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Domination, ecological crises and many other pathologies are intrinsic features of capitalism, not bugs that can be corrected. But is a better way of organizing society possible?

Marx called for a society where the ruling principle is “the full and free development of every individual”. Capitalism neither is nor can be such a society. But if we can imagine one, can we be confident it could be put into practice? The answer to both questions is an emphatic ‘Yes!’ This book makes the case for a workable model of republican socialism, a vision of socialism worth fighting for.

The rise and successes, the travails, and the eventual demise of the German Democratic Republic told in personal detail by activist and writer Victor Grossman

The circumstances that impelled Victor Grossman, a U.S. Army draftee stationed in Europe, to flee a military prison sentence were the icy pressures of the McCarthy Era. Grossman – a.k.a. Steve Wechsler, a committed leftist since his years at Harvard and, briefly, as a factory worker – left his barracks in Bavaria one August day in 1952, and, in a panic, swam across the Danube River from the Austrian U.S. Zone to the Soviet Zone. Fate – i.e., the Soviets – landed him in East Germany, officially the German Democratic Republic. There he remained, observer and participant, husband and father, as he watched the rise and successes, the travails, and the eventual demise of the GDR socialist experiment. A Socialist Defector is the story, told in rare, personal detail, of an activist and writer who grew up in the U.S. free-market economy; spent thirty-eight years in the GDR’s nationally owned, centrally administered economy; and continues to survive, given whatever the market can bear in today’s united Germany.

Having been a freelance journalist and traveling lecturer – and the only person in the world to hold diplomas from both Harvard and the Karl Marx University – Grossman is able to offer insightful, often ironic, reflections and reminiscences, comparing the good and bad sides of life in all three of the societies he has known. His account focuses especially on the socialism he saw and lived – the GDR’s goals and achievements, its repressive measures and stupidities – which, he argues, offers lessons now in our search for solutions to the grave problems facing our world. This is a fascinating and unique historical narrative; political analysis told with jokes, personal anecdotes, and without bombast.

The rise and successes, the travails, and the eventual demise of the German Democratic Republic told in personal detail by activist and writer Victor Grossman

The circumstances that impelled Victor Grossman, a U.S. Army draftee stationed in Europe, to flee a military prison sentence were the icy pressures of the McCarthy Era. Grossman – a.k.a. Steve Wechsler, a committed leftist since his years at Harvard and, briefly, as a factory worker – left his barracks in Bavaria one August day in 1952, and, in a panic, swam across the Danube River from the Austrian U.S. Zone to the Soviet Zone. Fate – i.e., the Soviets – landed him in East Germany, officially the German Democratic Republic. There he remained, observer and participant, husband and father, as he watched the rise and successes, the travails, and the eventual demise of the GDR socialist experiment. A Socialist Defector is the story, told in rare, personal detail, of an activist and writer who grew up in the U.S. free-market economy; spent thirty-eight years in the GDR’s nationally owned, centrally administered economy; and continues to survive, given whatever the market can bear in today’s united Germany.

Having been a freelance journalist and traveling lecturer – and the only person in the world to hold diplomas from both Harvard and the Karl Marx University – Grossman is able to offer insightful, often ironic, reflections and reminiscences, comparing the good and bad sides of life in all three of the societies he has known. His account focuses especially on the socialism he saw and lived – the GDR’s goals and achievements, its repressive measures and stupidities – which, he argues, offers lessons now in our search for solutions to the grave problems facing our world. This is a fascinating and unique historical narrative; political analysis told with jokes, personal anecdotes, and without bombast.

The rise and successes, the travails, and the eventual demise of the German Democratic Republic told in personal detail by activist and writer Victor Grossman

The circumstances that impelled Victor Grossman, a U.S. Army draftee stationed in Europe, to flee a military prison sentence were the icy pressures of the McCarthy Era. Grossman – a.k.a. Steve Wechsler, a committed leftist since his years at Harvard and, briefly, as a factory worker – left his barracks in Bavaria one August day in 1952, and, in a panic, swam across the Danube River from the Austrian U.S. Zone to the Soviet Zone. Fate – i.e., the Soviets – landed him in East Germany, officially the German Democratic Republic. There he remained, observer and participant, husband and father, as he watched the rise and successes, the travails, and the eventual demise of the GDR socialist experiment. A Socialist Defector is the story, told in rare, personal detail, of an activist and writer who grew up in the U.S. free-market economy; spent thirty-eight years in the GDR’s nationally owned, centrally administered economy; and continues to survive, given whatever the market can bear in today’s united Germany.

Having been a freelance journalist and traveling lecturer – and the only person in the world to hold diplomas from both Harvard and the Karl Marx University – Grossman is able to offer insightful, often ironic, reflections and reminiscences, comparing the good and bad sides of life in all three of the societies he has known. His account focuses especially on the socialism he saw and lived – the GDR’s goals and achievements, its repressive measures and stupidities – which, he argues, offers lessons now in our search for solutions to the grave problems facing our world. This is a fascinating and unique historical narrative; political analysis told with jokes, personal anecdotes, and without bombast.

This posthumous collection of interviews and occasional papers given by Castoriadis between 1974 and 1997 is a lively, direct introduction to the thinking of a writer who never abandoned his radically critical stance. It provides a clear, handy résumé of his political ideas, in advance of their times and profoundly relevant to today’s world.

For this political thinker and longtime militant (co-founder with Claude Lefort of the revolutionary group “Socialisme ou Barbarie”), economist, psychoanalyst, and philosopher, two endless interrogations—how to understand the world and life in society—were intertwined with his own life and combats.

An important chapter discusses the history of “Socialisme ou Barbarie” (1949—1967); in it, Castoriadis presents the views he defended, in that group, on a number of subjects: a critique of Marxism and of the Soviet Union, the bureaucratization of society and of the workers’ movement, and the primacy of individual and collective autonomy. Another chapter presents the concept, central to his thinking, of “imaginary significations” as what make a society “cohere.”

Castoriadis constantly returns to the question of democracy as the never-finished, deliberate creation by the people of societal institutions, analyzing its past and its future in the Western world. He scathingly criticizes “representative” democracy and develops a conception of direct democracy extending to all spheres of social life.

He wonders about the chances of achieving freedom and autonomy—those requisites of true democracy—in a world of endless, meaningless accumulation of material goods, where the mechanisms for governing society have disintegrated, the relationship with nature is reduced to one of destructive domination, and, above all, the population has withdrawn from the public sphere: a world dominated by hobbies and lobbies—”a society adrift.”

This posthumous collection of interviews and occasional papers given by Castoriadis between 1974 and 1997 is a lively, direct introduction to the thinking of a writer who never abandoned his radically critical stance. It provides a clear, handy résumé of his political ideas, in advance of their times and profoundly relevant to today’s world.

For this political thinker and longtime militant (co-founder with Claude Lefort of the revolutionary group “Socialisme ou Barbarie”), economist, psychoanalyst, and philosopher, two endless interrogations—how to understand the world and life in society—were intertwined with his own life and combats.

An important chapter discusses the history of “Socialisme ou Barbarie” (1949—1967); in it, Castoriadis presents the views he defended, in that group, on a number of subjects: a critique of Marxism and of the Soviet Union, the bureaucratization of society and of the workers’ movement, and the primacy of individual and collective autonomy. Another chapter presents the concept, central to his thinking, of “imaginary significations” as what make a society “cohere.”

