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Africa’s Deadliest Conflict deals with the complex intersection of the legacy of post-colonial history—a humanitarian crisis of epic proportions—and changing norms of international intervention associated with the idea of human security and the responsibility to protect (R2P). It attempts to explain why, despite a softening of norms related to the sanctity of state sovereignty, the international community dealt so ineffectively with a brutal conflict in the Democratic Republic of the Congo, which between 1997 and 2011 claimed an estimated 5.5 million. In particular, the book focuses on the role of mass media in creating a will to intervene, a role considered by many to be the key to prodding a reluctant international community to action.

Included in the book are a primer on Congolese history, a review of United Nations peacekeeping missions in the Congo, and a detailed examination of both US television news and New York Times coverage of the Congo from 1997 through 2008. Separate conclusions are offered with respect to peacekeeping in the Age of R2P and on the role of mass media in both promoting and inhibiting robust international responses to large-scale humanitarian crises.

This edited collection focuses on Africentric social work practice, providing invaluable assistance to undergraduate students in developing foundational skills and knowledge to further their understanding of how to initiate and maintain best practices with African Canadians. In social work education and field practice, students will benefit from the depth and breadth of this book’s discussions of social, health, and educational concerns related to Black people across Canada.

The book’s contributors present a broad spectrum of personal and professional experiences as African Canadian social work practitioners, students and educators. They address issues that African Canadians confront daily, which social work educators and potential practitioners need to understand to provide racially and culturally relevant services.

The book presents students with an invaluable opportunity to develop their practical skills through case studies and critical thinking exercises, with recommendations for how to ethically and culturally engage in African-centred service provision.

In addition, scholars with an interest in Africentric social work practice and research will find this text useful to help support their commitment to advancing racially and culturally relevant learning and teaching.

For centuries, Westerners have tried to “fix” African economies. From the abolition of slavery onward, missionaries, philanthropists, development economists, and NGOs have arrived on the continent, full of good intentions and bad ideas. Their experiments have invariably gone awry, to the great surprise of all involved.

Historian Bronwen Everill argues that these interventions fail, and frequently cause harm, because they start from a misguided premise: that African economies just need to be more like the West. Ignoring Africa’s own traditions of economic thought, Americans and Europeans assumed a set of universal economic laws that they thought could be applied anywhere. They enforced specifically Western ideas about growth, wealth, debt, unemployment, inflation, women’s work and more, and used Western metrics to find African countries wanting.

The West does not know better than African nations how an economy should be run. By laying bare the myths and realities of our tangled economic history, Africonomics moves from Western ignorance to African knowledge.

For centuries, Westerners have tried to “fix” African economies. From the abolition of slavery onward, missionaries, philanthropists, development economists, and NGOs have arrived on the continent, full of good intentions and bad ideas. Their experiments have invariably gone awry, to the great surprise of all involved.

Historian Bronwen Everill argues that these interventions fail, and frequently cause harm, because they start from a misguided premise: that African economies just need to be more like the West. Ignoring Africa’s own traditions of economic thought, Americans and Europeans assumed a set of universal economic laws that they thought could be applied anywhere. They enforced specifically Western ideas about growth, wealth, debt, unemployment, inflation, women’s work and more, and used Western metrics to find African countries wanting.

The West does not know better than African nations how an economy should be run. By laying bare the myths and realities of our tangled economic history, Africonomics moves from Western ignorance to African knowledge.

Winner of the Marilyn Baillie Picture Book Award

Winner of the Lillian Shepherd Memorial Award for Excellence in Illustration
Finalist for a Governor General’s Literary Award, Young People’s Literature – Illustrated Books
Finalist for a Ruth and Sylvia Schwartz Children’s Books Award

When a young girl visits the site of Africville, in Halifax, Nova Scotia, the stories she’s heard from her family come to mind. She imagines what the community was once like —the brightly painted houses nestled into the hillside, the field where boys played football, the pond where all the kids went rafting, the bountiful fishing, the huge bonfires. Coming out of her reverie, she visits the present-day park and the sundial where her great- grandmother’s name is carved in stone, and celebrates a summer day at the annual Africville Reunion/Festival.

Africville was a vibrant Black community for more than 150 years. But even though its residents paid municipal taxes, they lived without running water, sewers, paved roads and police, fire-truck and ambulance services. Over time, the city located a slaughterhouse, a hospital for infectious disease, and even the city garbage dump nearby. In the 1960s, city officials decided to demolish the community, moving people out in city dump trucks and relocating them in public housing.

Today, Africville has been replaced by a park, where former residents and their families gather each summer to remember their community.

Key Text Features
historical context
references

Correlates to the Common Core State Standards in English Language Arts:

CCSS.ELA-LITERACY.RL.K.6
With prompting and support, name the author and illustrator of a story and define the role of each in telling the story.

CCSS.ELA-LITERACY.RL.1.3
Describe characters, settings, and major events in a story, using key details.

CCSS.ELA-LITERACY.RL.1.4
Identify words and phrases in stories or poems that suggest feelings or appeal to the senses.

CCSS.ELA-LITERACY.RL.1.7
Use illustrations and details in a story to describe its characters, setting, or events.

Helmut Bley konzipiert die afrikanische Geschichte als Agrar- und Sozialgeschichte. Die Großregionen Afrikas werden in ihrem historischen Kontext und ihrer Dynamik von der vorkolonialen Zeit seit 1800 dargestellt. Um Anschaulichkeit zu gewährleisten, werden in die Schilderung der Regionen Geschichten von einzelnen Personen, Dörfern und Städten sowie Ethien exemplarisch eingebettet. Im systematischen Teil analysiert Bley die Gewaltverhältnisse vor, während und nach der Kolonialherrschaft, außerdem die Grundstrukturen der Ökonomie, insbesondere in der Periode der Weltwirtschaftskrisen 1920-1922, 1929-1938 und 1966. Analysen afrikanischer Autoren werden dabei vorgestellt und mit Gesamtdeutungen zu Afrika in der Weltgeschichte verknüpft.

Der Hauptfokus des Buches sind die im Titel genannten Räume in Bezug auf das System der Atlantic slavery. Ich verstehe unter Atlantic slavery bzw. Atlantic slaveries sowohl die Sklaverei-Regimes an Land in Afrika und in Amerika, inclusive Inseln, wie auch Versklavung und Transport zu Land und zu Wasser sowie den Sklavenhandel auf dem Atlantik. Die drei territorialen Hauptelemente, vulgo Kontinente und Ozean, bilden das System Afrika-Atlantik-Amerikas (AAA). Europa spielte auch eine Rolle. Das Wesentliche war aber die Süd-Süd-Komponente, die vor allem unter iberischer Kontrolle stand (ca. 7 Millionen Versklavte aus Afrika von insgesamt rund 11 Millionen in die Amerikas Verschleppter). Das ist das strukturell-anthropologische Hauptproblem; das qualitative, aber auch chronologisch-historische, Hauptproblem ist die Bedeutung von AAA für die Geschichte der Moderne und des Kapitalismus.

