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Examines Gothic realism in documentary and horror cinema, highlighting how films evoke archival anxiety and unsettling realities, from gothumentaries exploring ineffable subjects to mockumentaries and found-footage films addressing modernity’s overwhelming and mediated nature.

Archival Research in Historical Organisation Studies: Theorising Silences offers an accessible account of theorising the archive, contesting the narrow definitions of the archive with a view beyond a mere repository of documents.

Offering an accessible theorised discussion of business archives that surfaces populations that have been marginalised in the archive, Archival Research in Historical Organisation Studies gives voice to marginalised populations. Outlining the processes that have led to previous exclusions from business archives, Durepos and Thurlow seek to redress these absences and contribute to a better future.

The Critical Management Studies series both contains and seeks a range of contributions aimed at far-reaching socio-political change, from those who self-identify as CMS scholars, critical scholars of management, or no particular identity project.

North America maintains the largest collection of archival materials relating to the Chinese Republican era (1911–1949) outside of China. Most of the archival materials are also unique, and the collections contain special materials supplementing historical records in China and Taiwan. In many cases, North America's holdings represent the best and only public access to the tumultuous Republican government and society of the first half of the twentieth century.

An essential guide for researchers and students of Republican China, this volume, presented in both English and Chinese, covers personal papers, correspondences, memoirs, diaries, photographs, moving images, and other materials held at academic and research institutions across the United States and Canada. It includes concise descriptions of the people, organizations, and events connected to each entry and notes when certain collections are closely related and when materials are digitized for online access. The book corrects common errors associated with the library records of many archives and updates or completes information on the objects of these records. More than a straightforward itemization, this book adds significant depth to any research on the history and global import of China's modern development.

Seit der Mitte des 17. Jahrhunderts wurden in Europa Friedens- und andere mächtepolitische Verträge zu Sammlungen zusammengestellt und im Druck veröffentlicht. Diese Werke wurden in unterschiedlichen Kontexten der Auseinandersetzung mit europäischer Mächtepolitik genutzt, in der Völkerrechtslehre und Geschichtsschreibung ebenso wie in der Gesandtenausbildung und diplomatischen Praxis. Die vorliegende Studie untersucht erstmals die Entstehung, Formen, Funktionen und Rezeption dieser Medien und beurteilt ihre Relevanz für die Genese frühneuzeitlicher Deutungen und Konzepte auswärtiger Beziehungen. Sie erarbeitet dabei zugleich den Ansatz einer Medienkulturgeschichte europäischer Mächtepolitik, der auch für andere vergleichbare Problemfelder erkenntnisträchtig ist.

Ausgehend von Wilhelm Diltheys maßgeblichem Aufsatz „Archive für Literatur“ (1889), befassen sich die Beiträge des Sammelbandes mit Fragen zur (Ideen-)Geschichte des Literaturarchivs, seinen institutionellen Hintergründen, Bedingungen und Voraussetzungen sowie einer möglichen Theorie des Literaturarchivs im Rahmen einer allgemeiner gedachten ,Archivologie‘.

Was überhaupt ist ein Nachlass? Nach welchen Prinzipien ist er geformt? Wer bestimmt, was von einer literarischen Hinterlassenschaft bleibt und ins Archiv genommen wird? Wie steht es um das Verhältnis von Kanon und Literaturarchiv? Wie setzt sich in der archivtechnischen Ordnung des Nachlasses die reale Arbeitsumgebung des Dichters um? Was bleibt von der ,Werkstatt des Dichters‘ in den Ordnungen des Archivs?

„Archive für Literatur. Der Nachlass und seine Ordnungen“ ist Band zwei der Reihe „Literatur und Archiv“, die im Kreuzungsbereich der beiden Begriffe ein gemeinsames Gesprächsfeld zwischen Literatur- und Editionswissenschaft, Archiv- und Kulturwissenschaft sowie der Praxis heutiger Archive etabliert.

Archive That, Comrade! explores issues of archival theory and practice that arise for any project aspiring to provide an open-access platform for political dialogue and democratic debate. It is informed by the author’s experience of writing a memoir about his involvement in the London underground scene of the 1960s, the London street commune movement, and the occupation of 144 Piccadilly, an event that hit the world’s headlines for ten days in July 1969.

