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The Complex History of a Building

With the temporary exhibition pavilion of the German Reich at the 1929 International Exposition in Barcelona, Mies van der Rohe designed an architectural icon, but also a controversial monument of the way the Weimar Republic portrayed itself.

The building is one of the most unusual success stories in the history of architecture: Despite its short existence, its reputation grew steadily in the following decades, thanks in part to magnificent photographs. It was soon considered the constructed manifesto of the Modern Age, and its spatial and "ideational" ambitions were called "a milestone of Modern architecture."

This comprehensively, broadly researched book portrays the building’s complex history and its political entanglement—up to and including its reconstruction according to van der Rohe’s plans at the original site between 1983 and 1986.

• Presumably the most important and influential architectural icon of the 20th century, uniquely documented and depicted
• On the occasion of the 50th anniversary of Mies’ death and the Bauhaus centenary
• Many never before published photographs from archives in the US, Germany and Spain

During the 1900s eugenics gained favour as a means of controlling the birth rate among “undesirable” populations in Canada. Though many people were targeted, the coercive sterilization of one group has gone largely unnoticed. An Act of Genocide unpacks long-buried archival evidence to begin documenting the forced sterilization of Aboriginal women in Canada. Grounding this evidence within the context of colonialism, the oppression of women and the denial of Indigenous sovereignty, Karen Stote argues that this coercive sterilization must be considered in relation to the larger goals of Indian policy — to gain access to Indigenous lands and resources while reducing the numbers of those to whom the federal government has obligations. Stote also contends that, in accordance with the original meaning of the term, this sterilization should be understood as an act of genocide, and she explores the ways Canada has managed to avoid this charge. This lucid, engaging book explicitly challenges Canadians to take up their responsibilities as treaty partners, to reconsider their history and to hold their government to account for its treatment of Indigenous peoples.

This book is intended for educators, parents and community activists interested in reclaiming our public schools and reclaiming the public narrative around education policy. The book infuses research about the recent history of education policy reform, the strategies United Opt Out uses for fighting back against these policies, and proposes solutions that work to create sustainable, equitable, anti-racist, democratic and meaningful public education. This book is for anyone interested in an “insider’s look” behind the scene of forming an organization, or leading a resistance. Simultaneously the book provides scholarly-based research about the broader issues, policies and data around education reform, and the opt out movement.

Education policy has been heating up ever since NCLB but especially since the roll out of Race to The Top and the Common Core State Standards. Nationally publicized debates and discord over these policies are garnering public attention of teachers, parents, and whole communities. We hope this book will add to the library of other recent books such as Mercedes Schneider’s A Chronicle of Echoes (2014), Diane Ravitch’s Reign of Error (2013) and Bowers & Thomas (eds) Detesting and Degrading Schools (2012), that have exposed the complex corporate interest in shaping education policies and the destructive influence such policies will have on our children and on our democracy. This book uses first person narratives infused with research and scholarship, to create personalized accounts into the life of education activism. Each chapter includes an Activists Handbook section to provide support for our activist/readers in their own efforts. We hope that our experiences will inspire others to take this charge upon themselves as well.

This book is intended for educators, parents and community activists interested in reclaiming our public schools and reclaiming the public narrative around education policy. The book infuses research about the recent history of education policy reform, the strategies United Opt Out uses for fighting back against these policies, and proposes solutions that work to create sustainable, equitable, anti-racist, democratic and meaningful public education. This book is for anyone interested in an “insider’s look” behind the scene of forming an organization, or leading a resistance. Simultaneously the book provides scholarly-based research about the broader issues, policies and data around education reform, and the opt out movement.

Education policy has been heating up ever since NCLB but especially since the roll out of Race to The Top and the Common Core State Standards. Nationally publicized debates and discord over these policies are garnering public attention of teachers, parents, and whole communities. We hope this book will add to the library of other recent books such as Mercedes Schneider’s A Chronicle of Echoes (2014), Diane Ravitch’s Reign of Error (2013) and Bowers & Thomas (eds) Detesting and Degrading Schools (2012), that have exposed the complex corporate interest in shaping education policies and the destructive influence such policies will have on our children and on our democracy. This book uses first person narratives infused with research and scholarship, to create personalized accounts into the life of education activism. Each chapter includes an Activists Handbook section to provide support for our activist/readers in their own efforts. We hope that our experiences will inspire others to take this charge upon themselves as well.

In this candid and empowering A to Z of being an actor, Julie Hesmondhalgh draws on her decades of experience on stage and screen – including in massively popular television shows such as Broadchurch, Happy Valley and Coronation Street – to lift the lid on the realities of life in today's industry, and show you how to navigate it.

She shares practical advice on preparing for roles (don't be afraid of looking like a dick), managing the ups and downs of your career (and how to be out of work without losing your mind), dealing with failure (and success), not constantly comparing yourself to others (bloody hard, but try), looking after your mental health, and the power of knowing when to say "no."

Passionate about the arts, she makes a compelling case for their importance to society, but also calls out the industry on where it continues to fall short – including a clear-eyed assessment of what needs to change to make it safer and healthier, more accessible and inclusive.

Written with refreshing honesty and self-deprecating humour, An Actor's Alphabet is a book for anyone who dreams of becoming an actor, wants to be a better one, or just wants to learn what being one is really like.

Generative rather than directive, the poem magnifies the small, overlooked moments in life; explores flickering thoughts, impressions, impulses; and wallows joyfully in unending confusion.

This is a double purpose book, for utility (the addresses of your friends) and for inspiration and challenging thought (a book of quotations). How did it happen? Margaret Morse Nice (1883-1974), the distinguished bird-watcher, when commencing to write her autobiography (Research Is a Passion With Me), felt it would be a good idea to begin each chapter with an apt quotation. Her book ran to 38 chapters, but by the time the manuscript was finished, she had amassed enough quotations for a separate book. She passed away in her 91st year in 1974 but had not been able to decide which quotation would really be best for which chapter. After her life story was published, her brother in Vermont gave to its editor a carton containing all of the quotations (some typed but most handwritten). Now you, the reader, may enjoy them all, as well as the pages for addresses and Sylvia Hahn's charming wood engravings.

After West African migrants arrived in France in the 1960s, the authorities opened residences for them known as “foyers.” Initially intended to contain the West African population, these hostels for single men fostered the emergence of Black communities in the heart of Paris and other cities. More recently, however, a nationwide renovation program sought to replace the collective living arrangements of foyers with more individualized spaces by constructing new buildings or drastically reshaping existing ones—and casting the West African presence as a threat to French identity.