Der Hauptfokus des Buches sind die im Titel genannten Räume in Bezug auf das System der Atlantic slavery. Ich verstehe unter Atlantic slavery bzw. Atlantic slaveries sowohl die Sklaverei-Regimes an Land in Afrika und in Amerika, inclusive Inseln, wie auch Versklavung und Transport zu Land und zu Wasser sowie den Sklavenhandel auf dem Atlantik. Die drei territorialen Hauptelemente, vulgo Kontinente und Ozean, bilden das System Afrika-Atlantik-Amerikas (AAA). Europa spielte auch eine Rolle. Das Wesentliche war aber die Süd-Süd-Komponente, die vor allem unter iberischer Kontrolle stand (ca. 7 Millionen Versklavte aus Afrika von insgesamt rund 11 Millionen in die Amerikas Verschleppter). Das ist das strukturell-anthropologische Hauptproblem; das qualitative, aber auch chronologisch-historische, Hauptproblem ist die Bedeutung von AAA für die Geschichte der Moderne und des Kapitalismus.

This collection of liturgical music for congregations represents Euro-Anglicanism as well as American Anglican and African styles, along with Caribbean, gospel, blues, and jazz. The set consists of the score settings of the two masses (“The St. Mary Mass” and “St. Luke Mass for Healing”), Morning Prayer, and Evensong.

Choral and congregational parts along with a full score are included. The accompaniments are fully notated for organ and/or piano.

The animal-rights organization PETA asked “Are Animals the New Slaves?” in a controversial 2005 fundraising campaign; that same year, after the Humane Society rescued pets in the aftermath of Hurricane Katrina while black residents were neglected, some declared that white America cares more about pets than black people. These are but two recent examples of a centuries-long history in which black life has been pitted against animal life. Does comparing human and animal suffering trivialize black pain, or might the intersections of racialization and animalization shed light on interlinked forms of oppression?

In Afro-Dog, Bénédicte Boisseron investigates the relationship between race and the animal in the history and culture of the Americas and the black Atlantic, exposing a hegemonic system that compulsively links and opposes blackness and animality to measure the value of life. She analyzes the association between black civil disobedience and canine repression, a history that spans the era of slavery through the use of police dogs against protesters during the civil rights movement of the 1960s to today in places like Ferguson, Missouri. She also traces the lineage of blackness and the animal in Caribbean literature and struggles over minorities’ right to pet ownership alongside nuanced readings of Derrida and other French theorists. Drawing on recent debates on black lives and animal welfare, Afro-Dog reframes the fast-growing interest in human–animal relationships by positioning blackness as a focus of animal inquiry, opening new possibilities for animal studies and black studies to think side by side.

The animal-rights organization PETA asked “Are Animals the New Slaves?” in a controversial 2005 fundraising campaign; that same year, after the Humane Society rescued pets in the aftermath of Hurricane Katrina while black residents were neglected, some declared that white America cares more about pets than black people. These are but two recent examples of a centuries-long history in which black life has been pitted against animal life. Does comparing human and animal suffering trivialize black pain, or might the intersections of racialization and animalization shed light on interlinked forms of oppression?

In Afro-Dog, Bénédicte Boisseron investigates the relationship between race and the animal in the history and culture of the Americas and the black Atlantic, exposing a hegemonic system that compulsively links and opposes blackness and animality to measure the value of life. She analyzes the association between black civil disobedience and canine repression, a history that spans the era of slavery through the use of police dogs against protesters during the civil rights movement of the 1960s to today in places like Ferguson, Missouri. She also traces the lineage of blackness and the animal in Caribbean literature and struggles over minorities’ right to pet ownership alongside nuanced readings of Derrida and other French theorists. Drawing on recent debates on black lives and animal welfare, Afro-Dog reframes the fast-growing interest in human–animal relationships by positioning blackness as a focus of animal inquiry, opening new possibilities for animal studies and black studies to think side by side.

Winner, 2019 Barnard Hewitt Award for Outstanding Research in Theatre History, given by the American Society for Theatre Research

Honorable Mention, 2021 Errol Hill Award, given by the American Society for Theatre Research

Argues for a conception of black cultural life that exceeds post-blackness and conditions of loss

In Afro-Fabulations: The Queer Drama of Black Life, cultural critic and historian Tavia Nyong’o surveys the conditions of contemporary black artistic production in the era of post-blackness. Moving fluidly between the insurgent art of the 1960’s and the intersectional activism of the present day, Afro-Fabulations challenges genealogies of blackness that ignore its creative capacity to exceed conditions of traumatic loss, social death, and archival erasure.

If black survival in an anti-black world often feels like a race against time, Afro-Fabulations looks to the modes of memory and imagination through which a queer and black polytemporality is invented and sustained. Moving past the antirelational debates in queer theory, Nyong’o posits queerness as “angular sociality,” drawing upon queer of color critique in order to name the gate and rhythm of black social life as it moves in and out of step with itself. He takes up a broad range of sites of analysis, from speculative fiction to performance art, from artificial intelligence to Blaxploitation cinema. Reading the archive of violence and trauma against the grain, Afro-Fabulations summons the poetic powers of queer world-making that have always been immanent to the fight and play of black life.

Winner, 2019 Barnard Hewitt Award for Outstanding Research in Theatre History, given by the American Society for Theatre Research

Honorable Mention, 2021 Errol Hill Award, given by the American Society for Theatre Research

Argues for a conception of black cultural life that exceeds post-blackness and conditions of loss

In Afro-Fabulations: The Queer Drama of Black Life, cultural critic and historian Tavia Nyong’o surveys the conditions of contemporary black artistic production in the era of post-blackness. Moving fluidly between the insurgent art of the 1960’s and the intersectional activism of the present day, Afro-Fabulations challenges genealogies of blackness that ignore its creative capacity to exceed conditions of traumatic loss, social death, and archival erasure.

