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From the author/filmmaker of Arctic Son: Fulfilling the dream and the book on which the Arctic Daughter: A Lifetime in the Wilderness documentary is based.

Set in the Arctic wilderness of Alaska in the 1970s, here is an extraordinary journey of self-discovery and a lyrical odyssey. This remarkable tale of survival and courage measures the value of dreams against the unforgiving realities of the natural world.

Heading off in an overloaded canoe, a young couple journeyed down the Yukon River and walked upstream into the remote Brooks Range to build a cabin and live off the land. She was twenty-two, daughter of a famous woman adventurer. He was her childhood sweetheart. Four years later, they emerged from the Alaskan wilds. Now in her sixties, Jean Aspen updates her spellbinding tale of adventure in a harsh and beautiful land for a new generation. Arctic Daughter is at once an extraordinary journey of self-discovery and a lyrical odyssey. A Reader's Digest book selection, this remarkable tale of survival and courage measures the value of dreams against the unforgiving realities of the natural world.

Utilizing intricately blended visual and written imagery, Arctic Dreams and Nightmares takes the reader on an Arctic journey interpreted through the mythological and contemporary world of an Inuit artist and author. Containing twenty short stories with accompanying pen ink drawings, it is the first publication to exclusively feature the writing and artwork of Alootook Ipellie. At the time of its original publication in 1993, Arctic Dreams and Nightmares was one of the few books to be written by an Inuk in Canada, and became a landmark in the emerging discipline of Inuit literature.

Experience the exciting world of arctic giants through traditional tales from around Nunavut. Based on elder interviews from more than one hundred years ago, these stories reveal the fearsome giants that once stalked the arctic. From enormous beings strong enough to pick up a walrus with one hand, to massive creatures that towered over mountains and could carry humans on the lace of one boot, these Inuktitut language stories will introduce readers to a vast array of arctic giants.

The volume explores a question that sheds light on the contested, but largely cooperative, nature of Arctic governance in the post-Cold War period: How does power matter –and how has it mattered – in shaping cross-border cooperation and diplomacy in the Arctic? The role of power in global governance cooperation has been explored in international relations and political geography literature, yet largely overlooked in an Arctic context. Through carefully selected case studies – from Russia’s role in the Arctic Council to the diplomacy of indigenous peoples’ organizations – this book seeks to shed light on how power performances are enacted to constantly shore up Arctic cooperation in key ways. The conceptually-driven nature of the inquiry makes the book appropriate reading for courses in international relations and political geography, while the carefully selected case studies lend themselves to courses on Arctic politics.

An electronic edition of this book is freely available under a Creative Commons (CC BY-NC-ND) licence.

EPDF and EPUB available Open Access under CC-BY-NC-ND licence.

Offering a unique introduction to the study of justice in the European, North American and Russian Arctic, this collection considers the responsibilities and failures of justice for environment and society in the region.

Inspired by key thinkers in justice, this book highlights the real and practical consequences of postcolonial legacies, climate change and the regions’ incorporation into the international political economy. The chapters feature liberal, cosmopolitan, feminist, as well as critical justice perspectives from experts with decades of research experience in the Arctic. Moving from a critique of current failures, the collection champions a just and sustainable future for Arctic development and governance.

Dewey Soper first travelled to the Arctic in 1923. During the next seven years he accepted three research postings on Baffin Island, each of which lasted between one and two years. In 1929 he discovered the breeding grounds of the blue goose in the southwest corner of Baffin Island. He also charted the final unknown region of Baffin Island's coastline. Later in life he worked in the western Arctic. Outside the Far North, Soper studied bison in Wood Buffalo National Park, documented bird life on the Prairies, and made a detailed study of small mammals in Alberta.

Soper was the last of the great pioneer naturalists in Canada. He was also a skilled and meticulous explorer. As a naturalist, he was a major contributor to the National Museum of Canada, as well as to the University of Alberta and other museums across the country.

The shocking crimes of a trusted teacher wrought lasting damage on Inuit communities in Canada’s Arctic.

In the 1970s, a young schoolteacher from British Columbia was becoming the darling of the Northwest Territories education department with his dynamic teaching style. He was learning to speak the local language, Inuktitut, something few outsiders did. He also claimed to be Indigenous — a claim that would later prove to be false. In truth, Edward Horne was a pedophile who sexually abused his male students.

From 1971 to 1985 his predations on Inuit boys would disrupt life in the communities where he worked — towns of close-knit families that would suffer the intergenerational trauma created by his abuse.

Journalist Kathleen Lippa, after years of research, examines the devastating impact the crimes had on individuals, families, and entire communities. Her compelling work lifts the veil of silence surrounding the Horne story once and for all.

This pathbreaking book offers some nononsense truths about northern development.

As climate change accelerates, melting sea ice is fueling the global imagination and geopolitical anticipation of the Arctic region’s accessible transport routes and possibilities for resource extraction. “Silk Roads” are being conjured across the circumpolar North, both as official Arctic and infrastructural policy, and as broader visions of global connectivity with other markets. Following the myriad ways that local economies and agencies are proliferating around the anticipation of large-scale infrastructural corridors and their often-unrealized arteries, Arctic Silk Roads examines the different conditions under which top-down infrastructural dreams facilitate or constrain individual agencies.

The chronicle of a family's first year alone in Alaskan wilderness, here is a poetic exploration into what we value in life.

In 1992 Jean Aspen took her husband, Tom, and their young son to live in Alaska's interior mountains where they built a cabin from logs, hunted for food, and let the vast beauty of the Arctic close around them. Jean had faced Alaska's wilderness alone before in a life-altering experience she shared in Arctic Daughter. Cut off from the rest of the world for more than a year, now her family would discover strength and beauty in their daily lives. They candidly filmed themselves and later produced a companion documentary, ARCTIC SON: Fulfilling the Dream, which shows on PBS stations across the nation.

From an encounter with a grizzly bear at arm's length to a challenging six-hundred-mile river passage back to civilization, Arctic Son chronicles fourteen remarkable months alone in the Brooks Range. At once a portrait of courage, a lyrical odyssey, and authentic adventure, this is a family's extraordinary journey into America's last frontier.

The chronicle of a family's first year alone in Alaskan wilderness, here is a poetic exploration into what we value in life.

In 1992 Jean Aspen took her husband, Tom, and their young son to live in Alaska's interior mountains where they built a cabin from logs, hunted for food, and let the vast beauty of the Arctic close around them. Jean had faced Alaska's wilderness alone before in a life-altering experience she shared in Arctic Daughter. Cut off from the rest of the world for more than a year, now her family would discover strength and beauty in their daily lives. They candidly filmed themselves and later produced a companion documentary, ARCTIC SON: Fulfilling the Dream, which shows on PBS stations across the nation.

From an encounter with a grizzly bear at arm's length to a challenging six-hundred-mile river passage back to civilization, Arctic Son chronicles fourteen remarkable months alone in the Brooks Range. At once a portrait of courage, a lyrical odyssey, and authentic adventure, this is a family's extraordinary journey into America's last frontier.

This poetic journey through Inuit oral history gives a glimpse of traditional beliefs surrounding the creation of the world. From the creation of day and night and the Sun and the Moon, to the origin of Death, this collection of simple retellings is richly supported by the artwork of acclaimed artist Germaine Arnattaujuq.

Featuring a foreword by the artist about her work illustrating Inuit myths and legends, this introduction to traditional Inuit stories is based on the animated film Arctic Song, which was co-produced and co-directed by Germaine Arnattaujuq and Neil Christopher.