Aïssatou Mbodj-Pouye examines the changing roles that foyers have played in the lives of generations of West African migrants, weaving together rich ethnographic description with a critical historical account. She shows how migrants settled in foyers through kinship ties, making these buildings key parts of diasporic networks. Migrants also forged a sense of place in foyers, in an intricate relationship with bureaucratic requirements such as having an address. Mbodj-Pouye scrutinizes the physical and social evolution of foyers and the administrative dynamics that governed them. She argues that even though these buildings originated in state attempts to manage migrants along racial lines, the shared way of life that they encouraged helped spark a sense of political agency and belonging whose significance extends far beyond their walls.

Combining close attention to the social and cultural meanings of the foyers and keenly observed portraits of Black experiences in France across decades, An Address in Paris offers a new lens on the global African diaspora.

After West African migrants arrived in France in the 1960s, the authorities opened residences for them known as “foyers.” Initially intended to contain the West African population, these hostels for single men fostered the emergence of Black communities in the heart of Paris and other cities. More recently, however, a nationwide renovation program sought to replace the collective living arrangements of foyers with more individualized spaces by constructing new buildings or drastically reshaping existing ones—and casting the West African presence as a threat to French identity.

Aïssatou Mbodj-Pouye examines the changing roles that foyers have played in the lives of generations of West African migrants, weaving together rich ethnographic description with a critical historical account. She shows how migrants settled in foyers through kinship ties, making these buildings key parts of diasporic networks. Migrants also forged a sense of place in foyers, in an intricate relationship with bureaucratic requirements such as having an address. Mbodj-Pouye scrutinizes the physical and social evolution of foyers and the administrative dynamics that governed them. She argues that even though these buildings originated in state attempts to manage migrants along racial lines, the shared way of life that they encouraged helped spark a sense of political agency and belonging whose significance extends far beyond their walls.

Combining close attention to the social and cultural meanings of the foyers and keenly observed portraits of Black experiences in France across decades, An Address in Paris offers a new lens on the global African diaspora.

An Administrator’s Guide to Online Education is an essential resource for the higher education administrator. Unlike most books regarding online education, this book is not about teaching; it is about effectively administrating an online education program. Grounded in existing distance education theory, and drawing from best practices, current research, and an extensive review of current literature, An Administrator’s Guide to Online Education systematically identifies and discusses seven key issues that affect the practice of online education today: leadership and strategic planning, policy and operation, faculty, online student services, online student success, technology and the courseware management system, and finally marketing. Throughout the text, the authors provide case studies, examples, policies, and resources from actual institutions, which further enhance the value of this text. An Administrator’s Guide to Online Education, encompasses the issues and provides information on how to accomplish one specific task: successful online education administration.

An Administrator’s Guide to Online Education is an essential resource for the higher education administrator. Unlike most books regarding online education, this book is not about teaching; it is about effectively administrating an online education program. Grounded in existing distance education theory, and drawing from best practices, current research, and an extensive review of current literature, An Administrator’s Guide to Online Education systematically identifies and discusses seven key issues that affect the practice of online education today: leadership and strategic planning, policy and operation, faculty, online student services, online student success, technology and the courseware management system, and finally marketing. Throughout the text, the authors provide case studies, examples, policies, and resources from actual institutions, which further enhance the value of this text. An Administrator’s Guide to Online Education, encompasses the issues and provides information on how to accomplish one specific task: successful online education administration.

Historian Eric R. Schlereth places religious conflict at the center of early American political culture. He shows ordinary Americans—both faithful believers and Christianity's staunchest critics—struggling with questions about the meaning of tolerance and the limits of religious freedom. In doing so, he casts new light on the ways Americans reconciled their varied religious beliefs with political change at a formative moment in the nation's cultural life.

After the American Revolution, citizens of the new nation felt no guarantee that they would avoid the mire of religious and political conflict that had gripped much of Europe for three centuries. Debates thus erupted in the new United States about how or even if long-standing religious beliefs, institutions, and traditions could be accommodated within a new republican political order that encouraged suspicion of inherited traditions. Public life in the period included contentious arguments over the best way to ensure a compatible relationship between diverse religious beliefs and the nation's recent political developments.

In the process, religion and politics in the early United States were remade to fit each other. From the 1770s onward, Americans created a political rather than legal boundary between acceptable and unacceptable religious expression, one defined in reference to infidelity. Conflicts occurred most commonly between deists and their opponents who perceived deists' anti-Christian opinions as increasingly influential in American culture and politics. Exploring these controversies, Schlereth explains how Americans navigated questions of religious truth and difference in an age of emerging religious liberty.

Historian Eric R. Schlereth places religious conflict at the center of early American political culture. He shows ordinary Americans—both faithful believers and Christianity's staunchest critics—struggling with questions about the meaning of tolerance and the limits of religious freedom. In doing so, he casts new light on the ways Americans reconciled their varied religious beliefs with political change at a formative moment in the nation's cultural life.

After the American Revolution, citizens of the new nation felt no guarantee that they would avoid the mire of religious and political conflict that had gripped much of Europe for three centuries. Debates thus erupted in the new United States about how or even if long-standing religious beliefs, institutions, and traditions could be accommodated within a new republican political order that encouraged suspicion of inherited traditions. Public life in the period included contentious arguments over the best way to ensure a compatible relationship between diverse religious beliefs and the nation's recent political developments.

In the process, religion and politics in the early United States were remade to fit each other. From the 1770s onward, Americans created a political rather than legal boundary between acceptable and unacceptable religious expression, one defined in reference to infidelity. Conflicts occurred most commonly between deists and their opponents who perceived deists' anti-Christian opinions as increasingly influential in American culture and politics. Exploring these controversies, Schlereth explains how Americans navigated questions of religious truth and difference in an age of emerging religious liberty.

Historian Eric R. Schlereth places religious conflict at the center of early American political culture. He shows ordinary Americans—both faithful believers and Christianity's staunchest critics—struggling with questions about the meaning of tolerance and the limits of religious freedom. In doing so, he casts new light on the ways Americans reconciled their varied religious beliefs with political change at a formative moment in the nation's cultural life.

After the American Revolution, citizens of the new nation felt no guarantee that they would avoid the mire of religious and political conflict that had gripped much of Europe for three centuries. Debates thus erupted in the new United States about how or even if long-standing religious beliefs, institutions, and traditions could be accommodated within a new republican political order that encouraged suspicion of inherited traditions. Public life in the period included contentious arguments over the best way to ensure a compatible relationship between diverse religious beliefs and the nation's recent political developments.

In the process, religion and politics in the early United States were remade to fit each other. From the 1770s onward, Americans created a political rather than legal boundary between acceptable and unacceptable religious expression, one defined in reference to infidelity. Conflicts occurred most commonly between deists and their opponents who perceived deists' anti-Christian opinions as increasingly influential in American culture and politics. Exploring these controversies, Schlereth explains how Americans navigated questions of religious truth and difference in an age of emerging religious liberty.

