Columbia University Press

There is a long history of discrimination against LGBTQ+ people in the American military and intelligence services, from vice squad stings during World War I to the “Lavender Scare” of the early Cold War through “Don’t Ask, Don’t Tell” and the Trump administration’s transgender ban. How have the rationales for anti-LGBTQ+ policies changed over time? When and why did these policies shift? What does anti-LGBTQ+ discrimination reveal about the US military, American political institutions, and broader themes in queer history?

The Lavender Bans is a comprehensive account of the evolution of anti-LGBTQ+ policies from World War I to the present. Dorian Rhea Debussy—a leading expert on LGBTQ+ history in the US military—examines six distinct periods of exclusion over the course of a century, tracing continuities and changes alongside the growth of the national security state. Bringing together interdisciplinary scholarship and close analysis of archival documents, she offers new insights into the policies affecting LGBTQ+ people in the armed forces.

Meticulously researched and rich in detail, The Lavender Bans sheds light on a long and troubling history—with deep contemporary relevance as exclusion of transgender people continues. It is an engaging, important, and timely book for a range of readers, including scholars, students, policy makers, military personnel, and people affected by anti-LGBTQ+ discrimination.

Shortlisted, 2024-2025 W.J.M. MacKenzie Book Prize, Political Studies Association

It is widely believed that Congress has broken down. Media accounts present the storied legislature as thoroughly gridlocked, paralyzed by partisan rancor. Political scientists find that Congress is passing fewer laws and spending less time on legislative work. Which parts of a supposedly dysfunctional legislature continue to function?

Maya L. Kornberg examines the legislative process beyond voting patterns, emphasizing the crucial role of congressional committee hearings. In committees, lawmakers hear from expert witnesses, legislators revise and discuss bills before bringing them to a vote, and the public has an opportunity to engage with Congress. Kornberg scrutinizes the inner workings of committees—the different types of witnesses who testify, the varied hearings Congress holds, and the distinct effects that committee work has on congresspeople. She deploys original mixed-methods datasets that span from insider interviews to sentiment analysis examining the language used in hearings. Kornberg evaluates how committees operate and the conditions affecting their performance, finding that committee work can be more deliberative and productive than the politics of the Congress floor.

Through a comprehensive exploration of who committees hear from and how they listen, this book demonstrates that Congress is not as dysfunctional as is often claimed. Inside Congressional Committees also suggests timely reforms based on these findings that can strengthen Congress.

Oil is an unusual commodity in that individual decisions can have an outsized effect on the market. OPEC+’s choice to increase production, for instance, might send prices falling, affecting both oil producers and consumers worldwide. What do the leading oil market players consider before making a fateful move?

Oil Leaders offers an unprecedented glimpse into the strategic thinking of top figures in the energy world from the 1980s through the recent past. Ibrahim AlMuhanna—a close adviser to four different Saudi oil ministers during that period—examines the role of individual and collective decision making in shaping market movements. He analyzes how powerful individuals made critical choices, tracking how they responded to the flow of information on pivotal market and political events and predicted reactions from allies and adversaries. AlMuhanna highlights how the media has played an increasingly important role as a conduit of information among multiple players in the oil market. Energy leaders have learned to manage the signals they send to the market and to other relevant players in order to avoid sending oil prices into a spiral.

AlMuhanna draws on personal familiarity with many of these individual decision makers as well as his participation in decades of closed-door sessions where crucial choices were made. Featuring revelatory behind-the-scenes perspective on pivotal oil market events and dynamics, this book is a must-read for practitioners and policy makers engaged with the global energy world.

What is the relationship between the ethical transformation of the self and the political transformation of the world? This book explores the ways several twentieth-century thinkers can help us relate the “care of the self” to the “care of the other,” tracing their accounts of how and why practices intended to change an individual can help spur social and political change, just as collective political action can produce a transformation of the self.

Daniel Louis Wyche examines the political implications of what he calls practices of ethical self-change. These include Pierre Hadot’s notion of “spiritual exercises”; what the French sociologist of labor Georges Friedmann calls the “interior effort”; Michel Foucault’s ethics of the “care of the self”; what Martin Luther King Jr. refers to as the work of “self-purification” integral to direct action; and Audre Lorde’s claim that caring for herself constitutes a form of “political warfare.” Wyche argues that these concepts can collectively provide an understanding that effaces distinctions between the care of the self, the other, and the community in a way that avoids reducing the political to the ethical. Ambitious and nuanced, The Care of the Self and the Care of the Other offers a framework for unifying individual moral action and collective political life.

Longlisted, 2025 Palestine Book Awards

In recent years, attitudes in the United States toward the Palestinian cause have shifted dramatically. Although Palestinians have long been demonized in U.S. media and politics, their struggle portrayed as illegitimate, emergent progressive voices increasingly challenge the status quo on Israel and Palestine and express solidarity with Palestinian resistance. What accounts for this change and its evolution?

This book provides a new lens on activism around Palestinian issues, demonstrating how the global Palestinian diaspora has driven transnational political movements. Karam Dana explores the ways that exile has shaped Palestinian identity and allowed for new forms of global activism. He examines the social, political, economic, and technological forces that have created space for Palestinian voices to be heard by wider audiences worldwide. Drawing on interviews with scholars and advocates—including members of the Palestinian diaspora and Jewish American activists—as well as public opinion data and media analysis, Dana traces how global Palestinian communities have influenced American views. He addresses the backlash against pro-Palestinian advocacy but argues that solidarity with Palestinians—both in the United States and globally—will continue to strengthen. Timely and insightful, To Stand with Palestine offers an inside look at how Palestinians have shared their story with the world and why sympathy for their plight is growing, with significant implications for the global political landscape.

Immigrants are less likely to commit crimes. They are eager to learn local languages. Immigration is not a burden on social services. Border walls do not work. There is no unmanageable refugee crisis. Yet many such misinformed assumptions and harmful misconceptions pervade conversations about immigration.

This timely book is a practical, evidence-based primer on immigrants and immigration. Each chapter debunks a frequently encountered claim and answers common questions. Presenting the latest findings and decades of interdisciplinary research in an accessible way, Ernesto Castañeda and Carina Cione emphasize the expert consensus that immigration is vital to the United States and many other countries around the world. Featuring original insights from research conducted in El Paso, Texas, Immigration Realities considers a wide range of places, ethnic groups, and historical eras. It provides the key data and context to understand how immigration affects economies, crime rates, and social welfare systems, and it sheds light on contentious issues such as the safety of the U.S.-Mexico border and the consequences of Brexit. This book is an indispensable guide for all readers who want to counter false claims about immigration and are interested in what the research shows.

Now in paperback—the definitive history of how the"Big Book" of Alcoholics Anonymous was written, edited, and finally brought to press.

It has been over forty years since Ernie Kurtz wrote Not-God, the last truly professional treatment of the history of Alcoholics Anonymous. While many books dealing with A.A. history have been written since then, Writing the Big Book is the first to bring that same kind of exhaustive research, scholarly discipline, and informed insight to the subject.

Schaberg’s book—telling a detailed story that begins in October of 1937 (when a book was first proposed) and ends in April of 1939 (when Alcoholics Anonymous was published)—is based primarily on the wealth of 1930s documents currently preserved in several A.A. archives. Woven together into an exciting narrative, these real-time documents provide an almost week-by-week account of how the book was slowly put together. It is a story that unfolds with many unexpected turns and more than a few revealing departures from the hallowed stories so widely circulated by A.A. members in the past.

Writing the Big Book presents a robust and vivid picture of how Alcoholics Anonymous operated and grew in its earliest days along with a vast amount of previously unreported details about the cast of colorful characters who made that group so successful. Most surprising is the emergence of Bill Wilson’s right-hand man, Hank Parkhurst, as the unsung hero in this story. Without Hank there would have been no book, but his unfortunate slip back into drinking just months after it was published resulted in him being almost completely written out of the supposedly factual stories told later.

Fast paced, engaging, and contrary, Writing the Big Book will decisively change whatever you think you know about early A.A. history and the ways in which this book—so central to the worldwide growth of this important twentieth century movement of spiritual recovery—actually came into being.

An essential guide to the challenges men face in creating healthy and engaged relationships in all areas of their lives. 

"For every man who has wandered through the entanglements of love, unwilling to ask for directions, and secretly hoping for a guide, Dan Griffin offers a clear and comprehensive road map."—Terrence Real, bestselling author of I Don’t Want to Talk About It: Overcoming the Secret Legacy of Male Depression.

Every idea is presented through the lens of the "Man Rules"—the often unconscious ideas men carry with them into every relationship they have—that affect their ability to find true connection. A Man's Way through Relationships offers practical advice and inspiration for men to define, with their partners, their own sense of masculinity, and thus heighten their potential to love and be loved.

Dan Griffin excerpts interviews with men who share their innermost lives and experiences with relationships. He draws from his own life with over two decades of recovery and ten years of marriage. Readers will learn to recognize how their ideas about masculinity have shaped who they are and how they approach there relationships. 