This “beautifully written and utterly compelling” novel by the acclaimed South African author traces E. M. Forester’s journey of self-discovery (The Times, London).

The year is 1912, and the SS Birmingham is approaching India. On board is Edward Morgan Forster, a reserved man taunted by writer’s block, attempting to come to terms with his art and his homosexuality. During his travels, the novelist confronts his fraught childhood and falls in unrequited love with his closest friend. He also finds himself surprisingly freed to explore his “minorite” desires as secretary to a most unusual Maharajah.
Slowly, the strands of a story begin to gather in Forster’s mind: a sense of impending menace, lust in close confines, under a hot, empty sky. But it will be another twelve years and a second stay in India before the publication of his finest work, A Passage to India. Shifting across the landscapes of India, Egypt, and England, Forster’s life is informed by his relationships—from the Egyptian tram conductor Mohammed el-Adl, to the Greek poet and literary titan C. P. Cavafy. Damon Galgut’s reimagining of Forster’s life is a clear and sympathetic psychological probing of one of Britain’s finest novelists.

“Galgut inhabits [Forster] with such sympathetic completeness, and in prose of such modest excellence that he starts to breathe on the page.”—Financial Times

Mike Watson's team has just won the Alberta Bantam Provincial box lacrosse championships. The euphoria of victory and plans for next season are short-lived when Mike's father, a member of the Royal Canadian Mounted Police, is transferred to Inuvik, Northwest Territories.

The transition to life inside the Arctic Circle is a tough one. With temperatures of -30 Celsius, a hulking monster named Joseph Kiktorak threatening him at every turn, and not a lacrosse ball in site, Mike's resentment at moving north escalates.

As his friendships with local youth develop, Mike is introduced to the amazing spectacle and athleticism of traditional "Arctic Sports." When his father witnesses the natural talent of Mike's new friends, the idea of an Inuvik lacrosse team is born! With hearts full of desire, the motley group of athletes heads south to participate in the Baggataway Lacrosse Tournament, and to face Mike's former team, The Rams.

Leonard Budgell saw the Canadian North like nobody else. He put his observations into words as few others ever could.

As a "Servant of the Bay" Budgell ran Hudson’s Bay Company trading posts for decades in isolated communities up the Labrador coast and across the Arctic. Living among aboriginal Canadians he witnessed episodes and heard stories that would never again be repeated - except he wrote them down. His pen memorably portrays everything from dancing northern lights and hunting practices of birds to astonishing human adventures and predicaments.

Northern ways intact for centuries changed with rifles and motorboats, radios and electric generators, new foods and different medicines. Most often, it was Budgell who bridged the aboriginal and southern cultures, building and operating remote radio stations at places like Hebron, taking an RCMP officer into a settlement where a choice had to be made between two different codes of law and behaviour in a murder case. In Arctic Twilight, Budgell chronicles, in an outpouring of letters to a much younger female friend, a traditional way of life that was changing forever.

Claudia Coutu Radmore, a teacher, writer, and artist, first met Len Budgell in Winnipeg when she was a fine arts student and he had retired from the Company. Their friendship grew stronger when he began writing remarkable letters after she returned to Queen’s University. Now edited and organized by her, this unique memoir is available to the public for the first time.

Ardath: The Story of a Dead Self (1889) is a science fiction novel by Marie Corelli. Published at the beginning of Corelli’s career as one of the most successful writers of her generation, the novel combines fantasy and science fiction to tell a story of discovery and creation set in a world forgotten for 7,000 years. Due for reassessment by a modern audience, Ardath: The Story of a Dead Self is a must read for fans of early science fiction. Theos Alwyn is a poet whose dreams of success and fame have faltered from a lack of creative energy. Desperate to regain contact with the Muse, Alwyn travels to an ancient monastery in the Caucasus Mountains, where a legendary monk named Heliobas resides. Looking for guidance through an out-of-body-experience, Alwyn gains Heliobas’ trust and receives a powerful vision. Following the advice of an Angel, he journeys to the field of Ardath with a newly reinforced faith. He falls asleep only to wake at the gates of the city of Al-Kyris, where he befriends the poet Sah-Luma, with whom he senses a strange connection. Slowly, events unfold that make him question the nature of his reality. Is he Theos Alwyn the Victorian poet, or is he Sah-Luma, an artist and mystic who died nearly 7,000 years before? When he returns to the present, he discovers a life of fame and success he struggles to recognize as his own, and sets out on one last journey of self-discovery. This edition of Marie Corelli’s Ardath: The Story of a Dead Self is a classic work of English science fiction reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Ardath: The Story of a Dead Self (1889) is a science fiction novel by Marie Corelli. Published at the beginning of Corelli’s career as one of the most successful writers of her generation, the novel combines fantasy and science fiction to tell a story of discovery and creation set in a world forgotten for 7,000 years. Due for reassessment by a modern audience, Ardath: The Story of a Dead Self is a must read for fans of early science fiction. Theos Alwyn is a poet whose dreams of success and fame have faltered from a lack of creative energy. Desperate to regain contact with the Muse, Alwyn travels to an ancient monastery in the Caucasus Mountains, where a legendary monk named Heliobas resides. Looking for guidance through an out-of-body-experience, Alwyn gains Heliobas’ trust and receives a powerful vision. Following the advice of an Angel, he journeys to the field of Ardath with a newly reinforced faith. He falls asleep only to wake at the gates of the city of Al-Kyris, where he befriends the poet Sah-Luma, with whom he senses a strange connection. Slowly, events unfold that make him question the nature of his reality. Is he Theos Alwyn the Victorian poet, or is he Sah-Luma, an artist and mystic who died nearly 7,000 years before? When he returns to the present, he discovers a life of fame and success he struggles to recognize as his own, and sets out on one last journey of self-discovery. This edition of Marie Corelli’s Ardath: The Story of a Dead Self is a classic work of English science fiction reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Ardath: The Story of a Dead Self (1889) is a science fiction novel by Marie Corelli. Published at the beginning of Corelli’s career as one of the most successful writers of her generation, the novel combines fantasy and science fiction to tell a story of discovery and creation set in a world forgotten for 7,000 years. Due for reassessment by a modern audience, Ardath: The Story of a Dead Self is a must read for fans of early science fiction. Theos Alwyn is a poet whose dreams of success and fame have faltered from a lack of creative energy. Desperate to regain contact with the Muse, Alwyn travels to an ancient monastery in the Caucasus Mountains, where a legendary monk named Heliobas resides. Looking for guidance through an out-of-body-experience, Alwyn gains Heliobas’ trust and receives a powerful vision. Following the advice of an Angel, he journeys to the field of Ardath with a newly reinforced faith. He falls asleep only to wake at the gates of the city of Al-Kyris, where he befriends the poet Sah-Luma, with whom he senses a strange connection. Slowly, events unfold that make him question the nature of his reality. Is he Theos Alwyn the Victorian poet, or is he Sah-Luma, an artist and mystic who died nearly 7,000 years before? When he returns to the present, he discovers a life of fame and success he struggles to recognize as his own, and sets out on one last journey of self-discovery. This edition of Marie Corelli’s Ardath: The Story of a Dead Self is a classic work of English science fiction reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Tras Mapache quiere ser el primero y Zorro dice mentiras, llega Ardilla no sabe decir que no, un libro sobre la importancia de la asertividad. No es bueno decir siempre que sí a los deseos y a las peticiones de los demás. Aprender a decir NO es importante.