Dr. Regina Moss has built herself a successful career as a psychiatrist in Boston: she enjoys a lucrative private practice, hefty consultation fees, and a reputation that inspires colleagues and patients alike. Why then, is Regina haunted by her past? Why does her own daughter barely speak to her? WhatÆs the story with her gruff, softhearted husband Walter—and why canÆt Regina stop thinking about the lanky new tech on the ward? An Age of Madness peels back the layers of ReginaÆs psyche in a voice that is brash, bitter, and blackly humorous, laying bare her vulnerabilities while drawing the reader unnervingly close to this memorable heroine.

From the author of The Preservationist, which was hailed as \u201chilarious and illuminating\u201d by The Los Angeles Times Book Review and \u201cpithy and smart\u201d by the New York Post, comes the latest turnabout in a career filled with unexpected surprises. An Age of Madness brings a sharp edge of psychological realism to a story filled with startling revelations and heartrending twists.

At the end of the nineteenth century and beginning of the twentieth, Japanese fiction pulsed with an urge to render good and evil in ways that evoked dramatic emotions. An Age of Melodrama examines four enormously popular novels from this period by interweaving two threads of argument. Using approaches to melodrama developed in Western literary and film criticism, it first shows how these texts used their binary morality to construct a semblance of moral certainty in a moment of social transformation. It then examines how the novels responded to a particular set of ideologies of the family, which the Japanese state attempted to use as an instrument of social control. The melodramatic novels of the Meiji period generated a plethora of alternative family models that explored the myriad ways in which human beings could connect in a modernizing culture. The fictional families in these works revealed the ties of the family to the nation, delineated traumatic changes in social hierarchy, and showed the effects of new discourses of gender. These powerful portrayals and the social discourses that surround them reveal that melodrama was a central mode of sensibility in Meiji culture.

Modern society has operated under the assumption that technological developments and the production of material goods intrinsically lead to improvement in the overall welfare of individuals and nations. However, Walter G. Moss provides a more analytical reading of the main trends of the twentieth century, and offers a gripping introduction to the defining themes of the recent past. His history is an accomplished review, dealing with the complexities and subtleties of this beguiling epoch with the adeptness that has made his previous historical works such resounding successes.

‘An Age of Progress?’ is an advanced examination of major twentieth-century global developments regarding violence; capitalism, socialism and communism; imperialism, racism, nationalism, westernization, globalization, and international finance; freedom and human rights; physical and mental environmental changes; and culture, science, education, religion, and social criticism. Moss then concludes his momentous study by exploring the ways in which the twentieth century made significant progress -- and the ways in which it had not.

This is an exemplary text for advanced students of twentieth-century global history, particularly within a seminar setting, and for general readers seeking to increase their basic knowledge of the subject. It can also be used as background reading for courses in International Relations and for those interested in international business and international cooperation.

Monstrous births, rains of blood, apparitions of battles in the sky – people in early modern England found all of these events to carry important religious and political meanings. In An age of wonders, available in paperback for the first time, William E. Burns explores the process by which these events became religiously and politically insignificant in the Restoration period. The story involves the establishment of early modern science, the shift from ‘enthusiastic’ to reasonable religion, and the fierce political combat between the Whigs and the Tories.

This historical study is based on close readings of a variety of primary sources, both print and manuscript. Burns claims that prodigies lost their religious meaning and became subjects of scientific enquiry as a result of political struggles, first by the supporters of the restored monarchy and the Church of England against Protestant dissenters, and then by the Whig defenders of the Revolution of 1688 against the Tories and the Jacobites.

By integrating religious and political history with the history of science, An age of wonders will be of great use to those working in the field of early modern history.

The achievements and challenges of the world's largest multilateral donor population programs

In the thirty years since the United Nations Population Fund was founded, overall population growth rates have slowed, infant and maternal mortality have been reduced, and women have achieved improved access to reproductive health services. Yet, a multitude of problems remain, including the aging of Western European populations and the growth of others in the Third World, the impact of AIDS, and increases in migration and refugees.

An Agenda for People examines the past achievements as well as the current and future challenges of the world's largest multilateral donor population programs. Through essays by experts in the field of development, this book tackles a series of probing questions. How has the Fund evolved and built global support? How have the major international conferences on population and environments shaped the global population agenda? What is the relationship between reproductive rights and human rights? What are the links between population and resource use and abuse? And how does the Fund help to integrate impoverished populations into national development strategies?

This book provides an invaluable assessment of the state of world population programs and a fascinating look into the future of community development.

Contributors include Tevia Abrams, John Caldwell, Sylvie Cohen, Rebecca Cook, Mahmoud Fathalla, Noeleen heyzer, Don Hinrichsen, Stafford Mousky, Mohammad Nizamuddin, Fred Sai, Sara Sems, Steven W. Sinding, Jyoti Shankar Singh, and Bradman Weerakoon.

The achievements and challenges of the world's largest multilateral donor population programs

In the thirty years since the United Nations Population Fund was founded, overall population growth rates have slowed, infant and maternal mortality have been reduced, and women have achieved improved access to reproductive health services. Yet, a multitude of problems remain, including the aging of Western European populations and the growth of others in the Third World, the impact of AIDS, and increases in migration and refugees.

An Agenda for People examines the past achievements as well as the current and future challenges of the world's largest multilateral donor population programs. Through essays by experts in the field of development, this book tackles a series of probing questions. How has the Fund evolved and built global support? How have the major international conferences on population and environments shaped the global population agenda? What is the relationship between reproductive rights and human rights? What are the links between population and resource use and abuse? And how does the Fund help to integrate impoverished populations into national development strategies?

This book provides an invaluable assessment of the state of world population programs and a fascinating look into the future of community development.

Contributors include Tevia Abrams, John Caldwell, Sylvie Cohen, Rebecca Cook, Mahmoud Fathalla, Noeleen heyzer, Don Hinrichsen, Stafford Mousky, Mohammad Nizamuddin, Fred Sai, Sara Sems, Steven W. Sinding, Jyoti Shankar Singh, and Bradman Weerakoon.

In the tales gathered in An Agent of Utopia: New and Selected Stories you will meet a Utopian assassin, an aging UFO contactee, a haunted Mohawk steelworker, a time-traveling prizefighter, a yam-eating Zombie, and a child who loves a frizzled chicken—not to mention Harry Houdini, Zora Neale Hurston, Sir Thomas More, and all their fellow travelers riding the steamer-trunk imagination of a unique twenty-first-century fabulist.