European intellectuals of the 1950s dismissed American culture as nothing more than cowboy movies and the A-bomb. In response, American cultural diplomats tried to show that the United States had something to offer beyond military might and commercial exploitation. Through literary magazines, traveling art exhibits, touring musical shows, radio programs, book translations, and conferences, they deployed the revolutionary aesthetics of modernism to prove—particularly to the leftists whose Cold War loyalties they hoped to secure—that American art and literature were aesthetically rich and culturally significant.

Yet by repurposing modernism, American diplomats and cultural authorities turned the avant-garde into the establishment. They remade the once revolutionary movement into a content-free collection of artistic techniques and styles suitable for middlebrow consumption. Cold War Modernists documents how the CIA, the State Department, and private cultural diplomats transformed modernist art and literature into pro-Western propaganda during the first decade of the Cold War. Drawing on interviews, previously unknown archival materials, and the stories of such figures and institutions as William Faulkner, Stephen Spender, Irving Kristol, James Laughlin, and Voice of America, Barnhisel reveals how the U.S. government reconfigured modernism as a trans-Atlantic movement, a joint endeavor between American and European artists, with profound implications for the art that followed and for the character of American identity.

Today, most Uyghurs are Muslims. For centuries, however, Uyghurs were Buddhists. By around 1000 CE, they, like many of their neighbors, had decisively turned toward the Dharma, and a golden age of Uyghur Buddhism flourished under the Mongol empire. Dwelling along the Silk Road in what is now northwestern China, they stood at the center of Buddhist Eurasia, linking far-flung regions and traditions. But as Muslim power grew, Uyghur Buddhists converted to Islam, rewriting their past and erasing their Buddhist history.

This book presents the first comprehensive history of Buddhism among the Uyghurs from the ninth to the seventeenth century. Johan Elverskog traces how the Uyghurs forged their distinctive tradition, considering a variety of social, political, cultural, and religious contexts. He argues that the religious history of the Uyghurs challenges conventional narratives of the meeting of Buddhism and Islam, showing that conversion took place gradually and was driven by factors such as geopolitics, climate change, and technological innovation. Elverskog also provides a nuanced understanding of lived Buddhism, focusing on ritual practices and materiality as well as the religion’s entanglements with economics, politics, and violence. A groundbreaking history of Uyghur Buddhism, this book makes a compelling case for the importance of the Uyghurs in shaping the course of both Buddhist and Asian history.

Winner, 2025 Donald W. Light Award for Applied Medical Sociology, Medical Sociology Section, American Sociological Association

Winner, 2025 Merton Book Award, Science, Knowledge, and Technology Section, American Sociological Association

Winner 2024 Sociology of Disability in Society Outstanding Publication Award, Disability in Society Section, American Sociological Association

Movements that take issue with conventional understandings of autism spectrum disorder, a developmental disability, have become increasingly visible. Drawing on more than three years of ethnographic fieldwork and interviews with participants, Catherine Tan investigates two autism-focused movements, shedding new light on how members contest expert authority. Examining their separate struggles to gain legitimacy and represent autistic people, she develops a new account of the importance of social movements as spaces for constructing knowledge that aims to challenge dominant frameworks.

Spaces on the Spectrum examines the autistic rights and alternative biomedical movements, which reimagine autism in different and conflicting ways: as a difference to be accepted or as a sickness to treat. Both, however, provide a window into how ideas that conflict with dominant beliefs develop, take hold, and persist. The autistic rights movement is composed primarily of autistic adults who contend that autism is a natural human variation, not a disorder, and advocate for social and cultural inclusion and policy changes. The alternative biomedical movement, in contrast, is dominated by parents and practitioners who believe in the disproven idea that vaccines trigger autism and seek to reverse it with scientifically unsupported treatments. Both movements position themselves in opposition to researchers, professionals, and parents outside their communities. Spaces on the Spectrum offers timely insights into the roles of shared identity and communal networks in movements that question scientific and medical authority.

During the Republican period (1912–1949) and after, many Chinese Buddhists sought inspiration from non-Chinese Buddhist traditions, showing a particular interest in esoteric teachings. What made these Buddhists dissatisfied with Chinese Buddhism, and what did they think other Buddhist traditions could offer? Which elements did they choose to follow, and which ones did they disregard? And how do their experiences recast the wider story of twentieth-century pan-Asian Buddhist reform movements?

Based on a wide range of previously unexplored Chinese sources, this book explores how esoteric Buddhist traditions have shaped the Chinese religious landscape. Wei Wu examines cross-cultural religious transmission of ideas from Japanese and Tibetan traditions, considering the various esoteric currents within Chinese Buddhist communities and how Chinese individuals and groups engaged with newly translated ideas and practices. She argues that Chinese Buddhists’ assimilation of doctrinal, ritual, and institutional elements of Tibetan and Japanese esoteric Buddhism was not a simple replication but an active process of creating new meanings. Their visions of Buddhism in the modern world, as well as early twentieth-century discourses of nation building and religious reform, shaped the reception of esoteric traditions. By analyzing the Chinese interpretation and strategic adaptations of esoteric Buddhism, this book sheds new light on the intellectual development, ritual performances, and institutional formations of Chinese Buddhism in the twentieth century.

Winner, 2025 Lionel Trilling Book Award, Columbia College

Winner, 2024 Book Award, History Division, Association for Education in Journalism and Mass Communication

From the toppling of the Qing Empire in 1911 to the political campaigns and mass protests in the Mao and post-Mao eras, revolutionary upheavals characterized China’s twentieth century. In Revolutionary Becomings¸ Ying Qian studies documentary film as an “eventful medium” deeply embedded in these upheavals and as a prism to investigate the entwined histories of media and China’s revolutionary movements.

With meticulous historical excavation and attention to intermedial practices and transnational linkages, Qian discusses how early media practitioners at the turn of the twentieth century intermingled with rival politicians and warlords as well as civic and business organizations. She reveals the foundational role documentary media played in the Chinese Communist Revolution as a bridge between Marxist theories and Chinese historical conditions. In considering the years after the Communist Party came to power, Qian traces the dialectical relationships between media practice, political relationality, and revolutionary epistemology from production campaigns during the Great Leap Forward to the “class struggles” during the Cultural Revolution and the reorganization of society in the post-Mao decade. Exploring a wide range of previously uninvestigated works and intervening in key debates in documentary studies and film and media history, Revolutionary Becomings provides a groundbreaking assessment of the significance of media to the historical unfolding and actualization of revolutionary movements.

Through the story of the brief, brave life of a promising poet, the president and CEO of New York's Metropolitan Museum of Art evokes the turmoil and tragedy of the Vietnam War era.

In That Time tells the story of the American experience in Vietnam through the life of Michael O'Donnell, a bright young musician and poet who served as a soldier and helicopter pilot. O'Donnell wrote with great sensitivity and poetic force, and his best-known poem is among the most beloved of the war. In 1970, during an attempt to rescue fellow soldiers stranded under heavy fire, O'Donnell's helicopter was shot down in the jungles of Cambodia. He remained missing in action for almost three decades.

Although he never fired a shot in Vietnam, O'Donnell served in one of the most dangerous roles of the war, all the while using poetry to express his inner feelings and to reflect on the tragedy that was unfolding around him. O'Donnell's life is both a powerful, personal story and a compelling, universal one about how America lost its way in the 1960s, but also how hope can flower in the margins of even the darkest chapters of the American story.

Shortlist, 2024 Best in Business Book Awards, Society for Advancing Business Editing and Writing

Today, every business is talking about digital transformation. With the acceleration of new technologies, every organization knows it must adapt to survive. But by their own admission, 70 percent of businesses are failing to transform. Across industries, established companies are held back by bureaucracy, inertia, and old ways of working. How can businesses break through to drive real change?

The Digital Transformation Roadmap provides every leader with the answer. Acclaimed author and C-suite advisor David L. Rogers argues that businesses must transform not just products and business models—they must transform the organization itself. Based on two decades of research and advising companies around the world, Rogers identifies the five biggest barriers to digital transformation: vision, priorities, experimentation, governance, and capabilities. He then shows how any business can evolve by heeding the lessons of companies such as Disney, Walmart, Mastercard, Air Liquide, and the New York Times Company.

The Digital Transformation Roadmap provides a practical blueprint for organizational change, illustrated with real-world case studies and step-by-step planning tools. Rogers shows every leader how to think beyond the churn of new technologies and rebuild their organization for a world of constant change.

The Tarikh-i Ḥamidi is an epic and tragic history from the region of Xinjiang in northwest China, the homeland of the Muslim-majority Uyghur people. Written in the early twentieth century, it chronicles a mass rebellion by the Muslims of Xinjiang against the China-based Qing empire from its beginnings in 1864 to the Qing reconquest of 1877 and its aftermath. Its author, Musa Sayrami, was an eyewitness to and participant in the rebellion, and he later became a servant to the state that arose from it: an emirate led by the Central Asian military commander Yaʿqub Beg.

Sayrami documents the optimism of the rebellion’s early days, when local Muslims rose up to demand justice, as well as the tragedies that resulted from its leaders’ hubris. Yaʿqub Beg’s state offered hope for Islamic rule, but he turned out to be a flawed ruler, and the Qing reconquered the region. The narrative alternates dramatic scenes of battles and intrigue with colorful legends and reflections on the nature of politics.