It is Bear’s birthday tomorrow and Squirrel would like to prepare some delicious blueberry cookies for him. With just enough time to make them, she is about to  set off to gather the blueberries from the forest when Fox arrives needing her help, followed by Duck and Doe too!

When she finishes doing favors for all her friends, it is already night time and she still needs to gather the blueberries! With the light of the moon, she enters the forest, but by morning, she is still not back and her friends begin to worry. What has happened to Squirrel?

A thoughtful story about your finding your voice and learning to say no.

Pronto es el cumpleaños de Oso. Ardilla decide hacerle un bonito regalo, pero cuando va a salir de casa…

“Ardilla, ¿puedes esperar al cartero y darle este paquete?”.
“Ardilla, ¿puedes cuidar de Patita un rato?”.
“Ardilla, ¿puedes ayudarme con las matemáticas?”.
Zorro, Pato, Cierva… Todos sus amigos le piden ayuda, y ella no sabe decir que no. ¿Le dará tiempo a preparar su regalo para Oso?

Una memoria militar, la historia de la mili narrada por la pluma literaria de Antonio Muñoz Molina.

A finales de los ochenta, un joven Antonio Muñoz Molina ingresó en el servicio militar obligatorio. Allí fue despojado de su cabello, de su identidad, de su nombre. Pasó a ser un J-54 cualquiera en un entorno marcado por un patriotismo que veía con desapego y una intolerancia en la que no encajaba. Ardor guerrero es «una crónica memorística en la que el autor aúna su excelente y eficaz narrativa con el valor del testimonio» (El Diario Vasco).

ENGLISH DESCRIPTION

A military memoir—the story of conscription told through the literary voice of Antonio Muñoz Molina.

In the late 1980s, a young Antonio Muñoz Molina entered mandatory military service. There, he was stripped of his hair, his identity, and even his name. He became just another J-54 in an environment defined by a patriotism he viewed with detachment and an intolerance in which he did not belong. Ardor guerrero is “a memoir in which the author masterfully blends his exceptional narrative style with the power of testimony” (El Diario Vasco).

Das Allgemeine Künstlerlexikon (AKL) ist Nachfolger der traditionsreichen kunsthistorischen Standardwerke Thieme-Becker und Vollmer und erscheint seit 1991. Selbst längst ein Standardwerk, beschränkt es sich bewusst nicht auf die großen Meister: bildende Künstler aus aller Welt und aus allen Zeiten, von der Antike bis zur Gegenwart, werden aufgenommen. Enthalten sind nicht nur Maler, Bildhauer oder Graphiker, sondern auch Architekten, Designer, Fotografen, Schriftkünstler, Kunsthandwerker u.v.m. Rund 1.500 Künstlerbiographien werden für jeden Band zusammengestellt. Nach jeweils zehn Bänden erscheint ein Register nach Ländern und künstlerischen Berufen.

Mit dem aktualisierten Editionsplan wird die Printausgabe im Jahr 2022 abgeschlossen. Dafür wird der Anteil von Artikeln verstärkt, die nur online erscheinen.

Die ersten Bände des AKL wurden bereits ab 1969 bearbeitet, dieser Zeitraum von fast vier Jahrzehnten wird nun in Nachträgen aufgearbeitet. Nachtragsband I, der die Nachtragsartikel zum Buchstaben A enthält, ist 2005 erschienen. 2012 erschien der fünfte Nachtragsband (Cassini – Czwartos).

Jeder Artikel bietet in übersichtlicher Gliederung:

• den Namen und alle bekannten Namennebenformen. Pseudonyme, Mädchennamen oder bisher irrtümlich zugeordnete Namen werden entschlüsselt, Verweisungen auf den Haupteintrag jeweils eingefügt.
• die Lebensdaten mit einer Werk- und Schaffenscharakteristik.
• Informationen zum Einfluss der Künstlerin/des Künstlers auf das jeweilige kulturelle Umfeld
• eine Auswahl der Werke mit ihren Standorten
• eine Auswahl der Ausstellungen
• ausführliche Hinweise auf Selbstzeugnisse und Schriften der Künstlerin/des Künstlers
• eine umfassende Bibliographie. Auch auf Einträge in anderen Nachschlagewerken, ungedrucktes Quellenmaterial und Kataloge wird hingewiesen.
• Die Signatur am Ende eines jeden Artikels verweist auf den jeweiligen Verfasser oder Redakteur.

Seit Januar 2010 bieten wir eine Kombi Print + Online im Jahresabonnement an. Mehr Informationen erhalten Sie auf der Produktseite www.degruyter.de/akl.

Learn to build a variety of circuits using Arduino – the popular circuit board. For anyone interested in creating interactive objects or environments.

Arduino in easy steps is for anyone wanting to get started with Arduino – the popular circuit board that allows users to build a variety of circuits. For artists, designers, hobbyists and anyone interested in creating interactive objects or environments.

Arduino is the first widespread Open Source Hardware platform. It was launched in 2005 to simplify the process of electronic prototyping and it enables everyday people with little or no technical background to build interactive products. The Arduino ecosystem is a combination of three different elements:

1. A small electronic board manufactured in Italy that makes it easy and affordable to learn to program a microcontroller, a type of tiny computer found inside millions of everyday objects.
2. A free software application used to program the board.
3. An online community, connecting thousands of people with others to contribute and ask for help with projects.

Arduino in easy steps begins with an explanation of what Arduino is, why it came into being and what can be done with it. We see what is required both in terms of hardware and software, plus the writing of code that makes it actually work.

The Arduino environment has to be installed and set up on the user’s computer and the book provides full instructions for doing this with all the operating systems – Windows, Mac OS X, and Linux. The book explains what tools are required to build Arduino projects and also runs through certain techniques, such as soldering, that will be needed.

Arduino in easy steps then provides a primer in basic electricity and electronics, which will help the reader to understand how electronic circuits work and how to build them. This is followed by another primer, this time on how to write the code that will enable users to program their projects, plus how to debug that code.

To illustrate how to use Arduino, there is a chapter detailing a number of typical projects. For each of these projects, the required components, the schematic diagram, and the code are provided. The book also takes a look at how to extend the basic Arduino board with the use of shields. These enable the user to construct larger and more complex projects.

Finally, Arduino in easy steps details where the reader can get further information and help on Arduino, advice on how and where to buy Arduino and other required electronic parts, and where to find ready-made code that can be freely downloaded.

Despite the remarkable achievements of free markets—their rapid spread around the world and success at generating economic growth—they tend to elicit anxiety. Creative destruction and destabilizing change provoke feelings of powerlessness in the face of circumstances that portend inevitable catastrophe. Thus, from the beginning, capitalism has been particularly stimulative for the growth of critics and doomsayers. While early analysts such as Karl Marx primarily emphasized an impending economic disaster, in recent years the economic critique of capitalism has receded in favor of moral and environmental concerns.

At the heart of this collection of original essays lies the question: does morality demand that we adopt a primarily supportive or critical stance toward capitalism? Some contributors suggest that the foundational principles of the capitalist system may be at odds with the central requirements of morality, while others wonder whether the practical workings of markets slowly erode moral character or hinder the just distribution of goods. Still others consider whether morality itself does not demand the economic freedom constitutive of the capitalist system. The essays in Are Markets Moral? represent a broad array of disciplines, from economics to philosophy to law, and place particular emphasis on the experiences of non-Western countries where the latest chapters in capitalism's history are now being written.

