Biography & Autobiography

Explores Jackie Robinson’s compelling and complicated legacy

Before the United States Supreme Court ruled against segregation in public schools, and before Rosa Parks refused to surrender her bus seat in Montgomery, Alabama, Jackie Robinson walked onto the diamond on April 15, 1947, as first baseman for the Brooklyn Dodgers, making history as the first African American to integrate Major League Baseball in the twentieth century. Today a national icon, Robinson was a complicated man who navigated an even more complicated world that both celebrated and despised him.

Many are familiar with Robinson as a baseball hero. Few, however, know of the inner turmoil that came with his historic status. Featuring piercing essays from a range of distinguished sportswriters, cultural critics, and scholars, this book explores Robinson’s perspectives and legacies on civil rights, sports, faith, youth, and nonviolence, while providing rare glimpses into the struggles and strength of one of the nation’s most athletically gifted and politically significant citizens. Featuring a foreword by celebrated directors and producers Ken Burns, Sarah Burns, and David McMahon, this volume recasts Jackie Robinson’s legacy and establishes how he set a precedent for future civil rights activism, from Black Lives Matter to Colin Kaepernick.

“How we should think about board games, and what do they do to us as we play them?”

Writer and critic Eric Thurm digs deep into his own experience as a board game enthusiast to explore the emotional and social rules that games create and reveal, telling a series of stories about a pastime that is also about relationships. From the outdated gender roles in Life and Mystery Date to the cutthroat, capitalist priorities of Monopoly and its socialist counterpart, Class Struggle, Thurm thinks through his ongoing rivalries with his siblings and ponders the ways games both upset and enforce hierarchies and relationships—from the familial to the geopolitical. Like sitting down at the table for family game night, Board Games is an engaging book of twists and turns, trivia, and nostalgia.

Avidly Reads is a series of short books about how culture makes us feel. Founded in 2012 by Sarah Blackwood and Sarah Mesle, Avidly—an online magazine supported by the Los Angeles Review of Books—specializes in short-form critical essays devoted to thinking and feeling. Avidly Reads is an exciting new series featuring books that are part memoir, part cultural criticism, each bringing to life the author’s emotional relationship to a cultural artifact or experience. Avidly Reads invites us to explore the surprising pleasures and obstacles of everyday life.

“Here’s the thing with kissing: it matters intensely or not at all.”

Mid-kiss, do you ever wonder who you are, who you’re kissing, where it’s leading? It can feel luscious, libidinal, friendly, but are we trying to make out something through our kissing? For Kathryn Bond Stockton, making out is a prism through which to look at the cultural and political forces of our world: race, economics, childhood, books, and movies. Making Out is Stockton’s memoir about a non-binary childhood before that idea existed in her world. We think about kissing as we accompany Stockton to the bedroom, to the closet, to the playground, to the movies, and to solitary moments with a book, the ultimate source of pleasure.

Avidly Reads is a series of short books about how culture makes us feel. Founded in 2012 by Sarah Blackwood and Sarah Mesle, Avidly—an online magazine supported by the Los Angeles Review of Books—specializes in short-form critical essays devoted to thinking and feeling. Avidly Reads is an exciting new series featuring books that are part memoir, part cultural criticism, each bringing to life the author’s emotional relationship to a cultural artifact or experience. Avidly Reads invites us to explore the surprising pleasures and obstacles of everyday life.

As seen on 60 Minutes with Anderson Cooper and in the Emmy-award-winning New York Times documentary, the gripping true story of a Jewish teenager who became "The Forger of Paris" for the French Resistance. 

At seventeen, Adolfo Kaminsky had narrowly escaped deportation to Auschwitz and was recruited to join the Jewish underground. Due to his expert knowledge of dyes and an artistic, technical ability to reproduce official documents, he soon became the primary forger for the Resistance in Paris, creating papers that would save an estimated 14,000 Jewish men, women, and children from certain death. Upon the Liberation and for the next twenty-five years, Kaminsky worked as a professional photographer. But, recognizing the fight for freedom had not ended with the defeat of the Nazis, and driven by his own harrowing experiences, he continued to forge documents in secret for activists, refugees, human rights causes, and pacifists throughout the world.

"At a moment when someone’s passport, or religion, can still mean the difference between life and death, Mr. Kaminsky’s story remains painfully relevant, but inspiring." —Filmmakers Samantha Stark, Alexandra Garcia and Pamela Druckerman for The New York Times

"This necessary book provides unforgettable insights into hidden worlds of the Jews, intellectuals, and partisans who fought back.... has a thriller dimension that outshines even the best undercover fiction." —Jewish Book Council

"A triumphant wartime biography, full of heroism and near-alchemistic craftiness." —Foreword Reviews

In 1980, Graham Broyd did something outrageous—he sold his scholarship ticket to Washington, DC, bought a one-way flight to Los Angeles, and set off to hitchhike across America. Armed with a red backpack, a surfboard, and a knack for finding himself in both incredible and ridiculous situations, he bummed rides, crashed on beaches, and stumbled into experiences that would shape him forever. From rolling the dice in Vegas to interviewing senators in Congress, from the open roads of the West to the neon chaos of New York City, every mile brought a new story.

Forty years later, Graham returns to retrace his steps, revisiting the landscapes, people, and memories that defined his youth. What has changed? What remains? And how does time shift our understanding of the roads we once traveled?

Backpack, Jacket, Surfboard is a raw and humorous adventure memoir, a time capsule of 1980s America, and an unfiltered reflection on risk, nostalgia, and the unexpected turns that shape a life. It’s for anyone who has ever dreamed of throwing away the map, saying yes to the unknown, or looking back at a wild decision and thinking, “I’d do it all over again.”

For fans of Bill Bryson, Paul Theroux, and anyone who knows that the best stories come from the roads we didn’t plan to take.

The World’s Wealthiest Women is an examination of the richest women in history: how they spent their fortunes, and whether their great wealth was commensurate with great happiness. The women profiled had many splendored bank accounts, derived from inheritance, marriage, or ingenuity, along with fascinating biographies. This book tells the stories of astronomically rich ladies from different eras and various countries, both happy and unhappy silver spooners.

An intimate, revealing biography of a talented artist who lived life on her own terms.

Pablo Picasso called Françoise Gilot “The Woman Who Says No.” Talented, and feisty, and an accomplished artist in her own right, Gilot left Picasso after a ten-year relationship, the only woman to escape his intense attentions unscathed. From 2012 to 2014, German journalist and author Malte Herwig dropped by her ateliers in Paris and New York to chat with her about life, love, and art. She shared trenchant observations, her sharp sense of humor, and over ninety years of experience, much of it in the company of men who changed the world: Picasso, Matisse, and her second husband, the famous virologist Jonas Salk, developer of the polio vaccine. Never one to stand in the shadows, Gilot engaged with ground-breaking artists and scientists on her own terms, creating from these vital interactions an artistic style all her own, translated into an enormous collection of paintings and drawings held by private collectors and public museums around the world. In her early nineties, she generously shared her hospitality and wisdom with Herwig, who started out as an interviewer but found himself drawn into the role of pupil as Gilot, whom he called “a philosopher of joy,” shared with him different ways of seeing the world.

An intimate, revealing biography of a talented artist who lived life on her own terms.

Pablo Picasso called Françoise Gilot “The Woman Who Says No.” Talented, and feisty, and an accomplished artist in her own right, Gilot left Picasso after a ten-year relationship, the only woman to escape his intense attentions unscathed. From 2012 to 2014, German journalist and author Malte Herwig dropped by her ateliers in Paris and New York to chat with her about life, love, and art. She shared trenchant observations, her sharp sense of humor, and over ninety years of experience, much of it in the company of men who changed the world: Picasso, Matisse, and her second husband, the famous virologist Jonas Salk, developer of the polio vaccine. Never one to stand in the shadows, Gilot engaged with ground-breaking artists and scientists on her own terms, creating from these vital interactions an artistic style all her own, translated into an enormous collection of paintings and drawings held by private collectors and public museums around the world. In her early nineties, she generously shared her hospitality and wisdom with Herwig, who started out as an interviewer but found himself drawn into the role of pupil as Gilot, whom he called “a philosopher of joy,” shared with him different ways of seeing the world.