After a brief introduction that sets the contemporary scene of ‘archive fever,’ the book considers what the political legacy of 1960s counter culture reveals about the process of commemoration. The argument then opens out to discuss the notion of historical legacy and its role in the ‘dialectic of generations’. How far can the archive serve as a platform for dialogue and debate between different generations of activists in a culture that fetishises the evanescent present, practices a profound amnesia about its past, and forecloses the sociological imagination of an alternative future? The following section looks at the emergence of a complex apparatus of public fame and celebrity around the spectacle of dissidence and considers whether the Left has subverted or merely mirrored the dominant forms of reputation-making and public recognition. Can the Left establish its own autonomous model of commemoration?

The final section takes up the challenge of outlining a model for the democratic archive as a revisionary project, creating a resource for building collective capacity to sustain struggles of long duration. A postscript examines how archival strategies of the alt-right have intervened at this juncture to elaborate a politics of false memory.

Exil, Flucht und Migration sind meist mit grenzüberschreitenden Ortsveränderungen verbunden, die mehr als einen Staat betreffen. Die Zerstreuung der Hinterlassenschaften der Emigrant/innen und die Rekonstruktion von Exilwegen und -leben stellt die Forschung vor große Herausforderungen. In diesem Kontext haben Archive, Museen und Erinnerungsorte eine besondere Bedeutung. Der interdisziplinäre Band versammelt theoriegeleitete Beiträge, Fallbeispiele sowie Überlegungen zur Gegenwart und Zukunft digital vernetzter Archive.

The production of history is premised on the selective erasure of certain pasts and the artifacts that stand witness to them. From the elision of archival documents to the demolition of sacred and secular spaces, each act of destruction is also an act of state building. Following the 1991 Gulf War, political elites in Saudi Arabia pursued these dual projects of historical commemoration and state formation with greater fervor to enforce their postwar vision for state, nation, and economy. Seeing Islamist movements as the leading threat to state power, they sought to de-center religion from educational, cultural, and spatial policies.

With this book, Rosie Bsheer explores the increasing secularization of the postwar Saudi state and how it manifested in assembling a national archive and reordering urban space in Riyadh and Mecca. The elites' project was rife with ironies: in Riyadh, they employed world-renowned experts to fashion an imagined history, while at the same time in Mecca they were overseeing the obliteration of a thousand-year-old topography and its replacement with commercial megaprojects. Archive Wars shows how the Saudi state's response to the challenges of the Gulf War served to historicize a national space, territorialize a national history, and ultimately refract both through new modes of capital accumulation.

The production of history is premised on the selective erasure of certain pasts and the artifacts that stand witness to them. From the elision of archival documents to the demolition of sacred and secular spaces, each act of destruction is also an act of state building. Following the 1991 Gulf War, political elites in Saudi Arabia pursued these dual projects of historical commemoration and state formation with greater fervor to enforce their postwar vision for state, nation, and economy. Seeing Islamist movements as the leading threat to state power, they sought to de-center religion from educational, cultural, and spatial policies.

With this book, Rosie Bsheer explores the increasing secularization of the postwar Saudi state and how it manifested in assembling a national archive and reordering urban space in Riyadh and Mecca. The elites' project was rife with ironies: in Riyadh, they employed world-renowned experts to fashion an imagined history, while at the same time in Mecca they were overseeing the obliteration of a thousand-year-old topography and its replacement with commercial megaprojects. Archive Wars shows how the Saudi state's response to the challenges of the Gulf War served to historicize a national space, territorialize a national history, and ultimately refract both through new modes of capital accumulation.

American historians have typically argued that a shared experience of time worked to bind the antebellum nation together. Trains, technology, and expanding market forces catapulted the United States into the future on a straight line of progressive time. The nation's exceedingly diverse population could cluster around this common temporality as one forward-looking people.

In a bold revision of this narrative, Archives of American Time examines American literature's figures and forms to disclose the competing temporalities that in fact defined the antebellum period. Through discussions that link literature's essential qualities to social theories of modernity, Lloyd Pratt asserts that the competition between these varied temporalities forestalled the consolidation of national and racial identity. Paying close attention to the relationship between literary genre and theories of nationalism, race, and regionalism, Archives of American Time shows how the fine details of literary genres tell against the notion that they helped to create national, racial, or regional communities. Its chapters focus on images of invasive forms of print culture, the American historical romance, African American life writing, and Southwestern humor. Each in turn revises our sense of how these images and genres work in such a way as to reconnect them to a broad literary and social history of modernity. At precisely the moment when American authors began self-consciously to quest after a future in which national and racial identity would reign triumphant over all, their writing turned out to restructure time in a way that began foreclosing on that particular future.