Sayrami wrote not only to record events being lost from memory three decades after the uprising but also to account for why the Islamic rebellion had failed. He draws on traditional Islamic scholarship to analyze the relationship between Qing and Islamic power, developing an incisive argument about politics and empire. Presenting a distinctly Uyghur perspective on China, Eurasia, and the world, the Tarikh-i Ḥamidi is at once an invaluable lens on a period of flux and a cornerstone of Uyghur writing.

Winner, 2024 Aldo and Jeanne Scaglione Prize for East Asian Studies, Modern Language Association

Charismatic artists recruit desperate migrants for site-specific performance art pieces, often without compensation. Construction workers threaten on camera to jump from the top of a high-rise building if their back wages are not paid. Users of a video and livestreaming app hustle for views by eating excrement or setting off firecrackers on their genitals. In these and many other recent cultural moments, China’s suppressed social strife simmers—or threatens to boil over.

On the Edge probes precarity in contemporary China through the lens of the dark and angry cultural forms that chronic uncertainty has generated. Margaret Hillenbrand argues that a vast underclass of Chinese workers exist in “zombie citizenship,” a state of dehumanizing exile from the law and its safeguards. Many others also feel precarious—sensing that they live on a precipice, with the constant fear of falling into this abyss of dispossession, disenfranchisement, and dislocation. Examining the volatile aesthetic forms that embody stifled social tensions and surging anxiety over zombie citizenship, Hillenbrand traces how people use culture to vent taboo feelings of rage, resentment, distrust, and disdain in scenarios rife with cross-class antagonism.

On the Edge is highly interdisciplinary, fusing digital media, art history, literary criticism, and performance studies with citizenship, protest, and labor studies. It makes both the distinctive Chinese experience and the vital role of culture central to global understandings of how entrenched insecurity and civic jeopardy fray the bonds of the social contract.

Honorable Mention, 2024 Ángel David Nieves Book Award, American Studies Association, Digital Humanities Caucus

Today, algorithms exercise outsize influence on cultural decision-making, shaping and even reshaping the concept of culture. How were automated, computational processes empowered to perform this work? What forces prompted the emergence of algorithmic culture?

Algorithmic Culture Before the Internet is a history of how culture and computation came to be entangled. From Cambridge, England, to Cambridge, Massachusetts, by way of medieval Baghdad, this book pinpoints the critical junctures at which algorithmic culture began to coalesce in language long before it materialized in the technological wizardry of Silicon Valley. Revising and extending the methodology of “keywords,” Ted Striphas examines changing concepts and definitions of culture, including the development of the field of cultural studies, and stresses the importance of language in the history of technology.

Offering historical and interdisciplinary perspective on the relationship of culture and computation, this book provides urgently needed context for the algorithmic injustices that beset the world today.

Winner, 2024 Choice Outstanding Academic Title

Muslim people are found all over the world. Most live outside the Middle East, from Asia to the Americas. The vast majority of contemporary Muslims are not fluent in Arabic, and speakers of languages such as Persian, Urdu, and Turkish have made essential contributions to Islamic history and culture. However, typical courses on Islam tend to downplay areas beyond the Middle East, focusing on Arabic texts and elite theological and doctrinal arguments.

This book offers an inclusive view of the diversity and complexity of the many worlds of Islam, investigating ethics and aesthetics as much as scriptures and theology. By paying attention to Muslims who are socially, culturally, doctrinally, or politically marginalized, it provides a comprehensive and all-embracing vision of the religion and its many interrelated communities. Contributors from a range of personal and intellectual backgrounds explore the capaciousness of Muslim identities, helping readers achieve a broader understanding of the past, present, and future of the Muslim world. This book includes communities such as the Nation of Islam and Alevi Muslims, and it goes beyond rituals like prayer and fasting to consider a wider array of practices, such as tattooing.

Across the Worlds of Islam is at once student-friendly and cutting-edge, written with both introductory courses and general readers in mind. Examining Muslim identity and practice from the perspective of the margins, it offers nuanced portraits of Muslim life across geographic and sectarian divisions.

What does it mean to be a Muslim philosopher, or to philosophize in Islam? In Open to Reason, Souleymane Bachir Diagne traces Muslims’ intellectual and spiritual history of examining and questioning beliefs and arguments to show how Islamic philosophy has always engaged critically with texts and ideas both inside and outside its tradition. Through a rich reading of classical and modern Muslim philosophers, Diagne explains the long history of philosophy in the Islamic world and its relevance to crucial issues of our own time.

From classical figures such as Avicenna to the twentieth-century Sufi master and teacher of tolerance Tierno Bokar Salif Tall, Diagne explores how Islamic thinkers have asked and answered such questions as Does religion need philosophy? How can religion coexist with rationalism? What does it mean to interpret a religious narrative philosophically? What does it mean to be human, and what are human beings’ responsibilities to nature? Is there such a thing as an “Islamic” state, or should Muslims reinvent political institutions that suit their own times? Diagne shows that philosophizing in Islam in its many forms throughout the centuries has meant a commitment to forward and open thinking. A remarkable history of philosophy in the Islamic world as well as a work of philosophy in its own right, this book seeks to contribute to the revival of a spirit of pluralism rooted in Muslim intellectual and spiritual traditions.

Winner, 2024 Columbia University Press Distinguished Book Award

Winner, 2024 Aldo and Jeanne Scaglione Prize for South Asian Studies, Modern Language Association

Co-winner, 2023 AIPS Book Prize, American Institute of Pakistan Studies

Finalist, 2023 Richard Wall Memorial Award, Theatre Library Association

From news about World War II to the broadcasting of music from popular movies, radio played a crucial role in an increasingly divided South Asia for more than half a century. Radio for the Millions examines the history of Hindi-Urdu radio during the height of its popularity from the 1930s to the 1980s, showing how it created transnational communities of listeners.

Isabel Huacuja Alonso argues that despite British, Indian, and Pakistani politicians’ efforts to usurp the medium for state purposes, radio largely escaped their grasp. She demonstrates that the medium enabled listeners and broadcasters to resist the cultural, linguistic, and political agendas of the British colonial administration and the subsequent independent Indian and Pakistani governments. Rather than being merely a tool of nation building in South Asia, radio created affective links that defied state agendas, policies, and borders. It forged an enduring transnational soundscape, even after the 1947 Partition had made a united India a political impossibility.

Huacuja Alonso traces how people engaged with radio across news, music, and drama broadcasts, arguing for a more expansive definition of what it means to listen. She develops the concept of “radio resonance” to understand how radio relied on circuits of oral communication such as rumor and gossip and to account for the affective bonds this “talk” created. By analyzing Hindi film-song radio programs, she demonstrates how radio spurred new ways of listening to cinema. Drawing on a rich collection of sources, including newly recovered recordings, listeners’ letters to radio stations, original interviews with broadcasters, and archival documents from across three continents, Radio for the Millions rethinks assumptions about how the medium connects with audiences.

Chimpanzees fascinate people for many reasons. We are struck by the apes’ resemblance to humanity, as seen in their use of tools and their complex social lives, and we are moved by the threats that human activity poses to them. Our awareness of our closest living relatives testifies to the efforts of the remarkable people who study these creatures and work to protect them. What motivates someone to dedicate their lives to chimpanzees? How does that reflect on our own species?

This book brings together a range of chimpanzee experts who tell powerful personal stories about their lives and careers. It features some of the world’s preeminent primatologists—including Jane Goodall and Frans de Waal—as well as representatives of a new generation from varied backgrounds. In addition to field scientists, the book features anthropologists, biologists, psychologists, veterinarians, conservationists, and the director of a chimpanzee sanctuary. Some grew up in the English countryside, others in villages in Congo; some first encountered chimpanzees in a zoo, others in the forests surrounding their homes. All are united by a common purpose: to study and understand chimpanzees in order to protect them in the wild and care for them in zoos and sanctuaries. Contributors share what inspired them, what shaped their career choices, and what motivates them to strive for solutions to the many challenges that chimpanzees face today.

This book is at once a guided introduction to Chinese nonfictional prose and an innovative textbook for the study of classical Chinese. It is a companion volume to How to Read Chinese Prose: A Guided Anthology, designed for Chinese-language learners.

How to Read Chinese Prose in Chinese presents more than forty prose works, either excerpts or in full, from antiquity through the Qing dynasty. While teaching readers how to appreciate the rich tradition of Chinese prose in its original form, the book uses these texts to introduce classical Chinese to advanced learners, helping them develop reading comprehension and vocabulary. It offers a systematic guide to classical Chinese grammar and abundant notes on vocabulary, and features an extensive network of notes, exercises, and cross-references. The book includes modern translations of the forty prose works in simplified Chinese, presented alongside the original texts in traditional Chinese. It also includes expert commentaries on each text’s distinctive aesthetic qualities as well as historical and cultural contexts.

The book comprises thirty-eight lessons within eight units, organized chronologically to reflect the emergence of major prose genres. It is a major contribution to the teaching and study of classical Chinese language and literature.

Audio recordings of all forty texts are available online free of charge.