Fearless honesty. Deep despair. Resilient discovery. Profound forgiveness. Revolutionary hope and liberation.

Submerged is the story of one woman's journey from a nightmare of childhood sexual abuse through a world of drug gangs and murder to prison and, ultimately, personal redemption through faith and a dedication to helping others.

This is Sheena King's story, a raw, harrowing memoir anchored in revolutionary and transformative love. It is, at the same time, a story shared by tens of thousands of women, especially women of color who are incarcerated as the result of events that began with abuse by someone who should have been there to protect and nurture them.

During her years in prison, Sheena found the strength to free herself through the process of helping countless other victims of childhood abuse. Now she offers her memoir with the express hope that it will help many more.

As Rikeyah Lindsay of the Abolitionist Law Center writes in her foreword, “This book shows that we must take our collective healing and liberation seriously, interrogating the root causes and demanding accountability not only for ourselves but also for the systems that create the conditions for so much harm to occur.” With Lindsay's foreword and an introduction by Victoria Law, Submerged offers essential insights for all who want to understand and participate in the growing movement for alternatives to incarceration.

In her own introduction Sheena King writes: “I’ve told my story. Now tell yours. It will free you.”

"This book is both inspiring and laugh-out-loud funny! I want to be the executive producer when it becomes a movie!" — Eli Manning

Sara Fay Egan has never lived a “by-the-book” kind of life. From orchestrating high-profile events to grappling with her daughter's life-threatening illness, she’s faced more twists and turns than most. In The Through Line, Sara Fay shares her deeply personal journey, blending raw emotion with the practical know-how she’s gained from years of balancing a successful career with family responsibilities.

With wit and wisdom, she explores the true secrets to resilience: showing up authentically, leaning into meaningful connections, and finding joy even when life feels completely off-script. This isn’t just a story of success and survival—it’s a heartfelt, laugh-out-loud guide to embracing life’s chaos and making the most of it.

Jam-packed with real-life stories, actionable insights, and moments that will make you smile, The Through Line is more than a book—it’s a wake-up call to live your life with purpose and joy, no matter what gets thrown your way. Whether you’re chasing career dreams, seeking balance with family, or just trying to enjoy the ride, this book will inspire you to embrace the unexpected and find fulfillment in the messiest of moments.

Warm, funny, and incredibly relatable, Sara Fay’s story is a must-read for anyone ready to stop waiting for “perfect” and start living a life of happiness, here and now.

Victoria Woodhull, the first woman to run for president, forced her fellow Americans to come to terms with the full meaning of equality after the Civil War. A sometime collaborator with Susan B. Anthony and Elizabeth Cady Stanton, yet never fully accepted into mainstream suffragist circles, Woodhull was a flamboyant social reformer who promoted freedom, especially freedom from societal constraints over intimate relationships. This much we know from the several popular biographies of the nineteenth-century activist. But what we do not know, as Amanda Frisken reveals, is how Woodhull manipulated the emerging popular media and fluid political culture of the Reconstruction period in order to accomplish her political goals.

As an editor and public speaker, Woodhull demanded that women and men be held to the same standards in public life. Her political theatrics brought the topic of women's sexuality into the public arena, shocking critics, galvanizing supporters, and finally locking opposing camps into bitter conflict over sexuality and women's rights in marriage. A woman who surrendered her own privacy, whose life was grist for the mills of a sensation-mongering press, she made the exposure of others' secrets a powerful tool of social change. Woodhull's political ambitions became inseparable from her sexual nonconformity, yet her skill in using contemporary media kept her revolutionary ideas continually before her peers. In this way Woodhull contributed to long-term shifts in attitudes about sexuality and the slow liberation of marriage and other social institutions.

Using contemporary sources such as images from the "sporting news," Frisken takes a fresh look at the heyday of this controversial women's rights activist, discovering Woodhull's previously unrecognized importance in the turbulent climate of Radical Reconstruction and making her a useful lens through which to view the shifting sexual mores of the nineteenth century.

"Music, I have come to realize, is for me a kind of golden thread running through my life. It has helped maintain my connection with the past that otherwise might have been severed by catastrophe and time. I am often asked—indeed, I often wonder myself—why it is that I should always have had such joie de vivre in the face of the losses and dislocations I had to endure in my early years. The answer I always gave was that the warmth and security of my early childhood had a remarkable power and influence. This is certainly true. But now I have realized that there is another part to the answer. And that is music."—from the introduction

Who among us does not have a song that triggers vivid memories—of jubilation, of belonging, of sorrow, of love? In Musically Speaking, Dr. Ruth K. Westheimer, one of America's most beloved personalities, has written a warm and contemplative book about the role music has played in her life and the ineradicable traces it has left on her thoughts, emotions, her very being.

In this memoir through song, Dr. Ruth invites us to share her story from a uniquely musical perspective. By the time she was thirty, Ruth Westheimer had lived in five countries, each with a distinctive musical culture, each with a different hold on her sensibility. For the first ten years of her life, the comforting melodies of childhood helped drown out the anthems of Nazism to be heard elsewhere in her native Germany; as an adolescent refugee in Switzerland, she came to be aware that, however loudly she sang the patriotic songs of the land that gave her shelter, she could never truly be at home there.

Present at the creation of the modern state of Israel, she sang and danced to the new music of a new nation; as a young woman eagerly absorbing all that Paris had to offer in the way of romance and worldliness in the early 1950s, the songs of Edith Piaf, Mouloudji, and Yves Montand were her tutors. An almost accidental emigration to America brought new challenges and new stability, as she became a wife, mother, and professional; tremendous and unforeseen celebrity came later, and with it the giddy opportunity to indulge her love of music as never before.

Always, the classical repertoire of Mozart, Haydn, Beethoven, and Brahms has drawn Westheimer to a German culture that has belonged—and not belonged—to her throughout her life. And always, the music of the Jewish tradition has given her strength and comfort beyond words.

Affording a view of Dr. Ruth from a rare private vantage point, Musically Speaking offers wondrous testimony to the resilience of the human spirit. This is a book full of color, verve, humor, and wisdom, unfolding gracefully through the beloved music of the Jewish holidays, the lullabies of childhood, the songs that sustained an orphan and roused the courage of a young woman, the melodies that enable a widow grieving for her husband to recall, from deep within the years of love, companionship, and happiness.

A candid and intimate chapter in the life of a modern woman, Yvette Eastman's vivid narrative also contributes richly to the life story of Theodore Dreiser. Dearest Wilding: A Memoir records the journey that took Yvette Szekely from an upper-middle-class scholar's home in Budapest to the intellectual and artistic centers of urban America in the 1920s and 1930s.

In 1929 sixteen-year-old Yvette Szekely met Dreiser, who was fifty-eight at the time, and within a year he became her lover. Dreiser remained central to her life—as lover, father figure, and mentor—until his death in 1945. Her portrait of Dreiser, who is by no means idealized, is of a complex man—often troubled, suspicious, and jealous, but also caring and supportive.

The book is much more than an account of a sixteen-year relationship, however. It describes Eastman's attempt to understand her bond with Dreiser, forcing her back to her childhood, to memories of her distinguished but distant father who remained in Hungary, and to the early experiences that made the aging Dreiser so important to her life. In an afterword, the author thoughtfully reflects on the patterns of love and loss that form part of her past.

Dearest Wilding is a valuable primary source in literary history and among the last documents from this era. One of the most important figures in the memoir is Max Eastman, whose early relationship with Yvette Szekely resulted in marriage years later.

As perhaps the last reminiscence of Dreiser and his circle that will ever appear, Dearest Wilding: A Memoir promises rewarding reading.

Traces the remarkable life of a feminist poet through the items and images that have have defined her experiences

My Life in 100 Objects is a personal reflection on the events and moments that shaped the life and work of one extraordinary woman. With a masterful, poetic voice, Margaret Randall uses talismanic objects and photographs as launching points for her nonlinear narrative. Through each “object,” Randall uncovers another part of herself, starting in a museum in Amman, Jordan, and ending in the Latin American Studies Association in Boston. Interwoven throughout are her most precious relationships, her growth as an artist, and her brave, revolutionary spirit.