American historians have typically argued that a shared experience of time worked to bind the antebellum nation together. Trains, technology, and expanding market forces catapulted the United States into the future on a straight line of progressive time. The nation's exceedingly diverse population could cluster around this common temporality as one forward-looking people.

In a bold revision of this narrative, Archives of American Time examines American literature's figures and forms to disclose the competing temporalities that in fact defined the antebellum period. Through discussions that link literature's essential qualities to social theories of modernity, Lloyd Pratt asserts that the competition between these varied temporalities forestalled the consolidation of national and racial identity. Paying close attention to the relationship between literary genre and theories of nationalism, race, and regionalism, Archives of American Time shows how the fine details of literary genres tell against the notion that they helped to create national, racial, or regional communities. Its chapters focus on images of invasive forms of print culture, the American historical romance, African American life writing, and Southwestern humor. Each in turn revises our sense of how these images and genres work in such a way as to reconnect them to a broad literary and social history of modernity. At precisely the moment when American authors began self-consciously to quest after a future in which national and racial identity would reign triumphant over all, their writing turned out to restructure time in a way that began foreclosing on that particular future.

In Afrolatinx religious practices such as Cuban Espiritismo, Puerto Rican Santería, and Brazilian Candomblé, the dead tell stories. Communicating with and through mediums’ bodies, they give advice, make requests, and propose future rituals, creating a living archive that is coproduced by the dead. In this book, Solimar Otero explores how Afrolatinx spirits guide collaborative spiritual-scholarly activist work through rituals and the creation of material culture. By examining spirit mediumship through a Caribbean cross-cultural poetics, she shows how divinities and ancestors serve as active agents in shaping the experiences of gender, sexuality, and race.

Otero argues that what she calls archives of conjure are produced through residual transcriptions or reverberations of the stories of the dead whose archives are stitched, beaded, smoked, and washed into official and unofficial repositories. She investigates how sites like the ocean, rivers, and institutional archives create connected contexts for unlocking the spatial activation of residual transcriptions. Drawing on over ten years of archival research and fieldwork in Cuba, Otero centers the storytelling practices of Afrolatinx women and LGBTQ spiritual practitioners alongside Caribbean literature and performance. Archives of Conjure offers vital new perspectives on ephemerality, temporality, and material culture, unraveling undertheorized questions about how spirits shape communities of practice, ethnography, literature, and history and revealing the deeply connected nature of art, scholarship, and worship.

In Afrolatinx religious practices such as Cuban Espiritismo, Puerto Rican Santería, and Brazilian Candomblé, the dead tell stories. Communicating with and through mediums’ bodies, they give advice, make requests, and propose future rituals, creating a living archive that is coproduced by the dead. In this book, Solimar Otero explores how Afrolatinx spirits guide collaborative spiritual-scholarly activist work through rituals and the creation of material culture. By examining spirit mediumship through a Caribbean cross-cultural poetics, she shows how divinities and ancestors serve as active agents in shaping the experiences of gender, sexuality, and race.

Otero argues that what she calls archives of conjure are produced through residual transcriptions or reverberations of the stories of the dead whose archives are stitched, beaded, smoked, and washed into official and unofficial repositories. She investigates how sites like the ocean, rivers, and institutional archives create connected contexts for unlocking the spatial activation of residual transcriptions. Drawing on over ten years of archival research and fieldwork in Cuba, Otero centers the storytelling practices of Afrolatinx women and LGBTQ spiritual practitioners alongside Caribbean literature and performance. Archives of Conjure offers vital new perspectives on ephemerality, temporality, and material culture, unraveling undertheorized questions about how spirits shape communities of practice, ethnography, literature, and history and revealing the deeply connected nature of art, scholarship, and worship.

Enlists the principles of post-humanist critique in order to investigate decades of intimate dialogues between African American and Spanish intellectuals



In Archives of Flesh, Robert Reid-Pharr reveals the deep history of intellectual engagement between African America and Spain. Opening a fascinating window onto black and anti-Fascist intellectual life from 1898 through the mid-1950s, Reid-Pharr argues that key institutions of Western Humanism, including American colleges and universities, developed in intimate relation to slavery, colonization, and white supremacy. This retreat to rigidly established philosophical and critical traditions can never fully address—or even fully recognize—the deep-seated hostility to black subjectivity underlying the humanist ideal of a transcendent Manhood.