From the Florida folktales of the perennial prison escapee Daddy Mention and the dangerous gator-man Uncle Monday that inspired "Daddy Mention and the Monday Skull" (first published in Mojo: Conjure Stories, edited by Nalo Hopkinson) to the imagined story of boxer and historical bit player Jess Willard in World Fantasy Award winner "The Pottawatomie Giant" (first published on SciFiction), or the Ozark UFO contactees in Nebula Award winner "Close Encounters" to Flannery O’Connor’s childhood celebrity in Shirley Jackson Award finalist "Unique Chicken Goes in Reverse" (first published in Eclipse) Duncan’s historical juxtapositions come alive on the page as if this Southern storyteller was sitting on a rocking chair stretching the truth out beside you.

Duncan rounds out his explorations of the nooks and crannies of history in two irresistible new stories, "Joe Diabo's Farewell" — in which a gang of Native American ironworkers in 1920s New York City go to a show — and the title story, "An Agent of Utopia" — where he reveals what really (might have) happened to Thomas More’s head.

'Poulson is currently unrivalled as a writer of scientific mysteries combining elements of both the thriller and the whodunnit.' Morning Star

The atmosphere in the lab is toxic.

It is only a matter of time before there is a flu pandemic with the potential to kill billions.

Or so wealthy entrepreneur Lyle Lynstrum believes. That is why he is funding research into transgenics - the mechanism by which viruses can jump the species barrier - at a high security lab on a tidal island off the North Devon coast.

A suspiciously rapid turnover of staff has him worried. He sends in scientist Katie Flanagan as an undercover lab technician. Something is clearly very wrong, but before Katie can get to the bottom of what is going on, a colleague is struck down by a mysterious illness.

Has the safety of the facility been compromised, allowing a deadly virus to escape? Katie begins to suspect that the scientists are as deadly as the diseases - and that her cover has been blown.

Then the island is cut off by high seas and a terrifying game of cat-and-mouse begins...

'Nobody writes medical mysteries with more authority than Christine Poulson.'

PETER LOVESEY, author of Killing with Confetti

'A thrilling, thought-provoking read. A real page-turner.'

KATE ELLIS, author of The Mechanical Devil

'The stakes are high, the suspects are many and the solution is satisfying. I loved it.'

CATRIONA McPHERSON, author of Strangers at the Gate

Classical Indian poetics prized the skillful use of alaṅkāras, or “ornaments”—literary figures of speech. Across more than a millennium, Sanskrit writers developed and elaborated an account of literary embellishment that is perhaps the world’s most complex and long-standing theory of figuration. Yet it remains the least studied of India’s major classical systems of thought.

An Alaṅkāra Reader is a groundbreaking panoramic overview of this tradition, presenting extensive and accessible translations of key works that span its history, from the sixth century CE to the eighteenth. These texts vividly show how Indian theorists analyzed simile, metaphor, allegory, and dozens of other figures that are distinctive to their world. Yigal Bronner’s commentary makes Sanskrit concepts of ornamentation approachable while placing them in historical context. He provides a new account of the history of Sanskrit poetics, showing how it underwent successive waves of theoretical revolutions and emerged as a prestigious field that attracted a variety of scholars in the early modern era.

Featuring many previously untranslated texts, An Alaṅkāra Reader is an essential resource for the study of classical Indian thought, the intellectual history of South Asia, and comparative literature. It reveals the depth and nuance of Sanskrit’s “science of ornaments” for anyone interested in poetic theory, figuration, and aesthetics across world traditions.

Classical Indian poetics prized the skillful use of alaṅkāras, or “ornaments”—literary figures of speech. Across more than a millennium, Sanskrit writers developed and elaborated an account of literary embellishment that is perhaps the world’s most complex and long-standing theory of figuration. Yet it remains the least studied of India’s major classical systems of thought.

An Alaṅkāra Reader is a groundbreaking panoramic overview of this tradition, presenting extensive and accessible translations of key works that span its history, from the sixth century CE to the eighteenth. These texts vividly show how Indian theorists analyzed simile, metaphor, allegory, and dozens of other figures that are distinctive to their world. Yigal Bronner’s commentary makes Sanskrit concepts of ornamentation approachable while placing them in historical context. He provides a new account of the history of Sanskrit poetics, showing how it underwent successive waves of theoretical revolutions and emerged as a prestigious field that attracted a variety of scholars in the early modern era.

Featuring many previously untranslated texts, An Alaṅkāra Reader is an essential resource for the study of classical Indian thought, the intellectual history of South Asia, and comparative literature. It reveals the depth and nuance of Sanskrit’s “science of ornaments” for anyone interested in poetic theory, figuration, and aesthetics across world traditions.

How could a pious, Christian mystic spread radical Enlightenment ideas and freedom of thought? Johann Konrad Dippel was a radical pietist, an alchemist, a philosopher, a medical doctor, a renegade, a firebrand. He was also one of the most-read authors of early eighteenth-century Europe.

Born at the Burg Frankenstein in the South of Germany, he was a truly cosmopolitan figure, straying between France, Berlin, the Netherlands, Denmark, Sweden, and various German states. From 1714–1719, he was in Altona near Hamburg, then the second city of Denmark-Norway. Here, a labyrinthine case was brought against him, terminating with his banishment to the Danish island of Bornholm in the Baltic Sea.

This book is the first to investigate in detail the Case Against Dippel in Altona, pitting him in a struggle against the strongest noble couple of Denmark-Norway, the Reventlows, presiding in Altona. It was a case involving libel, bribes, corruption, but also branching into blasphemy and gold-making.

The investigation of the Case Against Dippel is embedded in a narrative of what is known about his frantic life and defiant thought before and after his seven-years’ incarceration. The whole story throws a new light upon the challenging question of the origin of Modernity and the clandestine connections between radical pietism and radical Enlightenment.

The unqualified victory of consumerism in America was not a foregone conclusion. The United States has traditionally been the home of the most aggressive and often thoughtful criticism of consumption, including Puritanism, Prohibition, the simplicity movement, the '60s hippies, and the consumer rights movement. But at the dawn of the twenty-first century, not only has American consumerism triumphed, there isn't even an "ism" left to challenge it. An All-Consuming Century is a rich history of how market goods came to dominate American life over that remarkable hundred years between 1900 and 2000 and why for the first time in history there are no practical limits to consumerism.

By 1930 a distinct consumer society had emerged in the United States in which the taste, speed, control, and comfort of goods offered new meanings of freedom, thus laying the groundwork for a full-scale ideology of consumer's democracy after World War II. From the introduction of Henry Ford's Model T ("so low in price that no man making a good salary will be unable to own one") and the innovations in selling that arrived with the department store (window displays, self service, the installment plan) to the development of new arenas for spending (amusement parks, penny arcades, baseball parks, and dance halls), Americans embraced the new culture of commercialism—with reservations. However, Gary Cross shows that even the Depression, the counterculture of the 1960s, and the inflation of the 1970s made Americans more materialistic, opening new channels of desire and offering opportunities for more innovative and aggressive marketing. The conservative upsurge of the 1980s and '90s indulged in its own brand of self-aggrandizement by promoting unrestricted markets. The consumerism of today, thriving and largely unchecked, no longer brings families and communities together; instead, it increasingly divides and isolates Americans.

