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Tales from Japan that blend humor, surrealism, and sharp societal critique, by the acclaimed author of Where the Wild Ladies Are
“Piercing and sometimes surreal... Matsuda shines.”—Publishers Weekly
In The Woman Dies, renowned author Aoko Matsuda approaches often-thorny subjects such as sexism, prejudice, the normalizing effect of violence against women on screen, or the aesthetics associated with technology, with an inventiveness and quirky humor that keep these stories on the thrilling cusp between seriousness and levity.
Wordplay evolves into something much more complex, inanimate objects are endowed with their own point of view, and hard-hitting feminist stances are conveyed with a dry, detached humor that makes them even more undeniable.
Not so much a rollercoaster ride, rather an entire theme park, The Woman Dies is an out-of-the ordinary space readers will step into with feelings of wonder and discombobulation in equal parts.
“Piercing and sometimes surreal... Matsuda shines with her distinctive imagery and focused commentary. Readers will find plenty to enjoy.”—Publishers Weekly
“Delightfully uncanny . . . Matsuda’s retellings are feminist with a vengeance . . . Deftly translated.”—Jane Hu, The New York Times Book Review on Where the Wild Ladies Are
“Softly electrifying.” —Jane Yong Kim, The Atlantic on Where the Wild Ladies Are
“In her collection of interlinked stories, Aoko Matsuda reimagines traditional Japanese folktales and ghost stories with a feminist twist, positioning women at the center of narratives that are simultaneously life-like and surreal . . . Throughout Where the Wild Ladies Are, Matsuda makes witty and pointed observations about mortality, connection and freedom.”—Annabel Gutterman, Time on Where the Wild Ladies Are
“In Where the Wild Ladies Are, Aoko Matsuda has taken traditional stories and infused them with an unhinged feminist energy that feels subversive, sly, and nothing short of revelatory. It's a reinvention that offers up a whole new way to look at all our foundational myths, and allows us to conceive of a present and future that prioritizes openness and absurdity instead of restricting paradigms and dogma.”—Kristin Iversen, Refinery29 on Where the Wild Ladies Are
“Matsuda’s eerie and bewitching short story collection updates traditional Japanese ghost stories with a feminist bent . . . The stories are coy, ambiguous, and just the right amount of creepy.”—Arianna Rebolini, BuzzFeed on Where the Wild Ladies Are