Calling for a specifically anti-white supremacist reexamination of the archives of black subjectivity and resistance, Reid-Pharr enlists the principles of post-humanist critique in order to investigate decades of intimate dialogues between African American and Spanish intellectuals, including Salaria Kea, Federico Garcia Lorca, Nella Larsen, Langston Hughes, Richard Wright, Chester Himes, Lynn Nottage, and Pablo Picasso. In the process Reid-Pharr takes up the “African American Spanish Archive” in order to resist the anti-corporeal, anti-black, anti-human biases that stand at the heart of Western Humanism.

Enlists the principles of post-humanist critique in order to investigate decades of intimate dialogues between African American and Spanish intellectuals



In Archives of Flesh, Robert Reid-Pharr reveals the deep history of intellectual engagement between African America and Spain. Opening a fascinating window onto black and anti-Fascist intellectual life from 1898 through the mid-1950s, Reid-Pharr argues that key institutions of Western Humanism, including American colleges and universities, developed in intimate relation to slavery, colonization, and white supremacy. This retreat to rigidly established philosophical and critical traditions can never fully address—or even fully recognize—the deep-seated hostility to black subjectivity underlying the humanist ideal of a transcendent Manhood.



Calling for a specifically anti-white supremacist reexamination of the archives of black subjectivity and resistance, Reid-Pharr enlists the principles of post-humanist critique in order to investigate decades of intimate dialogues between African American and Spanish intellectuals, including Salaria Kea, Federico Garcia Lorca, Nella Larsen, Langston Hughes, Richard Wright, Chester Himes, Lynn Nottage, and Pablo Picasso. In the process Reid-Pharr takes up the “African American Spanish Archive” in order to resist the anti-corporeal, anti-black, anti-human biases that stand at the heart of Western Humanism.

Enlists the principles of post-humanist critique in order to investigate decades of intimate dialogues between African American and Spanish intellectuals



In Archives of Flesh, Robert Reid-Pharr reveals the deep history of intellectual engagement between African America and Spain. Opening a fascinating window onto black and anti-Fascist intellectual life from 1898 through the mid-1950s, Reid-Pharr argues that key institutions of Western Humanism, including American colleges and universities, developed in intimate relation to slavery, colonization, and white supremacy. This retreat to rigidly established philosophical and critical traditions can never fully address—or even fully recognize—the deep-seated hostility to black subjectivity underlying the humanist ideal of a transcendent Manhood.



Calling for a specifically anti-white supremacist reexamination of the archives of black subjectivity and resistance, Reid-Pharr enlists the principles of post-humanist critique in order to investigate decades of intimate dialogues between African American and Spanish intellectuals, including Salaria Kea, Federico Garcia Lorca, Nella Larsen, Langston Hughes, Richard Wright, Chester Himes, Lynn Nottage, and Pablo Picasso. In the process Reid-Pharr takes up the “African American Spanish Archive” in order to resist the anti-corporeal, anti-black, anti-human biases that stand at the heart of Western Humanism.

This book offers a rich and innovative study of multiracial social worlds in early-twentieth-century London, Liverpool, and Hong Kong—three port cities linked by their importance to global British shipping networks and circuits of Chinese migration. In these cities, Chinese, Black, South Asian and European people came together to foster multiracial communities which have been largely forgotten, remembered only through sensationalist fictions that reflected white anxieties about racial mixing. Nadine Attewell considers these vibrant multiracial worlds through the eyes of those who knew them best: people of mixed Chinese descent, for whom interracial intimacies were features of everyday life.

  Mobilizing a wide range of archival materials, including photographs, community and family histories, and wartime intelligence reports, Attewell reconstructs the social experiences of people like Vera Leung, a working-class woman of Irish and Chinese descent growing up in Liverpool's interwar Chinatown, and Percy Chang, a Jamaican man of Chinese and African descent with a wide social network in Hong Kong. Rather than centering identity as the focus of mixed-race people's struggles, she asks what they did and with whom. Drawing on queer and feminist scholarship and integrating British, Asian, and diasporic histories, Attewell presents new ways of thinking about the everyday meanings of interracial intimacy, and practices of relation and survival under global conditions of colonial capitalist rule.

This book offers a rich and innovative study of multiracial social worlds in early-twentieth-century London, Liverpool, and Hong Kong—three port cities linked by their importance to global British shipping networks and circuits of Chinese migration. In these cities, Chinese, Black, South Asian and European people came together to foster multiracial communities which have been largely forgotten, remembered only through sensationalist fictions that reflected white anxieties about racial mixing. Nadine Attewell considers these vibrant multiracial worlds through the eyes of those who knew them best: people of mixed Chinese descent, for whom interracial intimacies were features of everyday life.