If black survival in an anti-black world often feels like a race against time, Afro-Fabulations looks to the modes of memory and imagination through which a queer and black polytemporality is invented and sustained. Moving past the antirelational debates in queer theory, Nyong’o posits queerness as “angular sociality,” drawing upon queer of color critique in order to name the gate and rhythm of black social life as it moves in and out of step with itself. He takes up a broad range of sites of analysis, from speculative fiction to performance art, from artificial intelligence to Blaxploitation cinema. Reading the archive of violence and trauma against the grain, Afro-Fabulations summons the poetic powers of queer world-making that have always been immanent to the fight and play of black life.

Winner, 2019 Barnard Hewitt Award for Outstanding Research in Theatre History, given by the American Society for Theatre Research

Honorable Mention, 2021 Errol Hill Award, given by the American Society for Theatre Research

Argues for a conception of black cultural life that exceeds post-blackness and conditions of loss

In Afro-Fabulations: The Queer Drama of Black Life, cultural critic and historian Tavia Nyong’o surveys the conditions of contemporary black artistic production in the era of post-blackness. Moving fluidly between the insurgent art of the 1960’s and the intersectional activism of the present day, Afro-Fabulations challenges genealogies of blackness that ignore its creative capacity to exceed conditions of traumatic loss, social death, and archival erasure.

If black survival in an anti-black world often feels like a race against time, Afro-Fabulations looks to the modes of memory and imagination through which a queer and black polytemporality is invented and sustained. Moving past the antirelational debates in queer theory, Nyong’o posits queerness as “angular sociality,” drawing upon queer of color critique in order to name the gate and rhythm of black social life as it moves in and out of step with itself. He takes up a broad range of sites of analysis, from speculative fiction to performance art, from artificial intelligence to Blaxploitation cinema. Reading the archive of violence and trauma against the grain, Afro-Fabulations summons the poetic powers of queer world-making that have always been immanent to the fight and play of black life.

In the 1960s and 1970s, soul music not only gave voice to a new sense of assertiveness among African Americans in the United States but also contributed to the popularization of Black Power across the Americas. Tracing the emergence of Afro-Latin Soul scenes among Puerto Rican youth in New York, the descendants of Caribbean labor migrants in Panama, and Rio de Janeiro´s black community, the book examines how soul as genre, a style, and a discourse became an inter-American lingua franca that provided diasporic youth with a platform to express solidarity with the African American freedom struggle and a source of inspiration in their struggles against the often denied forms of anti-black racism in Latin American contexts.

Drawing on interviews with protagonists of Spanish Harlem´s Latin Boogaloo scene, Panama´s combos nacionales and the Black Rio movement such as Joe Bataan, Benny Bonilla, Carlos Brown, Ernie King, and Dom Filó and activists such as Denise Oliver, Felipe Luciano, Melva Lowe, Alberto Barrow, Gerado Maloney and Carlos Alberto Medeiros, the multi-sited study conceives of these border-crossing dialogues as expressions of Black Power cosmopolitanism that challenged nationalist identity discourses and the related homogenizing notions of latinidad. Bridging African American and Latin American Studies, the book opens new perspectives to scholars of hemispheric black transnationalism, popular music and social movements in the African diaspora.

In 2006, the contemporary American Pentecostal movement celebrated its 100th birthday. Over that time, its African American sector has been markedly influential, not only vis-à-vis other branches of Pentecostalism but also throughout the Christian church. Black Christians have been integrally involved in every aspect of the Pentecostal movement since its inception and have made significant contributions to its founding as well as the evolution of Pentecostal/charismatic styles of worship, preaching, music, engagement of social issues, and theology. Yet despite its being one of the fastest growing segments of the Black Church, Afro-Pentecostalism has not received the kind of critical attention it deserves.
Afro-Pentecostalism brings together fourteen interdisciplinary scholars to examine different facets of the movement, including its early history, issues of gender, relations with other black denominations, intersections with popular culture, and missionary activities, as well as the movement’s distinctive theology. Bolstered by editorial introductions to each section, the chapters reflect on the state of the movement, chart its trajectories, discuss pertinent issues, and anticipate future developments.
Contributors: Estrelda Y. Alexander, Valerie C. Cooper, David D. Daniels III, Louis B. Gallien, Jr., Clarence E. Hardy III, Dale T. Irvin, Ogbu U. Kalu, Leonard Lovett, Cecil M. Robeck, Jr., Cheryl J. Sanders, Craig Scandrett-Leatherman, William C. Turner, Jr., Frederick L. Ware, and Amos Yong

In 2006, the contemporary American Pentecostal movement celebrated its 100th birthday. Over that time, its African American sector has been markedly influential, not only vis-à-vis other branches of Pentecostalism but also throughout the Christian church. Black Christians have been integrally involved in every aspect of the Pentecostal movement since its inception and have made significant contributions to its founding as well as the evolution of Pentecostal/charismatic styles of worship, preaching, music, engagement of social issues, and theology. Yet despite its being one of the fastest growing segments of the Black Church, Afro-Pentecostalism has not received the kind of critical attention it deserves.
Afro-Pentecostalism brings together fourteen interdisciplinary scholars to examine different facets of the movement, including its early history, issues of gender, relations with other black denominations, intersections with popular culture, and missionary activities, as well as the movement’s distinctive theology. Bolstered by editorial introductions to each section, the chapters reflect on the state of the movement, chart its trajectories, discuss pertinent issues, and anticipate future developments.
Contributors: Estrelda Y. Alexander, Valerie C. Cooper, David D. Daniels III, Louis B. Gallien, Jr., Clarence E. Hardy III, Dale T. Irvin, Ogbu U. Kalu, Leonard Lovett, Cecil M. Robeck, Jr., Cheryl J. Sanders, Craig Scandrett-Leatherman, William C. Turner, Jr., Frederick L. Ware, and Amos Yong

In 2006, the contemporary American Pentecostal movement celebrated its 100th birthday. Over that time, its African American sector has been markedly influential, not only vis-à-vis other branches of Pentecostalism but also throughout the Christian church. Black Christians have been integrally involved in every aspect of the Pentecostal movement since its inception and have made significant contributions to its founding as well as the evolution of Pentecostal/charismatic styles of worship, preaching, music, engagement of social issues, and theology. Yet despite its being one of the fastest growing segments of the Black Church, Afro-Pentecostalism has not received the kind of critical attention it deserves.
Afro-Pentecostalism brings together fourteen interdisciplinary scholars to examine different facets of the movement, including its early history, issues of gender, relations with other black denominations, intersections with popular culture, and missionary activities, as well as the movement’s distinctive theology. Bolstered by editorial introductions to each section, the chapters reflect on the state of the movement, chart its trajectories, discuss pertinent issues, and anticipate future developments.
Contributors: Estrelda Y. Alexander, Valerie C. Cooper, David D. Daniels III, Louis B. Gallien, Jr., Clarence E. Hardy III, Dale T. Irvin, Ogbu U. Kalu, Leonard Lovett, Cecil M. Robeck, Jr., Cheryl J. Sanders, Craig Scandrett-Leatherman, William C. Turner, Jr., Frederick L. Ware, and Amos Yong