As Randall’s adventures often coincide with important moments in history, many of her objects provide a transcontinental glimpse into social upheavals and transitions. She shares memories from her years in Cuba (1969 to 1980) and Nicaragua (1980 to 1984), as well as briefer periods in North Vietnam (immediately preceding the end of the war in 1975), and Peru (during the government of Velasco Alvarado). In her introduction, Randall states, “objects and places have always been alive to me.” Her history too is alive, as much of a means to consider our own present as it is to
glimpse her vibrant past.

The globe-trotting tales of five women who fought for the right to enjoy the wild places of the earth.

For millennia the ‘wild’ was a place heroic men went on epic quests. Women were prevented from joining them, either through physical control or powerful myths about what would happen if they ventured beyond the city wall or village boundary. So how did women claim their place in the remote and lovely parts of our planet?

In Wildly different, historian Sarah Lonsdale traces the lives of five women who fought for the right to work in, enjoy and help to save the earth’s wild places. We’ll meet Mina Hubbard, who outraged the exploration community when she stepped into a canoe in northern Labrador. Evelyn Cheesman, who became the first female keeper of insects at London Zoo. Dorothy Pilley, who shocked polite society by donning men’s climbing breeches. Ethel Haythornthwaite, who helped make the Peak District Britain’s first National Park. And Wangari Maathai, who started a movement to plant millions of trees across sub-Saharan Africa.

Drawing on interviews with Sir David Attenborough, Wangari Maathai’s daughter and others, Lonsdale recounts the women’s adventures across five continents. Evocative and inspiring, this book shows how women can be ‘wildly different’.

IF ARAB WOMEN WERE GIVEN A VOICE, WHAT STORY WOULD THEY TELL?
To be a woman is a gift. But that gift does not come without challenges. Historically, women around the globe have fought to be heard. The stories of Arab women in particular have often been veiled in mystery.

In Hear Us Speak, Suzy Kanoo lifts the veil. As a CEO, Suzy has enjoyed great success as an Arab businessperson; as a woman, she has witnessed firsthand how Arab legislation and culture has not always kept pace with a world that continues to evolve. By curating letters from a wide array of women—and one good man—Suzy reveals story after story of courageous, resilient human beings who flourish in the face of impossible odds.
The letters in this book are inspiring, shocking, empowering, harrowing—and a thousand shades between. When read together, they paint a rich portrait of what life is like for Arab women today. These are wives, mothers, daughters, and sisters. They are businesspeople, entrepreneurs, citizens, and refugees. They have seen and done remarkable things, been bruised and emerged stronger for it.

Hear Us Speak is a book by and for women, a chorus of voices that will forever change the way you see the world.

love lay down beside me and we wept is Helen Murray Taylor’s lyrical memoir of devastating mental illness.

Helen Murray Taylor was finding her feet as a young doctor and trying to maintain some semblance of a life in the shadow of a punishing schedule when she witnessed a horrific road traffic accident. The impact of this fatal collision caught Helen off guard and had terrible repercussions. Both her career and her mental health took a battering. After a succession of other distressing events left Helen emotionally shattered and seriously depressed, she was admitted to a psychiatric ward and sectioned under the Mental Health Act. At her lowest, she almost succeeded in taking her own life. love lay down beside me and we wept sprang from these difficult times, from Helen’s months on the ward and the psychological upheaval of being restrained against her will, and from the challenge of being a doctor turned patient, but also from the moments of pure comedy and unexpected comradeship that she encountered there.

This is a profoundly moving and masterful account of one woman's physical and psychological breakdown, it's a tribute to the love that supported her through it, and it's an offering to the reader who might find comfort or understanding in this story.

Meet the Real Women of Regency Romance

Fans of the Bridgerton books and Jane Austen will love Felicity Day’s collection of true stories from women who have lived and loved in Regency England.

Welcome to London’s marriage season. Six high society women are preparing for the biggest moment of their lives: finding a suitable husband. But their stories aren’t what you may have read in historic romances by Julia Quinn or Georgette Heyer. In The Game of Hearts, go behind the drawing-room door with history author Felicity Day and delve into the competitive world of love, scandal, and fortune. With shocking revelations about London’s most eligible heiresses and the society they live in, you’ll see British history and love stories from a whole new perspective.

May the best lady win. For our six privileged debutantes, life wasn’t like a Regency romance; they had to work for their happily ever after. Even if it meant competing with dozens of other women who want the same thing. By using the letters, diaries, and other confessions from our heroines, Felicity Day shares how they and many other Regency women combined attraction with practicality to navigate upper-class British society, known as the ton,  and its courtship rituals. And with obstacles such as scandals, rakes, and social warfare, you’ll discover how love and success may not always win, but perseverance shall.

Discover more true stories from real Regency heroines, including:

• How the survival of Britain’s elite families depended on their children’s marriages
• What really happened during a grand ball and promenade
• How the game of conversation and attraction unfolded between a lady and her suitor
• What became of those who did and did not secure a match

So if you liked historic women biographies like Jane Austen at Home, The Palace Papers, or A Room of Their Own, then you’ll love The Game of Hearts.

An incisive and deeply candid account that explores autistic women in culture, myth, and society through the prism of the author’s own diagnosis.

Until the 1980s, autism was regarded as a condition found mostly in boys. Even in our time, autistic girls and women have largely remained undiagnosed. When portrayed in popular culture, women on the spectrum often appear simply as copies of their male counterparts — talented and socially awkward.

Yet autistic women exist, and always have. They are varied in their interests and in their experiences. Autism may be relatively new as a term and a diagnosis, but not as a way of being and functioning in the world. It has always been part of the human condition. So who are these women, and what does it mean to see the world through their eyes?

In The Autists, Clara Törnvall reclaims the language to describe autism and explores the autistic experience in arts and culture throughout history. From popular culture, films, and photography to literature, opera, and ballet, she dares to ask what it might mean to re-read these works through an autistic lens — what we might discover if we allow perspectives beyond the neurotypical to take centre stage.

The true story of the little-known mental-health pioneer who revolutionized how we see the defining problem of our era: anxiety.

Panic, depression, sorrow, guilt, disgrace, obsession, sleeplessness, low confidence, loneliness, agoraphobia…The international bestseller Hope and Help for Your Nerves, first published in 1962 and still in print, has helped tens of millions of people to overcome all of these, and continues to do so. Yet even as letters and phone calls from readers around the world flooded in, thanking her for helping to improve—and in some cases to save—their lives, Dr Claire Weekes was dismissed as underqualified and overly populist by the psychiatric establishment. Just who was this woman?

Claire Weekes was driven by a restless and unconventional mind that saw her become the first woman to earn a Doctor of Science degree at Australia’s oldest university, win global plaudits for her research into evolution, and take a turn as a travel agent, before embarking on a career in medicine. But it was a mistaken diagnosis of tuberculosis that would set her heart racing and push her towards integrating all she’d learned into a practical treatment for anxiety—a tried-and-true method now seen as state-of-the-art 30 years after her death. This book is the first to tell her remarkable story.

If the poor are always with us, how we have perceived and treated them has changed like the seasons. Such was the massive and pitiless industrialization of the nation after the Civil War that Josephine Shaw Lowell (1843-1905) recoiled and sought a new way to approach poverty. She rationalized charity toward hapless families and children in ways that established social responsibility for the welfare of the poor. This introduction of "scientific" methods in social work bridged two great eras of social reform, creating a civic maternalism only denied in law in 1996.

A Brahmin, member of an illustrious family, sister of the martyred Robert Gould Shaw, who led his proud black troops against Fort Wagner, and, later, a war widow, Lowell constantly responded to changing ideological and economic conditions affecting the poor. From an emphasis on the regeneration of the individual, she soon showed an appreciation of the importance of social conditions.

This book challenges all previous interpretations of Lowell as a "genteel" reformer mostly interested in social control of the underclass. Rather, her aim was to cure pauperism, and her strategies eventually led her to support higher wages and full employment.

Women in Japanese Studies: Memoirs from a Trailblazing Generation brings together trailblazing women scholars from diverse disciplines in Japanese Studies to reflect on their careers and offer advice to colleagues.