Contributors: Andrew S. Bibby, Gurcharan Das, Richard A. Epstein, Fonna Forman, Robert P. George, Steven J. Kautz, Peter Augustine Lawler, Steven Lukes, Deirdre Nansen McCloskey, Peter McNamara, Arthur M. Melzer, John Tomasi.

Despite the remarkable achievements of free markets—their rapid spread around the world and success at generating economic growth—they tend to elicit anxiety. Creative destruction and destabilizing change provoke feelings of powerlessness in the face of circumstances that portend inevitable catastrophe. Thus, from the beginning, capitalism has been particularly stimulative for the growth of critics and doomsayers. While early analysts such as Karl Marx primarily emphasized an impending economic disaster, in recent years the economic critique of capitalism has receded in favor of moral and environmental concerns.

At the heart of this collection of original essays lies the question: does morality demand that we adopt a primarily supportive or critical stance toward capitalism? Some contributors suggest that the foundational principles of the capitalist system may be at odds with the central requirements of morality, while others wonder whether the practical workings of markets slowly erode moral character or hinder the just distribution of goods. Still others consider whether morality itself does not demand the economic freedom constitutive of the capitalist system. The essays in Are Markets Moral? represent a broad array of disciplines, from economics to philosophy to law, and place particular emphasis on the experiences of non-Western countries where the latest chapters in capitalism's history are now being written.

Contributors: Andrew S. Bibby, Gurcharan Das, Richard A. Epstein, Fonna Forman, Robert P. George, Steven J. Kautz, Peter Augustine Lawler, Steven Lukes, Deirdre Nansen McCloskey, Peter McNamara, Arthur M. Melzer, John Tomasi.

For the first time in history, will it be better to be a woman than a man in the upcoming century? The twelfth semi-annual Munk Debate pits Hanna Rosin and Maureen Dowd against Caitlin Moran and Camille Paglia to debate one of the biggest socio-economic phenomena of our time — the relative decline of the power and status of men in the workplace, in the family, and society at large.

Men have traditionally been the dominant sex. But now, for the first time, a host of indicators suggests that women not only are achieving equality with men, but are fast emerging as the more successful sex of the species. Whether in education, employment, personal health, or child rearing, statistics point to a rise in the status and power of women at home, in the workplace, and in traditional male bastions such as politics. But are men, and the age-old power structures associated with “maleness,” permanently in decline?

In this edition of the Munk Debates — Canada’s premier debate series — renowned author and editor Hanna Rosin and Pulitzer Prize–winning columnist Maureen Dowd square off against New York Times–bestselling author Caitlin Moran and academic trailblazer Camille Paglia to debate the future of men.

With women increasingly demonstrating their ability to “have it all” while men lag behind, the Munk Debate on gender tackles the essential socio-economic question: Are men obsolete?

Are Parents People? (1924) is a collection of stories by Alice Duer Miller. Inspired by her work as an activist for women’s suffrage, Miller explores themes of independence, agency, and female desire while illuminating the subject of divorce. Her work was adapted into a 1925 comedy film starring Betty Bronson, Florence Vidor, and Adolphe Menjou. “There they were—her mother looking down at her so calmly from the gallery and her father waiting so confidently for her below, each unaware of the other's presence. What in thunder was she going to do?” As the chairman of her school’s self-government committee, Lita Hazlitt is a young woman committed to order. Seeing her parents in the same room for the first time since their acrimonious divorce, she longs for them to reunite so that their family can return to its former state. When her attempts at reconciliation fall on deaf ears, Lita begins to act out, threatening her parents with scandal by spending time with an older, married man. In each of its nine stories, Are Parents People? explores the politics of divorce in middle to upper class American families. Witty and heartbreaking, Miller’s work is an utterly human look at the shortcomings of marriage in modern life. This edition of Alice Duer Miller’s Are Parents People? is a classic of American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Are Parents People? (1924) is a collection of stories by Alice Duer Miller. Inspired by her work as an activist for women’s suffrage, Miller explores themes of independence, agency, and female desire while illuminating the subject of divorce. Her work was adapted into a 1925 comedy film starring Betty Bronson, Florence Vidor, and Adolphe Menjou. “There they were—her mother looking down at her so calmly from the gallery and her father waiting so confidently for her below, each unaware of the other's presence. What in thunder was she going to do?” As the chairman of her school’s self-government committee, Lita Hazlitt is a young woman committed to order. Seeing her parents in the same room for the first time since their acrimonious divorce, she longs for them to reunite so that their family can return to its former state. When her attempts at reconciliation fall on deaf ears, Lita begins to act out, threatening her parents with scandal by spending time with an older, married man. In each of its nine stories, Are Parents People? explores the politics of divorce in middle to upper class American families. Witty and heartbreaking, Miller’s work is an utterly human look at the shortcomings of marriage in modern life. This edition of Alice Duer Miller’s Are Parents People? is a classic of American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Are Parents People? (1924) is a collection of stories by Alice Duer Miller. Inspired by her work as an activist for women’s suffrage, Miller explores themes of independence, agency, and female desire while illuminating the subject of divorce. Her work was adapted into a 1925 comedy film starring Betty Bronson, Florence Vidor, and Adolphe Menjou. “There they were—her mother looking down at her so calmly from the gallery and her father waiting so confidently for her below, each unaware of the other's presence. What in thunder was she going to do?” As the chairman of her school’s self-government committee, Lita Hazlitt is a young woman committed to order. Seeing her parents in the same room for the first time since their acrimonious divorce, she longs for them to reunite so that their family can return to its former state. When her attempts at reconciliation fall on deaf ears, Lita begins to act out, threatening her parents with scandal by spending time with an older, married man. In each of its nine stories, Are Parents People? explores the politics of divorce in middle to upper class American families. Witty and heartbreaking, Miller’s work is an utterly human look at the shortcomings of marriage in modern life. This edition of Alice Duer Miller’s Are Parents People? is a classic of American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The connection and science behind race, racism, and mental illness
In 2012, an interdisciplinary team of scientists at the University of Oxford reported that - based on their clinical experiment - the beta-blocker drug, Propranolol, could reduce implicit racial bias among its users. Shortly after the experiment, an article in Time Magazine cited the study, posing the question: Is racism becoming a mental illness? In Are Racists Crazy? Sander Gilman and James Thomas trace the idea of race and racism as psychopathological categories., from mid-19th century Europe, to contemporary America, up to the aforementioned clinical experiment at the University of Oxford, and ask a slightly different question than that posed by Time: How did racism become a mental illness? Using historical, archival, and content analysis, the authors provide a rich account of how the 19th century ‘Sciences of Man’ - including anthropology, medicine, and biology - used race as a means of defining psychopathology and how assertions about race and madness became embedded within disciplines that deal with mental health and illness.

An illuminating and riveting history of the discourse on racism, antisemitism, and psychopathology, Are Racists Crazy? connects past and present claims about race and racism, showing the dangerous implications of this specious line of thought for today.

The connection and science behind race, racism, and mental illness
In 2012, an interdisciplinary team of scientists at the University of Oxford reported that - based on their clinical experiment - the beta-blocker drug, Propranolol, could reduce implicit racial bias among its users. Shortly after the experiment, an article in Time Magazine cited the study, posing the question: Is racism becoming a mental illness? In Are Racists Crazy? Sander Gilman and James Thomas trace the idea of race and racism as psychopathological categories., from mid-19th century Europe, to contemporary America, up to the aforementioned clinical experiment at the University of Oxford, and ask a slightly different question than that posed by Time: How did racism become a mental illness? Using historical, archival, and content analysis, the authors provide a rich account of how the 19th century ‘Sciences of Man’ - including anthropology, medicine, and biology - used race as a means of defining psychopathology and how assertions about race and madness became embedded within disciplines that deal with mental health and illness.