Born just one year before the United Nations itself, Ban Ki-moon came of age with the world body. His earliest memories are haunted by the sound of bombs dropping on his Korean village and the sight of fires consuming what remained. The six-year-old boy fled with his family, trudging for miles in mud-soaked shoes, suffering from incessant hunger, and wondering how they would survive—until the United Nations rescued them. Young Ban Ki-moon grew up determined to repay this lifesaving generosity.

Resolved is Ban Ki-moon’s personal account of his decade at the helm of the organization during a period of historic turmoil and promise. Meeting challenges and resistance with a belief in the UN’s mission of peace, development, and human rights, he steered the United Nations through a volatile period that included the Arab Spring, nuclear pursuits in Iran and North Korea, the Ebola epidemic, and brutal new conflicts in Central Africa. As secretary-general, Ban also forged global agreements to fight extreme poverty and address the climate crisis.

Ban performed what has been called “the most impossible job on this earth” with a genuine belief in collective action and global transformation. Freed from the diplomatic constraints of a lifetime of public service, he offers a candid assessment of the people and events that shape our era and a bracing analysis of what lies ahead.

Today, the People’s Republic of China is North Korea’s only ally on the world stage, a tightly knit relationship that goes back decades. Both countries portray their partnership as one of “brotherly affection” based on shared political ideals—an alliance “as tight as lips to teeth”—even though relations have deteriorated in recent years due to China’s ascendance and North Korea’s intransigence.

In A Misunderstood Friendship, leading diplomatic historians Zhihua Shen and Yafeng Xia draw on previously untapped primary source materials revealing tensions and rivalries to offer a unique account of the China–North Korea relationship. They unravel the twists and turns in high-level diplomacy between China and North Korea from the late 1940s to the death of Mao Zedong in 1976. Based on unprecedented access to Chinese government documents, Soviet and Eastern European archives, and in-depth interviews with former Chinese diplomats and North Korean defectors, Shen and Xia reveal that the tensions that currently plague the alliance between the two countries have been present from the very beginning of the relationship. They significantly revise existing narratives of the Korean War, China’s postwar aid to North Korea, Kim Il-sung’s ideological and strategic thinking, North Korea’s relations with the Soviet Union, and the importance of the Sino-U.S. rapprochement, among other issues. A Misunderstood Friendship adds new depth to our understanding of one of the most secretive and significant relationships of the Cold War, with increasing relevance to international affairs today.

As a broad category of identity, “transgender” has given life to a vibrant field of academic research since the 1990s. Yet the Western origins of the field have tended to limit its cross-cultural scope. Howard Chiang proposes a new paradigm for doing transgender history in which geopolitics assumes central importance. Defined as the antidote to transphobia, transtopia challenges a minoritarian view of transgender experience and makes room for the variability of transness on a historical continuum.

Against the backdrop of the Sinophone Pacific, Chiang argues that the concept of transgender identity must be rethought beyond a purely Western frame. At the same time, he challenges China-centrism in the study of East Asian gender and sexual configurations. Chiang brings Sinophone studies to bear on trans theory to deconstruct the ways in which sexual normativity and Chinese imperialism have been produced through one another. Grounded in an eclectic range of sources—from the archives of sexology to press reports of intersexuality, films about castration, and records of social activism—this book reorients anti-transphobic inquiry at the crossroads of area studies, medical humanities, and queer theory. Timely and provocative, Transtopia in the Sinophone Pacific highlights the urgency of interdisciplinary knowledge in debates over the promise and future of human diversity.

With the advent of the steamship, repeated outbreaks of cholera marked oceanic pilgrimages to Mecca as a dangerous form of travel and a vehicle for the globalization of epidemic diseases. European, especially British Indian, officials also feared that lengthy sojourns in Arabia might expose their Muslim subjects to radicalizing influences from anticolonial dissidents and pan-Islamic activists. European colonial empires’ newfound ability to set the terms of hajj travel not only affected the lives of millions of pilgrims but also dramatically challenged the Ottoman Empire, the world’s only remaining Muslim imperial power.

Michael Christopher Low analyzes the late Ottoman hajj and Hijaz region as transimperial spaces, reshaped by the competing forces of Istanbul’s project of frontier modernization and the extraterritorial reach of British India’s steamship empire in the Indian Ocean and Red Sea. Imperial Mecca recasts Ottoman Arabia as a distant, unstable semiautonomous frontier that Istanbul struggled to modernize and defend against the onslaught of colonial steamship mobility. As it turned out, steamships carried not just pilgrims, passports, and microbes, but the specter of legal imperialism and colonial intervention. Over the course of roughly a half century from the 1850s through World War I, British India’s fear of the hajj as a vector of anticolonial subversion gradually gave way to an increasingly sophisticated administrative, legal, and medical protectorate over the steamship hajj, threatening to eclipse the Ottoman state and Caliphate’s prized legitimizing claim as protector of Islam’s most holy places. Drawing on a wide range of Ottoman and British archival sources, this book sheds new light on the transimperial and global histories traversed along the pilgrimage to Mecca.

As the teaching of Chinese increasingly uses simplified characters, this new version of the popular A Primer for Advanced Beginners of Chinese fills an important gap in Chinese-language instruction.

The two-volume primer is addressed to meet the needs of the rapidly growing number of Chinese language students who were raised in the United States in Chinese-speaking homes and speak the language but cannot read or write it. This text develops lessons around readings on Chinese history, culture, geography, literature, folktales and mythology, customs, and cuisine.

Completed just weeks before his death, the lectures in this volume mark a critical juncture in the career of Roland Barthes, in which he declared the intention, deeply felt, to write a novel. Unfolding over the course of two years, Barthes engaged in a unique pedagogical experiment: he combined teaching and writing to "simulate" the trial of novel-writing, exploring every step of the creative process along the way.

Barthes's lectures move from the desire to write to the actual decision making, planning, and material act of producing a novel. He meets the difficulty of transitioning from short, concise notations (exemplified by his favorite literary form, haiku) to longer, uninterrupted flows of narrative, and he encounters a number of setbacks. Barthes takes solace in a diverse group of writers, including Dante, whose La Vita Nuova was similarly inspired by the death of a loved one, and he turns to classical philosophy, Taoism, and the works of François-René Chateaubriand, Gustave Flaubert, Franz Kafka, and Marcel Proust.

This book uniquely includes eight elliptical plans for Barthes's unwritten novel, which he titled Vita Nova, and lecture notes that sketch the critic's views on photography. Following on The Neutral: Lecture Course at the Collège de France (1977-1978) and a third forthcoming collection of Barthes lectures, this volume provides an intensely personal account of the labor and love of writing.

Nothing fills us with a sense of wonder like fossils. What looks at first like a simple rock is in fact a clue that reveals the staggering diversity of ancient environments, the winding pathways of evolution, and the majesty of a vanished earth. But as much as one might daydream of digging a hole in the backyard and finding a Tyrannosaurus, only a few places contain these buried treasures, and when a scientist comes across a remnant of prehistoric life, great care must be taken. What do budding paleontologists need to know before starting their search?

In Fantastic Fossils, Donald R. Prothero offers an accessible, entertaining, and richly illustrated guide to the paleontologist’s journey. He details the best places to look for fossils, the art of how to find them, and how to classify the major types. Prothero provides expert wisdom about typical fossils that an average person can hope to collect and how to hunt fossils responsibly and ethically. He also explores the lessons that both common and rarer discoveries offer about paleontology and its history, as well as what fossils can tell us about past climates and present climate change. Captivating illustrations by the paleoartist Mary Persis Williams bring to life hundreds of important specimens. Offering valuable lessons for armchair enthusiasts and paleontology students alike, Fantastic Fossils is an essential companion for all readers who have ever dreamed of going in search of traces of a lost world.

New Russian Drama took shape at the turn of the new millennium—a time of turbulent social change in Russia and the former Soviet republics. Emerging from small playwriting festivals, provincial theaters, and converted basements, it evolved into a major artistic movement that startled audiences with hypernaturalistic portrayals of sex and violence, daring use of non-normative language, and thrilling experiments with genre and form. The movement’s commitment to investigating contemporary reality helped revitalize Russian theater. It also provoked confrontations with traditionalists in society and places of power, making theater once again Russia’s most politicized art form.

This anthology offers an introduction to New Russian Drama through plays that illustrate the versatility and global relevance of this exciting movement. Many of them address pressing social issues, such as ethnic tensions and political disillusionment; others engage with Russia’s rich cultural legacy by reimagining traditional genres and canons. Among them are a family drama about Anton Chekhov, a modern production play in which factory workers compose haiku, and a satirical verse play about the treatment of migrant workers, as well a documentary play about a terrorist school siege and a postdramatic “text” that is only two sentences long. Both politically and aesthetically uncompromising, they chart new paths for performance in the twenty-first century. Acquainting English-language readers with these vital works, New Russian Drama challenges us to reflect on the status and mission of the theater.

During the last two decades, sociologist Pierre Bourdieu has become a dominant force in cultural activity ranging from taste in music and art to choices in food and lifestyles.