Most books present research and pedagogies. We do something different: We share lives—personal stories of how women scholars earned graduate degrees and began careers bridging Japan and North America between the 1950s and 1980 and balanced professional and personal responsibilities. We challenge the common narrative that Japanese Studies was established by men who worked for the US military after World War II or were from missionary families in Japan. This is only part of the story—the field was also created by women who took advantage of postwar opportunities for studying Japan. Women of this generation were among the first scholars to use Japanese source materials in research published in English and the first foreigners to study at Japanese universities. Their careers benefitted from fellowships, educational developments, activist movements to include the study of women and Asia in university curricula, and measures to prevent gender discrimination. Yet there were instances when, due to their gender, women received smaller salaries, faced hurdles to tenure, and were excluded from, or ignored, at conferences.

Our book pioneers a genre of academic memoirs, capturing emotional and intellectual experiences omitted from institutional histories. We offer lively, engaging, thoughtful, brave, empowering stories that start larger conversations about gender and inclusion in the academy and in Japan-American educational exchange.

"Women have won their political independence. Now is the time for them to achieve their economic freedom too."

This was the great rallying cry of the pioneers who, in 1919, created the Women’s Engineering Society. Spearheaded by Katharine and Rachel Parsons, a powerful mother and daughter duo, and Caroline Haslett, whose mission was to liberate women from domestic drudgery, it was the world’s first professional organisation dedicated to the campaign for women's rights.

Magnificent Women and their Revolutionary Machines tells the stories of the women at the heart of this group – from their success in fanning the flames of a social revolution to their significant achievements in engineering and technology. It centres on the parallel but contrasting lives of the two main protagonists, Rachel Parsons and Caroline Haslett – one born to privilege and riches whose life ended in dramatic tragedy; the other who rose from humble roots to become the leading professional woman of her age and mistress of the thrilling new power of the twentieth century: electricity.

In this fascinating book, acclaimed biographer Henrietta Heald also illuminates the era in which the society was founded. From the moment when women in Britain were allowed to vote for the first time, and to stand for Parliament, she charts the changing attitudes to women’s rights both in society and in the workplace.

“Intrepid and empathetic, gifted with the dispassionate gaze of a born observer…a  harmonious collage of worldview and character, a wunderkammer of experiences in a life fully lived.” —Melissa Febos, The New York Times

Winner of the 2023 Lowell Thomas Award

“DeSanctis encounters spies and love interests, but it’s her lushly polished writing that makes this book a joy to read.” —The Washington Post

Vogue's Best Books of 2022

The Washington Post’s Best Travel Books of 2022

Restless to leave, eager to return: this memoir in essays captures the unrelenting pull between the past and the present, between traveling the world and staying home.

Starting in a dreary Moscow hotel room in 1983, weaving back and forth to rural New England, and ending on a West Texas trail in 2020, Marcia DeSanctis tells stories that span the globe and half a lifetime. With intimacy and depth, over quicksand in France, insomnia in Cambodia, up a volcano in Rwanda, spinning through the eye of a snowstorm in Bismarck, and atop a dumpster in her own backyard, this New York Times bestselling author, award-winning essayist and journalist for Vogue and Travel + Leisure immerses us in places waiting to be experienced and some that may be more than we’re up for. She encounters spies, angels, leopards, shoes, the odd rattlesnake, a random head of state, and many times over, the ghosts of her past. Each subsequent voyage leads to revelations about her search for solitude, a capacity for adventure, and always, a longing for home.

“Intrepid and empathetic, gifted with the dispassionate gaze of a born observer…a  harmonious collage of worldview and character, a wunderkammer of experiences in a life fully lived.” —Melissa Febos, The New York Times

Winner of the 2023 Lowell Thomas Award

“DeSanctis encounters spies and love interests, but it’s her lushly polished writing that makes this book a joy to read.” —The Washington Post

Vogue's Best Books of 2022

The Washington Post’s Best Travel Books of 2022

Restless to leave, eager to return: this memoir in essays captures the unrelenting pull between the past and the present, between traveling the world and staying home.

Starting in a dreary Moscow hotel room in 1983, weaving back and forth to rural New England, and ending on a West Texas trail in 2020, Marcia DeSanctis tells stories that span the globe and half a lifetime. With intimacy and depth, over quicksand in France, insomnia in Cambodia, up a volcano in Rwanda, spinning through the eye of a snowstorm in Bismarck, and atop a dumpster in her own backyard, this New York Times bestselling author, award-winning essayist and journalist for Vogue and Travel + Leisure immerses us in places waiting to be experienced and some that may be more than we’re up for. She encounters spies, angels, leopards, shoes, the odd rattlesnake, a random head of state, and many times over, the ghosts of her past. Each subsequent voyage leads to revelations about her search for solitude, a capacity for adventure, and always, a longing for home.

For half a century Sarah Josepha Hale was the most influential woman in America. As editor of Godey’s Lady’s Book, Hale was the leading cultural arbiter for the growing nation. Women (and many men) turned to her for advice on what to read, what to cook, how to behave, and—most important—what to think. Twenty years before the declaration of women’s rights in Seneca Falls, NY, Sarah Josepha Hale used her powerful pen to promote women’s right to an education, to work, and to manage their own money.

There is hardly an aspect of nineteenth-century culture in which Hale did not figure prominently as a pathbreaker. She was one of the first editors to promote American authors writing on American themes. Her stamp of approval advanced the reputations of Edgar Allan Poe, Harriet Beecher Stowe, and Nathaniel Hawthorne. She wrote the first antislavery novel, compiled the first women’s history book, and penned the most recognizable verse in the English language, “Mary Had a Little Lamb.”

Americans’ favorite holiday—Thanksgiving—wouldn’t exist without Hale. Re-imagining the New England festival as a patriotic national holiday, she conducted a decades-long campaign to make it happen. Abraham Lincoln took up her suggestion in 1863 and proclaimed the first national Thanksgiving.

Most of the women’s equity issues that Hale championed have been achieved, or nearly so. But women’s roles in the “domestic sphere” are arguably less valued today than in Hale’s era. Her beliefs about women’s obligations to family, moral leadership, and principal role in raising children continue to have relevance at a time when many American women think feminism has failed them. We could benefit from re-examining her arguments to honor women’s special roles and responsibilities.

Lady Editor re-creates the life of a major nineteenth-century woman, whose career as a writer, editor, and early feminist encompassed ideas central to American history.

“My father’s ranch is now a testament to the fact that cattlemen and coyotes can live in peace,” Ann Daum writes. But it wasn’t always so. Reared on her father’s thirty-thousand-acre ranch, Daum grew up to become a rancher herself, raising sport horses. And in The Prairie in Her Eyes, she captures the beauty, despair, rewards, and loneliness of ranching in the modern West.

Daum’s essays rise and fall with the undulations of the prairie and can pack a punch like South Dakota weather. She writes about actual artifacts buried in the prairie soil, as well as of what lies hidden in the lives of people who live there and the “white line” you can never go beneath without drawing blood. Warm memories of her girlhood on the ranch turn cold as she recalls brutalities both casual and calculated—the writhing of a captive coyote, a ranch hand’s predatory sexuality, and the horrors of a chicken research facility.

Unflinching and understated, Daum breaks the silence that for too long has marked (and marred) the lives of western women. With humor and insight, her essays touch on different aspects of rural life and convey her vision for a good life in the west.

This is the most complete and authoritative account of the childhood and tumultuous life of Jiang Qing, from her early years as an aspiring actress to her marriage and partnership with Mao Zedong, the controversial years of power after Mao's death, her final years of disgrace and imprisonment, and her suicide in 1991.

A woman's fight to reclaim her body after a paralysis-inducing cycling accident

In the early evening on October 1, 2003, Christina Crosby was three miles into a seventeen mile bicycle ride, intent on reaching her goal of 1,000 miles for the riding season. She was a respected senior professor of English who had celebrated her fiftieth birthday a month before. As she crested a hill, she caught a branch in the spokes of her bicycle, which instantly pitched her to the pavement. Her chin took the full force of the blow, and her head snapped back. In that instant, she was paralyzed.

In A Body, Undone, Crosby puts into words a broken body that seems beyond the reach of language and understanding. She writes about a body shot through with neurological pain, disoriented in time and space, incapacitated by paralysis and deadened sensation. To address this foreign body, she calls upon the readerly pleasures of narrative, critical feminist and queer thinking, and the concentrated language of lyric poetry. Working with these resources, she recalls her 1950s tomboy ways in small-town, rural Pennsylvania, and records growing into the 1970s through radical feminism and the affirmations of gay liberation.