With a Foreword by Vijay Prashad and an Afterword by Gary Okihiro
How might we understand yellowface performances by African Americans in 1930s swing adaptations of Gilbert and Sullivan's The Mikado, Paul Robeson's support of Asian and Asian American struggles, or the absorption of hip hop by Asian American youth culture?
AfroAsian Encounters is the first anthology to look at the mutual influence of and relationships between members of the African and Asian diasporas. While these two groups have often been thought of as occupying incommensurate, if not opposing, cultural and political positions, scholars from history, literature, media, and the visual arts here trace their interconnections and interactions, as well as the tensions between the two groups that sometimes arise. AfroAsian Encounters probes beyond popular culture to trace the historical lineage of these coalitions from the late nineteenth century to the present.
A foreword by Vijay Prashad sets the volume in the context of the Bandung conference half a century ago, and an afterword by Gary Okihiro charts the contours of a “Black Pacific.” From the history of Japanese jazz composers to the current popularity of black/Asian “buddy films” like Rush Hour, AfroAsian Encounters is a groundbreaking intervention into studies of race and ethnicity and a crucial look at the shifting meaning of race in the twenty-first century.

With a Foreword by Vijay Prashad and an Afterword by Gary Okihiro
How might we understand yellowface performances by African Americans in 1930s swing adaptations of Gilbert and Sullivan's The Mikado, Paul Robeson's support of Asian and Asian American struggles, or the absorption of hip hop by Asian American youth culture?
AfroAsian Encounters is the first anthology to look at the mutual influence of and relationships between members of the African and Asian diasporas. While these two groups have often been thought of as occupying incommensurate, if not opposing, cultural and political positions, scholars from history, literature, media, and the visual arts here trace their interconnections and interactions, as well as the tensions between the two groups that sometimes arise. AfroAsian Encounters probes beyond popular culture to trace the historical lineage of these coalitions from the late nineteenth century to the present.
A foreword by Vijay Prashad sets the volume in the context of the Bandung conference half a century ago, and an afterword by Gary Okihiro charts the contours of a “Black Pacific.” From the history of Japanese jazz composers to the current popularity of black/Asian “buddy films” like Rush Hour, AfroAsian Encounters is a groundbreaking intervention into studies of race and ethnicity and a crucial look at the shifting meaning of race in the twenty-first century.

With a Foreword by Vijay Prashad and an Afterword by Gary Okihiro
How might we understand yellowface performances by African Americans in 1930s swing adaptations of Gilbert and Sullivan's The Mikado, Paul Robeson's support of Asian and Asian American struggles, or the absorption of hip hop by Asian American youth culture?
AfroAsian Encounters is the first anthology to look at the mutual influence of and relationships between members of the African and Asian diasporas. While these two groups have often been thought of as occupying incommensurate, if not opposing, cultural and political positions, scholars from history, literature, media, and the visual arts here trace their interconnections and interactions, as well as the tensions between the two groups that sometimes arise. AfroAsian Encounters probes beyond popular culture to trace the historical lineage of these coalitions from the late nineteenth century to the present.
A foreword by Vijay Prashad sets the volume in the context of the Bandung conference half a century ago, and an afterword by Gary Okihiro charts the contours of a “Black Pacific.” From the history of Japanese jazz composers to the current popularity of black/Asian “buddy films” like Rush Hour, AfroAsian Encounters is a groundbreaking intervention into studies of race and ethnicity and a crucial look at the shifting meaning of race in the twenty-first century.

This book is a collection of papers presented at a colloquium on ‘AfroAsian Musical Imaginaries’ that was organized by the IIC-IRD (India International Centre-International Research Division) in collaboration with a multi-institutional project titled ‘Recentring AfroAsia: Musical and Human Migrations, 700–1500 AD’, that involved the University of the Western Cape, the University of the Witwatersrand, the University of Kwazulu-Natal, the University of Cape Town, the University of Dar es Salaam, the University of Addis Ababa and the Ambedkar University Delhi between 2016 and 2021. As part of an attempt to create a new scholarship that brings the two continents together, work by scholars from the project uncovering musical connections was brought into conversation with the work of other scholars and practitioners of music on similar themes. Based on an understanding that music can be an important lens through which cultural links between parts of the world that have long historical connections can be uncovered, even when these connections have not been adequately identified or acknowledged, the most important question posed by the papers in the book is how this can be done. The book also points towards how such scholarship and performative interactions can prise open several orthodoxies in the understanding of musical systems.

Published in association with India International Centre, New Delhi

Nigeria is a country shaped by internal diversity and transnational connections, past and present. Leading Nigerian writers from Chinua Achebe, Amos Tutuola and Wole Soyinka to Chimamanda Ngozi Adichie and Teju Cole have portrayed these Nigerian issues, and have also written about some of the momentous events in Nigerian history. Afropolitan Horizons discusses their work alongside other novelists and commentators, as well as describing the ways in which Nigeria has appeared in foreign news reporting. It is all interwoven with the author’s own anthropological field research in a town in Central Nigeria.

Nigeria is a country shaped by internal diversity and transnational connections, past and present. Leading Nigerian writers from Chinua Achebe, Amos Tutuola and Wole Soyinka to Chimamanda Ngozi Adichie and Teju Cole have portrayed these Nigerian issues, and have also written about some of the momentous events in Nigerian history. Afropolitan Horizons discusses their work alongside other novelists and commentators, as well as describing the ways in which Nigeria has appeared in foreign news reporting. It is all interwoven with the author’s own anthropological field research in a town in Central Nigeria.

"Among the finest poets of his generation.”
—Richard Wilbur, two-time winner of the Pulitzer Prize for Poetry

"Like Frost before him, Brock has the power to make earthbound words take flight.”
—Boris Dralyuk, author of My Hollywood and Other Poems

The title of Geoffrey Brock's third poetry collection, After, works in two ways. Many of the poems were written after, and in response to, the death of Brock's father, who was also a poet. And many are in some way “after”—as in, in the manner of—other poems or works of art. Such texts, often called “versions” or “imitations,” have long been seen as, in Samuel Johnson’s words, “a kind of middle composition between translation and original design.”