Castoriadis constantly returns to the question of democracy as the never-finished, deliberate creation by the people of societal institutions, analyzing its past and its future in the Western world. He scathingly criticizes “representative” democracy and develops a conception of direct democracy extending to all spheres of social life.

He wonders about the chances of achieving freedom and autonomy—those requisites of true democracy—in a world of endless, meaningless accumulation of material goods, where the mechanisms for governing society have disintegrated, the relationship with nature is reduced to one of destructive domination, and, above all, the population has withdrawn from the public sphere: a world dominated by hobbies and lobbies—”a society adrift.”

The cities of Saudi Arabia are among the most gender segregated in the world. In recent years the Saudi government has felt increasing international pressure to offer greater roles for women in society. Implicit in these calls for reform, however, is an assumption that the only "real" society is male society. Little consideration has been given to the rapidly evolving activities within women's spaces. This book joins young urban women in their daily lives—in the workplace, on the female university campus, at the mall—to show how these women are transforming Saudi cities from within and creating their own urban, professional, consumerist lifestyles.

As young Saudi women are emerging as an increasingly visible social group, they are shaping new social norms. Their shared urban spaces offer women the opportunity to shed certain constraints and imagine themselves in new roles. But to feel included in this peer group, women must adhere to new constraints: to be sophisticated, fashionable, feminine, and modern. The position of "other" women—poor, rural, or non-Saudi women—is increasingly marginalized. While young urban women may embody the image of a "reformed" Saudi nation, the reform project ultimately remains incomplete, drawing new hierarchies and lines of exclusion among women.

The cities of Saudi Arabia are among the most gender segregated in the world. In recent years the Saudi government has felt increasing international pressure to offer greater roles for women in society. Implicit in these calls for reform, however, is an assumption that the only "real" society is male society. Little consideration has been given to the rapidly evolving activities within women's spaces. This book joins young urban women in their daily lives—in the workplace, on the female university campus, at the mall—to show how these women are transforming Saudi cities from within and creating their own urban, professional, consumerist lifestyles.

As young Saudi women are emerging as an increasingly visible social group, they are shaping new social norms. Their shared urban spaces offer women the opportunity to shed certain constraints and imagine themselves in new roles. But to feel included in this peer group, women must adhere to new constraints: to be sophisticated, fashionable, feminine, and modern. The position of "other" women—poor, rural, or non-Saudi women—is increasingly marginalized. While young urban women may embody the image of a "reformed" Saudi nation, the reform project ultimately remains incomplete, drawing new hierarchies and lines of exclusion among women.

Since the Second World War, international laws governing the conduct of war and the behaviour of soldiers on the field of battle have been of strong academic and legal interest. Yet while they have seen their strongest articulation and enforcement in the contemporary era, rules governing such conduct are deeply rooted in human history.

Beginning with the origins of organized warfare in the ancient world, A Socio-Legal History of the Laws of War: Constraining Carnage traces key structural and cultural changes through multiple historical contexts, highlighting various approaches to the nature and purpose of war, as well as the roles of both bystanders and participants. Where other scholarship has focused on the legality of war itself, Christopher W. Mullins concentrates on rules surrounding the behaviour of soldiers and commanders in the field while also demonstrating how these issues have transformed over time.

Rooted in critical historical documents from the Tudors to the American Revolution, this rich history, the first of two volumes, provides a cogent understanding of how the current historical moment has developed, as well as of the potential paths that lie ahead.

International laws governing the conduct of war and the behaviour of soldiers on the field of battle is a topic of strong academic and legal interest. Moving beyond contemporary work on the laws of war that is legalistic in nature, A Socio-Legal History of the Laws of War demonstrates how the content and application of these laws are driven as much by cultural worldview and normative practice, as by legal principle.

Tying the story of the development of the laws of war to key structural and cultural changes occurring within the societies that develop and adopt such behavioural proscriptions, this history, the second of two volumes, examines the emergence of international law and legal orders whereby warfare and its conduct begin moving out of the realm of cultural norms and into a quasi-legal space, where specific principles of international law in general, and laws of war in particular, become more precisely articulated, formalized, and codified.

Examining the evolution and multiplication of laws constraining how warfare is waged from the founding of the United Nations and the formalized creation of the Geneva Conventions to the contemporary era, the utilization of ad hoc tribunals in the post-war period, and the establishment of the International Criminal Court in the early 21st century, Mullins provides a cogent understanding of how this historical moment developed and what paths potential lie ahead.

With the advent of colonialism and the monetarized market economy, the gift economy, once a widely embedded cultural and economic practice, has become a niche of modern diplomacy, often serving as the means for corruption rather than human connection.

In presenting an overview of the history and development of the gift economy, Vjeran Katunarić defines this exchange as a form of communication, similar to language, rather than an exchange that is merely material. By examining different theoretical approaches, including neoclassical, radical feminist, and conservative Christian views, the chapters explore how nonlinear forms of development may contribute to correcting the failures of competitive markets. Katunarić advocates for the gift economy as a means for introducing balance between planning and the market, as well as between the public and private sectors of the economy. In this way, a sense of restoring, and restorative, peace may be spread around the globe, along with a more equitable distribution of financial resources.

On the whole, A Sociological Examination of the Gift Economy presents gift-giving as an intuitive path toward a viable economy, society, and culture here on Earth, and even toward an amiable engagement with our cosmic surroundings in the future.

Hierarchy within the educational setting is a topic underrepresented in the existing literature, yet an area rich with unique social characteristics and particular challenges. A Sociological Perspective on Hierarchies in Educational Institutions traces hierarchical origins, differentiating between their types and discussing related terms such as positioning, social stratification, and central root vs. rhizomatic structure to offer a comprehensive complex exploration.

By presenting the circumstances under which hierarchies flourish or diminish, Einav Argaman provides illustrative examples for the ways in which inter- and intra-institutional hierarchies are constructed and displayed, and points to existing and future directions that hierarchies in educational institutions may take. Offering a step-by-step guide to identifying and changing hierarchical relationships in schools, colleges and universities, A Sociological Perspective on Hierarchies in Educational Institutions bridges the gap between theory and practice. Drawing together research from different perspectives without losing comprehensiveness, accuracy, and in-depth coverage of hierarchy and educational institutions, this work is a novel contribution to Organizational Studies.

The interdisciplinary scope of Argaman’s study spans across multiple academic fields, including education, sociology, organization studies, management, curriculum studies, linguistics, and architecture. It is an accessibly written resource for researchers, academics, and teaching.