An illuminating and riveting history of the discourse on racism, antisemitism, and psychopathology, Are Racists Crazy? connects past and present claims about race and racism, showing the dangerous implications of this specious line of thought for today.

The connection and science behind race, racism, and mental illness
In 2012, an interdisciplinary team of scientists at the University of Oxford reported that - based on their clinical experiment - the beta-blocker drug, Propranolol, could reduce implicit racial bias among its users. Shortly after the experiment, an article in Time Magazine cited the study, posing the question: Is racism becoming a mental illness? In Are Racists Crazy? Sander Gilman and James Thomas trace the idea of race and racism as psychopathological categories., from mid-19th century Europe, to contemporary America, up to the aforementioned clinical experiment at the University of Oxford, and ask a slightly different question than that posed by Time: How did racism become a mental illness? Using historical, archival, and content analysis, the authors provide a rich account of how the 19th century ‘Sciences of Man’ - including anthropology, medicine, and biology - used race as a means of defining psychopathology and how assertions about race and madness became embedded within disciplines that deal with mental health and illness.

An illuminating and riveting history of the discourse on racism, antisemitism, and psychopathology, Are Racists Crazy? connects past and present claims about race and racism, showing the dangerous implications of this specious line of thought for today.

A timely and kaleidoscopic reflection on the importance of the arts in our society

In the midst of a devastating pandemic, as theaters, art galleries and museums, dance stages and concert halls shuttered their doors indefinitely and institutional funding for entertainment and culture evaporated almost overnight, a cohort of highly acclaimed scholars, artists, cultural critics, and a journalist sat down to ponder an urgent question: Are the arts essential?

Across twenty-five highly engaging essays, these luminaries join together to address this question and to share their own ideas, experiences, and ambitions for the arts. Darren Walker discusses the ideals of justice and fairness advanced through the arts; Mary Schmidt Campbell shows us how artists and cultural institutions helped New York overcome the economic crisis of the 1970s, bringing new investment and creativity to the city; Deborah Willis traces histories of oppression and disenfranchisement documented by photographers; and Oskar Eustis offers a brief history lesson on how theaters have built communities since the Golden Age of Athens. Other topics include the vibrancy and diversity of Muslim culture in America during a time of rising Islamophobia; the strengthening of the common good through the art and cultural heritages of indigenous communities; digital data aggregation informing and influencing new art forms; and the jazz lyricisms of a theater piece inspired by a composer’s two-month coma.

Drawing on their experiences across the spectrum of the arts, from the performing and visual arts to poetry and literature, the contributors remind readers that the arts are everywhere and, in one important way after another, they question, charge and change us. These impassioned essays remind us of the human connections the arts can forge—how we find each other through the arts, across the most difficult divides, and how the arts can offer hope in the most challenging times.

What answer does this convocation offer to Are the Arts Essential? A resounding Yes.

A timely and kaleidoscopic reflection on the importance of the arts in our society

In the midst of a devastating pandemic, as theaters, art galleries and museums, dance stages and concert halls shuttered their doors indefinitely and institutional funding for entertainment and culture evaporated almost overnight, a cohort of highly acclaimed scholars, artists, cultural critics, and a journalist sat down to ponder an urgent question: Are the arts essential?

Across twenty-five highly engaging essays, these luminaries join together to address this question and to share their own ideas, experiences, and ambitions for the arts. Darren Walker discusses the ideals of justice and fairness advanced through the arts; Mary Schmidt Campbell shows us how artists and cultural institutions helped New York overcome the economic crisis of the 1970s, bringing new investment and creativity to the city; Deborah Willis traces histories of oppression and disenfranchisement documented by photographers; and Oskar Eustis offers a brief history lesson on how theaters have built communities since the Golden Age of Athens. Other topics include the vibrancy and diversity of Muslim culture in America during a time of rising Islamophobia; the strengthening of the common good through the art and cultural heritages of indigenous communities; digital data aggregation informing and influencing new art forms; and the jazz lyricisms of a theater piece inspired by a composer’s two-month coma.

Drawing on their experiences across the spectrum of the arts, from the performing and visual arts to poetry and literature, the contributors remind readers that the arts are everywhere and, in one important way after another, they question, charge and change us. These impassioned essays remind us of the human connections the arts can forge—how we find each other through the arts, across the most difficult divides, and how the arts can offer hope in the most challenging times.

What answer does this convocation offer to Are the Arts Essential? A resounding Yes.

This book examines the extent and nature of Irish social and cultural difference. It is a collection of twenty-three short essays written in a clear and accessible manner by human scientists who are international experts in their area.

The essays cover topics covered include the nature of Irish nationalism and capitalism, the Irish political elite, the differences and similarities of the Irish family, the upsurge in immigration, Northern Ireland, the Irish diaspora, the Irish language, sport, music and many other topics.

The book will be bought by those who have an academic and personal interest in Irish Studies. It will be attractive to those who are not familiar with the theories and methods of the human sciences and how they can shine a light on the transformations that have taken place in Ireland. Tom Inglis, the editor of the collection, is a sociologist who has written extensively on Irish culture and society.

This book examines the extent and nature of Irish social and cultural difference. It is a collection of twenty-three short essays written in a clear and accessible manner by human scientists who are international experts in their area.

The topics covered include the nature of Irish nationalism and capitalism, the Irish political elite, the differences and similarities of the Irish family, the upsurge in immigration, Northern Ireland, the Irish diaspora, the Irish language, sport, music and many other topics.

The book will be bought by those who have an academic and personal interest in Irish Studies. It will be attractive to those who are not familiar with the theories and methods of the human sciences and how they can shine a light on the transformations that have taken place in Ireland. Tom Inglis, the editor of the collection, is a sociologist who has written extensively on Irish culture and society.

Lynne Huffer's ambitious inquiry redresses the rift between feminist and queer theory, traversing the space of a new, post-moral sexual ethics that includes pleasure, desire, connection, and betrayal. She begins by balancing queer theorists' politics of sexual freedoms with a moralizing feminist politics that views sexuality as harm. Drawing on the best insights from both traditions, she builds an ethics centered on eros, following Michel Foucault's ethics as a practice of freedom and Luce Irigaray's lyrical articulation of an ethics of sexual difference.

Through this theoretical lens, Huffer examines everyday experiences of ethical connection and failure connected to sex, including queer sexual practices, sodomy laws, interracial love, pornography, and work-life balance. Her approach complicates sexual identities while challenging the epistemological foundations of subjectivity. She rethinks ethics "beyond good and evil" without underestimating, as some queer theorists have done, the persistence of what Foucault calls the "catastrophe" of morality. Elaborating a thinking-feeling ethics of the other, Huffer encourages contemporary intellectuals to reshape sexual morality from within, defining an ethical space that is both poetically suggestive and politically relevant, both conceptually daring and grounded in common sexual experience.

Lynne Huffer's ambitious inquiry redresses the rift between feminist and queer theory, traversing the space of a new, post-moral sexual ethics that includes pleasure, desire, connection, and betrayal. She begins by balancing queer theorists' politics of sexual freedoms with a moralizing feminist politics that views sexuality as harm. Drawing on the best insights from both traditions, she builds an ethics centered on eros, following Michel Foucault's ethics as a practice of freedom and Luce Irigaray's lyrical articulation of an ethics of sexual difference.