Brock has been writing and translating poems for forty years, and for most of his career those two activities proceeded along parallel but distinct tracks. In recent years, however, he has been increasingly drawn to that middle space where the tracks converge. For Brock, it's a conversational space, in which he listens to the call of earlier works and offers responses from his own life: by turns bleak and beautiful, poignant and funny, sorrowful and accepting. Poets owe debts to other poets as surely as each of us does to those who raised us, and After is a partial account of such personal and poetic inheritances. 

De la autora bestseller del New York Times y sensación de Wattpad, Anna Todd, "el mayor fenómeno literario de su generación." Cosmopolitan, llega la segunda entrega de la serie AFTER, la historia de un amor infinito ¡No podrás vivir sin él! 

Una historia que nadie quiere que acabe y todo el mundo quiere vivir.

Tessa se acaba de despertar de un sueño. consciente de que era todo demasiado bonito para ser cierto… ¿Es posible volver a sonreír cuando todo se rompe en pedazos? Ella y Hardin parecían hechos el uno para el otro, como dos almas gemelas, pero él lo ha roto todo, se ha acabado el sueño para siempre. ¿Cómo ha podido ser tan ingenua? Si quiere recuperarla, Hardin deberá luchar como nunca por lo que ha hecho. ¿Estará preparado? ¿Se puede perdonar todo?

UN AMOR PELIGROSO, UN AMOR REBELDE, UN AMOR INFINITO.

ENGLISH DESCRIPTION

The inspiration behind the major motion picture After We Collided!

From New York Times bestselling author and Wattpad sensation Anna Todd, “the biggest literary phenom of her generation.” Cosmopolitan, comes the sequel to the internet’s most talked!

Tessa has everything to lose. Hardin has nothing to lose...except her... Life will never be the same.

After a tumultuous beginning to their relationship, Tessa and Hardin were on the path to making things work. She knew he could be cruel, but when a bombshell revelation is dropped about the origins of their relationship—and Hardin’s mysterious past—Tessa is beside herself.

Hardin will always be...Hardin. But is he really the deep, thoughtful guy Tessa fell madly in love with despite his angry exterior, or has he been a stranger all along? She wishes she could walk away. It’s just not that easy. Not with the memory of passionate nights spent in his arms. His electric touch. His hungry kisses.

Still, Tessa’s not sure she can endure one more broken promise. She put so much on hold for Hardin—school, friends, her mom, a relationship with a guy who really loved her, and now possibly even a promising new career. She needs to move forward with her life.

Hardin knows he made a mistake, possibly the biggest one of his life. He’s not going down without a fight. But can he change? Will he change...for love?

Tercera entrega de la serie AFTER, el fanfiction de Anna Todd acumuló mil millones de lecturas en línea y cautivó a lectores de todo el mundo. Experimenta por ti mismo el libro más comentado de Internet que Cosmopolitan llamó "el mayor fenómeno literario de su generación".

La historia de un amor infinito. 

El amor de Tessa y Hardin ya ha sido complicado en otras ocasiones, pero ahora lo es más que nunca. Su vida no volverá a ser como antes…

Justo cuando Tessa toma la decisión más importante de su vida, todo cambia. Los secretos que salen a la luz sobre su familia, y también sobre la de Hardin ponen en duda su relación y su futuro juntos. La vida de Tessa empieza a desmontarse, nada es como ella creía que sería. Tessa sabe que Hardin la quiere y hará lo que sea para protegerla, pero existe una diferencia entre querer a alguien y poder vivir con esta persona. Ahora mismo, estas dos almas perdidas viven rodeadas de celos, odio y perdón. Tessa nunca ha sentido nada igual por nadie, pero empieza a cuestionarse si todo esto vale la pena.

El amor bastaba para mantenerlos juntos, pero ahora ya no está claro lo que dictan sus corazones…

ENGLISH DESCRIPTION

Book 3 of the After series, Anna Todd's After fanfiction racked up 1 billion reads online and captivated readers across the globe. Experience the internet's most talked-about book for yourself from the writer Cosmopolitan called “the biggest literary phenomenon of her generation.” 

Tessa and Hardin’s love was complicated before. Now it’s more confusing than ever. AFTER WE FELL...Life will never be the same. 

Just as Tessa makes the biggest decision of her life, everything changes. Revelations about first her family, and then Hardin’s, throw everything they knew before in doubt and makes their hard-won future together more difficult to claim.

Tessa’s life begins to come unglued. Nothing is what she thought it was. Not her friends. Not her family. The one person she should be able to rely on, Hardin, is furious when he discovers the massive secret she’s been keeping. And rather than being understanding, he turns to sabotage.

Tessa knows Hardin loves her and will do anything to protect her, but there’s a difference between loving someone and being able to have them in your life. This cycle of jealousy, unpredictable anger, and forgiveness is exhausting. She’s never felt so intensely for anyone, so exhilarated by someone’s kiss—but is the irrepressible heat between her and Hardin worth all the drama? Love used to be enough to hold them together. But if Tessa follows her heart now, will it be...the end?

El libro 3 de la serie After, el fanfiction de Anna Todd que acumuló mil millones de lecturas en línea y cautivó a lectores de todo el mundo. Experimenta por ti mismo el libro más comentado de Internet de la escritora que Cosmopolitan llamó "el mayor fenómeno literario de su generación."

El increíble desenlace de la serie AFTER. Será parte de ti. 

La historia de dos almas gemelas que no pueden estar separadas, pero que no saben cómo estar juntas. El amor es pasión y complicidad, pero también es aprender a conocer al otro y hacer juntos un proyecto común.

El amor de Tessa y Hardin nunca ha sido fácil, pero cada desafío que han afrontado ha hecho su unión más y más fuerte. Pero ¿podrán afrontarlo todo? Cuando la verdad sobre sus familias sale a la luz, Tessa y Hardin descubren que, en el fondo, no son tan distintos como creían… Tessa ya no es la chica buena, simple y dulce que llegó a la universidad, y él no es el chico cruel y malo del que se enamoró. Ella pronto se da cuenta de que es la única que lo entiende. Es la única capaz de calmarle... él la necesita. Pero el secreto que esconde es tan grande que Hardin se aleja cada vez más de todo y de todos, incluso de la que parece ser su alma gemela…

ENGLISH DESCRIPTION

Book 4 of the Anna Todd's After fanfiction racked up 1 billion reads online and captivated readers across the globe. Experience the internet's most talked-about book for yourself from the writer Cosmopolitan called “the biggest literary phenomenon of her generation.”