Guiding the emergence of a new green economy, based on a green industrial system and on green growth for its propagation, is the core challenge of our time. Efforts so far to switch to renewables in power generation have succeeded in partially transforming energy systems. Efforts to capture the process through imposition of carbon taxes or emissions trading schemes have fallen far short: these are policies based on simplistic comparative static economic frameworks involving changing prices but never engaging with the dynamic industrial drivers of change. A systemic perspective, focusing on the supersession of one technoeconomic system, based on fossil fuels, by another system, based on hydrogen, renewables and circular flows, is called for. The argument is developed that a new politics of energy is evolving from one based on fossil fuels to one where our industrial civilization is maturing and sees the manufacture of energy and energy devices as central to its continued survival.
In this book I construct an image of the green industrial revolution drawn from perspectives that are under-appreciated in conventional economics. Economic progress is viewed in terms of capture of increasing returns generated by manufacturing, with learning curves reducing costs as the market expands, in successive waves of circular and cumulative causation. Secondly, technoeconomic change is viewed as creative destruction, whereby competitive dynamics drive economic progress. And third, the economy is viewed as clusters of value chains replacing each other in a chain reaction of interactions propagating new chains and their interlinkages and eliminating incumbent chains. These perspectives, drawn from heterodox economics framed in disequilibrium, supplemented by a view of the emergence and diffusion of green hydrogen as a novel (sixth) technoeconomic paradigm surge, enable us to make sense of the dynamic green transformation emerging out of the matrix of the black fossil fuel system, where it is the future of our industrial civilization that is at stake.

Guiding the emergence of a new green economy, based on a green industrial system and on green growth for its propagation, is the core challenge of our time. Efforts so far to switch to renewables in power generation have succeeded in partially transforming energy systems. Efforts to capture the process through imposition of carbon taxes or emissions trading schemes have fallen far short: these are policies based on simplistic comparative static economic frameworks involving changing prices but never engaging with the dynamic industrial drivers of change. A systemic perspective, focusing on the supersession of one technoeconomic system, based on fossil fuels, by another system, based on hydrogen, renewables and circular flows, is called for. The argument is developed that a new politics of energy is evolving from one based on fossil fuels to one where our industrial civilization is maturing and sees the manufacture of energy and energy devices as central to its continued survival.
In this book I construct an image of the green industrial revolution drawn from perspectives that are under-appreciated in conventional economics. Economic progress is viewed in terms of capture of increasing returns generated by manufacturing, with learning curves reducing costs as the market expands, in successive waves of circular and cumulative causation. Secondly, technoeconomic change is viewed as creative destruction, whereby competitive dynamics drive economic progress. And third, the economy is viewed as clusters of value chains replacing each other in a chain reaction of interactions propagating new chains and their interlinkages and eliminating incumbent chains. These perspectives, drawn from heterodox economics framed in disequilibrium, supplemented by a view of the emergence and diffusion of green hydrogen as a novel (sixth) technoeconomic paradigm surge, enable us to make sense of the dynamic green transformation emerging out of the matrix of the black fossil fuel system, where it is the future of our industrial civilization that is at stake.

Deseada, buscada, provocada, inadvertida, la soledad puede adoptar muchas formas, pero en la mayoría de casos es una situación que nos da miedo, nos genera rechazo y tratamos de evitar a toda costa. En el mundo actual y especialmente a partir de una cierta edad, parece que la soledad se entiende como un fracaso: estar soltero, divorciado o separado es algo que debe superarse a toda costa. Sin embargo, saber estar solo es en realidad un signo de madurez, de autonomía, de riqueza personal.     

A solas es una oda a la vulnerabilidad, al atrevimiento, a no dejarse vencer. Silvia Congost, una de las psicólogas más conocidas de nuestro país, rompe en este libro, lleno de reflexiones y consejos, con las ideas preconcebidas sobre no tener pareja y nos invita a perderle miedo al monstruo de la soledad desde su propia experiencia. A quedarnos en silencio escuchando nuestro cuerpo, conectando con los latidos de nuestro corazón, con el ruido de nuestra respiración u observando la forma y el contenido de nuestros pensamientos. A atravesar los tortuosos caminos de la soledad hasta llegar a la propia liberación, esa que solo se consigue cuando vamos de frente, sin dejar de avanzar.      

Aprender a estar a solas puede ser la mayor aventura de tu vida y un viaje fascinante hacia tu interior que te conectará con el mundo y contigo mism@.

Desired, sought, provoked, unnoticed, loneliness can take many forms, but in most cases it is a situation that scares us, generates rejection and we try to avoid at all costs. In today's world and especially after a certain age, it seems that loneliness is understood as a failure: being single, divorced or separated is something that must be overcome at all costs. However, knowing how to be alone is actually a sign of maturity, autonomy, personal wealth.     

Alone is an ode to vulnerability, to daring, to not letting oneself be defeated. Silvia Congost, one of the best-known psychologists in our country, breaks in this book, full of reflections and advice, with preconceived ideas about not having a partner and invites us to lose fear of the monster of loneliness from her own experience. To remain silent listening to our body, connecting with our heartbeat, with the noise of our breath or observing the form and content of our thoughts. To cross the tortuous paths of solitude until you reach your own liberation, the one that is only achieved when you go straight ahead, without stopping advancing.      

Learning to be alone can be the greatest adventure of your life and a fascinating journey into your interior that will connect you with the world and with you.

In this evocative memoir, traversing more than three decades, the author recounts a life moulded through his experiences as a refugee, and then cab driver, and finally, the domain of academia as a professor in Norway. Much ink has been spilled, and careers - both academic and political - piggybacked, on writing about refugees, non-western minorities, integration, and the purported threat they face to western culture. Seldom are refugees given a voice to articulate their own perspectives. This memoir is the voice of the subaltern inspired by the postcolonial genre of the empire writing back. Personal reflections are intertwined with critical analysis in offering a distinctive outlook on the challenges and successes confronting people of colour.

On a deeper level, the memoir is crafted as a “no holds barred” navigational tool for minoritized youth caught in the crossfire of political and social skullduggery. “A Somali-Norwegian Saga: My Journey from Refugee to Cab Driver to Professor”, weaves sociological theories into the narrative and serves as a call to broaden and accommodate new and emerging hybrid identities in what has been called the "browning" of the western demographic, openly addresses the conflicts posed by certain minority cultural practices misaligned with universal democratic ideals, and ultimately suggests that success is within reach despite the enormous hurdles. It is a tribute to the fortitude and resilience of countless, nameless refugees who took on the challenges of being outsiders and enriched the diverse fabric of Norwegian society.

"Wharton has done nothing that equals this."―New York Times Book Review (1923)

“Extraordinarily poignant…Heartrending, tragic, powerful, this is not to be missed.”-Publishers Weekly

Edith Wharton’s A Son at the Front (1923) is a stirring rumination of family, art, and the shortcomings of possession. The story, which is set on the eve of the First World War reflects the author’s own experience living in France when the “Great War” broke out. The delineation of Wartime Paris is one of great power and evocation, yet it is the immensely personal father-son relationship that is at the heart of this tragic novel.

The novel begins in 1914, where John Compton is an American Artist living in Paris; he is successful in his art, yet ill-fated in personal relationships. His only son, George, who was born in France, is living in the United States with John’s ex-wife, Julia. Having recently reconnected with his son, and intent on rebuilding a meaningful relationship, George returns to Paris only to be enlisted into the war. Julia and her second husband, the affluent Anderson Brant, try to pull all their strings to ensure that George is appointed to the safety of a post in a staff office; yet in an act of rebellion, the young man enlists himself for the front lines. Wharton, instead of following the events on the warfront with this novel, leaves her readers in Paris as the devastating effects of those left waiting in wartime unfold. For those only familiar with Wharton’s best-known books, this is a surprising and moving War novel like no other.