  Mobilizing a wide range of archival materials, including photographs, community and family histories, and wartime intelligence reports, Attewell reconstructs the social experiences of people like Vera Leung, a working-class woman of Irish and Chinese descent growing up in Liverpool's interwar Chinatown, and Percy Chang, a Jamaican man of Chinese and African descent with a wide social network in Hong Kong. Rather than centering identity as the focus of mixed-race people's struggles, she asks what they did and with whom. Drawing on queer and feminist scholarship and integrating British, Asian, and diasporic histories, Attewell presents new ways of thinking about the everyday meanings of interracial intimacy, and practices of relation and survival under global conditions of colonial capitalist rule.

His life as a writer and his beloved pet dogs and cats feature often, as do the creatures he encounters in his garden, at farms, or on woodland walks: sparrows, crows, deer, foxes, horses, and cows. Deeply restorative, imaginative, and dreamily poetic, Archives of Joy is a memoir that will stay with readers long after its final page.

His life as a writer and his beloved pet dogs and cats feature often, as do the creatures he encounters in his garden, at farms, or on woodland walks: sparrows, crows, deer, foxes, horses, and cows. Deeply restorative, imaginative, and dreamily poetic, Archives of Joy is a memoir that will stay with readers long after its final page.

In line with the resurgence of interest in the history of archaeology manifested over the past decade, this volume aims to highlight state-of-the art research across several topics and areas, and to stimulate new approaches and studies in the field. With their shared historiographical commitment, the authors, leading scholars and emerging researchers, draw from a wide range of case studies to address major themes such as historical sources and methods; questions of archaeological practices and the practical aspects of knowledge production; ‘visualizing archaeology’ and the multiple roles of iconography and imagery; and ‘questions of identity’ at local, national and international levels.

Dieser Archivführer stellt die Bestände zweier Archive in Rumänien vor, die für die Kultur und Geschichte der Siebenbürger Sachsen von großer Bedeutung sind. Beschrieben werden das Staatsarchiv des Kreises Kronstadt/Brasov und das Archiv der evangelisch-lutherischen Honterusgemeinde Kronstadt. Das verzeichnete Quellenmaterial betrifft die Geschichte der Deutschen in Kronstadt und des diese Großstadt umgebenden Burzenlandes/Tara Bârsei im Südosten Siebenbürgens. Chronologisch deckt es den Zeitraum von der Ansiedlung der Deutschen im frühen 13. Jahrhundert bis zu ihrer mehrheitlichen Auswanderung in die Bundesrepublik Deutschland in der zweiten Hälfte des 20. Jahrhunderts ab. Ein besonderer Schwerpunkt liegt auf den umfangreichen Handschriftensammlungen. Die wertvolle, einst in der Bibliothek des evangelisch-lutherischen Honterusgymnasiums aufbewahrte und nach dem Zweiten Weltkrieg auseinandergerissene Handschriftensammlung wird im vorliegenden Band erstmals durch vollständige Auflistung virtuell zusammengeführt. Damit stellt der Archivführer ein unverzichtbares Hilfsmittel für die Erforschung des politischen, gesellschaftlichen, kulturellen und wirtschaftlichen Lebens der Deutschen und ihrer Nachbarn im Südosten Siebenbürgens dar.

Honorable Mention, 2021 Latinx Studies Section Outstanding Book Award, given by the Latin American Studies Association

Winner, 2020 Latino Book Awards in the LGBTQ+ Themed Section

Finalist, 2019 Lambda Literary Award in LGBTQ Studies


Critically reimagines Chicanx art, unmasking its queer afterlife

Emboldened by the boom in art, fashion, music, and retail culture in 1980s Los Angeles, the iconoclasts of queer Aztlán—as Robb Hernández terms the group of artists who emerged from East LA, Orange County, and other parts of Southern California during this period—developed a new vernacular with which to read the city in bloom. Tracing this important but understudied body of work, Archiving an Epidemic catalogs a queer retelling of the Chicana and Chicano art movement, from its origins in the 1960s, to the AIDS crisis and the destruction it wrought in the 1980s, and onto the remnants and legacies of these artists in the current moment. Hernández offers a vocabulary for this multi-modal avant-garde—one that contests the heteromasculinity and ocular surveillance visited upon it by the larger Chicanx community, as well as the formally straight conditions of traditional archive-building, museum institutions, and the art world writ large.