Tessa and Hardin have defied all the odds, but will their fairy tale ending be turned on its head? AFTER EVER HAPPY...Life will never be the same.

It’s never been all rainbows and sunshine for Tessa and Hardin, but each new challenge they’ve faced has only made their passionate bond stronger and stronger. But when a revelation about the past shakes Hardin’s inpenetrable façade to the core—and then Tessa suffers a tragedy—will they stick together again, or be torn apart?

As the shocking truth about each of their families emerges, it’s clear the two lovers are not so different from each other. Tessa is no longer the sweet, simple, good girl she was when she met Hardin—any more than he is the cruel, moody boy she fell so hard for. Tessa understands all the troubling emotions brewing beneath Hardin’s exterior, and she knows she’s the only one who can calm him when he erupts. He needs her.

But the more layers of his past come to light, the darker he grows, and the harder he pushes Tessa—and everyone else in his life—away. Tessa’s not sure if she really can save him—not without sacrificing herself. She refuses to go down without a fight. But who is she fighting for—Hardin or herself?

The fall of Nero and the civil wars of 69 CE ushered in an era scarred by the recent conflicts; Flavian literature also inherited a rich tradition of narrating nefas from its predecessors who had confronted and commemorated the traumas of Pharsalus and Actium. Despite the present surge of scholarly interest in both Flavian literary studies and Roman civil war literature, however, the Flavian contribution to Rome’s literature of bellum ciuile remains understudied. This volume shines a spotlight on these neglected voices. In the wake of 69 CE, writing civil war became an inescapable project for Flavian Rome: from Statius’s fraternas acies and Silius’s suicidal Saguntines to the internecine narratives detailed in Josephus’s Bellum Iudaicum and woven into Frontinus’s exempla, Flavian authors’ preoccupation with civil war transcends genre and subject matter. This book provides an important new chapter in the study of Roman civil war literature by investigating the multi-faceted Flavian response to this persistent and prominent theme.

The fall of Nero and the civil wars of 69 CE ushered in an era scarred by the recent conflicts; Flavian literature also inherited a rich tradition of narrating nefas from its predecessors who had confronted and commemorated the traumas of Pharsalus and Actium. Despite the present surge of scholarly interest in both Flavian literary studies and Roman civil war literature, however, the Flavian contribution to Rome’s literature of bellum ciuile remains understudied. This volume shines a spotlight on these neglected voices. In the wake of 69 CE, writing civil war became an inescapable project for Flavian Rome: from Statius’s fraternas acies and Silius’s suicidal Saguntines to the internecine narratives detailed in Josephus’s Bellum Iudaicum and woven into Frontinus’s exempla, Flavian authors’ preoccupation with civil war transcends genre and subject matter. This book provides an important new chapter in the study of Roman civil war literature by investigating the multi-faceted Flavian response to this persistent and prominent theme.

Michel Foucault’s seminal The History of Sexuality (1976–1984) has since its publication provided a context for the emergence of critical historical studies of sexuality. This collection reassesses the state of the historiography on sexuality—a field in which the German case has been traditionally central. In many diverse ways, the Foucauldian intervention has governed the formation of questions in the field as well as the assumptions about how some of these questions should be answered. It can be argued, however, that some of these revolutionary insights have ossified into dogmas or truisms within the field. Yet, as these contributions meticulously reveal, those very truisms, when revisited with a fresh eye, can lead to new, unexpected insights into the history of sexuality, necessitating a return to and reinterpretation of Foucault’s richly complex work. This volume will be necessary reading for students of historical sexuality as well as for those readers in German history and German studies generally who have an interest in the history of sexuality.

Michel Foucault’s seminal The History of Sexuality (1976–1984) has since its publication provided a context for the emergence of critical historical studies of sexuality. This collection reassesses the state of the historiography on sexuality—a field in which the German case has been traditionally central. In many diverse ways, the Foucauldian intervention has governed the formation of questions in the field as well as the assumptions about how some of these questions should be answered. It can be argued, however, that some of these revolutionary insights have ossified into dogmas or truisms within the field. Yet, as these contributions meticulously reveal, those very truisms, when revisited with a fresh eye, can lead to new, unexpected insights into the history of sexuality, necessitating a return to and reinterpretation of Foucault’s richly complex work. This volume will be necessary reading for students of historical sexuality as well as for those readers in German history and German studies generally who have an interest in the history of sexuality.

An oral history and critical genealogy of “accountability,” the complex abolitionist concept that pushes us to ask: just what do we mean by “community?"

A concept just short of a program, accountability has been taken up as a core principle within leftist organizing and activity over the past quarter century. While it invokes a particular vocabulary and set of procedures, it has also come to describe a more expansive, if often vague, approach to addressing harm within movement work. The term’s sudden, widespread adoption as abolitionist concepts began to circulate broadly in recent years cast light on certain shifts in its meaning, renewing the urgency of understanding its relation to militant leftist history and practice.

After Accountability gathers interviews conducted by members of the Pinko collective with nine transformative justice practitioners, socialist labor organizers, incarcerated abolitionists, and activists on the left, and also includes framing essays by the Pinko collective in which its members situate and reflect on those illuminating conversations. An investigation into the theoretical foundations and current practice of accountability, this volume explores the term’s potential and limits, discovering in it traces of the past half-century’s struggles over the absence of community and the form revolutionary activity should take.

Contributors: Kim Diehl, Michelle Foy, Peter Hardie, Emi Kane and Hyejin Shim, Esteban Kelly, Pilar Maschi, and Stevie Wilson, and Pinko collective members Lou Cornum, Max Fox, M.E. O'Brien, and Addison Vawters.

An oral history and critical genealogy of “accountability,” the complex abolitionist concept that pushes us to ask: just what do we mean by “community?"

A concept just short of a program, accountability has been taken up as a core principle within leftist organizing and activity over the past quarter century. While it invokes a particular vocabulary and set of procedures, it has also come to describe a more expansive, if often vague, approach to addressing harm within movement work. The term’s sudden, widespread adoption as abolitionist concepts began to circulate broadly in recent years cast light on certain shifts in its meaning, renewing the urgency of understanding its relation to militant leftist history and practice.

After Accountability gathers interviews conducted by members of the Pinko collective with nine transformative justice practitioners, socialist labor organizers, incarcerated abolitionists, and activists on the left, and also includes framing essays by the Pinko collective in which its members situate and reflect on those illuminating conversations. An investigation into the theoretical foundations and current practice of accountability, this volume explores the term’s potential and limits, discovering in it traces of the past half-century’s struggles over the absence of community and the form revolutionary activity should take.

