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"The Great God Pan is a haunting, deeply affecting play about the interaction of identity, psychology and pathology. Ms. Herzog writes with keen sensitivity to the complex weave of feelings embedded in all human relationships, with particular attention to the way we tiptoe around areas of radioactive emotion." —New York Times
"Whatever the ideal contemporary American drama is, it has to look a lot like The Great God Pan. It is provocative and subtle, slowly, carefully revelatory, sweetly moving, thought-provoking, funny and insightful." —New York Observer
"An intelligent, delicately articulate writer." —Village Voice
"A moving and unsettling look at the nature of identity and the vagaries of memory. With subtlety and compassion, Herzog contemplates how well we can really know ourselves." —Backstage
Jamie's life in Brooklyn seems just fine: a beautiful girlfriend, a burgeoning journalism career, and parents who live just far enough away. But when a possible childhood trauma comes to light, lives are thrown into a tailspin. Unsettling and deeply compassionate, The Great God Pan tells the intimate tale of what is lost and won when a hidden truth is suddenly revealed.
"The Great God Pan is a haunting, deeply affecting play about the interaction of identity, psychology and pathology. Ms. Herzog writes with keen sensitivity to the complex weave of feelings embedded in all human relationships, with particular attention to the way we tiptoe around areas of radioactive emotion."
—New York Times
"Whatever the ideal contemporary American drama is, it has to look a lot like The Great God Pan. It is provocative and subtle, slowly, carefully revelatory, sweetly moving, thought-provoking, funny and insightful."
—New York Observer
"An intelligent, delicately articulate writer."
—Village Voice
"A moving and unsettling look at the nature of identity and the vagaries of memory. With subtlety and compassion, Herzog contemplates how well we can really know ourselves."
—Backstage
Amy Herzog's plays include After the Revolution (Williamstown Theatre Festival, Playwrights Horizons, Lilly Award); 4000 Miles (Lincoln Center Theater, Pulitzer Prize finalist, Obie Award for Best New American Play); The Great God Pan (Playwrights Horizons) and Belleville (Yale Repertory Theatre, New York Theatre Workshop, finalist for the Susan Smith Blackburn Prize). She has received commissions from Yale Repertory Theatre, Steppenwolf Theatre Company and Playwrights Horizons. She is a recipient of the Whiting Writers' Award, the Benjamin H. Danks Award from the American Academy of Arts and Letters, the Helen Merrill Award, the Joan and Joseph F. Cullman Award for Extraordinary Creativity and the New York Times Outstanding Playwright Award. She is a Usual Suspect at New York Theatre Workshop, and an alumna of Youngblood at Ensemble Studio Theatre, Play Group at Ars Nova and the Soho Rep Writer/Director Lab. She has taught playwriting at Bryn Mawr and Yale. She received an MFA from the Yale School of Drama.