With a focus on works by Mundo Meza (1955–85), Teddy Sandoval (1949–1995), and Joey Terrill (1955– ), and with appearances by Laura Aguilar, David Hockney, Robert Mapplethorpe, and even Eddie Murphy, Archiving an Epidemic composes a complex picture of queer Chicanx avant-gardisms. With over sixty images—many of which are published here for the first time—Hernández’s work excavates this archive to question not what Chicanx art is, but what it could have been.

Honorable Mention, 2021 Latinx Studies Section Outstanding Book Award, given by the Latin American Studies Association

Winner, 2020 Latino Book Awards in the LGBTQ+ Themed Section

Finalist, 2019 Lambda Literary Award in LGBTQ Studies


Critically reimagines Chicanx art, unmasking its queer afterlife

Emboldened by the boom in art, fashion, music, and retail culture in 1980s Los Angeles, the iconoclasts of queer Aztlán—as Robb Hernández terms the group of artists who emerged from East LA, Orange County, and other parts of Southern California during this period—developed a new vernacular with which to read the city in bloom. Tracing this important but understudied body of work, Archiving an Epidemic catalogs a queer retelling of the Chicana and Chicano art movement, from its origins in the 1960s, to the AIDS crisis and the destruction it wrought in the 1980s, and onto the remnants and legacies of these artists in the current moment. Hernández offers a vocabulary for this multi-modal avant-garde—one that contests the heteromasculinity and ocular surveillance visited upon it by the larger Chicanx community, as well as the formally straight conditions of traditional archive-building, museum institutions, and the art world writ large.

With a focus on works by Mundo Meza (1955–85), Teddy Sandoval (1949–1995), and Joey Terrill (1955– ), and with appearances by Laura Aguilar, David Hockney, Robert Mapplethorpe, and even Eddie Murphy, Archiving an Epidemic composes a complex picture of queer Chicanx avant-gardisms. With over sixty images—many of which are published here for the first time—Hernández’s work excavates this archive to question not what Chicanx art is, but what it could have been.

Honorable Mention, 2021 Latinx Studies Section Outstanding Book Award, given by the Latin American Studies Association

Winner, 2020 Latino Book Awards in the LGBTQ+ Themed Section

Finalist, 2019 Lambda Literary Award in LGBTQ Studies


Critically reimagines Chicanx art, unmasking its queer afterlife

Emboldened by the boom in art, fashion, music, and retail culture in 1980s Los Angeles, the iconoclasts of queer Aztlán—as Robb Hernández terms the group of artists who emerged from East LA, Orange County, and other parts of Southern California during this period—developed a new vernacular with which to read the city in bloom. Tracing this important but understudied body of work, Archiving an Epidemic catalogs a queer retelling of the Chicana and Chicano art movement, from its origins in the 1960s, to the AIDS crisis and the destruction it wrought in the 1980s, and onto the remnants and legacies of these artists in the current moment. Hernández offers a vocabulary for this multi-modal avant-garde—one that contests the heteromasculinity and ocular surveillance visited upon it by the larger Chicanx community, as well as the formally straight conditions of traditional archive-building, museum institutions, and the art world writ large.

With a focus on works by Mundo Meza (1955–85), Teddy Sandoval (1949–1995), and Joey Terrill (1955– ), and with appearances by Laura Aguilar, David Hockney, Robert Mapplethorpe, and even Eddie Murphy, Archiving an Epidemic composes a complex picture of queer Chicanx avant-gardisms. With over sixty images—many of which are published here for the first time—Hernández’s work excavates this archive to question not what Chicanx art is, but what it could have been.

Conflict does more than destroy physical spaces. It extinguishes lives, erases histories and disrupts the collective memory of entire communities. In Gaza, where genocide has wrought catastrophic loss, the destruction of heritage adds another dimension of devastation. Yet amid the rubble, acts of archiving, art-making and storytelling persist.

Archiving Gaza in the Present brings together voices from Palestine and beyond to document the cultural erasure and to explore how creative and archival practices resist it. Contributions from curators, architects, artists, journalists, lawyers and scholars capture Gaza’s once-vibrant cultural life – historic buildings, art centres, universities and museums that existed before October 2023 – now turned to rubble.

Featuring rich visual material – from fragmented WhatsApp testimonies to forensic documentation – and including artworks, maps and photographs, Archiving Gaza in the Present is both a living archive and a call to action. It is a vital resource for understanding Gaza’s cultural survival amid destruction.

In partnership with the Arab British Centre.