With an eye-catching new cover, and professionally typeset manuscript, this edition of A Son at the Front is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

"Wharton has done nothing that equals this."―New York Times Book Review (1923)

“Extraordinarily poignant…Heartrending, tragic, powerful, this is not to be missed.”-Publishers Weekly

Edith Wharton’s A Son at the Front (1923) is a stirring rumination of family, art, and the shortcomings of possession. The story, which is set on the eve of the First World War reflects the author’s own experience living in France when the “Great War” broke out. The delineation of Wartime Paris is one of great power and evocation, yet it is the immensely personal father-son relationship that is at the heart of this tragic novel.

The novel begins in 1914, where John Compton is an American Artist living in Paris; he is successful in his art, yet ill-fated in personal relationships. His only son, George, who was born in France, is living in the United States with John’s ex-wife, Julia. Having recently reconnected with his son, and intent on rebuilding a meaningful relationship, George returns to Paris only to be enlisted into the war. Julia and her second husband, the affluent Anderson Brant, try to pull all their strings to ensure that George is appointed to the safety of a post in a staff office; yet in an act of rebellion, the young man enlists himself for the front lines. Wharton, instead of following the events on the warfront with this novel, leaves her readers in Paris as the devastating effects of those left waiting in wartime unfold. For those only familiar with Wharton’s best-known books, this is a surprising and moving War novel like no other.

With an eye-catching new cover, and professionally typeset manuscript, this edition of A Son at the Front is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

"Wharton has done nothing that equals this."―New York Times Book Review (1923)

“Extraordinarily poignant…Heartrending, tragic, powerful, this is not to be missed.”-Publishers Weekly

Edith Wharton’s A Son at the Front (1923) is a stirring rumination of family, art, and the shortcomings of possession. The story, which is set on the eve of the First World War reflects the author’s own experience living in France when the “Great War” broke out. The delineation of Wartime Paris is one of great power and evocation, yet it is the immensely personal father-son relationship that is at the heart of this tragic novel.

The novel begins in 1914, where John Compton is an American Artist living in Paris; he is successful in his art, yet ill-fated in personal relationships. His only son, George, who was born in France, is living in the United States with John’s ex-wife, Julia. Having recently reconnected with his son, and intent on rebuilding a meaningful relationship, George returns to Paris only to be enlisted into the war. Julia and her second husband, the affluent Anderson Brant, try to pull all their strings to ensure that George is appointed to the safety of a post in a staff office; yet in an act of rebellion, the young man enlists himself for the front lines. Wharton, instead of following the events on the warfront with this novel, leaves her readers in Paris as the devastating effects of those left waiting in wartime unfold. For those only familiar with Wharton’s best-known books, this is a surprising and moving War novel like no other.

With an eye-catching new cover, and professionally typeset manuscript, this edition of A Son at the Front is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

"Wharton has done nothing that equals this."―New York Times Book Review (1923)

“Extraordinarily poignant…Heartrending, tragic, powerful, this is not to be missed.”-Publishers Weekly

Edith Wharton’s A Son at the Front (1923) is a stirring rumination of family, art, and the shortcomings of possession. The story, which is set on the eve of the First World War reflects the author’s own experience living in France when the “Great War” broke out. The delineation of Wartime Paris is one of great power and evocation, yet it is the immensely personal father-son relationship that is at the heart of this tragic novel.

The novel begins in 1914, where John Compton is an American Artist living in Paris; he is successful in his art, yet ill-fated in personal relationships. His only son, George, who was born in France, is living in the United States with John’s ex-wife, Julia. Having recently reconnected with his son, and intent on rebuilding a meaningful relationship, George returns to Paris only to be enlisted into the war. Julia and her second husband, the affluent Anderson Brant, try to pull all their strings to ensure that George is appointed to the safety of a post in a staff office; yet in an act of rebellion, the young man enlists himself for the front lines. Wharton, instead of following the events on the warfront with this novel, leaves her readers in Paris as the devastating effects of those left waiting in wartime unfold. For those only familiar with Wharton’s best-known books, this is a surprising and moving War novel like no other.

With an eye-catching new cover, and professionally typeset manuscript, this edition of A Son at the Front is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

A Son of the Forest (1829) is an autobiography by William Apes. An indentured servant, soldier, minister, and activist, Apes lived an uncommonly rich life for someone who died at just 41 years of age. Recognized for his pioneering status as a Native American public figure, William Apes was an astute recorder of a life in between. His autobiography explores the psychological effects of oppression, addiction, and cultural change from the viewpoint of a man who experienced them all. “[T]he great fear I entertained of my brethren, was occasioned by the many stories I had heard of their cruelty towards the whites—how they were in the habit of killing and scalping men, women and children. But the whites did not tell me that they were in a great majority of instances the aggressors—that they had imbrued their hands in the life blood of my brethren, driven them from their once peaceful and happy homes…” While out on a berry picking expedition as a boy, William—by then living as an indentured servant with a local white family—spots a group of Native women. From the reaction of his foster family, he realizes for the first time in his life the inherent racial biases he has absorbed despite recognizing his own Pequot heritage. A Son of the Forest is a groundbreaking autobiography from a pioneering author and activist of the early nineteenth century. This edition of William Apes’ A Son of the Forest is a classic of Native American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

A Son of the Forest (1829) is an autobiography by William Apes. An indentured servant, soldier, minister, and activist, Apes lived an uncommonly rich life for someone who died at just 41 years of age. Recognized for his pioneering status as a Native American public figure, William Apes was an astute recorder of a life in between. His autobiography explores the psychological effects of oppression, addiction, and cultural change from the viewpoint of a man who experienced them all. “[T]he great fear I entertained of my brethren, was occasioned by the many stories I had heard of their cruelty towards the whites—how they were in the habit of killing and scalping men, women and children. But the whites did not tell me that they were in a great majority of instances the aggressors—that they had imbrued their hands in the life blood of my brethren, driven them from their once peaceful and happy homes…” While out on a berry picking expedition as a boy, William—by then living as an indentured servant with a local white family—spots a group of Native women. From the reaction of his foster family, he realizes for the first time in his life the inherent racial biases he has absorbed despite recognizing his own Pequot heritage. A Son of the Forest is a groundbreaking autobiography from a pioneering author and activist of the early nineteenth century. This edition of William Apes’ A Son of the Forest is a classic of Native American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

A Son of the Forest (1829) is an autobiography by William Apes. An indentured servant, soldier, minister, and activist, Apes lived an uncommonly rich life for someone who died at just 41 years of age. Recognized for his pioneering status as a Native American public figure, William Apes was an astute recorder of a life in between. His autobiography explores the psychological effects of oppression, addiction, and cultural change from the viewpoint of a man who experienced them all. “[T]he great fear I entertained of my brethren, was occasioned by the many stories I had heard of their cruelty towards the whites—how they were in the habit of killing and scalping men, women and children. But the whites did not tell me that they were in a great majority of instances the aggressors—that they had imbrued their hands in the life blood of my brethren, driven them from their once peaceful and happy homes…” While out on a berry picking expedition as a boy, William—by then living as an indentured servant with a local white family—spots a group of Native women. From the reaction of his foster family, he realizes for the first time in his life the inherent racial biases he has absorbed despite recognizing his own Pequot heritage. A Son of the Forest is a groundbreaking autobiography from a pioneering author and activist of the early nineteenth century. This edition of William Apes’ A Son of the Forest is a classic of Native American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Published in celebration of the famous Yellow River Cantata’s 80th anniversary, this is the riveting history of how a young Chinese author and passionate militant fought using art to create a socially just China during the period of the struggle against the Japanese and during World War II.