Consumer culture has provided affluent societies with peaceful alternatives to tribalism and class war, Cross writes, and it has fueled extraordinary economic growth. The challenge for the future is to find ways to revive the still valid portion of the culture of constraint and control the overpowering success of the all-consuming twentieth century.

The unqualified victory of consumerism in America was not a foregone conclusion. The United States has traditionally been the home of the most aggressive and often thoughtful criticism of consumption, including Puritanism, Prohibition, the simplicity movement, the '60s hippies, and the consumer rights movement. But at the dawn of the twenty-first century, not only has American consumerism triumphed, there isn't even an "ism" left to challenge it. An All-Consuming Century is a rich history of how market goods came to dominate American life over that remarkable hundred years between 1900 and 2000 and why for the first time in history there are no practical limits to consumerism.

By 1930 a distinct consumer society had emerged in the United States in which the taste, speed, control, and comfort of goods offered new meanings of freedom, thus laying the groundwork for a full-scale ideology of consumer's democracy after World War II. From the introduction of Henry Ford's Model T ("so low in price that no man making a good salary will be unable to own one") and the innovations in selling that arrived with the department store (window displays, self service, the installment plan) to the development of new arenas for spending (amusement parks, penny arcades, baseball parks, and dance halls), Americans embraced the new culture of commercialism—with reservations. However, Gary Cross shows that even the Depression, the counterculture of the 1960s, and the inflation of the 1970s made Americans more materialistic, opening new channels of desire and offering opportunities for more innovative and aggressive marketing. The conservative upsurge of the 1980s and '90s indulged in its own brand of self-aggrandizement by promoting unrestricted markets. The consumerism of today, thriving and largely unchecked, no longer brings families and communities together; instead, it increasingly divides and isolates Americans.

Consumer culture has provided affluent societies with peaceful alternatives to tribalism and class war, Cross writes, and it has fueled extraordinary economic growth. The challenge for the future is to find ways to revive the still valid portion of the culture of constraint and control the overpowering success of the all-consuming twentieth century.

Despite noticeable growth in Islamic banking and finance literature in recent years, very few published books in this area deal with supervisory and regulatory issues in Islamic banking – theoretically or empirically – and none with the critical issue of risks involved in liquidity management of Islamic banks. This unique book is the first of its kind in dealing with challenges these financial institutions face in the absence of interest rate mechanism and debt-based financial instruments. The book examines critically issues involve in managing the risk of liquidity management for these types of institutions, including those stemming from Basel requirements. It then offers an alternative regulatory framework more appropriately suited for such banks without compromising safety and security. The book's unique features and innovative dimensions diagnostically differentiate between Islamic banks and conventional banks as related to liquidity management risks. It proposes a risk-sharing regulatory framework that, once implemented, would mitigate risks posed by balance-sheet mismatches. The book aims to assist regulators, supervisors, Islamic finance practitioners, academicians and other relevant stakeholders.

Translated for the first time in English, Lev Levanda's brilliant coming-of-age story of Russian Jewish students on the cusp of modernity in their struggle against religious chauvinism and an oppressive government.

Despite being Russia's best Jewish writer of the nineteenth century, Lev Levanda (1835–1888) is barely known in the English-speaking world, with some of his most famous works, like the 1873 novel Seething Times, having yet to be published in their entirety. Another such work is An Amateur Performance (Reminiscences of a Student in the 1850s), which appears here in English for the first time, translated with elegance by Hugh McLean and edited by Brian Horowitz and Conor Daly. A classic in Russian-Jewish literature from 1882, An Amateur Performance describes the rush by Jews to government schools, secular education, and the lights of enlightenment, while also revealing the struggles of these Jewish students on the cusp of modernity, including keen observations on their lack of preparation, their confusion over the new ideas, and their confrontation with the repressive power of the Russian government. In short, it’s a brilliant sociological study of Russian Jewry in the 1850s as remembered by a writer who fought for progress and Jewish integration. 

Translated for the first time in English, Lev Levanda's brilliant coming-of-age story of Russian Jewish students on the cusp of modernity in their struggle against religious chauvinism and an oppressive government.

Despite being Russia's best Jewish writer of the nineteenth century, Lev Levanda (1835–1888) is barely known in the English-speaking world, with some of his most famous works, like the 1873 novel Seething Times, having yet to be published in their entirety. Another such work is An Amateur Performance (Reminiscences of a Student in the 1850s), which appears here in English for the first time, translated with elegance by Hugh McLean and edited by Brian Horowitz and Conor Daly. A classic in Russian-Jewish literature from 1882, An Amateur Performance describes the rush by Jews to government schools, secular education, and the lights of enlightenment, while also revealing the struggles of these Jewish students on the cusp of modernity, including keen observations on their lack of preparation, their confusion over the new ideas, and their confrontation with the repressive power of the Russian government. In short, it’s a brilliant sociological study of Russian Jewry in the 1850s as remembered by a writer who fought for progress and Jewish integration. 

Translated for the first time in English, Lev Levanda's brilliant coming-of-age story of Russian Jewish students on the cusp of modernity in their struggle against religious chauvinism and an oppressive government.

Despite being Russia's best Jewish writer of the nineteenth century, Lev Levanda (1835–1888) is barely known in the English-speaking world, with some of his most famous works, like the 1873 novel Seething Times, having yet to be published in their entirety. Another such work is An Amateur Performance (Reminiscences of a Student in the 1850s), which appears here in English for the first time, translated with elegance by Hugh McLean and edited by Brian Horowitz and Conor Daly. A classic in Russian-Jewish literature from 1882, An Amateur Performance describes the rush by Jews to government schools, secular education, and the lights of enlightenment, while also revealing the struggles of these Jewish students on the cusp of modernity, including keen observations on their lack of preparation, their confusion over the new ideas, and their confrontation with the repressive power of the Russian government. In short, it’s a brilliant sociological study of Russian Jewry in the 1850s as remembered by a writer who fought for progress and Jewish integration. 

Translated for the first time in English, Lev Levanda's brilliant coming-of-age story of Russian Jewish students on the cusp of modernity in their struggle against religious chauvinism and an oppressive government.