Deeply unsentimental, Crosby communicates in unflinching prose the experience of "diving into the wreck" of her body to acknowledge grief, and loss, but also to recognize the beauty, fragility, and dependencies of all human bodies. A memoir that is a meditation on disability, metaphor, gender, sex, and love, A Body, Undone is a compelling account of living on, as Crosby rebuilds her body and fashions a life through writing, memory, and desire.

A candid and intimate chapter in the life of a modern woman, Yvette Eastman's vivid narrative also contributes richly to the life story of Theodore Dreiser. Dearest Wilding: A Memoir records the journey that took Yvette Szekely from an upper-middle-class scholar's home in Budapest to the intellectual and artistic centers of urban America in the 1920s and 1930s.

In 1929 sixteen-year-old Yvette Szekely met Dreiser, who was fifty-eight at the time, and within a year he became her lover. Dreiser remained central to her life—as lover, father figure, and mentor—until his death in 1945. Her portrait of Dreiser, who is by no means idealized, is of a complex man—often troubled, suspicious, and jealous, but also caring and supportive.

The book is much more than an account of a sixteen-year relationship, however. It describes Eastman's attempt to understand her bond with Dreiser, forcing her back to her childhood, to memories of her distinguished but distant father who remained in Hungary, and to the early experiences that made the aging Dreiser so important to her life. In an afterword, the author thoughtfully reflects on the patterns of love and loss that form part of her past.

Dearest Wilding is a valuable primary source in literary history and among the last documents from this era. One of the most important figures in the memoir is Max Eastman, whose early relationship with Yvette Szekely resulted in marriage years later.

As perhaps the last reminiscence of Dreiser and his circle that will ever appear, Dearest Wilding: A Memoir promises rewarding reading.

Selected by Choice magazine as an Outstanding Academic Title

The Education of Jane Addams traces, with unprecedented care, Addams's three-decade journey from a privileged prairie girlhood through her years as the competent spinster daughter in a demanding family after her father's death to her early seasoning on the Chicago reform scene. It weaves her spiritual struggles with Christianity into her political struggles with elitism and her emotional struggles with intimacy. Finally, it reveals the logic of her journey to Chicago and makes biographical sense of the political and personal choices she made once she arrived there. The founder of Chicago's Hull-House and, later, the Women's International League for Peace and Freedom is portrayed here as a complicated young woman who summoned the energy to pursue public life, the honesty to admit her own arrogance, and the imagination to see joy in collective endeavor.

"Music, I have come to realize, is for me a kind of golden thread running through my life. It has helped maintain my connection with the past that otherwise might have been severed by catastrophe and time. I am often asked—indeed, I often wonder myself—why it is that I should always have had such joie de vivre in the face of the losses and dislocations I had to endure in my early years. The answer I always gave was that the warmth and security of my early childhood had a remarkable power and influence. This is certainly true. But now I have realized that there is another part to the answer. And that is music."—from the introduction

Who among us does not have a song that triggers vivid memories—of jubilation, of belonging, of sorrow, of love? In Musically Speaking, Dr. Ruth K. Westheimer, one of America's most beloved personalities, has written a warm and contemplative book about the role music has played in her life and the ineradicable traces it has left on her thoughts, emotions, her very being.

In this memoir through song, Dr. Ruth invites us to share her story from a uniquely musical perspective. By the time she was thirty, Ruth Westheimer had lived in five countries, each with a distinctive musical culture, each with a different hold on her sensibility. For the first ten years of her life, the comforting melodies of childhood helped drown out the anthems of Nazism to be heard elsewhere in her native Germany; as an adolescent refugee in Switzerland, she came to be aware that, however loudly she sang the patriotic songs of the land that gave her shelter, she could never truly be at home there.

Present at the creation of the modern state of Israel, she sang and danced to the new music of a new nation; as a young woman eagerly absorbing all that Paris had to offer in the way of romance and worldliness in the early 1950s, the songs of Edith Piaf, Mouloudji, and Yves Montand were her tutors. An almost accidental emigration to America brought new challenges and new stability, as she became a wife, mother, and professional; tremendous and unforeseen celebrity came later, and with it the giddy opportunity to indulge her love of music as never before.

Always, the classical repertoire of Mozart, Haydn, Beethoven, and Brahms has drawn Westheimer to a German culture that has belonged—and not belonged—to her throughout her life. And always, the music of the Jewish tradition has given her strength and comfort beyond words.

Affording a view of Dr. Ruth from a rare private vantage point, Musically Speaking offers wondrous testimony to the resilience of the human spirit. This is a book full of color, verve, humor, and wisdom, unfolding gracefully through the beloved music of the Jewish holidays, the lullabies of childhood, the songs that sustained an orphan and roused the courage of a young woman, the melodies that enable a widow grieving for her husband to recall, from deep within the years of love, companionship, and happiness.

Victoria Woodhull, the first woman to run for president, forced her fellow Americans to come to terms with the full meaning of equality after the Civil War. A sometime collaborator with Susan B. Anthony and Elizabeth Cady Stanton, yet never fully accepted into mainstream suffragist circles, Woodhull was a flamboyant social reformer who promoted freedom, especially freedom from societal constraints over intimate relationships. This much we know from the several popular biographies of the nineteenth-century activist. But what we do not know, as Amanda Frisken reveals, is how Woodhull manipulated the emerging popular media and fluid political culture of the Reconstruction period in order to accomplish her political goals.

As an editor and public speaker, Woodhull demanded that women and men be held to the same standards in public life. Her political theatrics brought the topic of women's sexuality into the public arena, shocking critics, galvanizing supporters, and finally locking opposing camps into bitter conflict over sexuality and women's rights in marriage. A woman who surrendered her own privacy, whose life was grist for the mills of a sensation-mongering press, she made the exposure of others' secrets a powerful tool of social change. Woodhull's political ambitions became inseparable from her sexual nonconformity, yet her skill in using contemporary media kept her revolutionary ideas continually before her peers. In this way Woodhull contributed to long-term shifts in attitudes about sexuality and the slow liberation of marriage and other social institutions.

Using contemporary sources such as images from the "sporting news," Frisken takes a fresh look at the heyday of this controversial women's rights activist, discovering Woodhull's previously unrecognized importance in the turbulent climate of Radical Reconstruction and making her a useful lens through which to view the shifting sexual mores of the nineteenth century.

Traces the remarkable life of a feminist poet through the items and images that have have defined her experiences

My Life in 100 Objects is a personal reflection on the events and moments that shaped the life and work of one extraordinary woman. With a masterful, poetic voice, Margaret Randall uses talismanic objects and photographs as launching points for her nonlinear narrative. Through each “object,” Randall uncovers another part of herself, starting in a museum in Amman, Jordan, and ending in the Latin American Studies Association in Boston. Interwoven throughout are her most precious relationships, her growth as an artist, and her brave, revolutionary spirit.

As Randall’s adventures often coincide with important moments in history, many of her objects provide a transcontinental glimpse into social upheavals and transitions. She shares memories from her years in Cuba (1969 to 1980) and Nicaragua (1980 to 1984), as well as briefer periods in North Vietnam (immediately preceding the end of the war in 1975), and Peru (during the government of Velasco Alvarado). In her introduction, Randall states, “objects and places have always been alive to me.” Her history too is alive, as much of a means to consider our own present as it is to
glimpse her vibrant past.

Brings the trailblazing career of a Saskatchewan icon, Sylvia Fedoruk, to life

Award-winning author Merl Massie brings to the page the life and career of Sylvia Fedoruk (1927-2012), which encompassed some of the most ground-breaking scientific, athletic and public transformations of the twentieth century. A pioneer in leading-edge cancer research, primarily in the field of nuclear medicine, she was the first woman to join the Atomic Energy Board of Canada. Sylvia was an outstanding athlete, competing at an elite level in women’s softball and curling. Elected as the first woman chancellor of the University of Saskatchewan, she went on to be the first woman to serve as Lieutenant Governor of Saskatchewan, coaching two premiers through potential legislative and constitutional crises. With support from the University, the provincial government and the media, she withstood a major outing controversy, revealing a particular provincial touchpoint around issues of homosexuality, artistic activism, and power dynamics in the midst of the AIDS crisis of the 1990s. Known for a warm but no-nonsense style, Sylvia Fedoruk built a legacy which drew Saskatchewan’s north into the provincial consciousness, advocated for equal education for all, pushed for support for women in science, technology, engineering, and math, and worked tirelessly as the University of Saskatchewan and the province’s most vocal cheerleader.