The Field of Cultural Production brings together Bourdieu's major essays on art and literature and provides the first introduction to Bourdieu's writings and theory of a cultural field that situates artistic works within the social conditions of their production, circulation, and consumption.

Bourdieu develops a highly original approach to the study of literary and artistic works, addressing many of the key issues that have preoccupied literary art and cultural criticism in the last twentieth century: aesthetic value and canonicity, intertextuality, the institutional frameworks of cultural practice, the social role of intellectuals and artists, and structures of literary and artistic authority.

Bourdieu elaborates a theory of the cultural field which situates artistic works within the social conditions of their production, circulation, and consumption. He examines the individuals and institutions involved in making cultural products what they are: not only the writers and artists, but also the publishers, critics, dealers, galleries, and academies. He analyzes the structure of the cultural field itself as well as its position within the broader social structures of power.

The essays in his volume examine such diverse topics as Flaubert's point of view, Manet's aesthetic revolution, the historical creation of the pure gaze, and the relationship between art and power.

The Field of Cultural Porduction will be of interest to students and scholars from a wide range of disciplines: sociology and social theory, literature, art, and cultural studies.

In 1993, an astonishing discovery was made at a tomb in Guodian in Hubei province (east central China). Written on strips of bamboo that have miraculously survived intact since 300 B.C., the "Guodian Laozi," is by far the earliest version of the Tao Te Ching ever unearthed. Students of ancient Chinese civilization proclaimed the text a decisive breakthrough in the understanding of this famous text: it provides the most conclusive evidence to date that the text was the work of multiple authors and editors over hundreds of years, rather than the achievement of a single individual writing during the time of Confucius.

Robert Henricks now presents the first English translation of the "bamboo slip Laozi." Differing substantially from other versions we have of the text, the Guodian Laozi provides us with clues on how and when the text came into being. As Henricks's translation shows, many chapters are missing in this form of the text, and some chapters remain incomplete. All of this seems to suggest that the Tao Te Ching was not yet "complete" when these slips were copied.

In his translation, Henricks focuses attention on lines in each of the chapters that vary from readings in other editions. In addition, he shows how the sequence of chapters in this form of the text is totally unrelated to the sequence readers commonly see in the "standard" form of the text, i.e., in other translations.

Here are just a few of the noteworthy features of this new Tao Te Ching:

• A lucid introduction to the Guodian Laozi, offering background on the archaeological interpretation of the discovery

• Line-by-line comparisons of the Guodian Laozi against the Mawangdui and Wang Bi editions

• Extensive notes on each chapter describing the unique elements of the Guodian Laozi in comparison with other versions

• Transcriptions for each chapter, noting both the ancient and modern form of the characters in the chapter

• An appendix featuring the official biography of Laozi written by Sima Qian, the Grand Historian of China, as well as Henricks's commentary and notes on this biography

This groundbreaking work will lead to a reassessment of the history and significance of this well-known and critical work as well as a reevaluation of the role it played in the development of Taoism in early China.

Available for the first time in English, Azaleas is a captivating collection of poems by a master of the early Korean modernist style. Published in 1925, Azaleas is the only collection Kim Sowol (1902-1934) produced during his brief life, yet he remains one of Korea's most beloved and well-known poets. His work is a delightful and sophisticated blend of the images, tonalities, and rhythms of traditional Korean folk songs with surprisingly modern forms and themes. Sowol is also known for his unique and sometimes unsettling perspective, expressed through loneliness, longing, and a creative use of dream imagery-a reflection of Sowol's engagement with French Symbolist poetry.

Azaleas recounts the journey of a young Korean as he travels from the northern P'yongyang area near to the cosmopolitan capital of Seoul. Told through an array of voices, the poems describe the young man's actions as he leaves home, his experiences as a student and writer in Seoul, and his return north. Although considered a landmark of Korean literature, Azaleas speaks to readers from all cultures. An essay by Sowol's mentor, the poet Kim Ok, concludes the collection and provides vital insight into Sowol's work and life. This elegant translation by David R. McCann, an expert on modern Korean poetry, maintains the immediacy and richness of Sowol's work and shares with English-language readers the quiet beauty of a poet who continues to cast a powerful spell on generations of Korean readers.

What is the sentimental? How can we understand it by way of the visual and narrative modes of signification specific to cinema and through the manners of social interaction and collective imagining specific to a particular culture in transition? What can the sentimental tell us about the precarious foundations of human coexistence in this age of globalization?

Rey Chow explores these questions through nine contemporary Chinese directors (Chen Kaige, Wong Kar-wai, Zhang Yimou, Ann Hui, Peter Chan, Wayne Wang, Ang Lee, Li Yang, and Tsai Ming-liang) whose accomplishments have become historic events in world cinema. Approaching their works from multiple perspectives, including the question of origins, nostalgia, the everyday, feminine "psychic interiority," commodification, biopolitics, migration, education, homosexuality, kinship, and incest, and concluding with an account of the Chinese films' epistemic affinity with the Hollywood blockbuster Brokeback Mountain, Chow proposes that the sentimental is a discursive constellation traversing affect, time, identity, and social mores, a constellation whose contours tends to morph under different historical circumstances and in different genres and media. In contemporary Chinese films, she argues, the sentimental consistently takes the form not of revolution but of compromise, not of radical departure but of moderation, endurance, and accommodation. By naming these films sentimental fabulations—screen artifacts of cultural becoming with irreducible aesthetic, conceptual, and speculative logics of their own—Chow presents Chinese cinema first and foremost as an invitation to the pleasures and challenges of critical thinking.

Chaoyue: Advancing in Chinese covers the five Cs—communication, cultures, comparisons, connections, and communities—and follows three communicative modes in lesson design: interpersonal, interpretive, and presentational. The authors arrange their lessons around four topics intrinsically interesting to students: the self, schooling, social customs, and the global village, fostering a full appreciation of Chinese culture. Each lesson contains warm-up activities, mini-dialogues, authentic readings, conversational relays, a cultural unit, examples of sentence patterns, and a vocabulary list. Two review lessons are geared specifically toward synthesizing and reinforcing the language and culture skills taught throughout the book, and footnote glossaries assist in reading comprehension.

Written by experienced Chinese language instructors, Chaoyue helps students reach the preadvanced proficiency level within two semesters, or approximately 150 to 180 hours of course time. The preadvanced stage is comparable to a fourth-semester college Chinese course, or 250 hours of instruction. Unlike other language texts, Chaoyue is printed in both simplified and traditional Chinese characters, as well as the phonetic systems used in China (pinyin) and Taiwan (zhuyin fuhao). It also includes a CD-ROM with additional assignments and review as well as an online teacher manual.

Lesson sections include: •Warm-up activities that articulate the lesson's theme and activate students' prior knowledge

•Short readings in the form of letters, e-mails, reports, dialogues, stories, and interviews

•Dialogue practice with key vocabulary and sentence patterns

•Interactive activities such as surveys, debates, and small group discussions

•Conversational relays that ask pairs to complete minidialogues

•Authentic readings in the form of advertisements, Web sites, maps, and signs, with multiple-choice review questions

•Common expressions that relate to the lesson theme

Loren Ghiglione recounts the fascinating life and tragic suicide of Don Hollenbeck, the controversial newscaster who became a primary target of McCarthyism's smear tactics. Drawing on unsealed FBI records, private family correspondence, and interviews with Walter Cronkite, Mike Wallace, Charles Collingwood, Douglas Edwards, and more than one hundred other journalists, Ghiglione writes a balanced biography that cuts close to the bone of this complicated newsman and chronicles the stark consequences of the anti-Communist frenzy that seized America in the late 1940s and 1950s.

Hollenbeck began his career at the Lincoln, Nebraska Journal (marrying the boss's daughter) before becoming an editor at William Randolph Hearst's rip-roaring Omaha Bee-News. He participated in the emerging field of photojournalism at the Associated Press; assisted in creating the innovative, ad-free PM newspaper in New York City; reported from the European theater for NBC radio during World War II; and anchored television newscasts at CBS during the era of Edward R. Murrow.

Hollenbeck's pioneering, prize-winning radio program, CBS Views the Press (1947-1950), was a declaration of independence from a print medium that had dominated American newsmaking for close to 250 years. The program candidly criticized the prestigious New York Times, the Daily News (then the paper with the largest circulation in America), and Hearst's flagship Journal-American and popular morning tabloid Daily Mirror. For this honest work, Hollenbeck was attacked by conservative anti-Communists, especially Hearst columnist Jack O'Brian, and in 1954, plagued by depression, alcoholism, three failed marriages, and two network firings (and worried about a third), Hollenbeck took his own life. In his investigation of this amazing American character, Ghiglione reveals the workings of an industry that continues to fall victim to censorship and political manipulation. Separating myth from fact, CBS's Don Hollenbeck is the definitive portrait of a polarizing figure who became a symbol of America's tortured conscience.

"Unlike Freud, I do not claim that religion is just an illusion and a source of neurosis. The time has come to recognize, without being afraid of 'frightening' either the faithful or the agnostics, that the history of Christianity prepared the world for humanism."