Despite being Russia's best Jewish writer of the nineteenth century, Lev Levanda (1835–1888) is barely known in the English-speaking world, with some of his most famous works, like the 1873 novel Seething Times, having yet to be published in their entirety. Another such work is An Amateur Performance (Reminiscences of a Student in the 1850s), which appears here in English for the first time, translated with elegance by Hugh McLean and edited by Brian Horowitz and Conor Daly. A classic in Russian-Jewish literature from 1882, An Amateur Performance describes the rush by Jews to government schools, secular education, and the lights of enlightenment, while also revealing the struggles of these Jewish students on the cusp of modernity, including keen observations on their lack of preparation, their confusion over the new ideas, and their confrontation with the repressive power of the Russian government. In short, it’s a brilliant sociological study of Russian Jewry in the 1850s as remembered by a writer who fought for progress and Jewish integration. 

A brilliant atlas of Scotland that's full of fun, vibrant illustrations and packed with fascinating historical facts about battles, inventions, famous Scots and more.

Did you know that long ago Scotland was buried under a layer of ice one kilometre thick? That Orkney's neolithic village of Skara Brae is older than the Great Pyramid in Egypt? Or that bagpipes were once banned? Discover how Scotland's islands, Highlands, cities, castles and crofts connect to the most amazing moments in this nation's rich history.

Did you know that dinosaurs lived on the Isle of Skye 165 million years ago? That North Ronaldsay sheep only eat seaweed? Or that Loch Ness is so deep that it holds more water than all of Wales and England's lakes combined?

Bursting with all you need to know about its people and places, history and culture -- from warrior kings and mythical monsters, to famous landmarks, spectacular landscapes, unique wildlife and much, much more -- this entertaining and informative atlas offers readers a whirlwind trip around the highlands and islands, lowlands and cities that make Scotland so amazing.

With a wealth of exciting and unexpected facts from David MacPhail, and vibrant and dynamic illustrations by Anders Frang, The Amazing Illustrated Atlas of Scotland is a perfect book for young adventurers whether they live in Scotland or not.

During the first three-quarters of the nineteenth century, American publishing experienced unprecedented, exponential growth. An emerging market economy, widespread religious revival, educational reforms, and innovations in print technology worked together to create a culture increasingly formed and framed by the power of print. At the center of this new culture was the Bible, the book that has been called "the best seller" in American publishing history. Yet it is important to realize that the Bible in America was not a simple, uniform entity. First printed in the United States during the American Revolution, the Bible underwent many revisions, translations, and changes in format as different editors and publishers appropriated it to meet a wide range of changing ideological and economic demands.

This book examines how many different constituencies (both secular and religious) fought to keep the Bible the preeminent text in the United States as the country's print marketplace experienced explosive growth. The author shows how these heated battles had profound consequences for many American cultural practices and forms of printed material. By exploring how publishers, clergymen, politicians, educators, and lay persons met the threat that new printed material posed to the dominance of the Bible by changing both its form and its contents, the author reveals the causes and consequences of mutating God's supposedly immutable Word.

During the first three-quarters of the nineteenth century, American publishing experienced unprecedented, exponential growth. An emerging market economy, widespread religious revival, educational reforms, and innovations in print technology worked together to create a culture increasingly formed and framed by the power of print. At the center of this new culture was the Bible, the book that has been called "the best seller" in American publishing history. Yet it is important to realize that the Bible in America was not a simple, uniform entity. First printed in the United States during the American Revolution, the Bible underwent many revisions, translations, and changes in format as different editors and publishers appropriated it to meet a wide range of changing ideological and economic demands.

This book examines how many different constituencies (both secular and religious) fought to keep the Bible the preeminent text in the United States as the country's print marketplace experienced explosive growth. The author shows how these heated battles had profound consequences for many American cultural practices and forms of printed material. By exploring how publishers, clergymen, politicians, educators, and lay persons met the threat that new printed material posed to the dominance of the Bible by changing both its form and its contents, the author reveals the causes and consequences of mutating God's supposedly immutable Word.

The profound economic and social changes in the post-Civil War United States created new challenges to a nation founded on Enlightenment and transcendental values, religious certainties, and rural traditions. Newly-freed African Americans, emboldened women, intellectuals and artists, and a polyglot tide of immigrants found themselves in a restless new world of railroads, factories, and skyscrapers where old assumptions were being challenged and new values had yet to be created. In An American Cakewalk: Ten Syncopators of the Modern World, Zeese Papanikolas tells the lively and entertaining story of a diverse group of figures in the arts and sciences who inhabited this new America.

Just as ragtime composers subverted musical expectations by combining European march timing with African syncopation, so this book's protagonists—who range from Emily Dickinson to Thorstein Veblen and from Henry and William James to Charles Mingus—interrogated the modern American world through their own "syncopations" of cultural givens. The old antebellum slave dance, the cakewalk, with its parody of the manners and pretensions of the white folks in the Big House, provides a template of how the tricksters, shamans, poets, philosophers, ragtime pianists, and jazz musicians who inhabit this book used the arts of parody, satire, and disguise to subvert American cultural norms and to create new works of astonishing beauty and intellectual vigor.

John Nichols was raised by a family as American as the Stars and Stripes.

He enjoyed a top-notch private school education and at 23 wrote a best-selling novel, The Sterile Cuckoo. At that point, he considered himself “a child blessed by the culture and fated for delirious success.”

However, a trip to Guatemala derailed his golden-child existence and set him on a very different path toward social and environmental activism. This book charts Nichols’s rich and often tormented journey out of his sheltered middle-class life toward a belief in what he calls “liberation ecology.”

An American Family (1918) is a novel by Henry Kitchell Webster. Written at the height of Webster’s career as a popular author of magazine serials, An American Family is a story of war, ambition, and tragedy. Exploring the effects of the burgeoning labor movement on American industry, Webster illustrates the psychological effects of conflict and betrayal on members of a wealthy family. As the third son of a large, upper-class family, Hugh Corbett has always struggled to prove himself. Despite the ambitions of his siblings, Hugh finds himself longing for a life outside of the family business. As owners of a successful factory in Chicago, their position has increasingly been at odds with the needs of their impoverished laborers, many of whom have begun to agitate for higher pay and better rights. Just as this crisis reaches a boiling point, it becomes clear that the United States is preparing to enter the Great War, thrusting a nation into conflict with Europe and deepening its own divisions. Meanwhile, Hugh meets Helena, a committed anarchist who exposes for him the inequities suffered by those the Corbett family employs. When a strike threatens to bring down the business, Hugh is forced to make a choice: should he prove his allegiance to his class and loved ones, or do what he knows to be right for the greater good of humanity. Sweeping in scope and intensely emotional, An American Family is a story of history on a human scale. This edition of Henry Kitchell Webster’s An American Family is a classic of American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