This is the fascinating story of how a young Chinese author, Guang Weiran, a passionate militant from the age of twelve, fought, using art, theater, poetry and song, especially the famous Yellow River Cantata — the anthem of Chinese national spirit — to create a socially just China. Set during the period of the struggle against the Japanese and the war against the Kuomintang in the 1920s and ’30s, this book, written and illustrated by Guang Weiran’s award-winning artist son, Ange Zhang, illuminates a key period in China’s history. The passion and commitment of the artists who were born under the repressive weight of the Japanese occupation, the remnants of the decaying imperial order and the times of colonial humiliation are inspiring.

Zhang’s words and wood-block style of art tell us the story of his father’s extraordinary youth and very early rise to prominence due to his great talent with words. We see and hear the intensity of what it meant to be alive at such a significant moment in the history of China, a country that understands itself as the heir to one of the greatest civilizations the world has ever known. The humiliations and social injustice the Chinese people had endured in the colonial period were no longer bearable. And yet there were major factional differences between those who wanted to create a modern China. Ange’s words and art paint the picture for us through his father’s story, accompanied by sidebars that explain the historical context.

The book ends in a burst of glorious color and song, with the words of Yellow River Cantata in Mandarin, as well as newly translated into English. This great song turns eighty years old in 2019, and will be sung and performed by huge orchestras and choirs around the world, as the Chinese diaspora has embraced the cantata as its own.

Key Text Features
historical context
sidebars
illustrations
lyrics

Correlates to the Common Core State Standards in English Language Arts:

CCSS.ELA-LITERACY.RI.6.2
Determine a central idea of a text and how it is conveyed through particular details; provide a summary of the text distinct from personal opinions or judgments.

CCSS.ELA-LITERACY.RI.6.6
Determine an author's point of view or purpose in a text and explain how it is conveyed in the text.

CCSS.ELA-LITERACY.RI.6.7
Integrate information presented in different media or formats (e.g., visually, quantitatively) as well as in words to develop a coherent understanding of a topic or issue.

Ella Grey and her friends are ordinary kids from ordinary families in an ordinary world. They fall in and out of love, play music, stare at the stars, yearn for excitement, and have parties on the beautiful beaches of Northumberland. One day a stranger – a musician called Orpheus – appears on the beach, entrancing them all, but particularly Ella. Where have they come from and what path will Ella follow?

A Song for Ella Grey is a version of the myth of Orpheus that sings of the madness of youth, the ache of love, and the near-impossibility of grasping death. Zoe Cooper's stage adaptation of David Almond's award-winning novel was first produced in 2024 by Pilot Theatre, in association with Northern Stage and York Theatre Royal.

This edition includes the full text of the play along with a range of teaching materials and resources designed to help educators bring the play to life for their students.

In this, his fourth work of fiction, Béchard takes readers from nineteenth-century Prince Edward Island to modern-day Iraq, tracing the story of a North American family that is at once singular and emblematic, and exploring the cultural repercussions of war and violence.

Reinventing themselves in often unexpected ways, the characters in this tapestry defy simplification. A pair of half-brothers come together and drift apart, one passive and risk-averse, the other driven by a passionate desire to understand their reclusive father. A student of Mesopotamian archaeology encounters a young Iraqi man and soon finds himself in Kurdistan, researching stolen artifacts along with mysteries in his father’s past. An Irish-Acadian soldier carries his fiddle and folk song across the battlefields of the First World War. An orphan-turned-assassin pursues his target across the deserts of Mexico and Texas, using a novel as evidence for his location. Growing together and then apart, these and others chase their dreams and run from their nightmares, hungry for life and longing for purpose.

Animated throughout by a striking beauty and ferocity, A Song from Faraway pieces together “stories we tell about ourselves,” illuminating the human condition and our times.

In 1492 the Spanish humanist Antonio de Nebrija proclaimed that "language has always been the companion of empire." Taking as his touchstone a wonderfully suggestive sonnet that Garcilaso de la Vega wrote in 1535 from the neighborhood of ruined Carthage in North Africa, Richard Helgerson examines how the companionship of language and empire played itself out more generally in the "new poetry" of sixteenth-century Europe. Along with his friend Juan Boscán, Garcilaso was one of the great pioneers of that poetry, radically reforming Spanish verse in imitation of modern Italian and ancient Roman models. As the century progressed, similar projects were undertaken in France by Ronsard and du Bellay, in Portugal by Camões, and in England by Sidney and Spenser. And wherever the new poetry emerged, it was prompted by a sense that imperial ambition—the quest to be in the present what Rome had been in the past—required a vernacular poetry comparable to the poetry of Rome.

But, as Helgerson shows, the new poetry had other commitments than to empire. Though imperial ambition looms large in Garcilaso's sonnet and others, by the end of the poem Garcilaso identifies not with Rome but with the Carthaginian queen Dido, one of empire's legendary victims. And with this startling shift, which has its counterpart in poems from all over Europe, comes one of the most important departures the poem makes from its apparent imperial agenda.

Addressing these rival concerns as they arise in a single sonnet, Richard Helgerson provides a masterful and multifaceted image of one of the most vital episodes in European literary history.

The two main aims of this book are to increase the general availability of classical contributions to animal biology and to present the development of thought in this field in the words of those who produced it.

The first of these aims is realized by assembling in one volume works previously scattered and, in some cases, rather rare.

The second object, that of tracing the principal patterns of development in the field, is made possible through the selection of appropriate materials and the inclusion of brief critical comments indicating the historical position of each work and its author.

The growing interdependence of the sciences was one of the outstanding characteristics of the first half of the twentieth century. "Inevitably," Dr. Leicester points out, "this expanded vision led to closer contacts among chemists of every speciality, and also with scientists in other fields. Physics and physical chemistry were applied to organic compounds, and new substances that could not have been foreseen by the older theories were prepared. Reaction mechanisms were generalized. New borderline sciences sprang up. Chemical physics and biochemistry became sciences in their own right. Chemistry thus became a link between physics and biology."

A continuation of A Source Book in Chemistry, 1400-1900 (HUP, 1952), this volume contains selections from ninety classic papers in all branches of chemistry -- papers upon which contemporary research and practices are based.

The topics include such chemical techniques as microanalysis, polarography, hydrogen ion concentration, chromatography, electrophoresis, and the use of the ultramicroscope, the ultracentrifuge, and radioactive tracers; modern structural theories, with emphasis on crystal structure, radioactive decay, isotopes, molecular structure, the applications of quantum mechanics to chemistry, thermodynamics, electrolytes, and kinetics; the more recent studies on artificial radioactivity and the transuranium elements; organic chemistry, with reference to general synthetic methods, polymers, the structure of proteins, nucleic acids, alkaloids, steroids, and carotenoids; and biochemistry, including the concept of hormones and vitamins, separation of enzymes and viruses, metabolism of fats, proteins and carbohydrates, and energy production.

The Source Book serves as an introduction to present-day chemistry and can also be used as supplementary reading in general chemistry courses, since, in many instances, the papers explain the circumstances under which a particular discovery was made--information that is customarily lacking in textbooks. Although the selections are classified into the usual branches of the science, it will be apparent to the reader how the discoveries in any one branch were taken up and incorporated into others.