Brings the trailblazing career of a Saskatchewan icon, Sylvia Fedoruk, to life

Award-winning author Merl Massie brings to the page the life and career of Sylvia Fedoruk (1927-2012), which encompassed some of the most ground-breaking scientific, athletic and public transformations of the twentieth century. A pioneer in leading-edge cancer research, primarily in the field of nuclear medicine, she was the first woman to join the Atomic Energy Board of Canada. Sylvia was an outstanding athlete, competing at an elite level in women’s softball and curling. Elected as the first woman chancellor of the University of Saskatchewan, she went on to be the first woman to serve as Lieutenant Governor of Saskatchewan, coaching two premiers through potential legislative and constitutional crises. With support from the University, the provincial government and the media, she withstood a major outing controversy, revealing a particular provincial touchpoint around issues of homosexuality, artistic activism, and power dynamics in the midst of the AIDS crisis of the 1990s. Known for a warm but no-nonsense style, Sylvia Fedoruk built a legacy which drew Saskatchewan’s north into the provincial consciousness, advocated for equal education for all, pushed for support for women in science, technology, engineering, and math, and worked tirelessly as the University of Saskatchewan and the province’s most vocal cheerleader.

Traces the remarkable life of a feminist poet through the items and images that have have defined her experiences

My Life in 100 Objects is a personal reflection on the events and moments that shaped the life and work of one extraordinary woman. With a masterful, poetic voice, Margaret Randall uses talismanic objects and photographs as launching points for her nonlinear narrative. Through each “object,” Randall uncovers another part of herself, starting in a museum in Amman, Jordan, and ending in the Latin American Studies Association in Boston. Interwoven throughout are her most precious relationships, her growth as an artist, and her brave, revolutionary spirit.

As Randall’s adventures often coincide with important moments in history, many of her objects provide a transcontinental glimpse into social upheavals and transitions. She shares memories from her years in Cuba (1969 to 1980) and Nicaragua (1980 to 1984), as well as briefer periods in North Vietnam (immediately preceding the end of the war in 1975), and Peru (during the government of Velasco Alvarado). In her introduction, Randall states, “objects and places have always been alive to me.” Her history too is alive, as much of a means to consider our own present as it is to
glimpse her vibrant past.

Marie Rose Delorme Smith was a woman of French-Métis ancestry who was born during the fur trade era and who spent her adult years as a pioneer rancher in the Pincher Creek district of southern Alberta. Sold by her mother at the age of sixteen to a robe and whiskey trader several years older than her, Marie Rose went on to raise seventeen children, establish a boarding house, take a homestead, serve as medicine woman and midwife, and to publish several articles in the early prairie ranch periodical, Canadian Cattlemen. The author relies on close readings of these articles, as well as the diaries, manuscripts, and fictional writing of Marie Rose Delorme Smith, along with personal interviews with her descendants. These sources allow a close examination of the self-identifying process for Marie Rose as she negotiated the changing environment of the western plains during the late 1800s and early 1900s when large numbers of Anglo-speaking immigrants settled in the area.

Clearly proud of her Métis identity, Marie Rose was a member of an extended family who served as Louis Riel’s soldiers, and she presented that identity tentatively in her own writings. Roles which Marie Rose assumed with pride were those of author, historian, mother, and historical character, and these roles serve as themes from which to examine her life.

A woman ahead of her time, Florence James revolutionized American theatre before finding safe haven in Canada from a fascistic strain of American politics that continues to exist to this day.

Born on the Idaho frontier, Florence James was a New York City suffragette. The first to put Jimmy Cagney on stage, she founded both the Negro Repertory Theatre and the Seattle Repertory Playhouse. She worked with Francis Farmer, Paul Robson, and Helen Hayes, but her views on art and politics and her choice of plays led to a clash with the Un-American Activities Committee. In the wake of two Kafkaesque trials, where she condemned her persecutors as liars, she fled to Canada and kick-started professional theatre in Saskatchewan, the home to North America’s first socialist government.

This new edition of Fists Upon a Star (called “sensational” by Jimmy Cagney) tells an inspiring story of one woman speaking truth to power.

In Sons and Mothers, Mennonite men write about their mothers, and speak of the often close, but sometimes troubled, relationships that exist between mothers and sons. The collection includes stories of migration and its ripple effect on the next generation, of mothers whose idealistic notions of faith cause rifts, of aging mothers who resist moves to care homes, of mothers who live their dreams vicariously through their sons.

Sons of all ages and a variety of upbringings reflect on the relationships they had with their mothers. But they also show readers who their mothers were as younger women, and who they are today.

A book that speaks to the Mennonite community but also draws on universal themes, this book is a must-read for anyone wanting to delve deeper into this fundamental relationship.

With contributions from Paul Tiessen, John Rempel, Josiah Neufeld, Nathan Klippenstein, Byron Rempel, Lukas Thiessen, Christoff Engbrecht, Howard Dyck, Andrew Martin, Lloyd Ratzlaff, Michael Goertzen, Patrick Friesen

The history of Everywoman—the Book of Genesis's famously debated character

Eve: A Biography is the history of Everywoman. Her brief adventure in the Book of Genesis is where the Western idea of woman began, and three thousand years after Eve offered Adam the forbidden fruit, everyone still knows that losing Paradise was Eve's fault.

Pamela Norris traces the evolution of Eve's bad reputation, drawing on a rich and diverse tradition of storytelling that embraces myth, folk tale and popular romance, and puts the spotlight firmly on women and their sexuality. From Dinah and Delilah, Pandora and Psyche, to the snaky Lamias and Liliths who haunted nineteenth-century painting and literature, centuries of disobedient women have been linked with Eve, the original bad girl, providing ample ammunition for male fears and fantasies. But Eve's story has also been retold by women, who have found ingenious and often subversive ways to free her from her disreputable past.

Stimulating, intriguing and wittily erudite, Eve: A Biography is the entrancing tale of a folk maiden who metamorphoses into a vamp, a mermaid, a bluestocking, a witch, a virgin trapped inside the walls of a fertile garden and finally, perhaps, into a thoroughly modern woman who chews the apple of knowledge with gusto and wouldn't dream of offering Adam a bite.

A young woman’s struggle with marriage and motherhood on some of the most remote ranches in the American West.

Jolyn Young grew up in the “real” northern California—the forgotten area at the tip-top of the state with small towns, extreme poverty, and about 40 miles to the Oregonian mountains. In a childhood defined by a subdivision, she decided she wanted to be a cowboy, and two years out of college, she saw that dream through, taking a job at a Nevada ranch in the search for a lifestyle subsisting of horses, cattle, and the wide open range.

Falling in love was never part of the plan.

Jim Young was tall, strong, and could ride a bronc and rope a steer like no one’s business. And before she knew it Jolyn found her cowboyin’ dreams overtaken by a new and intoxicating cowboy reality. With long days side by side in the saddle, nights sharing a bedroll, and the deep satisfaction that came with hard physical work in a place filled with natural beauty, it seemed life was all a strong-willed young woman might want it to be.

But when a baby-to-be suddenly spun her wild romance into a very practical marriage, and one decrepit ranch trailer home led to the next, Jolyn found her young family desperately seeking stability in what is by definition a transient lifestyle that moves with the seasons. Often hours from the nearest grocery store and half-a-day from the closest hospital, pregnancy, childbirth, and illness required a do-it-yourself mentality. With days, sometimes weeks on her own as Jim worked the farthest reaches of whatever ranchlands they currently called home—and first with one child to care for…and eventually with three—Jolyn fought profound loneliness, finding comfort in writing and company in her camera.

As the cowboy lifestyle pulled them further toward the brink of civilization and Jim’s drinking became a liability, losing him jobs and sending them packing, again, to yet another, different, distant cow camp, Jolyn struggled with the knowledge that she was choosing a life of scrubbing filthy mobile home floors and bunkhouse bathrooms in order to keep her family together. It would take leaving it, and Jim, for her to determine whether a world built on risk could coexist with the responsible mother she had needed to become.