An American Family (1918) is a novel by Henry Kitchell Webster. Written at the height of Webster’s career as a popular author of magazine serials, An American Family is a story of war, ambition, and tragedy. Exploring the effects of the burgeoning labor movement on American industry, Webster illustrates the psychological effects of conflict and betrayal on members of a wealthy family. As the third son of a large, upper-class family, Hugh Corbett has always struggled to prove himself. Despite the ambitions of his siblings, Hugh finds himself longing for a life outside of the family business. As owners of a successful factory in Chicago, their position has increasingly been at odds with the needs of their impoverished laborers, many of whom have begun to agitate for higher pay and better rights. Just as this crisis reaches a boiling point, it becomes clear that the United States is preparing to enter the Great War, thrusting a nation into conflict with Europe and deepening its own divisions. Meanwhile, Hugh meets Helena, a committed anarchist who exposes for him the inequities suffered by those the Corbett family employs. When a strike threatens to bring down the business, Hugh is forced to make a choice: should he prove his allegiance to his class and loved ones, or do what he knows to be right for the greater good of humanity. Sweeping in scope and intensely emotional, An American Family is a story of history on a human scale. This edition of Henry Kitchell Webster’s An American Family is a classic of American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

An American Family (1918) is a novel by Henry Kitchell Webster. Written at the height of Webster’s career as a popular author of magazine serials, An American Family is a story of war, ambition, and tragedy. Exploring the effects of the burgeoning labor movement on American industry, Webster illustrates the psychological effects of conflict and betrayal on members of a wealthy family. As the third son of a large, upper-class family, Hugh Corbett has always struggled to prove himself. Despite the ambitions of his siblings, Hugh finds himself longing for a life outside of the family business. As owners of a successful factory in Chicago, their position has increasingly been at odds with the needs of their impoverished laborers, many of whom have begun to agitate for higher pay and better rights. Just as this crisis reaches a boiling point, it becomes clear that the United States is preparing to enter the Great War, thrusting a nation into conflict with Europe and deepening its own divisions. Meanwhile, Hugh meets Helena, a committed anarchist who exposes for him the inequities suffered by those the Corbett family employs. When a strike threatens to bring down the business, Hugh is forced to make a choice: should he prove his allegiance to his class and loved ones, or do what he knows to be right for the greater good of humanity. Sweeping in scope and intensely emotional, An American Family is a story of history on a human scale. This edition of Henry Kitchell Webster’s An American Family is a classic of American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

This fascinating book tells the remarkable story of an ordinary American woman’s heroism in the French Resistance. Virginia Roush fell in love with Philippe d’Albert-Lake during a visit to France in 1936; they married soon after. In 1943, they both joined the Resistance, where Virginia put her life in jeopardy as she sheltered downed airmen and later survived a Nazi prison camp. After the war, she stayed in France with Philippe, and was awarded the Légion d’Honneur and the Medal of Honor. She died in 1997.

Judy Barrett Litoff brings together two rare documents—Virginia’s diary of wartime France until her capture in 1944 and her prison memoir written immediately after the war. Masterfully edited, they convey the compassion and toughness of a nearly forgotten heroine as they provide an invaluable record of the workings of the Resistance by one of the very few American women who participated in it.

“An indelible portrait of extraordinary strength of character . . . [D’Albert-Lake] is sombre, reflective, and attentive to every detail.”—The New Yorker

“A sharply etched and moving story of love, companionship, commitment, and sacrifice. . . . This beautifully edited diary and memoir throw an original light on the French Resistance.”—Robert Gildea, author of Marianne in Chains: In Search of the German Occupation, 1940-1945

“At once a stunning self-portrait and dramatic narrative of a valorous young American woman . . . an exciting and gripping story, one of the best of the many wartime tales.” —Walter Cronkite

“An enthralling tale which brims with brave airmen and plucky heroines.”—David Kirby, St. Petersburg Times

This fascinating book tells the remarkable story of an ordinary American woman’s heroism in the French Resistance. Virginia Roush fell in love with Philippe d’Albert-Lake during a visit to France in 1936; they married soon after. In 1943, they both joined the Resistance, where Virginia put her life in jeopardy as she sheltered downed airmen and later survived a Nazi prison camp. After the war, she stayed in France with Philippe, and was awarded the Légion d’Honneur and the Medal of Honor. She died in 1997.

Judy Barrett Litoff brings together two rare documents—Virginia’s diary of wartime France until her capture in 1944 and her prison memoir written immediately after the war. Masterfully edited, they convey the compassion and toughness of a nearly forgotten heroine as they provide an invaluable record of the workings of the Resistance by one of the very few American women who participated in it.

“An indelible portrait of extraordinary strength of character . . . [D’Albert-Lake] is sombre, reflective, and attentive to every detail.”—The New Yorker

“A sharply etched and moving story of love, companionship, commitment, and sacrifice. . . . This beautifully edited diary and memoir throw an original light on the French Resistance.”—Robert Gildea, author of Marianne in Chains: In Search of the German Occupation, 1940-1945

“At once a stunning self-portrait and dramatic narrative of a valorous young American woman . . . an exciting and gripping story, one of the best of the many wartime tales.” —Walter Cronkite

“An enthralling tale which brims with brave airmen and plucky heroines.”—David Kirby, St. Petersburg Times

Focusing on multigenerational Puerto Rican women and girls, Emily R. Aguiló-Pérez masterfully illustrates how Barbie dolls impact femininity, body image, and cultural identity.

Since her debut in 1959, Barbie has transcended boundaries and transformed into a global symbol of femininity, capturing the imaginations of girls all around the world. An American Icon in Puerto Rico offers a captivating study of that iconic influence by focusing on a group of multigenerational Puerto Rican women and girls.

Through personal narratives and insights, author Emily R. Aguiló-Pérez unveils the emotional attachment that these women and girls have formed with the doll during their formative years. This connection serves as a powerful lens to explore the intricate relationships girls have with their Barbie dolls and the complex role Barbie plays in shaping their identities.

Aguiló-Pérez boldly confronts the challenges and contradictions that arise, offering a compelling analysis of how playing with Barbie dolls can impact a girl's perception of femininity, body image, race, and even national identity. Through these nuanced explorations, she unearths the potential pitfalls of these influences, encouraging readers to reflect on their own relationships with the iconic doll.

By weaving together personal anecdotes, historical context, and sociocultural analysis, Aguiló-Pérez masterfully illustrates how these women and girls navigate the diverse landscapes of femininity, body image, and cultural identity, with Barbie serving as both a facilitator and a reflection of their growth. In doing so, she redefines the significance of Barbie in the lives of Puerto Rican women and girls, prompting readers from all around the world to reevaluate their perceptions of femininity and embrace a more inclusive understanding of beauty, body image, and self-expression.