Contributors: Kim Diehl, Michelle Foy, Peter Hardie, Emi Kane and Hyejin Shim, Esteban Kelly, Pilar Maschi, and Stevie Wilson, and Pinko collective members Lou Cornum, Max Fox, M.E. O'Brien, and Addison Vawters.

Augustine of Hippo was the most prolific and influential writer on reading between antiquity and the Renaissance, though he left no systematic treatise on the subject. His reluctance to synthesize his views on other important themes such as the sacraments suggests that he would have been skeptical of any attempt to bring his statements on reading into a formal theory. Yet Augustine has remained the point of reference to which all later writers invariably return in their search for the roots of problems concerning reading and interpretation in the West.

Using Augustine as the touchstone, Brian Stock considers the evolution of the meditative reader within Western reading practices from classical times to the Renaissance. He looks to the problem of self-knowledge in the reading culture of late antiquity; engages the related question of ethical values and literary experience in the same period; and reconsiders Erich Auerbach's interpretation of ancient literary realism.

In subsequent chapters, Stock moves forward to the Middle Ages to explore the attitude of medieval Latin authors toward the genre of autobiography as a model for self-representation and takes up the problem of reading, writing, and the self in Petrarch. He compares the role of the reader in Augustine's City of God and Thomas More's Utopia, and, in a final important move, reframes the problem of European cultural identity by shifting attention from the continuity and change in spoken language to significant shifts in the practice of spiritual, silent reading in the Middle Ages and Renaissance. A richly rewarding reflection on the history and nature of reading, After Augustine promises to be a centerpiece of discussions about the discovery of the self through literature.

Augustine of Hippo was the most prolific and influential writer on reading between antiquity and the Renaissance, though he left no systematic treatise on the subject. His reluctance to synthesize his views on other important themes such as the sacraments suggests that he would have been skeptical of any attempt to bring his statements on reading into a formal theory. Yet Augustine has remained the point of reference to which all later writers invariably return in their search for the roots of problems concerning reading and interpretation in the West.

Using Augustine as the touchstone, Brian Stock considers the evolution of the meditative reader within Western reading practices from classical times to the Renaissance. He looks to the problem of self-knowledge in the reading culture of late antiquity; engages the related question of ethical values and literary experience in the same period; and reconsiders Erich Auerbach's interpretation of ancient literary realism.

In subsequent chapters, Stock moves forward to the Middle Ages to explore the attitude of medieval Latin authors toward the genre of autobiography as a model for self-representation and takes up the problem of reading, writing, and the self in Petrarch. He compares the role of the reader in Augustine's City of God and Thomas More's Utopia, and, in a final important move, reframes the problem of European cultural identity by shifting attention from the continuity and change in spoken language to significant shifts in the practice of spiritual, silent reading in the Middle Ages and Renaissance. A richly rewarding reflection on the history and nature of reading, After Augustine promises to be a centerpiece of discussions about the discovery of the self through literature.

From the moment of its inception, the East German state sought to cast itself as a clean break from the horrors of National Socialism. Nonetheless, the precipitous rise of xenophobic, far-right parties across the present-day German East is only the latest evidence that the GDR’s legacy cannot be understood in isolation from the Nazi era nor the political upheavals of today. This provocative collection reflects on the heretofore ignored or repressed aspects of German mainstream society—including right-wing extremism, anti-Semitism and racism—to call for an ambitious renewal of historical research and political education to place East Germany in its proper historical context.

From the moment of its inception, the East German state sought to cast itself as a clean break from the horrors of National Socialism. Nonetheless, the precipitous rise of xenophobic, far-right parties across the present-day German East is only the latest evidence that the GDR’s legacy cannot be understood in isolation from the Nazi era nor the political upheavals of today. This provocative collection reflects on the heretofore ignored or repressed aspects of German mainstream society—including right-wing extremism, anti-Semitism and racism—to call for an ambitious renewal of historical research and political education to place East Germany in its proper historical context.

Beethoven cast a looming shadow over the nineteenth century. For composers he was a model both to emulate and to overcome. "You have no idea how it feels," Brahms confided, "when one always hears such a giant marching behind one." Exploring the response of five composers--Berlioz, Mendelssohn, Schumann, Brahms, and Mahler--to what each clearly saw as the challenge of Beethoven's symphonies, Evan Bonds richly enhances our understanding of the evolution of the symphony and Beethoven's legacy.

Overt borrowings from Beethoven--for example, the lyrical theme in the Finale of Brahms' First Symphony, so like the "Ode to Joy" theme in Beethoven's Ninth--have often been the subject of criticism. Bonds now shows us how composers imitate or allude to a Beethoven theme or compositional strategy precisely in order to turn away from it, creating a new musical solution. Berlioz's Harold en Italie, Mendelssohn's Lobgesang, Schumann's Fourth Symphony, Brahms' First, and Mahler's Fourth serve as illuminating examples. Discussion focuses on such core issues as Beethoven's innovations in formal design, the role of text and voice, fusion of diverse genres, cyclical coherence of movements, and the function of the symphonic finale.

Bonds lucidly argues that the great symphonists of the nineteenth century cleared creative space for themselves by both confronting and deviating from the practices of their potentially overpowering precursor. His analysis places familiar masterpieces in a new light.

CBC BOOKS BEST CANADIAN POETRY BOOKS OF 2022

LONGLISTED FOR THE RAYMOND SOUSTER AWARD

hwæt, another Beowulf translation? Not exactly…

Welcome to Denmark’s Heorot Hall, where King Hrothgar invites to his banquet table everyone but Grendel, Saxon’s cradle-made monster. Dissing this ur-outsider initiates a predictable and monstrous backlash, a Mediæval fracas that only the eponymous Beowulf can quash. Sailing across the whaleroads, he arrives to “quell and queltch and quatch the Grendel beast.”

Beowulf, that still-recognizable hero, embodies a “blank” function, a motive-driven yet motiveless megastar. He’s the young, fit, male, self-sacrificing protagonist-interloper who will fight any monster to protect his people. Or to defend strangers. Or to gain a reputation. Or because he just really wants to…

In her rendering of Beowulf, Nicole Markotić offers a rollicking cover song of fantastical text. These pages will surprise readers as they introduce new ways to embrace, challenge, or click with Anglo-Saxon heroics. Writing original poems, Markotić de-stories the story of one man, who mostly does not play well with others, who fights monsters (and defeats their mothers, too), and who practically invents the poetic tradition of entitled bravery

Upending the tale with her fresh and enchanting style, Markotić gives a nod to previous translations, winks at canonical critics, bares historical biases, all while gifting transmogrifying pages that will whet your whimsy!