So writes Julia Kristeva in this provocative work, which skillfully upends our entrenched ideas about religion, belief, and the thought and work of a renowned psychoanalyst and critic. With dialogue and essay, Kristeva analyzes our "incredible need to believe"--the inexorable push toward faith that, for Kristeva, lies at the heart of the psyche and the history of society. Examining the lives, theories, and convictions of Saint Teresa of Avila, Sigmund Freud, Donald Winnicott, Hannah Arendt, and other individuals, she investigates the intersection between the desire for God and the shadowy zone in which belief resides.

Kristeva suggests that human beings are formed by their need to believe, beginning with our first attempts at speech and following through to our adolescent search for identity and meaning. Kristeva then applies her insight to contemporary religious clashes and the plight of immigrant populations, especially those of Islamic origin. Even if we no longer have faith in God, Kristeva argues, we must believe in human destiny and creative possibility. Reclaiming Christianity's openness to self-questioning and the search for knowledge, Kristeva urges a "new kind of politics," one that restores the integrity of the human community.

In The Preparation of the Novel, a collection of lectures delivered at a defining moment in Roland Barthes's career (and completed just weeks before his death), the critic spoke of his struggle to discover a different way of writing and a new approach to life. The Neutral preceded this work, containing Barthes's challenge to the classic oppositions of Western thought and his effort to establish new pathways of meaning. How to Live Together predates both of these achievements, a series of lectures exploring solitude and the degree of contact necessary for individuals to exist and create at their own pace. A distinct project that sets the tone for his subsequent lectures, How to Live Together is a key introduction to Barthes's pedagogical methods and critical worldview.

In this work, Barthes focuses on the concept of "idiorrhythmy," a productive form of living together in which one recognizes and respects the individual rhythms of the other. He explores this phenomenon through five texts that represent different living spaces and their associated ways of life: Émile Zola's Pot-Bouille, set in a Parisian apartment building; Thomas Mann's The Magic Mountain, which takes place in a sanatorium; André Gide's La Séquestrée de Poitiers, based on the true story of a woman confined to her bedroom; Daniel Defoe's Robinson Crusoe, about a castaway on a remote island; and Pallidius's Lausiac History, detailing the ascetic lives of the desert fathers.

As with his previous lecture books, How to Live Together exemplifies Barthes's singular approach to teaching, in which he invites his audience to investigate with him—or for him—and wholly incorporates his listeners into his discoveries. Rich with playful observations and suggestive prose, How to Live Together orients English-speaking readers to the full power of Barthes's intellectual adventures.

Judith Butler follows Edward Said's late suggestion that through a consideration of Palestinian dispossession in relation to Jewish diasporic traditions a new ethos can be forged for a one-state solution. Butler engages Jewish philosophical positions to articulate a critique of political Zionism and its practices of illegitimate state violence, nationalism, and state-sponsored racism. At the same time, she moves beyond communitarian frameworks, including Jewish ones, that fail to arrive at a radical democratic notion of political cohabitation. Butler engages thinkers such as Edward Said, Emmanuel Levinas, Hannah Arendt, Primo Levi, Martin Buber, Walter Benjamin, and Mahmoud Darwish as she articulates a new political ethic. In her view, it is as important to dispute Israel's claim to represent the Jewish people as it is to show that a narrowly Jewish framework cannot suffice as a basis for an ultimate critique of Zionism. She promotes an ethical position in which the obligations of cohabitation do not derive from cultural sameness but from the unchosen character of social plurality. Recovering the arguments of Jewish thinkers who offered criticisms of Zionism or whose work could be used for such a purpose, Butler disputes the specific charge of anti-Semitic self-hatred often leveled against Jewish critiques of Israel. Her political ethic relies on a vision of cohabitation that thinks anew about binationalism and exposes the limits of a communitarian framework to overcome the colonial legacy of Zionism. Her own engagements with Edward Said and Mahmoud Darwish form an important point of departure and conclusion for her engagement with some key forms of thought derived in part from Jewish resources, but always in relation to the non-Jew.

Butler considers the rights of the dispossessed, the necessity of plural cohabitation, and the dangers of arbitrary state violence, showing how they can be extended to a critique of Zionism, even when that is not their explicit aim. She revisits and affirms Edward Said's late proposals for a one-state solution within the ethos of binationalism. Butler's startling suggestion: Jewish ethics not only demand a critique of Zionism, but must transcend its exclusive Jewishness in order to realize the ethical and political ideals of living together in radical democracy.

Interspecies Ethics explores animals' vast capacity for agency, justice, solidarity, humor, and communication across species. The social bonds diverse animals form provide a remarkable model for communitarian justice and cosmopolitan peace, challenging the human exceptionalism that drives modern moral theory. Situating biosocial ethics firmly within coevolutionary processes, this volume has profound implications for work in social and political thought, contemporary pragmatism, Africana thought, and continental philosophy.

Interspecies Ethics develops a communitarian model for multispecies ethics, rebalancing the overemphasis on competition in the original Darwinian paradigm by drawing out and stressing the cooperationist aspects of evolutionary theory through mutual aid. The book's ethical vision offers an alternative to utilitarian, deontological, and virtue ethics, building its argument through rich anecdotes and clear explanations of recent scientific discoveries regarding animals and their agency. Geared toward a general as well as a philosophical audience, the text illuminates a variety of theories and contrasting approaches, tracing the contours of a postmoral ethics.

Wael B. Hallaq boldly argues that the "Islamic state," judged by any standard definition of what the modern state represents, is both impossible and inherently self-contradictory. Comparing the legal, political, moral, and constitutional histories of premodern Islam and Euro-America, he finds the adoption and practice of the modern state to be highly problematic for modern Muslims. He also critiques more expansively modernity's moral predicament, which renders impossible any project resting solely on ethical foundations.

The modern state not only suffers from serious legal, political, and constitutional issues, Hallaq argues, but also, by its very nature, fashions a subject inconsistent with what it means to be, or to live as, a Muslim. By Islamic standards, the state's technologies of the self are severely lacking in moral substance, and today's Islamic state, as Hallaq shows, has done little to advance an acceptable form of genuine Shari'a governance. The Islamists' constitutional battles in Egypt and Pakistan, the Islamic legal and political failures of the Iranian Revolution, and similar disappointments underscore this fact. Nevertheless, the state remains the favored template of the Islamists and the ulama (Muslim clergymen).

Providing Muslims with a path toward realizing the good life, Hallaq turns to the rich moral resources of Islamic history. Along the way, he proves political and other "crises of Islam" are not unique to the Islamic world nor to the Muslim religion. These crises are integral to the modern condition of both East and West, and by acknowledging these parallels, Muslims can engage more productively with their Western counterparts.

The fall of the Berlin Wall marked the end of the Cold War but also the rise of a melancholic vision of history as a series of losses. For the political left, the cause lost was communism, and this trauma determined how leftists wrote the next chapter in their political struggle and how they have thought about their past since. Throughout the twentieth century, argues Left-Wing Melancholia, from classical Marxism to psychoanalysis to the advent of critical theory, a culture of defeat and its emotional overlay of melancholy have characterized the leftist understanding of the political in history and in theoretical critique.

Drawing on a vast and diverse archive in theory, testimony, and image and on such thinkers as Karl Marx, Walter Benjamin, Theodor W. Adorno, and others, the intellectual historian Enzo Traverso explores the varying nature of left melancholy as it has manifested in a feeling of guilt for not sufficiently challenging authority, in a fear of surrendering in disarray and resignation, in mourning the human costs of the past, and in a sense of failure for not realizing utopian aspirations. Yet hidden within this melancholic tradition are the resources for a renewed challenge to prevailing regimes of historicity, a passion that has the power to reignite the dialectic of revolutionary thought.

Yi Mun-yol's Meeting with My Brother is narrated by a middle-aged South Korean professor, also named Yi, whose father abandoned his family and defected to the North at the outbreak of the Korean War. Many years later, despite having spent most of his life under a cloud of suspicion as the son of a traitor, Yi is prepared to reunite with his father. Yet before a rendezvous on the Chinese border can be arranged, his father dies. Yi then learns for the first time that he has a half-brother, whom he chooses to meet instead. As the two confront their shared legacy, their encounter takes a surprising turn.

Meeting with My Brother represents the political and psychological complexity of Koreans on both sides of the border, offering a complex yet poignant perspective on the divisions between the two countries. Through a series of charged conversations, Yi explores the nuances of reunification, both political and personal. This semiautobiographical account draws on Yi's own experience of growing up with an absent father who defected to the North and the stigma of family disloyalty. First published in Korea in 1994, Meeting with My Brother is a moving and illuminating portrait of the relationships sundered by one of the world's starkest barriers.

Ch’ae Manshik is one of the most accomplished modern Korean writers yet is underrepresented in English translation because of the challenges posed by his distinctive voice and colloquial style. Sunset: A Ch’ae Manshik Reader is the first English-language anthology of his works and features a variety of genres—novella, short fiction, anecdotal essay, travel writing, children’s story, one-act play, three-act play, and roundtable discussion.