With a memoir that is brave, honest, and heartbreakingly funny, Jolyn Young has written the story of every young adventure-seeker, every new mother, and every partner who has loved an alcoholic in a whole new light—that of a campfire, on the edge of the desert night, miles away from cell phone reception.

Adelaide Hunter Hoodless, lifelong crusader for the recognition of the domestic sciences (cooking, sewing, childcare and housework) and an early proponent of home economics in Canada, was considered one of the radical new woman of the late nineteenth and early twentieth centuries. She helped turn the Canadian YWCA into a national organization. She founded the Women's Institute, assisted in the founding of the Victorian Order of Nurses and represented Canada on numerous International Councils of Women, as well as establishing the first school for the training of domestic science teachers in Canada and putting together the first Canadian domestic science textbook, popularly known as the Little Red Book.

Johanne Durocher fights to free her daughter and four grandchildren from a nightmarish life of abuse and poverty in Saudi Arabia.

In 2001, Nathalie Morin was just seventeen when she met Saeed, a Saudi man who claimed to be studying in Montreal. She fell in love with him, but soon after she gave birth to their son, Saeed was deported back to his country of origin. Struggling as a single mother and wanting Samir to know his father, Nathalie travelled to Saudi Arabia to reunite her family, confident that she would be able to return to Canada whenever she wanted. But a trap was closing around her — her partner turned out to be authoritarian and violent, the abuse continuing until their last child was born.

According to Saudi law, Nathalie was considered married and under Saeed’s legal authority. All too often she was shut away in her own house, a place of hellish poverty. In 2005, Johanne Durocher, Nathalie’s mother, began her decades-long struggle to get Nathalie back home to Canada with her four children: Samir, Abdullah, Sarah, and Fowaz. While Nathalie is allowed to return on her own, her children cannot leave because of a travel ban imposed by the Saudi government. And Nathalie will not leave without them.

Johanne’s relentless fight for her family has garnered the support of several members of the provincial and federal governments, activists, and NGOs, including Amnesty International, who considers Nathalie to be a survivor of gender-based violence.

In 1988 Penelope Williams was told she had breast cancer. And with this pronouncement she found herself flung into a different world, one with a reluctant citizenry and a frightening terrain. That Other Place is an absorbing and utterly candid account of Penny's journey in this country.

Each stage of the journey provides an illuminating view on issues such as conventional cancer treatments, research, the mythical cancer personality, cancer shibboleths and holistic mind/body medicine.

This is a story written from a cancer patient's point of view. The subject is grim, and Penny is unflinching in descrbing the reality of the pain and terror on initial diagnosis and treatment, the whole wrenching process of the change of perceptions, lifestyle and goals. The reader is taken on the roller coaster of emotions experienced in a world knocked out of focus by the blow of sudden, perhaps terminal, illness. But there is also humour — sometimes black, sometimes liberating. And there is emphasis on the bonds of support among cancer sufferers, an empathy as important to the healing process as medical treatment.

In writing That Other Place, Penny gained a measure of control over the dragon. She concludes her story with words of honesty and courage, knowing that self-proclaimed cancer survivors lose their impact as role models when they die: "It is enough to say I am here; and here is always the goal, not a milestone to somewehre else."

This book pays tribute to 14 women who donated millions of dollars to causes close to their hearts. Iris Nowell is the author of five books. Writing her 1996 book, Women Who Give Away Millions, has given her a solid foundation of philanthropy, the not-for-profit sector, and the wealthy. She has also written a memoir of Canadian artist Harold Town, and a biography of artist, filmmaker, and impassioned feminist, Joyce Wieland.

Co-winner of the Canada-Japan Literary Awards 1997

By either folly or design, Gabrielle Bauer finds herself on a plane bound for Tokyo, leaving her career, home, and husband behind.

Canada's foremost cookbook author began her career, not as a cook, but as a journalist writing for Canadian magazines. She was 60 when she turned her attention to food. Food That Really Schmecks immediately became a best-seller, and continues to sell 35 years later. It's more than a book of wonderful recipes - it also describes the Mennonite way of life. The success of that book led to two more Schmecks books and many other cookbooks. Edna has received the Order of Canada among many other awards.

Over the years, Edna developed longstanding friendships with many of Canada's greatest writers, including Margaret Laurence, W.O. Mitchell, Sheila Burnford, and Pierre Berton. In 1991 she established The Edna Staebler Award for Creative Non-fiction to recognize the first or second book of a Canadian writer.

To Experience Wonder is the first book to explore behind the scenes of this successful writer's life. At the age of 97, Edna leads an active life at her cottage on Sunfish Lake, where she writes, reads, and welcomes the many aspiring writers who come to visit.

Lucy Maud Montgomery, Canada's most beloved author, not only gave the world the classic novel Anne of Green Gables, but she was also a devoted minister's wife, mother, neighbour, and friend to many, who in turn were honoured to have know this great lady.

In Remembering Lucy Maud Montgomery, the writer is remembered through first-hand reminiscences of the people who knew her. Her Sunday school students, neighbours, maids, family, and friends paint a portrait of Montgomery as she has never before been seen. Not only does this book uncover fascinating sides of the author and provide fresh anecdotes, but it includes many photographs that are published for the first time.

Even Montgomery's most devoted fans will find stories to surprise, delight, and at times even shock them.

In 1933, a young Canadian woman rejected the expectations of society and her upper-class family and became a crew member aboard one of the last great four-masted sailing vessels that still plied the ocean.

It was not an easy task. Young Annette had to fight pressures from her family, rejection from schools of navigation, and doubts from ship owners. When she finally found a berth as an apprentice seaman, she faced hostility from officers and crew, who grumbled that she should be home "raising babies." In the end, however, Annette won their respect, taking in sails, standing night watches, hauling and coiling ropes all the tasks the men were doing, with no concession to a girl's lesser strength.

My Year Before the Mast tells the story of Annette Brock Davis's life on the sea as the first female crew member of a commercial sailing line. Her courage and determination to break into a closed male world are central to this book, but we cannot ignore the fact that, while this is a book about a woman's struggle, it is also a book about the sea. Davis brings to life an era long gone, and introduces an incredible cast of characters the crew, officers, and passengers, each with his own foibles, humour, generosity, and flashes of meanness. But through it all, Annette emerges as the most remarkable character of them all.

Kathleen Rice was an inspiring woman who lived ahead of her time. Born in St. Marys, Ontario, she graduated as a gold medallist in Mathematics at the University of Toronto in 1906. After a conventional beginning teaching school in Ontario and Saskatchewan, Kate broke free of the mold, searching for new frontiers as a prospector in Manitoba during the gold rush. She formed a partnership with Dick Woosey and began a life in the remote areas around Herb Lake, prospecting and trapping. After Woosey's death, Kate faced her final and most difficult challenge - living alone in the wildness of the north.

The diaries, letters, and sketches of Elizabeth Simcoe are drawn upon as sources in this portrayal of the energetic and remarkable woman who came to Upper Canada with her husband when he was appointed lieutenant governor.

This is the story of Rene M. Caisse of Bracebridge, Canada and describes her extraordinary perseverance to obtain official recognition of her herbal cancer remedy she called Essiac, her name spelled backwards. Rene Caisse was thrust into a life-long medical-legal-political controversy that still persists since her death in 1978. Rene wrestled with the Hepburn government of Ontario over the operation of her Bracebridge cancer clinic during 1935 to 1941 and her use of Essiac. She refused to reveal her secret formula and legislation demanding the recipe forced the closing of her clinic. The government was embroiled in the dilemma of ensuring their public favour and appeasing cancer patients. This documented research presents a biography of a remarkable woman and her struggle to help "suffering humanity."

100 Canadian Heroines profiles some remarkable women; from the adventurous Gudridur the Viking to murdered Mi'kmaq activist Anna Mae Aquash. You'll meet heroines in science, sport, preaching and teaching, politics, war and peace, arts and entertainment, etc.

The book is full of amazing facts and fascinating trivia about intriguing figures like mountaineer Phyllis Munday, activist Hide Shimizu, Arctic guide Tookoolito, unionist Lea Roback, sexy movie mogul Mary Pickford and singer Portia White. Great quotes and photos are featured in this inspiring collection. As we celebrate the 75th Anniversary of the Persons Case on October 18, 2004, discover some of the many heroines Canada can be proud of. Find out how we're remembering them. Or not!