A South Divided is an account of Southern dissidents in the Civil War, at times labeled as traitors, Tories, deserters, or mossbacks during the war and loyalists, Lincoln loyalists, and Unionists by historians of the war.

In recent years there has been an upsurge of interest in Southern dissenters among specific groups or communities. But A South Divided presents a panoramic overview of Southern dissent. What emerges is a complex pattern of dissent involving every state of the Confederacy and every year of the war. All of these people and groups had their part to play in the epic drama that sapped the strength of the Confederacy from within. They were rebels against the rebellion.

Winner, 2024 Robert E. Park Book Award, Section on Community and Urban Sociology, American Sociological Association

Environmental organizing in Beijing emerged in an unlikely place in the 2000s: new gated residential communities. After rapid population growth and housing construction led to a ballooning trash problem and overflowing landfills, many first-time homeowners found their new neighborhoods facing an unappetizing prospect—waste incinerator projects slated for their backyards.

Delving into the online and offline conversations of communities affected by the proposed incinerators, A Spark in the Smokestacks demonstrates how a rising middle class acquires the capacity for organizing in an authoritarian context. Jean Yen-chun Lin examines how urban residents create civic life through everyday associational activities—learning to defend property rights, fostering participation, and mobilizing to address housing-related grievances. She shows that homeowners cultivated petitioning skills, informational networks, and community leadership, which they would later deploy against incinerator projects. To interact with government agencies, they developed citizen science–based tactics, a middle-class alternative to disruptive protests. Homeowners drew on their professional connections, expertise, and fundraising capabilities to produce reports that boosted their legitimacy in city-level dialogue. Although only one of the three incinerator projects Lin follows was ultimately canceled, some communities established durable organizations that went on to tackle other environmental problems.

Drawing on interviews, participant observation, and ethnography, A Spark in the Smokestacks casts urban Chinese communities as “schools of democracy,” in which residents learn civic skills and build capacity for collective organizing. Through compelling case studies of local activism, this book sheds new light on the formation of civil society and social movements more broadly.

Winner, 2024 Robert E. Park Book Award, Section on Community and Urban Sociology, American Sociological Association

Environmental organizing in Beijing emerged in an unlikely place in the 2000s: new gated residential communities. After rapid population growth and housing construction led to a ballooning trash problem and overflowing landfills, many first-time homeowners found their new neighborhoods facing an unappetizing prospect—waste incinerator projects slated for their backyards.

Delving into the online and offline conversations of communities affected by the proposed incinerators, A Spark in the Smokestacks demonstrates how a rising middle class acquires the capacity for organizing in an authoritarian context. Jean Yen-chun Lin examines how urban residents create civic life through everyday associational activities—learning to defend property rights, fostering participation, and mobilizing to address housing-related grievances. She shows that homeowners cultivated petitioning skills, informational networks, and community leadership, which they would later deploy against incinerator projects. To interact with government agencies, they developed citizen science–based tactics, a middle-class alternative to disruptive protests. Homeowners drew on their professional connections, expertise, and fundraising capabilities to produce reports that boosted their legitimacy in city-level dialogue. Although only one of the three incinerator projects Lin follows was ultimately canceled, some communities established durable organizations that went on to tackle other environmental problems.

Drawing on interviews, participant observation, and ethnography, A Spark in the Smokestacks casts urban Chinese communities as “schools of democracy,” in which residents learn civic skills and build capacity for collective organizing. Through compelling case studies of local activism, this book sheds new light on the formation of civil society and social movements more broadly.

Weaves Jewish sacred texts, mysticism, human rights, and a modern voice of radical love, taking readers on a path of healing from brokenness to wholeness. 

This poetry addresses the interconnection of individual, communal, and global trauma, towards collective liberation. In Hebrew, the words for wilderness, speaker, and speaks are spelled the same and share the same root letters. Goodman Herrick’s title, from a poem in the collection, references the Torah’s BaMidbar (in the wilderness or desert) and her ancestor’s ritual practice of elevating etymology, roots, and folk word associations as spiritual meditation. The author returns to her roots and original wholeness through reconnecting language: “Wilderness speaks/ A speaker is a wilderness.”

Goodman Herrick survived sexual assault in her teens by a classmate, and left home at 14. The grandchild of an Auschwitz survivor, she’s been a New York City club kid, MTV writer-producer, a peacemaker around the world, nun at a Vedanta convent, and student of Chassidic rabbis. This expansiveness lives in her poems. The book invites readers to reconsider prayer and blessing as an ongoing, fluid, language, holding space for the reverent and irreverent as prophetic. 

Weaves Jewish sacred texts, mysticism, human rights, and a modern voice of radical love, taking readers on a path of healing from brokenness to wholeness. 

This poetry addresses the interconnection of individual, communal, and global trauma, towards collective liberation. In Hebrew, the words for wilderness, speaker, and speaks are spelled the same and share the same root letters. Goodman Herrick’s title, from a poem in the collection, references the Torah’s BaMidbar (in the wilderness or desert) and her ancestor’s ritual practice of elevating etymology, roots, and folk word associations as spiritual meditation. The author returns to her roots and original wholeness through reconnecting language: “Wilderness speaks/ A speaker is a wilderness.”

Goodman Herrick survived sexual assault in her teens by a classmate, and left home at 14. The grandchild of an Auschwitz survivor, she’s been a New York City club kid, MTV writer-producer, a peacemaker around the world, nun at a Vedanta convent, and student of Chassidic rabbis. This expansiveness lives in her poems. The book invites readers to reconsider prayer and blessing as an ongoing, fluid, language, holding space for the reverent and irreverent as prophetic. 

This book addresses the special relationship from the perspective of post-Second World War British governments. It asks how they have perceived the special relationship and performed a foreign policy role within it? This enables the book to argue that Britain’s foreign policy challenges the dominant idea that its power has been waning and that it sees itself as the junior partner to the hegemonic US.

The book also shows how at moments of international crisis successive British governments have attempted to re-play the same foreign policy role within the special relationship. By setting contemporary foreign policy into its historical context, it provides fresh insights into why Tony Blair’s government felt it must participate in the Iraq War and questions anew why this decision was flawed. The book concludes that these failings are likely to be re-played and demonstrates why the special relationship’s role in British foreign policy must be urgently re-thought.

1 mouse wants everyone to have a special treat.
2 mice go to the market to buy some seed.
3 mice are digging lots of tiny holes.
What are they up to?

Lizzie Mitchell comes of age during a time when elders still recall the fight for independence in rural Pennsylvania…

Lizzie balks that her station in life will never change. She doesn’t want the isolation of the farm or the exhausting routine of providing for a husband and children, subservient to all.

Lizzie has a dream…

Lizzie finds her own independence as a teacher, though it requires that she remain unmarried. She turns down Tom’s proposal for marriage twice, despite falling in love with him.

But Tom can’t wait forever…

Rich in early 19th century American history, A Specter of Truth reminds us of the challenges, difficulties, and sorrows of the men and women who built this great nation. Join Lizzie as she learns the importance of friendship, courage, and strength while following her dreams at the French Creek Boarding School for Girls in 1818.

China Miéville's riveting engagement with the Communist Manifesto offers a lyrical introduction and a spirited defense of the modern world's most influential political document.