Focusing on multigenerational Puerto Rican women and girls, Emily R. Aguiló-Pérez masterfully illustrates how Barbie dolls impact femininity, body image, and cultural identity.

Since her debut in 1959, Barbie has transcended boundaries and transformed into a global symbol of femininity, capturing the imaginations of girls all around the world. An American Icon in Puerto Rico offers a captivating study of that iconic influence by focusing on a group of multigenerational Puerto Rican women and girls.

Through personal narratives and insights, author Emily R. Aguiló-Pérez unveils the emotional attachment that these women and girls have formed with the doll during their formative years. This connection serves as a powerful lens to explore the intricate relationships girls have with their Barbie dolls and the complex role Barbie plays in shaping their identities.

Aguiló-Pérez boldly confronts the challenges and contradictions that arise, offering a compelling analysis of how playing with Barbie dolls can impact a girl's perception of femininity, body image, race, and even national identity. Through these nuanced explorations, she unearths the potential pitfalls of these influences, encouraging readers to reflect on their own relationships with the iconic doll.

By weaving together personal anecdotes, historical context, and sociocultural analysis, Aguiló-Pérez masterfully illustrates how these women and girls navigate the diverse landscapes of femininity, body image, and cultural identity, with Barbie serving as both a facilitator and a reflection of their growth. In doing so, she redefines the significance of Barbie in the lives of Puerto Rican women and girls, prompting readers from all around the world to reevaluate their perceptions of femininity and embrace a more inclusive understanding of beauty, body image, and self-expression.

An American in Europe at War and Peace offers a rare personal record of Hugh Gibson, a top American diplomat, during the last months of World War I and the first months of peace. The Chronicles give unique insights on events in Europe and presents　Gibson’s commentary in real time with the voice of an extremely well-connected American at the epicenter of world-changing events. The source edition is introduced, annotated and edited by Vivian Reed, leading expert on Hugh Gibson, and Jochen Böhler, expert in Eastern European affairs.　

An American in Europe at War and Peace offers a rare personal record of Hugh Gibson, a top American diplomat, during the last months of World War I and the first months of peace. The Chronicles give unique insights on events in Europe and presents　Gibson’s commentary in real time with the voice of an extremely well-connected American at the epicenter of world-changing events. The source edition is introduced, annotated and edited by Vivian Reed, leading expert on Hugh Gibson, and Jochen Böhler, expert in Eastern European affairs.　

This tale of two families is set on a grand scale, as James Thomas Flexner brings his talents to bear on his own noteworthy heritage. An American Saga is an historical narrative, grounded on documentary sources, which ends with the marriage of Helen Thomas and Simon Flexner. The account deals equally with the lives and the backgrounds of husband and wife, the author's parents.

Simon Flexner was the famous medical investigator, discoverer of the "Flexner vacillus" and the "Flexner serum," who became the creating director of the Rockefeller Institute for Medical Research (now Rockefeller University) and eventually acknowledged leader of American medical science. The Kentucky-born son of impoverished German Jewish immigrants, he grew up in penury. As he never completed the eighth grade, he was almost completely self-educated when he appeared at the Johns Hopkins University before its celebrated medical school had been founded. Almost instantly he began making the discoveries that soon made him the leading younger medical scientist in the United States.

An American Tragedy (1925) is a novel by Theodore Dreiser. Written and rewritten over a number of years, An American Tragedy is a weighty epic with a cleareyed vision of the decay at the heart of industrialized society. Based on the murder of Grace Brown in 1906, the novel proved controversial for its depiction of depravity and violence, but has endured as a classic of naturalist fiction and remains a powerful example of social critique nearly a century after its publication. A young Midwesterner bucks against his puritan upbringing, drinking with acquaintances and frequenting prostitutes when he isn’t busy working any number of thankless jobs. As friends and lovers come and go, he fails to find footing in a society fueled by ambition and cunning. Forced to flee Kansas City after a deadly auto accident, Clyde moves to Chicago before settling in Lycurgus, New York, where he meets a young farmgirl named Roberta Allen. When she becomes pregnant, Clyde begins to feel his dreams of freedom fade, and longs for a way out of marriage. Desperate and confused, he turns to a beautiful socialite named Sondra Finchley, the daughter of a local factory owner. Clyde knows what he should do—marry Roberta, settle down, raise a family—but his reckless ways refuse to remain in the past. This edition of Theodore Dreiser’s An American Tragedy is a classic of American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

An American Tragedy (1925) is a novel by Theodore Dreiser. Written and rewritten over a number of years, An American Tragedy is a weighty epic with a cleareyed vision of the decay at the heart of industrialized society. Based on the murder of Grace Brown in 1906, the novel proved controversial for its depiction of depravity and violence, but has endured as a classic of naturalist fiction and remains a powerful example of social critique nearly a century after its publication. A young Midwesterner bucks against his puritan upbringing, drinking with acquaintances and frequenting prostitutes when he isn’t busy working any number of thankless jobs. As friends and lovers come and go, he fails to find footing in a society fueled by ambition and cunning. Forced to flee Kansas City after a deadly auto accident, Clyde moves to Chicago before settling in Lycurgus, New York, where he meets a young farmgirl named Roberta Allen. When she becomes pregnant, Clyde begins to feel his dreams of freedom fade, and longs for a way out of marriage. Desperate and confused, he turns to a beautiful socialite named Sondra Finchley, the daughter of a local factory owner. Clyde knows what he should do—marry Roberta, settle down, raise a family—but his reckless ways refuse to remain in the past. This edition of Theodore Dreiser’s An American Tragedy is a classic of American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

An American Tragedy (1925) is a novel by Theodore Dreiser. Written and rewritten over a number of years, An American Tragedy is a weighty epic with a cleareyed vision of the decay at the heart of industrialized society. Based on the murder of Grace Brown in 1906, the novel proved controversial for its depiction of depravity and violence, but has endured as a classic of naturalist fiction and remains a powerful example of social critique nearly a century after its publication. A young Midwesterner bucks against his puritan upbringing, drinking with acquaintances and frequenting prostitutes when he isn’t busy working any number of thankless jobs. As friends and lovers come and go, he fails to find footing in a society fueled by ambition and cunning. Forced to flee Kansas City after a deadly auto accident, Clyde moves to Chicago before settling in Lycurgus, New York, where he meets a young farmgirl named Roberta Allen. When she becomes pregnant, Clyde begins to feel his dreams of freedom fade, and longs for a way out of marriage. Desperate and confused, he turns to a beautiful socialite named Sondra Finchley, the daughter of a local factory owner. Clyde knows what he should do—marry Roberta, settle down, raise a family—but his reckless ways refuse to remain in the past. This edition of Theodore Dreiser’s An American Tragedy is a classic of American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.