Through this theoretical lens, Huffer examines everyday experiences of ethical connection and failure connected to sex, including queer sexual practices, sodomy laws, interracial love, pornography, and work-life balance. Her approach complicates sexual identities while challenging the epistemological foundations of subjectivity. She rethinks ethics "beyond good and evil" without underestimating, as some queer theorists have done, the persistence of what Foucault calls the "catastrophe" of morality. Elaborating a thinking-feeling ethics of the other, Huffer encourages contemporary intellectuals to reshape sexual morality from within, defining an ethical space that is both poetically suggestive and politically relevant, both conceptually daring and grounded in common sexual experience.

While much of the debate over the growth of charter schools center on the student academic performance of charter schools as well as the financial impact that they have on school budgets, there is a growing concern that charter schools use harsh discipline to nudge certain students out. The concern is that charter schools use excessive discipline not just to bring about order and rigor in schools, but to push students who might cost more to educate or lower test scores to leave charter schools.

Given that charter schools, unlike regular public schools, are free to admit or eject whomever they want, there is concern that those schools are not only skimming in admissions, but also pushing out certain kinds of students. While several scholars have raised this concern, there is not much research on this critical topic. The current book changes that. We compare student discipline rates in four major cities among regular and charter schools to determine whether charter schools are more likely than regular schools to discipline students. We also study the relationships among a host of variables by six different discipline categories.

While much of the debate over the growth of charter schools center on the student academic performance of charter schools as well as the financial impact that they have on school budgets, there is a growing concern that charter schools use harsh discipline to nudge certain students out. The concern is that charter schools use excessive discipline not just to bring about order and rigor in schools, but to push students who might cost more to educate or lower test scores to leave charter schools.

Given that charter schools, unlike regular public schools, are free to admit or eject whomever they want, there is concern that those schools are not only skimming in admissions, but also pushing out certain kinds of students. While several scholars have raised this concern, there is not much research on this critical topic. The current book changes that. We compare student discipline rates in four major cities among regular and charter schools to determine whether charter schools are more likely than regular schools to discipline students. We also study the relationships among a host of variables by six different discipline categories.

Debates about the possibility of an open culture – or indeed about the possibility of an open debate about the openness of culture – often turn on questions of standards. But since no benchmark can be absolute, judgement is a proliferation of comparisons.
Through a series of case studies in everyday and academic comparison (literature, history, politics, philosophy), Haun Saussy calls out the typical vices of comparison and proposes ways to unseat them. For however much it is abused, distorted, and manipulated, comparison retains an essential link to the idea of justice.

Powerful tools for spreading peace in your community

Unfounded beliefs and hateful political and social divisions that can cascade into violence are threatening to pull the world apart. Responding to fear and aggression strategically and with compassion is vital if we are to push back against the politics of hate and live in greater safety and harmony.

But how to do it?

Are We Done Fighting? is brimming with the latest research, practical activities, and inspirational stories of success for cultivating inner change and spreading peace at the community level and beyond. Coverage includes:

• An explanation of the different styles of conflict
• Cognitive biases that help explain polarized and lose-lose positions
• Practical methods and activities for changing our own and others' minds
• When punishment works and doesn't, and how to encourage discipline in children without using violence
• The skill of self-compassion and ways to reduce prejudice in ourselves and others
• Incredible programs that are rebuilding trust between people after genocide.

Packed with inspiration and cutting-edge findings from fields including neuroscience, social psychology, and behavioural economics, Are We Done Fighting? is an essential toolkit for activists, community and peace groups, and students and instructors working to build dialogue, understanding, and peace as the antidote to the politics of hate and division.

AWARDS

• SILVER | 2019 Nautilus Book Awards: Social Change & Social Justice

Powerful tools for spreading peace in your community

Unfounded beliefs and hateful political and social divisions that can cascade into violence are threatening to pull the world apart. Responding to fear and aggression strategically and with compassion is vital if we are to push back against the politics of hate and live in greater safety and harmony.

But how to do it?

Are We Done Fighting? is brimming with the latest research, practical activities, and inspirational stories of success for cultivating inner change and spreading peace at the community level and beyond. Coverage includes:

• An explanation of the different styles of conflict
• Cognitive biases that help explain polarized and lose-lose positions
• Practical methods and activities for changing our own and others' minds
• When punishment works and doesn't, and how to encourage discipline in children without using violence
• The skill of self-compassion and ways to reduce prejudice in ourselves and others
• Incredible programs that are rebuilding trust between people after genocide.

Packed with inspiration and cutting-edge findings from fields including neuroscience, social psychology, and behavioural economics, Are We Done Fighting? is an essential toolkit for activists, community and peace groups, and students and instructors working to build dialogue, understanding, and peace as the antidote to the politics of hate and division.

AWARDS

• SILVER | 2019 Nautilus Book Awards: Social Change & Social Justice

Pawsitive Choices! Find Your Perfect Pet and Learn How to Love and Take Care of Them!

Thinking about getting a furry, scaly, or feathered friend? Join one adorable family on a heartwarming adventure in Are We Ready for a Pet? This beautifully illustrated picture book takes little readers on an exciting journey to discover the perfect pet and learn all about the wonderful (and sometimes messy!) daily tasks of caring for them. Bursting with vibrant colors and fun "Can you spot?" challenges, kids will explore a variety of amazing animals, from cuddly cats and playful pups to chirping parrots, colorful fish and scaly iguanas! They'll discover what makes each pet unique and special, all while learning valuable lessons about the joys and responsibilities of pet ownership. Engaging and informative, Are We Ready for a Pet? nurtures a love for animals and is perfect for sparking family conversations. Prepare for cuteness overload! After this delightful read, which cute animal will you and your family be dreaming of bringing home?

• Find Your Dream Pet: Join a fun family as they explore a variety of animals and decide which pet is right for them. From cats and dogs to hamsters and fish to birds, reptiles and more, discover what makes each one special.
• Learn How to Care for Animals: Discover the daily tasks involved in keeping pets happy and healthy.
• Fun "Can You Spot?" Challenges: Interactive elements on every page keep kids engaged and entertained.
• Teaches Responsibility and Love for Animals: Gently introduces the important aspects of pet ownership and fosters an early love for animals.
• Perfect for Family Read-Alouds: Sparks heartwarming conversations about pets and family, creating a fun and memorable experience the whole family can enjoy. 

For over 75 years, Albatros Media has been crafting original and innovative children's books that are both playful and educational, fostering curiosity and a thirst for knowledge in young minds. We deliver the highest quality children’s books from novelty, picture, pop-up, and how-to books, to non-fiction, and fairy tale books. 

New York Times award winning author/illustrator Sven Völker once again brings his trademark graphic imagery to this gorgeous introduction to philosophical ideas for even the youngest of readers.

Bear wakes up after his long winter’s sleep and joins his friend, Butterfly, on a journey. 'Where are we going?' asks bear. 'All journeys have secret destinations', says Butterfly. As they travel through forest, over hill and across a great river, Butterfly offers her wisdom about hardships, facing one’s fears and living in the moment. Bear’s natural impatience gradually softens into acceptance of the world around him. As the seasons change, the friends find themselves once more in front of Bear’s cave. Landscapes look different with different eyes and the end of one journey is the beginning of another.

This is a heartwarming book about friendship and about circles and cycles of life and being. It is a sweet and calming bedtime story that introduces Buddhist philosophies and values to young readers.

