunting and intensely memorable. Hadas is not just a wise critic, but a vigorous, highly enjoyable one too.”―David Mikics, author of Slow Reading in a Hurried Age and The Annotated Emerson
From a Corfu classroom to an Accra art gallery to a spa in Truth or Consequences, New Mexico, this collection of prose by poet Rachel Hadas ranges through space. It reaches back in time as Hadas recalls a 1950’s New York City childhood “saturated with books” and long-departed parents, both of whom were teachers and deeply scholarly in different ways. In Piece by Piece, Hadas―who has read and written and taught and lived a life surrounded by readers, writers, and teachers―sifts through the texts and experiences of her bookish life to pass on her findings to new readers.
“Rachel Hadas, one of our best poets, has once again proved herself a lively, indispensable essayist. She has spent a lifetime falling in love with books, and it shows. In Piece by Piece she ranges superbly from Kipling and Salinger to thirtysomething contemporary poets. Her personal essays, poignantly evoking parents and friends, are haunting and intensely memorable. Hadas is not just a wise critic, but a vigorous, highly enjoyable one too.”―David Mikics, author of Slow Reading in a Hurried Age and The Annotated Emerson
From a Corfu classroom to an Accra art gallery to a spa in Truth or Consequences, New Mexico, this collection of prose by poet Rachel Hadas ranges through space. It reaches back in time as Hadas recalls a 1950’s New York City childhood “saturated with books” and long-departed parents, both of whom were teachers and deeply scholarly in different ways. In Piece by Piece, Hadas―who has read and written and taught and lived a life surrounded by readers, writers, and teachers―sifts through the texts and experiences of her bookish life to pass on her findings to new readers.
“Writing a book review,” she says in the foreword, “is only one way, and rarely the most interesting way, to engage with what one has read. I’m more interested in what happens to that book as time passes—the obliterations and transformations of memory. What and how do I recall what I’ve read, sometimes many years before? How, at different times in my life, did books help me?” Rich with a variety of connections in every essay or review, Piece by Piece is about books and about paying attention. It’s about living.
Price: $19.95
Pages: 221
Publisher: Paul Dry Books
Imprint: Paul Dry Books
Publication Date:
15 June 2021
Trim Size: 9.00 X 6.00 in
ISBN: 9781589881556
Format: Paperback
BISACs:
LITERARY COLLECTIONS / Essays, LITERARY CRITICISM / Books & Reading, LITERARY COLLECTIONS / General, LITERARY CRITICISM / General
PRAISE FOR RACHEL HADAS:
"[A] powerful, autumnal book."—New York Times Book Review on The Golden Road
"An impressively wide-ranging and compassionate book."—Times Literary Supplement on The Golden Road
"Exquisite, polished, cerebral, and yet filled with womanly, workaday reflections, Hadas's work reminds us that poetry is both celebration and a craft to be honed carefully."—Library Journal on Halfway Down the Hall
"The internal paths and landscapes mapped by Hadas are often eerily alluring, her use of repetition and caesura beckoning the reader on. Threading and webs bind the collection, and it’s difficult not to get caught up in Hadas’s dark incantatory world."—Times Literary Supplement on Questions in the Vestibule
"Hadas is one of the most accomplished belle-lettrists, author of twenty books of poetry, essays and translations. As a writer, she is disarmingly adept at moving between the personal—often using relationships and events from her own life as the subject matter or springboard into poems and essays, but her writing is also deeply shaped and informed by her classical background and fluency with narrative structure and by her formal dexterity."—The Hudson Review on Questions in the Vestibule
"[A] thoughtful and lucid tale of love, companionship, and heartbreaking illness."—Lydia Davis on Strange Relation