"Nicole Markotić takes the original English-language epic and reprocesses it. That is, she rereads, rewrites, reimagines, rethinks, and retells it, all at the same time. The result is the story re-understood. The phrasing and incantation is Markotić’s own (and our era’s own), deployed with deliciously textured and diverse registers of language. Blake saw infinity in the palm of his hand. Markotić puts a millennium in yours." —Wayde Compton, author of The Outer Harbour

"Beowulf, with its unfathomable monsters and monster-slaying hero, its bro world of mead, boasting, weapons, and booty, remains a stubbornly relevant template for much of our contemporary scene. Nicole Markotić’s After Beowulf handles all this with dazzling sprezzatura. It is a pleasure to follow the narrating, condensing, commenting voice as it sashays through a range of verbal registers from high Olsonic to comic book pratfall, snark to scholarship. After Beowulf provides an up-to-date reading of Beowulf through the eyes of a feminist poet. And it continually suggests what things might be like after Beowulf." —Bob Perelman, author of Jack and Jill in Troy

"The collision of ancient and colloquial language creates bursts of humour as my dude Beowulf makes his way into the banquet hall and beyond. Linger here to experience the aesthetics of poetry in action: vibrant and intensely moving, we feel the wrenching pain of Grendel’s mother. Markotić’s language is thick with meaning and light with humour: a creation of the most projective of verses." —Jacqueline Turner, author of Flourish

CBC BOOKS BEST CANADIAN POETRY BOOKS OF 2022

LONGLISTED FOR THE RAYMOND SOUSTER AWARD

hwæt, another Beowulf translation? Not exactly…

Welcome to Denmark’s Heorot Hall, where King Hrothgar invites to his banquet table everyone but Grendel, Saxon’s cradle-made monster. Dissing this ur-outsider initiates a predictable and monstrous backlash, a Mediæval fracas that only the eponymous Beowulf can quash. Sailing across the whaleroads, he arrives to “quell and queltch and quatch the Grendel beast.”

Beowulf, that still-recognizable hero, embodies a “blank” function, a motive-driven yet motiveless megastar. He’s the young, fit, male, self-sacrificing protagonist-interloper who will fight any monster to protect his people. Or to defend strangers. Or to gain a reputation. Or because he just really wants to…

In her rendering of Beowulf, Nicole Markotić offers a rollicking cover song of fantastical text. These pages will surprise readers as they introduce new ways to embrace, challenge, or click with Anglo-Saxon heroics. Writing original poems, Markotić de-stories the story of one man, who mostly does not play well with others, who fights monsters (and defeats their mothers, too), and who practically invents the poetic tradition of entitled bravery.

Upending the tale with her fresh and enchanting style, Markotić gives a nod to previous translations, winks at canonical critics, bares historical biases, all while gifting transmogrifying pages that will whet your whimsy!

"Nicole Markotić takes the original English-language epic and reprocesses it. That is, she rereads, rewrites, reimagines, rethinks, and retells it, all at the same time. The result is the story re-understood. The phrasing and incantation is Markotić’s own (and our era’s own), deployed with deliciously textured and diverse registers of language. Blake saw infinity in the palm of his hand. Markotić puts a millennium in yours." —Wayde Compton, author of The Outer Harbour

"Beowulf, with its unfathomable monsters and monster-slaying hero, its bro world of mead, boasting, weapons, and booty, remains a stubbornly relevant template for much of our contemporary scene. Nicole Markotić’s After Beowulf handles all this with dazzling sprezzatura. It is a pleasure to follow the narrating, condensing, commenting voice as it sashays through a range of verbal registers from high Olsonic to comic book pratfall, snark to scholarship. After Beowulf provides an up-to-date reading of Beowulf through the eyes of a feminist poet. And it continually suggests what things might be like after Beowulf." —Bob Perelman, author of Jack and Jill in Troy

"The collision of ancient and colloquial language creates bursts of humour as my dude Beowulf makes his way into the banquet hall and beyond. Linger here to experience the aesthetics of poetry in action: vibrant and intensely moving, we feel the wrenching pain of Grendel’s mother. Markotić’s language is thick with meaning and light with humour: a creation of the most projective of verses." —Jacqueline Turner, author of Flourish

‘Being more like America again and less like Europe is the heart of the UK model of capitalism … [but] there are many respects in which Britain remains unlike America despite its strong appeal to the British political class ...’

In 'After Brexit' Andrew Gamble sets out the economic models and external relationships that Britain has pursued since the Second World War and examines the choices it now faces as it adjusts to life outside of the European Union.

This volume brings together this essay with some of Andrew Gamble’s most important and influential writings on British politics and political economy from the last forty years. They reflect on many of the issues that animate British politics, from the relative decline of the economy and the reshaping of the welfare state to the transformation of the Conservative and Labour parties and the changing constitutional order with the devolution of power to Wales, Scotland and Northern Ireland.

The volume is introduced by the author and includes his notes on each of the essays as well as an epilogue, which considers their original context and what has changed since. Taken together, the essays in this volume are testament to the acuity of one of Britain’s foremost political thinkers and provide rich insight into debates and ideas that continue to influence British politics and Britain’s place in the world.

A companion volume of Andrew Gamble’s essays, The Western Ideology and Other Essays, focusing on political ideas and ideologies, is also available from Bristol University Press.

‘Being more like America again and less like Europe is the heart of the UK model of capitalism … [but] there are many respects in which Britain remains unlike America despite its strong appeal to the British political class ...’

In 'After Brexit' Andrew Gamble sets out the economic models and external relationships that Britain has pursued since the Second World War and examines the choices it now faces as it adjusts to life outside of the European Union.

This volume brings together this essay with some of Andrew Gamble’s most important and influential writings on British politics and political economy from the last forty years. They reflect on many of the issues that animate British politics, from the relative decline of the economy and the reshaping of the welfare state to the transformation of the Conservative and Labour parties and the changing constitutional order with the devolution of power to Wales, Scotland and Northern Ireland.

The volume is introduced by the author and includes his notes on each of the essays as well as an epilogue, which considers their original context and what has changed since. Taken together, the essays in this volume are testament to the acuity of one of Britain’s foremost political thinkers and provide rich insight into debates and ideas that continue to influence British politics and Britain’s place in the world.

A companion volume of Andrew Gamble’s essays, The Western Ideology and Other Essays, focusing on political ideas and ideologies, is also available from Bristol University Press.