We are witnessing an attack on equal rights in America unparalleled since the collapse of Reconstruction. In the tradition of his New York Times and Washington Post bestseller Brown Is the New White and his “spirited and persuasive” (Publishers Weekly) How We Win the Civil War, Steve Phillips’s goal is nothing less than to exhort people to go on the offensive in the fight for racial justice in this country—to flip the script from the underrepresentation of people of color to the overrepresentation of white men.

In twelve short, animated chapters covering the fields of business, arts and entertainment, government, higher education, philanthropy, and democracy itself, Phillips shows how Straight White American Male Preference (or S.W.A.M.P.) has come roaring out of the shadows once again. Far from being a country where white men have suffered under so-called reverse racism, Phillips reveals America to be a place where white men—a minority population—have enjoyed unfair legal advantages, racial quotas, grade inflation, and jumping the line for public benefits.

Are White Men Smarter Than Everybody Else? calls for nothing less than draining the swamp of white male privilege. Fearless, funny, and deeply researched, this much-needed corrective offers equality-loving readers the arguments and energy they need to launch a new counterattack.

We are witnessing an attack on equal rights in America unparalleled since the collapse of Reconstruction. In the tradition of his New York Times and Washington Post bestseller Brown Is the New White and his “spirited and persuasive” (Publishers Weekly) How We Win the Civil War, Steve Phillips’s goal is nothing less than to exhort people to go on the offensive in the fight for racial justice in this country—to flip the script from the underrepresentation of people of color to the overrepresentation of white men.

In twelve short, animated chapters covering the fields of business, arts and entertainment, government, higher education, philanthropy, and democracy itself, Phillips shows how Straight White American Male Preference (or S.W.A.M.P.) has come roaring out of the shadows once again. Far from being a country where white men have suffered under so-called reverse racism, Phillips reveals America to be a place where white men—a minority population—have enjoyed unfair legal advantages, racial quotas, grade inflation, and jumping the line for public benefits.

Are White Men Smarter Than Everybody Else? calls for nothing less than draining the swamp of white male privilege. Fearless, funny, and deeply researched, this much-needed corrective offers equality-loving readers the arguments and energy they need to launch a new counterattack.

Are Women People? (1915) is a collection of poems by Alice Duer Miller. Inspired by her work as an activist for women’s suffrage, Miller published many of these poems individually in the New York Tribune before compiling them into this larger work. Focusing on the opposition of politicians and citizens alike, Miller makes a compelling case for the extension of voting rights to women across the nation. With her keen eye for hypocrisy and even keener ear for the rhythms of the English language, Alice Miller Duer crafts a poetry both personal and political. In “Representation,” she lampoons the notion that men’s votes and voices are capable of representing the viewpoints of the women in their lives: “My present wife’s a suffragist, and counts on my support, / […] / One grandmother is on the fence, the other much opposed, / And my sister lives in Oregon, and thinks the question’s closed; / Each one is counting on my vote to represent her view. / Now what should you think proper for a gentleman to do?” In these lighthearted lines, Miller satirizes the exclusion of women from American democracy, which inherently supposes that womanhood is monolithic, containing no opposing points of view. In “To President Wilson,” Miller excoriates the President for his focus on militarism and foreign policy, asking “How can you plead so earnestly for men / Who fight their own fight with a bloody hand; / […] and then / Forget the women of your native land?” Succinctly and convincingly, Miller makes her case for women’s suffrage. This edition of Alice Duer Miller’s Are Women People? is a classic of American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Are Women People? (1915) is a collection of poems by Alice Duer Miller. Inspired by her work as an activist for women’s suffrage, Miller published many of these poems individually in the New York Tribune before compiling them into this larger work. Focusing on the opposition of politicians and citizens alike, Miller makes a compelling case for the extension of voting rights to women across the nation. With her keen eye for hypocrisy and even keener ear for the rhythms of the English language, Alice Miller Duer crafts a poetry both personal and political. In “Representation,” she lampoons the notion that men’s votes and voices are capable of representing the viewpoints of the women in their lives: “My present wife’s a suffragist, and counts on my support, / […] / One grandmother is on the fence, the other much opposed, / And my sister lives in Oregon, and thinks the question’s closed; / Each one is counting on my vote to represent her view. / Now what should you think proper for a gentleman to do?” In these lighthearted lines, Miller satirizes the exclusion of women from American democracy, which inherently supposes that womanhood is monolithic, containing no opposing points of view. In “To President Wilson,” Miller excoriates the President for his focus on militarism and foreign policy, asking “How can you plead so earnestly for men / Who fight their own fight with a bloody hand; / […] and then / Forget the women of your native land?” Succinctly and convincingly, Miller makes her case for women’s suffrage. This edition of Alice Duer Miller’s Are Women People? is a classic of American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Are Women People? (1915) is a collection of poems by Alice Duer Miller. Inspired by her work as an activist for women’s suffrage, Miller published many of these poems individually in the New York Tribune before compiling them into this larger work. Focusing on the opposition of politicians and citizens alike, Miller makes a compelling case for the extension of voting rights to women across the nation. With her keen eye for hypocrisy and even keener ear for the rhythms of the English language, Alice Miller Duer crafts a poetry both personal and political. In “Representation,” she lampoons the notion that men’s votes and voices are capable of representing the viewpoints of the women in their lives: “My present wife’s a suffragist, and counts on my support, / […] / One grandmother is on the fence, the other much opposed, / And my sister lives in Oregon, and thinks the question’s closed; / Each one is counting on my vote to represent her view. / Now what should you think proper for a gentleman to do?” In these lighthearted lines, Miller satirizes the exclusion of women from American democracy, which inherently supposes that womanhood is monolithic, containing no opposing points of view. In “To President Wilson,” Miller excoriates the President for his focus on militarism and foreign policy, asking “How can you plead so earnestly for men / Who fight their own fight with a bloody hand; / […] and then / Forget the women of your native land?” Succinctly and convincingly, Miller makes her case for women’s suffrage. This edition of Alice Duer Miller’s Are Women People? is a classic of American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

This book considers architectural models not as stable objects but as a question: What is a model, really? And where in the design process does it assume its powers or perform its tasks? Thirty essays respond to nine pointed questions, discovering surprising affinities and interweaving observations from diverse disciplinary, geographical, and scholarly perspectives, all framed by an introductory essay and a dialog between historian Annabel Wharton and artist Thomas Demand. Are You a Model? approaches models as phenomena and architectural tools without seeking to determine conclusive answers. Compiled by a group of architectural and art historians, historians of science, software engineers, architects, and curators, it views models as an epistemologically diverse practice rather than objects sorted by periods, genres, or materials.

With contributions by Giulia Amoresano, Yana Boeva, Giulia Boller, Stefanie Brünenberg, Alberto Calderoni, Daniel Cardoso Llach, Wonseok Chae, Diana Cristobal Olave, Carlotta Darò, Cansu Degirmencioglu, Kai Drewes, Ruth Ezra, Jia Yi Gu, Erik Herrmann, Carolin Höfler, Deniz Avci Hosanli, Christian Janecke, Sebastian Loosen, John McMorrough, Christina Moushoul, Ana Carolina Pellegrini, Eliza Pertigkiozoglou, Andreas Pilot, Stéphanie Quantin-Biancalani, Salome Schepers, Ecaterina Stefanescu, Simona Valeriani, Mara Trübenbach, Annabel Wharton, Matthew Wells, Baris Wenzel, Holger Zaunstöck, Maxime Zaugg, and Tamar Zinguer.