"[A] powerful, autumnal book."—New York Times Book Review on The Golden Road
"An impressively wide-ranging and compassionate book."—Times Literary Supplement on The Golden Road
"Exquisite, polished, cerebral, and yet filled with womanly, workaday reflections, Hadas's work reminds us that poetry is both celebration and a craft to be honed carefully."—Library Journal on Halfway Down the Hall
"The internal paths and landscapes mapped by Hadas are often eerily alluring, her use of repetition and caesura beckoning the reader on. Threading and webs bind the collection, and it’s difficult not to get caught up in Hadas’s dark incantatory world."—Times Literary Supplement on Questions in the Vestibule
"Hadas is one of the most accomplished belle-lettrists, author of twenty books of poetry, essays and translations. As a writer, she is disarmingly adept at moving between the personal—often using relationships and events from her own life as the subject matter or springboard into poems and essays, but her writing is also deeply shaped and informed by her classical background and fluency with narrative structure and by her formal dexterity."—The Hudson Review on Questions in the Vestibule
"[A] thoughtful and lucid tale of love, companionship, and heartbreaking illness."—Lydia Davis on Strange Relation
Rachel Hadas is a poet, essayist, and translator. She is the author of more than twenty books including Poems for Camilla, Questions in the Vestibule, and the memoir Strange Relation, and she is a frequent reviewer and columnist for the Times Literary Supplement. Hadas is Board of Governors Professor of English at Rutgers University-Newark. She lives in New York City.
CONTENTS:
Part I: Reading, Writing, Love
Reading, Writing, Love
Humble Herb is Rival to Prozac
Mater Sagax
Classics
Talking to My Father
Lessons of Poetry
Waiting with Kipling
A Letter to J. D. Salinger
The Honors Student, The Plagiarist, and the Fan
Use a Brand-New Word Three Times
Three Experiences with Stevens
On “Prologues to What Is Possible”
Philotimo in the Beauty Parlor
On Translation: A Classroom in Corfu
Don’t Get Hysterical, Get Historical—and Mythical
The Trembling Web and the Storage Facility
Poetic Knowledge
One April Day
Fabric in Ghana
White Polka Dots
Through the Smoke of This One
Vanishing in Plain Sight
Three Steps Down
This Is What I Was Meant To Do
Part II: Remembering the Future
An Interview with Rachel Hadas by Jessica Greenbaum
Part III: In and Out of Books
Everyday Loss
Subterranean Forces
Accepting the Disaster
Art as Target, Art as Grid
Into Daylight and Another Reason
What Good Will This Knowledge Do You? Four Poets on Illness
Beyond Forgetting
Time’s Technique
Takes on Arcadia
Preface to Nakedness is My End
The Tenth Muse
The Truth of Two
Voices of Elders
So Where Are We?
An Ecstasy of Space
The Empty Theater
Part I: Reading, Writing, Love
Reading, Writing, Love
Humble Herb is Rival to Prozac
Mater Sagax
Classics
Talking to My Father
Lessons of Poetry
Waiting with Kipling
A Letter to J. D. Salinger
The Honors Student, The Plagiarist, and the Fan
Use a Brand-New Word Three Times
Three Experiences with Stevens
On “Prologues to What Is Possible”
Philotimo in the Beauty Parlor
On Translation: A Classroom in Corfu
Don’t Get Hysterical, Get Historical—and Mythical
The Trembling Web and the Storage Facility
Poetic Knowledge
One April Day
Fabric in Ghana
White Polka Dots
Through the Smoke of This One
Vanishing in Plain Sight
Three Steps Down
This Is What I Was Meant To Do
Part II: Remembering the Future
An Interview with Rachel Hadas by Jessica Greenbaum
Part III: In and Out of Books
Everyday Loss
Subterranean Forces
Accepting the Disaster
Art as Target, Art as Grid
Into Daylight and Another Reason
What Good Will This Knowledge Do You? Four Poets on Illness
Beyond Forgetting
Time’s Technique
Takes on Arcadia
Preface to Nakedness is My End
The Tenth Muse
The Truth of Two
Voices of Elders
So Where Are We?
An Ecstasy of Space
The Empty Theater