This anthology moves beyond the usual “representative works” to provide a well-rounded selection of writing by one of Korea’s most innovative and memorable voices, drawing on Ch'ae's ten-volume Complete Works. This edition also provides a comprehensive introduction outlining the limitations of existing approaches to Ch'ae. It contextualizes the anthology's contents both in terms of the author's career and the rich Korean tradition of intertextuality and intermediality that he reflects from the country's earliest times to the new millennium.

Why do poets write about animals? What can poetry do for animals and what can animals do for poetry? In some cases, poetry inscribes meaning on animals, turning them into symbols or caricatures and bringing them into the confines of human culture. It also reveals and revels in the complexity of animals. Poetry, through its great variety and its inherently experimental nature, has embraced the multifaceted nature of animals to cross, blur, and reimagine the boundaries between human and animal.

In Poetry and Animals, Onno Oerlemans explores a broad range of English-language poetry about animals from the Middle Ages to the contemporary world. He presents a taxonomy of kinds of animal poems, breaking down the categories and binary oppositions at the root of human thinking about animals. The book considers several different types of poetry: allegorical poems, poems about “the animal” broadly conceived, poems about species of animal, poems about individual animals or the animal as individual, and poems about hybrids and hybridity. Through careful readings of dozens of poems that reveal generous and often sympathetic approaches to recognizing and valuing animals’ difference and similarity, Oerlemans demonstrates how the forms and modes of poetry can sensitize us to the moral standing of animals and give us new ways to think through the problems of the human-animal divide.

Emotion takes place. Rather than an interior state of mind in response to the outside world, emotion per se is spatial, at turns embedding us from without, transporting us somewhere else, or putting us ahead of ourselves. In this book, Ling Hon Lam gives a deeply original account of the history of emotions in Chinese literature and culture centered on the idea of emotion as space, which the Chinese call “emotion-realm” (qingjing).

Lam traces how the emotion-realm underwent significant transformations from the dreamscape to theatricality in sixteenth- to eighteenth-century China. Whereas medieval dreamscapes delivered the subject into one illusory mood after another, early modern theatricality turned the dreamer into a spectator who is no longer falling through endless oneiric layers but pausing in front of the dream. Through the lens of this genealogy of emotion-realms, Lam remaps the Chinese histories of morals, theater, and knowledge production, which converge at the emergence of sympathy, redefined as the dissonance among the dimensions of the emotion-realm pertaining to theatricality.The book challenges the conventional reading of Chinese literature as premised on interior subjectivity, examines historical changes in the spatial logic of performance through media and theater archaeologies, and ultimately uncovers the different trajectories that brought China and the West to the convergence point of theatricality marked by self-deception and mutual misreading. A major rethinking of key terms in Chinese culture from a comparative perspective, The Spatiality of Emotion in Early Modern China develops a new critical vocabulary to conceptualize history and existence.

The Tale of Cho Ung is one of the most widely read and beloved stories of Chosŏn Korea. The anonymously written tale recounts the adventures of protagonist Cho Ung as he fearlessly confronts and overcomes obstacles and grows into a heroic young man. As a child, Ung flees a wicked tyrant who wrongfully killed his father and took advantage of the emperor’s death to seize the throne from the young prince. Driven by his passion, righteousness, and sense of duty, he pursues retribution and restores justice. His journey, from its innocent beginnings to his final triumph, unfolds as a complex tapestry of loyalty, honor, retribution, and love interspersed with threads of romance and the supernatural.

This first translation into English of The Tale of Cho Ung offers a glimpse into the vernacular and popular literature of the late Chosŏn period, exemplifying the types of stories and heroes that were favored by its reading public. The tale emphasizes individual affections and ethics between child and parent, husband and wife, subject and ruler, pupil and teacher, yet explores human life in all its complexity, even subtly dissenting against traditional Korean social norms. This unabridged translation draws upon the many surviving editions of the novel, which vary in length and format. In her introduction, Sookja Cho addresses how the novel evolved and changed over time, while her annotations help to reveal the depths of a text that conveys the richness and complexity of premodern Korean literature and culture.

Marching Through Suffering is a deeply personal portrait of the ravages of famine and totalitarian politics in modern North Korea since the 1990s. Featuring interviews with more than thirty North Koreans who defected to Seoul and Tokyo, the book explores the subjective experience of the nation's famine and its citizens' social and psychological strategies for coping with the regime.

These oral testimonies show how ordinary North Koreans, from farmers and soldiers to students and diplomats, framed the mounting struggles and deaths surrounding them as the famine progressed. Following the development of the disaster, North Koreans deployed complex discursive strategies to rationalize the horror and hardship in their lives, practices that maintained citizens' loyalty to the regime during the famine and continue to sustain its rule today. Casting North Koreans as a diverse people with a vast capacity for adaptation rather than as a monolithic entity passively enduring oppression, Marching Through Suffering positions personal history as key to the interpretation of political violence.

A major contribution to the burgeoning field of global migration history, this book explores the historical clash between transnational networks of migrant mobility with state attempts to control them. Showcasing the latest research in the field, Melancholy Borders brings together a wide range of scholarship that illuminates the crucial role played by migration and migration regulation in the creation of the modern world.

Taking inspiration from the scholarship of historian Adam McKeown (1965–2017), contributors push migration history beyond its long-standing focus on the North Atlantic by spotlighting transnational networks across the Americas, Africa, and Eurasia. At the same time, they demonstrate that consequent efforts to arrest the movement of people were foundational for the rise of the modern global order, international law, and the standardization of the nation-state. Nationalist efforts to restrict migration became a global phenomenon. Melancholy Borders presents case studies that offer different approaches to studying migration and its regulation, featuring conceptual richness as well as geographical and temporal diversity. This book at once marks the advances in the field of global migration history, takes stock of new directions, and opens up new trajectories for future research.

California sits at the epicenter of the US housing catastrophe. Across the state, unhoused people have banded together to build shantytowns and encampments, providing autonomy and communal care they can rarely find elsewhere. Yet the rise of encampments has been met with a new and brutal response, in which cities no longer simply arrest unhoused individuals but demolish entire neighborhoods of tents and makeshift houses.

Jessie Speer takes readers inside the encampments, interweaving an ethnographic account of the lives of unhoused people in Fresno, California, with an investigation of why cities across the United States have turned to what she calls the “bulldozer approach” to homelessness. She tells the powerful stories of people on the margins, painting a complex and detailed portrait of everyday life in the camps. Speer shows how a combination of profit, punishment, and prejudice drives the bulldozer approach in ways that mirror the demolition of informal settlements across the globe. At the same time, resistance movements have risen up to challenge displacement and dispossession, proclaiming that all people share a right to the city. Combining national data with more than a decade of on-the-ground research, Bulldozed exposes the violence of US housing politics and offers a vision of a more equal city.

A major contribution to the burgeoning field of global migration history, this book explores the historical clash between transnational networks of migrant mobility with state attempts to control them. Showcasing the latest research in the field, Melancholy Borders brings together a wide range of scholarship that illuminates the crucial role played by migration and migration regulation in the creation of the modern world.

Taking inspiration from the scholarship of historian Adam McKeown (1965–2017), contributors push migration history beyond its long-standing focus on the North Atlantic by spotlighting transnational networks across the Americas, Africa, and Eurasia. At the same time, they demonstrate that consequent efforts to arrest the movement of people were foundational for the rise of the modern global order, international law, and the standardization of the nation-state. Nationalist efforts to restrict migration became a global phenomenon. Melancholy Borders presents case studies that offer different approaches to studying migration and its regulation, featuring conceptual richness as well as geographical and temporal diversity. This book at once marks the advances in the field of global migration history, takes stock of new directions, and opens up new trajectories for future research.

California sits at the epicenter of the US housing catastrophe. Across the state, unhoused people have banded together to build shantytowns and encampments, providing autonomy and communal care they can rarely find elsewhere. Yet the rise of encampments has been met with a new and brutal response, in which cities no longer simply arrest unhoused individuals but demolish entire neighborhoods of tents and makeshift houses.

Jessie Speer takes readers inside the encampments, interweaving an ethnographic account of the lives of unhoused people in Fresno, California, with an investigation of why cities across the United States have turned to what she calls the “bulldozer approach” to homelessness. She tells the powerful stories of people on the margins, painting a complex and detailed portrait of everyday life in the camps. Speer shows how a combination of profit, punishment, and prejudice drives the bulldozer approach in ways that mirror the demolition of informal settlements across the globe. At the same time, resistance movements have risen up to challenge displacement and dispossession, proclaiming that all people share a right to the city. Combining national data with more than a decade of on-the-ground research, Bulldozed exposes the violence of US housing politics and offers a vision of a more equal city.

Soon after independence in 1947, the Pakistani government adopted a language policy that promoted the use of Urdu. This provoked a strong reaction in provinces where languages such as Bengali, Sindhi, Punjabi, Pashto, and Balochi were spoken by the majority, giving rise to movements that sought to protect them. In Punjab, provincial authorities decreed that Urdu would be the sole language of administration and education. In response, intellectuals launched three separate movements between 1947 and 1960 for the defense and promotion of Punjabi, divided along the lines of their political and literary affiliations: Marxists, conservatives, and modernists.