Short-listed for the 2002 Edna Staebler Award for Creative Non-Fiction

So you grow up as a member of the baby boom. You're well-brought up, well-educated, and your parents have great expectations. And, yet, somehow, you just don't feel you belong.

Along the way, you find the right wrong boyfriends: the poet-husband, and bane of your mother's existence, the married Japanese doctor. When love at last arrives, and the realization that it's just not in your nature to hold down a nine-to-five, stick-with-the-program corporate job, you discover that the one thing you thought would be very easy - conception - doesn't happen. Square peg in a round hole? Absolutely. But now it's called Waltzing the Tango - the humorous memoir of Gabrielle Bauer. It's a tale most women will not only identify with, but will also laugh along with - occasionally with the painful pangs of self-recognition.

Solitary Courage is the story of a mother’s tough-love determination, her severely disabled daughter’s astonishing triumphs, and a documentary record of the political battles, organizational conflicts, and human struggles that citizens with disabilities face and fight every day of their lives.

Mona Winberg became a pioneer of independent living, and emerged a leading advocate for citizens with mental and physical disabilities. Her courageous causes erupted from her deep reservoir of compassion and concern. Her unflinching challenges to the status quo expressed both optimism and realism about life and society. Her life is testament to the power of Solitary Courage.

Between 1986 and 1999 she was the only newspaper columnist in North America regularly writing about disability issues. Through her award-winning column "Disabled Today" in Toronto’s Sunday Sun, Mona Winberg painstakingly built up a body of work of more than 600 articles chronicling front-line battles for equality. She was a realist, a wise person with a no-nonsense approach, kindly, but clear-eyed.

Solitary Courage begins with the story of Mona Winberg’s life, followed by a representative selection of 156 of her columns organized into 20 thematic chapters, the best of Mona in her own words. The last part of the book reflects upon Mona Winberg’s legacy of lessons that still connect to programs and policies touching the lives of Canadians with disabilities today.

The subjects are wide-ranging and engaging because Mona used personal examples of individuals with disabilities and news-making issues raised by their plight. She also reported on the street-level outcomes of government policies. This variety and approach to disability issues provides real education and genuine human interest, whatever a reader’s background or experience.

Neuville’s status as a woman, and an outsider, made her a particularly keen and sympathetic observer of individuals from a range of socioeconomic and ethnic backgrounds. She drew the earliest ethnographically correct images of indigenous Americans, together with vistas predating the works of other traveler-artists, and long-vanished buildings. Although she arrived in America as an outcast, by the end of her second residency, as the celebrated wife of the French Minister Plenipotentiary, she was interacting with political leaders and making her mark on society in Washington, DC and New York City. Artist in Exile tells her compelling story.

Mountain midwife Orlean Puckett endured many trials during her lifetime. A bride at the age of 16, she had given birth to and buried 24 babies by the time she was in her mid-thirties. When John Puckett, her husband, deserted the Civil War, Orlean was besieged by Home Guard Troops. Still, she secretly carried food to John and others who hid out near her home. Orlean became a midwife when she was 45 years of age. During the next 49 years, she successfully delivered over a thousand babies. Traveling on foot or by horse, Orlean never failed to make her way to a birthing. When ice covered the mountain paths, she hammered nails into the soles of her shoes to assure proper footing. A year after Orlean “caught” her last baby, construction of the Blue Ridge Parkway forced her from her home. Three weeks later, at the age of 95, she died. A marker honoring the life of this remarkable woman now stands at Milepost 189.9 along Virginia’s Blue Ridge Parkway.

Karen attended Guilford College and holds a BA in English from Salem College. During her last semester at Salem, she became a freelance writer for a local magazine. After graduation, Karen worked as a newspaper reporter, photographer, and editor. Her stories and poetry have been featured in national magazines and literary journals.

The Nazi regime opened its first concentration camps within weeks of coming to power, but with the exception of Dachau the history of these early, improvised camps and their inmates is not yet widely known. Gabriele Herz's memoir, published for the first time, is a unique record of a Jewish woman's detention in the first women's concentration camp in Moringen (housed in part of an old-established workhouse), at a time when most other inmates were communists or Jehovah's Witnesses. This original translation of her wry and perceptive memoir is accompanied by an extensive introduction that sets Herz's experience in the history both of political detention under the Nazi regime and of the German workhouse system.

Drawing on family materials, historical records, and eyewitness accounts, this book shows the impact of war on individual women caught up in diverse and often treacherous situations. It relates stories of partisans in Holland, an Italian woman carrying guns and provisions in the face of hostile soldiers, and Kikuyu women involved in the Mau Mau insurrection in Kenya. A woman displaced from Silesia recalls fleeing with children across war-torn Germany, and women caught up in conflicts in Burma and in Rwanda share their tales. War's aftermath can be traumatic, as shown by journalists in Libya and by a midwife on the Cambodian border who helps refugees to give birth and regain hope. Finally, British women on active service in Afghanistan and at NATO headquarters also speak.

Drawing on family materials, historical records, and eyewitness accounts, this book shows the impact of war on individual women caught up in diverse and often treacherous situations. It relates stories of partisans in Holland, an Italian woman carrying guns and provisions in the face of hostile soldiers, and Kikuyu women involved in the Mau Mau insurrection in Kenya. A woman displaced from Silesia recalls fleeing with children across war-torn Germany, and women caught up in conflicts in Burma and in Rwanda share their tales. War's aftermath can be traumatic, as shown by journalists in Libya and by a midwife on the Cambodian border who helps refugees to give birth and regain hope. Finally, British women on active service in Afghanistan and at NATO headquarters also speak.

Her joyous remembrance of her first decade on an enchanted island

And of those cherished friends who inspired her best-selling trilogy, Lighthouse, New Moon Rising, and Beloved Invader. After only a few golden hours on Georgia’s St. Simons Island, Eugenia Price longed to make it her home. Even though she loved her old town house in Chicago, and her busy writing and lecturing schedule, the shadow-streaked, light-filled place had cast its spell and would not let her go. The reader, too, will feel the Island’s magic as Genie describes her odyssey with her friend Joyce Blackburn from the urban North to Southern small-town community life and peace.

With deep affection and humor she shares her many friendships—with “the first six,” the elderly folk who gave her their love, their stories, and their memories so that she could write her novels of St. Simons; with her beloved editor, Tay Hohoff, who encouraged and goaded her; and with all the other people who helped with her writing and with the building of her Island home in the midst of the “dear dark woods.”

Although she had been uncertain at first of her welcome to St. Simons, she later experienced the rare privilege of having the Island name a day in her honor.

These intimate pages are also filled with Genie’s quiet faith in God and her eternal gratitude for His grace in sending her to St. Simons. She calls her book a memoir, but it is more than that. It is a thanksgiving celebration of life and of its surprising goodness even in the midst of sorrow and loss. So that she can exclaim to Joyce, “How could life be better than it is right now?”

Her joyous remembrance of her first decade on an enchanted island

And of those cherished friends who inspired her best-selling trilogy, Lighthouse, New Moon Rising, and Beloved Invader. After only a few golden hours on Georgia’s St. Simons Island, Eugenia Price longed to make it her home. Even though she loved her old town house in Chicago, and her busy writing and lecturing schedule, the shadow-streaked, light-filled place had cast its spell and would not let her go. The reader, too, will feel the Island’s magic as Genie describes her odyssey with her friend Joyce Blackburn from the urban North to Southern small-town community life and peace.

With deep affection and humor she shares her many friendships—with “the first six,” the elderly folk who gave her their love, their stories, and their memories so that she could write her novels of St. Simons; with her beloved editor, Tay Hohoff, who encouraged and goaded her; and with all the other people who helped with her writing and with the building of her Island home in the midst of the “dear dark woods.”

Although she had been uncertain at first of her welcome to St. Simons, she later experienced the rare privilege of having the Island name a day in her honor.

These intimate pages are also filled with Genie’s quiet faith in God and her eternal gratitude for His grace in sending her to St. Simons. She calls her book a memoir, but it is more than that. It is a thanksgiving celebration of life and of its surprising goodness even in the midst of sorrow and loss. So that she can exclaim to Joyce, “How could life be better than it is right now?”