Few written works can so confidently claim to have shaped the course of history as Karl Marx and Friedrich Engels's Manifesto of the Communist Party. Since first rattling the gates of the ruling order in 1848, this incendiary pamphlet has never ceased providing fuel for the fire in the hearts of those who dream of a better world. Nor has it stopped haunting the nightmares of those who sit atop the vastly unequal social system it condemns.

In this strikingly imaginative introduction, China Miéville provides readers with a guide to understanding the Manifesto and the many specters it has conjured. Through his unique and unorthodox reading, Miéville offers a spirited defense of the enduring relevance of Marx and Engels’ ideas.

Presented along with the full text of the Communist Manifesto, Miéville's guide has something to offer first-time readers, revolutionary partisans, and even the most hard-nosed skeptics.

China Miéville's strikingly imaginative new introduction to the Communist Manifesto offers both a critical appraisal and a spirited defense of the modern world's most influential political document.

Few written works can so confidently claim to have shaped the course of history as Karl Marx and Friedrich Engels's Manifesto of the Communist Party. Since first rattling the gates of the ruling order in 1848, this incendiary pamphlet has never ceased providing fuel for the fire in the hearts of those who dream of a better world. Nor has it stopped haunting the nightmares of those who sit atop the vastly unequal social system it condemns.

Miéville provides readers with a guide to understanding the Manifesto and the many specters it has conjured. Through his unique and unorthodox reading, Miéville offers a spirited defense of the enduring relevance of Marx and Engels’ ideas.

Presented along with the full text of the Communist Manifesto, Miéville's guide has something to offer first-time readers, revolutionary partisans, and even the most hard-nosed skeptics.

In this charming MM romantic fantasy, cursed witch Briar Wyngrave has a date with destiny—but isn’t totally sure which man that date is with.

Witch Briar Wyngrave’s time is limited. The wasting curse that killed his mother is coming for him too, consuming his magic bit by bit. At least he’ll have the chance to make his name as a magical fashion designer with an elite placement in Pentawynn, the country’s glittering capital, after graduation. Until, that is, a prophecy sends him to the remote island of Coill Darragh instead, in search of a predestined lover with a mysterious mask.

When Briar arrives with his grumpy magpie familiar, Vatii, he finds an unwelcoming town, a murdered poltergeist named Gretchen in his apartment, and a handsome alderman named Rowan with a haunting scar. He also gets pulled into the mysterious magic of the darkly enchanted forest that surrounds the town and seems to have something to do with his curse . . . As if all that weren’t enough, famous witch Linden Fairchild has come to town, complete with a charismatic smile, an unreadable aura, and a surefire plan to cure curses.

How’s a cursed witch to know which enchanting man is his destiny? And can Briar possibly make an impact as a magical fashion designer in this tiny town? One thing is certain: a witch’s magic requires a tithe—a berry, a feather, a cut into flesh—and Coill Darragh may take tithes Briar isn’t ready to give . . .

“Reeves’s remarkably assured debut delivers a queer, witchy romp with deep feelings.” —Publishers Weekly

“As comfy and satisfying as ‘the taste of hot stew on a rainy night.’” —Kirkus Reviews

A single bite was all it took to turn a lavish celebration into a deadly mystery.

Step into the enchanting yet treacherous world of 1920s England with A Spiffing Murder, where celebrated amateur sleuth, the Dowager Duchess of Drakeford, and her sharp-eyed ward, Rex, are thrust into a web of intrigue and danger at the opulent Hilltop estate.

When Sir Herbert Cummings's chief accountant, Farrier, collapses after a single bite of cake during a high-society gathering, what seemed like a tragic accident quickly hints at something more sinister. Joined by Scotland Yard’s finest, Detective Inspector Arthur Whipple, the Dowager and Rex uncover secrets lurking beneath the estate’s polished surface. As alliances fracture, the trio navigates class rivalries, personal vendettas, and buried motives among a colorful cast of suspects, each hiding dark secrets of their own.

With the guests confined and a killer on the loose, can they catch the culprit before another victim falls?

Join the Dowager, Rex, and Whipple on a delightfully puzzling journey, where the only thing sharper than the cake knives are the secrets hidden behind every door. Perfect for fans of murder mysteries with a touch of British charm and 1920s humor!

_________________________________

Praise for Rex and Dowager:

★ ★ ★ ★ ★ I absolutely love this book; it's well written, clever, and funny. I hope Keith Finney writes many more stories about Rex and HG.

★ ★ ★ ★ ★ Can't wait for the next one!

★ ★ ★ ★ ★ …a page-turner from start to finish.

★ ★ ★ ★ ★ Once again, Keith has written a very entertaining tale centered around the aristocracy, but this time set in 1922.

★ ★ ★ ★ ★ Wow, Keith... words fail me.

We all want our relationships to be healthy—but who knows how to make that happen? Husband and wife authors Steve and Angie McCord, a couple with more than twenty years in recovery each, share with you the sound advice and spiritual exercises that have helped their own relationship grow and thrive. 

In A Spiritual Path to a Healthy Relationship you will learn effective tools and solutions for achieving the relationship you desire, including:

• Envisioning the qualities you want in a mate and identifying "must haves" and "deal breakers"
  
• Transitioning from self-reliance to partnership
• Overcoming relationship fears and getting past intimacy roadblocks
• Nurturing positive communication, gratitude, and spiritual connection
• Applying prayer and meditation for a more peaceful relationship

Steve McCord is a licensed marriage and family therapist who has provided counseling to individuals, couples, and families since 1991. Angie McCord is a certified life coach specializing in personal and professional relationships. They bring their avid quest for spiritual growth to their professional lives and have been actively involved in the recovery community for more than twenty and thirsty years, respectively. As leaders of couples retreats, they find great joy in mentoring others. Steve and Angie were married on March 30, 2003. 

A gentle, clear guide to finding hope and help in troubled days.

"When you begin to understand what brokenness means, you will be armed with information that empowers you to take the steps that can turn your leaden feelings into opportunities for health and happiness. When you can accept (and perhaps even celebrate) your brokenness, you can cease your endless search for 'healing' and get on with your life, scars and all."
—from Chapter 1

We each have broken areas of our lives. Whether from things that happen to us or as consequences of our own choices, there are times and situations where our very souls feel fractured.

With wisdom and profound personal experience, Terry Taylor guides you through a compassionate yet highly practical process of facing, accepting, and finally integrating your brokenness into your life—a process that can ultimately bring mending. He offers a clear-eyed, kindhearted method based on teachings and practices from many religious traditions, including:

• Ancient Christian practice of Lectio Divina to face our brokenness
• Tibetan practice of tonglen to generate compassion for ourselves
• Jewish tradition of Sabbath-keeping to give us the space we need to mend
• Muslim practice of hajj—pilgrimage—to bring the journey full circle

No matter your faith tradition, you will find lovingkindness and wise counsel in this useful, step-by-step guide to transforming these moments of supreme vulnerability into opportunities for reflection and spiritual growth.

A gentle, clear guide to finding hope and help in troubled days.

"When you begin to understand what brokenness means, you will be armed with information that empowers you to take the steps that can turn your leaden feelings into opportunities for health and happiness. When you can accept (and perhaps even celebrate) your brokenness, you can cease your endless search for 'healing' and get on with your life, scars and all."
—from Chapter 1

We each have broken areas of our lives. Whether from things that happen to us or as consequences of our own choices, there are times and situations where our very souls feel fractured.