In making love, one is elevated beyond the carnal desires it satisfies. For the religious, it is Divine; for those who are not religiously inclined, it is still a spiritual experience, one of seamless solidarity, a unity of two as one that defies mere orgasmic stimulation. You don’t have to make love to have sex. Even strangers can be sexually attracted and have an orgasmic escapade. But in the act of making love, there is symbolic meaning that is felt through-and-through the sex act. Two in love are joined, in life, and the sexual expression of this unison is deeply felt in the sex act itself. This is sexual intimacy, the making of love, the likes of which is rarely, if ever, seen outside a loving relationship. There is no escape from the philosophical dimensions of such a loving relationship. It is as abstract as it is concrete in the ideals that ground it. There is a mystery about it, a kind of transcendent experience that defies translation into words. Making and being in love are thus joined at the hip. Loving relationships make the bed in which true lovers sleep.
Unfortunately, many relationships flounder or never get off the ground. Just having sex may ease the tension, but it then becomes a means, not truly an end-in-itself. The moment the sex act ends, the couple may retreat and fall into discord. It is an oasis in a barren desert that provides temporary relief, a titillating, temporary escape from reality. This book can help you to overcome the obstacles, the unlovable habits that encumber your relationship, both inside and outside the bedroom. It can help to create the harmonic balance between your sex life and other aspects of your personal and interpersonal relationships, which are preludes to making and being in love.
To accomplish this, it applies a five-step method based on Logic-Based Therapy & Consultation (LBTC), a popular form of evidence-based, philosophical counseling modality. First, it introduces you to six types of unlovable ways of thinking and acting and helps you to identify the ones that may be sabotaging your own relationship. Second, it shows you how to counter these self-defeating habits with certain lovable goals (“virtues of love”). Third, it helps you to identify and embrace a personal “love philosophy” that empowers you to reach for your lovable goals. Fourth, it provides core philosophical ideas that are key to any successful quest for romantic love. Fifth, it helps you construct a behavioral plan that applies your philosophies to making constructive changes in your relationship. The latter may require making changes both inside and outside your relationship. Thus, this book also shows you how the problems you are having in one area of your life (at work, in your social life, etc.) can affect the quality of your relationship, inside and outside the bedroom, and it offers guidance, including self-improvement exercises, to overcome these impediments and attain enduring love and sexual intimacy.

In making love, one is elevated beyond the carnal desires it satisfies. For the religious, it is Divine; for those who are not religiously inclined, it is still a spiritual experience, one of seamless solidarity, a unity of two as one that defies mere orgasmic stimulation. You don’t have to make love to have sex. Even strangers can be sexually attracted and have an orgasmic escapade. But in the act of making love, there is symbolic meaning that is felt through-and-through the sex act. Two in love are joined, in life, and the sexual expression of this unison is deeply felt in the sex act itself. This is sexual intimacy, the making of love, the likes of which is rarely, if ever, seen outside a loving relationship. There is no escape from the philosophical dimensions of such a loving relationship. It is as abstract as it is concrete in the ideals that ground it. There is a mystery about it, a kind of transcendent experience that defies translation into words. Making and being in love are thus joined at the hip. Loving relationships make the bed in which true lovers sleep.
Unfortunately, many relationships flounder or never get off the ground. Just having sex may ease the tension, but it then becomes a means, not truly an end-in-itself. The moment the sex act ends, the couple may retreat and fall into discord. It is an oasis in a barren desert that provides temporary relief, a titillating, temporary escape from reality. This book can help you to overcome the obstacles, the unlovable habits that encumber your relationship, both inside and outside the bedroom. It can help to create the harmonic balance between your sex life and other aspects of your personal and interpersonal relationships, which are preludes to making and being in love.
To accomplish this, it applies a five-step method based on Logic-Based Therapy & Consultation (LBTC), a popular form of evidence-based, philosophical counseling modality. First, it introduces you to six types of unlovable ways of thinking and acting and helps you to identify the ones that may be sabotaging your own relationship. Second, it shows you how to counter these self-defeating habits with certain lovable goals (“virtues of love”). Third, it helps you to identify and embrace a personal “love philosophy” that empowers you to reach for your lovable goals. Fourth, it provides core philosophical ideas that are key to any successful quest for romantic love. Fifth, it helps you construct a behavioral plan that applies your philosophies to making constructive changes in your relationship. The latter may require making changes both inside and outside your relationship. Thus, this book also shows you how the problems you are having in one area of your life (at work, in your social life, etc.) can affect the quality of your relationship, inside and outside the bedroom, and it offers guidance, including self-improvement exercises, to overcome these impediments and attain enduring love and sexual intimacy.

In Are You Mixed?, Sonia Janis explores the spaces in-between race and place from the perspective of an educator who is multi-racial. As she reflects on her own experiences as a seventh grade student up to her eventual appointment as a school administrator, she learns of the complexity of situating oneself in predetermined demographic categories. She shares how she explores the intricacies of undefined spaces that teach her to embrace differences, contradictions, and complexities in schools, neighborhoods and communities.

Exploring the in-betweenness (Anzaldua & Keating, 2002; He, 2003, 2010) of her life as a multi-race person problematizes imbedded notions of race, gender, class, and power. The power of this memoir lies in its narrative possibilities to capture the contradictions and paradoxes of lives in-between race and place, 'to honor the subtleties, fluidities, and complexities of such experience, and to cultivate understanding towards individual ... experience and the multicultural/multiracial contexts that shape and are shaped by such experience' (He, 2003, p. xvii). This memoir creates new ways to think about and write about in-between experience and their relevance to multicultural and multiracial education.

Janis challenges educators, teachers, administrators, and policy makers to view the educational experience of students with multiracial, multicultural, and multilingual backgrounds by shattering predetermined categories and stereotyped classifications and looking into unknown and fluid realms of the in-betweenness of their lives. This challenge helps create equitable and just opportunities and engender culturally responsive and inspiring curricular and learning environments to bring out the best potential in all diverse schools, communities, neighborhoods, tribes and societies.

In Are You Mixed?, Sonia Janis explores the spaces in-between race and place from the perspective of an educator who is multi-racial. As she reflects on her own experiences as a seventh grade student up to her eventual appointment as a school administrator, she learns of the complexity of situating oneself in predetermined demographic categories. She shares how she explores the intricacies of undefined spaces that teach her to embrace differences, contradictions, and complexities in schools, neighborhoods and communities.

Exploring the in-betweenness (Anzaldua & Keating, 2002; He, 2003, 2010) of her life as a multi-race person problematizes imbedded notions of race, gender, class, and power. The power of this memoir lies in its narrative possibilities to capture the contradictions and paradoxes of lives in-between race and place, 'to honor the subtleties, fluidities, and complexities of such experience, and to cultivate understanding towards individual ... experience and the multicultural/multiracial contexts that shape and are shaped by such experience' (He, 2003, p. xvii). This memoir creates new ways to think about and write about in-between experience and their relevance to multicultural and multiracial education.

Janis challenges educators, teachers, administrators, and policy makers to view the educational experience of students with multiracial, multicultural, and multilingual backgrounds by shattering predetermined categories and stereotyped classifications and looking into unknown and fluid realms of the in-betweenness of their lives. This challenge helps create equitable and just opportunities and engender culturally responsive and inspiring curricular and learning environments to bring out the best potential in all diverse schools, communities, neighborhoods, tribes and societies.