With wisdom and profound personal experience, Terry Taylor guides you through a compassionate yet highly practical process of facing, accepting, and finally integrating your brokenness into your life—a process that can ultimately bring mending. He offers a clear-eyed, kindhearted method based on teachings and practices from many religious traditions, including:

• Ancient Christian practice of Lectio Divina to face our brokenness
• Tibetan practice of tonglen to generate compassion for ourselves
• Jewish tradition of Sabbath-keeping to give us the space we need to mend
• Muslim practice of hajj—pilgrimage—to bring the journey full circle

No matter your faith tradition, you will find lovingkindness and wise counsel in this useful, step-by-step guide to transforming these moments of supreme vulnerability into opportunities for reflection and spiritual growth.

Over the years, Canadians have smugly asserted their country's more tolerant culture in race relations. Yet as this story of African-Canadian participation in sports demonstrates, the record is far more troubling. In reality, Canada's record in matters of race was a disturbing blend of occasional good intentions and ugly practices. The study of the Black athletic experience in Canada is not only a revealing portrait into our past, but also one more demonstration of some time-honoured truths about human achievement and the necessity of the public will to provide open and fair forums for equal access to participation.

Presented in a chronological sequence, individual sports are presented along with the leading athletes who brought grace and a determination to achieve. Included are George Dixon, Sam Langford, Reuben Mayes, Ray Lewis, Sam Richardson, Dr. Phil Edwards, Jackie Robinson, Harry Jerome, Earl Walls, Donovan Bailey, Sylvia Sweeney, Molly Killingbeck, Herb Carnegie, Jamaal Magliore, Perdita Felicien and Jarome Iginla, to name but a few of the fine athletes who form a part of Canada's sports heritage.

"As Canada's foremost baseball historian, Bill Humber has chronicled another fascinating chapter from Canada's rich sports history. This is an excellent read – entertaining, educational and expertly researched."
– Brian McFarlane, Sports Family Ltd.

In A Spring Within Us, bestselling author Richard Rohr invites us to drink deeply of God's love through 365 daily devotionals.

'The water I give will be a spring within you - welling up into infinite life.' John 4.14

In these daily reflections, Richard Rohr invites us to rediscover the spring hidden inside each one of us. He reminds us of God's indwelling presence and that we are inherently beloved. Remembering who we truly are is a gradual, lifelong journey: Fr Richard offers insights to ease the process and lead us back to our Source.

Although each life moves at its own pace and in different ways, our growth does follow a common sequence - from innocence, through inevitable brokenness, to putting ourselves back together, and, ultimately, to ripening into union with self, God, the world and others.

This 365 day devotional is ideal for those looking for a daily spiritual reading to enrich their spiritual journey. It makes a beautiful gift ideal for birthdays, confirmations, ordinations and other events.

In a magical dystopia, one young man would sell his soul to save his siblings—and the Starbrite Corporation is buying—in this all-too-real urban fantasy.

Seventeen-year-old Truth Medici scavenges for scraps to eat; weathers his parents’ abuse; and battles derelicts, killer pimps, and demons in the soul-crushing stretch of desperation he calls home. Even the cops steer clear of the toxic Harban slums.

But just across the canal live the magical elite, with their wealth, flying carpets, gorgeous mages, and custom spell beasts, all thanks to the patronage of the almighty Starbrite Corporation. Getting there, and taking his three vulnerable siblings with him, is Truth’s only dream.

When Truth’s performance on the Starbrite Aptitude Test surpasses all expectations, it’s the start of a new life. Granted use of the System Astrologica, his access to spells, cultivation tonics, and knowledge—not to mention real food—is limitless. But in Harban, even dreams come with a price tag . . .

Turns out, something more than power has been implanted in Truth. Something beyond his control. As the motto goes, “A Starbrite Man Is Always Ready.” But for what? Truth is about to find out. Because he’s not just fighting to break free from the slums and save himself and his sibs anymore. Now he’s fighting the world itself.

The first volume of the hit cyberpunk fantasy series—with more than a million views on Royal Road—now available in paperback, ebook, and audiobook!

From the mid-1960s to the mid-1970s West German foreign policy underwent substantial transformations: from bilateral to multilateral, from reactive to proactive. The Conference on Security and Cooperation in Europe (CSCE) was an ideal setting for this evolution, enabling the Federal Republic to take the lead early on in Western preparations for the conference and to play a decisive role in the actual East–West negotiations leading to the Helsinki Final Act of 1975. Based on extensive original research of recently released documents, spanning more than fifteen archives in eight countries, this study is a substantial contribution to scholarly discussions on the history of détente, the CSCE and West German foreign policy. The author stresses the importance of looking beyond the bipolarity of the Cold War decades and emphasizes the interconnectedness of European integration and European détente. He highlights the need to place the genesis of the CSCE conference in its historical context rather than looking at it through the prism of the events of 1989, and shows that the bilateral and multilateral elements (Ostpolitik and the CSCE) were parallel rather than successive phenomena, parts of the same complex process and in constant interaction with each other.

From the mid-1960s to the mid-1970s West German foreign policy underwent substantial transformations: from bilateral to multilateral, from reactive to proactive. The Conference on Security and Cooperation in Europe (CSCE) was an ideal setting for this evolution, enabling the Federal Republic to take the lead early on in Western preparations for the conference and to play a decisive role in the actual East–West negotiations leading to the Helsinki Final Act of 1975. Based on extensive original research of recently released documents, spanning more than fifteen archives in eight countries, this study is a substantial contribution to scholarly discussions on the history of détente, the CSCE and West German foreign policy. The author stresses the importance of looking beyond the bipolarity of the Cold War decades and emphasizes the interconnectedness of European integration and European détente. He highlights the need to place the genesis of the CSCE conference in its historical context rather than looking at it through the prism of the events of 1989, and shows that the bilateral and multilateral elements (Ostpolitik and the CSCE) were parallel rather than successive phenomena, parts of the same complex process and in constant interaction with each other.

Shortlisted for the CWA Gold Dagger Award and the European Union Prize for Literature 2019.

“His mistakes are my inheritance. The rotten blood he gave me is the blood I will pass on.”

For twenty years, Daniel Hardesty has lived with the emotional scars of a childhood trauma which he is powerless to undo. One August morning, Daniel and his estranged father Francis—a character of irresistible charm and roiling self-pity—set out on a road trip that seems a promise to salvage their relationship.

They have one shared interest, The Artifex, a children’s TV program where Fran works on set, and Daniel has been promised special access to the studio. But with every passing mile, the layers of Fran’s mendacity and desperation are exposed, pushing him to acts of violence that will define the rest of his son’s life.

The acclaimed author of The Ecliptic has written a novel of exceptional beauty about the bond between fathers and sons, and the invention and reconciliation of self—weaving a haunting story of lost innocence and love.

“A novel written from the gut, and with a correspondingly visceral power. A superbly unsettling account of trauma and cautious recovery.”—Sarah Waters, author of The Paying Guests

This comprehensive statistical volume on the Ukrainians in Canada covers an 80-year period, from 1891, the year when the first Ukrainian immigrants arrived in Canada, to 1971.

Published in English.