Linguistic Resistance in Pakistan examines these three movements, taking an interdisciplinary perspective that combines sociological, historical, political, and literary approaches. Drawing on previously unexplored archival sources in Punjabi and Urdu as well as interviews conducted with activists and intellectuals, Julien Columeau analyzes the trajectories of the movements and key figures within them. He explores the context in which language movements emerged, considering the status of Punjabi before and after independence, the policy of Urdu imposition led by the central and provincial authorities, and the postindependence intellectual landscape. Columeau traces the history of the three Punjabi language movements, assessing their influence and the factors leading to success or failure. Shedding new light on the politics of language in Pakistan, this book is an important contribution to South Asian intellectual history.

Soon after independence in 1947, the Pakistani government adopted a language policy that promoted the use of Urdu. This provoked a strong reaction in provinces where languages such as Bengali, Sindhi, Punjabi, Pashto, and Balochi were spoken by the majority, giving rise to movements that sought to protect them. In Punjab, provincial authorities decreed that Urdu would be the sole language of administration and education. In response, intellectuals launched three separate movements between 1947 and 1960 for the defense and promotion of Punjabi, divided along the lines of their political and literary affiliations: Marxists, conservatives, and modernists.

Linguistic Resistance in Pakistan examines these three movements, taking an interdisciplinary perspective that combines sociological, historical, political, and literary approaches. Drawing on previously unexplored archival sources in Punjabi and Urdu as well as interviews conducted with activists and intellectuals, Julien Columeau analyzes the trajectories of the movements and key figures within them. He explores the context in which language movements emerged, considering the status of Punjabi before and after independence, the policy of Urdu imposition led by the central and provincial authorities, and the postindependence intellectual landscape. Columeau traces the history of the three Punjabi language movements, assessing their influence and the factors leading to success or failure. Shedding new light on the politics of language in Pakistan, this book is an important contribution to South Asian intellectual history.

On the Chinese internet, alternate history is booming. Millions of writers and readers fantasize about going back in time and changing their country’s fate. One envisions saving the Southern Song Dynasty from the Mongols and turning China into a capitalist democracy. Another portrays a contemporary traveling to 1905 and sparking a communist revolution before the Chinese Communist Party was even founded. These stories and others like them share a theme of national revival that echoes both the official narrative of the “Chinese dream” and populist movements around the world. Why is alt-history so popular in China, and what does it reveal about politics and culture under authoritarianism?

Rongbin Han examines the production and consumption of online alt-history fiction in China, offering new insight into how authoritarian rule gains popular consent. Combining in-depth digital ethnography with analysis of dozens of alt-history novels, he explores how state intervention, market forces, and consumer preferences interact. Han argues that alt-history literature is a project of imagining an ideal China, which simultaneously legitimizes and contests state ideology. Tracing the popular resonance of the regime’s nationalist vision, he demonstrates how citizens play a crucial role in constructing and maintaining the state’s dominance. Because many see national revival as imminent under the party’s leadership, they are willing to tolerate authoritarian rule, in contrast to Western democracies, where discontent has fueled populist politics. Introducing readers to the uncanny world of alt-history, Make China Great Again underscores how aspirations for the rebirth of the nation can bolster undemocratic politics—in China and elsewhere.

On the Chinese internet, alternate history is booming. Millions of writers and readers fantasize about going back in time and changing their country’s fate. One envisions saving the Southern Song Dynasty from the Mongols and turning China into a capitalist democracy. Another portrays a contemporary traveling to 1905 and sparking a communist revolution before the Chinese Communist Party was even founded. These stories and others like them share a theme of national revival that echoes both the official narrative of the “Chinese dream” and populist movements around the world. Why is alt-history so popular in China, and what does it reveal about politics and culture under authoritarianism?

Rongbin Han examines the production and consumption of online alt-history fiction in China, offering new insight into how authoritarian rule gains popular consent. Combining in-depth digital ethnography with analysis of dozens of alt-history novels, he explores how state intervention, market forces, and consumer preferences interact. Han argues that alt-history literature is a project of imagining an ideal China, which simultaneously legitimizes and contests state ideology. Tracing the popular resonance of the regime’s nationalist vision, he demonstrates how citizens play a crucial role in constructing and maintaining the state’s dominance. Because many see national revival as imminent under the party’s leadership, they are willing to tolerate authoritarian rule, in contrast to Western democracies, where discontent has fueled populist politics. Introducing readers to the uncanny world of alt-history, Make China Great Again underscores how aspirations for the rebirth of the nation can bolster undemocratic politics—in China and elsewhere.

As victory in World War II drew near, the Allies decided to hold a major trial of Nazi leaders, which began in Nuremberg in November 1945. Conflict soon broke out between the United States and the Soviet Union over not only how to assess German guilt but also how to depict the trial. The Americans saw it as a judicial and media spectacle that would convey “the greatest moral tale ever told,” illustrated with Hollywood techniques. The Soviets, for their part, drew on extensive experience filming show trials to craft their own narrative of the tribunal.

Sylvie Lindeperg offers a pioneering account of the cinematic stagecraft, storytelling, and imagery of the Nuremberg trials, revealing how film was used both as legal evidence and as a propaganda tool. She follows the American campaign to influence world opinion before, during, and after the trial, on stage and behind the scenes. Lindeberg chronicles how the hope of scripting a Hollywood-style courtroom drama crumbled amid rising geopolitical tensions and the mundane reality of the tribunal. The book interweaves in-depth reconstruction of the filming of the trial with portraits of the colorful characters who played leading or supporting roles. Drawing on American, British, Soviet, French, and German archives as well as analysis of films, newsreels, and photographs, Staging Nuremberg is a revelatory study of the theater of justice.

As victory in World War II drew near, the Allies decided to hold a major trial of Nazi leaders, which began in Nuremberg in November 1945. Conflict soon broke out between the United States and the Soviet Union over not only how to assess German guilt but also how to depict the trial. The Americans saw it as a judicial and media spectacle that would convey “the greatest moral tale ever told,” illustrated with Hollywood techniques. The Soviets, for their part, drew on extensive experience filming show trials to craft their own narrative of the tribunal.

Sylvie Lindeperg offers a pioneering account of the cinematic stagecraft, storytelling, and imagery of the Nuremberg trials, revealing how film was used both as legal evidence and as a propaganda tool. She follows the American campaign to influence world opinion before, during, and after the trial, on stage and behind the scenes. Lindeberg chronicles how the hope of scripting a Hollywood-style courtroom drama crumbled amid rising geopolitical tensions and the mundane reality of the tribunal. The book interweaves in-depth reconstruction of the filming of the trial with portraits of the colorful characters who played leading or supporting roles. Drawing on American, British, Soviet, French, and German archives as well as analysis of films, newsreels, and photographs, Staging Nuremberg is a revelatory study of the theater of justice.

For thousands of years, people have believed that the configuration of stars and planets in the sky influences earthly events. Today, astrology is a lucrative global market, with newspaper columns, mobile apps, and professional counselors weighing in on everything from love life to health to the stock market. Yet scientific evidence shows indisputably that it is simply superstition. Why does astrology appeal to so many people? What makes its prognostications seem persuasive? Is there any harm to believing in astrology anyway?

This book aims a scientific lens at astrology, from its colorful history to experimental tests of its predictions through the social and psychological factors that explain its enduring popularity. Carlos Orsi explores the importance of astrology to the history of science and the reasons it has been categorized as a pseudoscience. He investigates its tenets, recounting how scientists debunked common claims. With both empathy and skepticism, Orsi illuminates the psychological, rhetorical, and emotional mechanisms that cause people to find astrological predictions convincing. He also addresses the dangers of irrational beliefs and the risks of applying astrology to serious decisions. Wide-ranging and entertaining, this book offers a critical look at the modern appeal of an ancient superstition.

The Wagner Group emerged from Russia’s shadowy criminal underworld in 2014 and soon became one of the world’s most infamous private military companies. Led by the provocative oligarch Yevgeny Prigozhin, Wagner developed into a key instrument of Russian power projection, with deep and direct ties to the Kremlin. Its mercenaries fought on the front lines in Ukraine, propped up regimes in the Middle East and Africa, and exploited chaos to secure lucrative resource contracts before Prigozhin’s mutiny against Moscow in 2023 brought him down.

This book traces the Wagner Group’s violent ascent and descent, exposing how a shadow army built an empire that seemed to have no end in sight until it turned on its masters. Drawing on a wide range of sources and interviews, Moscow’s Mercenaries offers a comprehensive examination of Wagner’s inner workings: its hybrid structure, battlefield tactics, propaganda campaigns, and connections to the Russian military. From Ukraine to brutal counterinsurgency campaigns in Syria, the Central African Republic, Mali, and beyond, the book shows how Wagner evolved into a global criminal syndicate and reveals why its ambitions led to a fatal collision with the Russian state.

Moscow’s Mercenaries explores what Wagner’s rise tells us about the future of modern warfare, the erosion of international norms, and how authoritarian regimes outsource violence. Anyone interested in the evolution of mercenary warfare, great power competition, and the dark underbelly of global security stands to learn important lessons from this well-timed and insightful book.

Traces of Herman Melville are everywhere. Works directly or loosely inspired by the nineteenth-century writer abound, from adaptations and artistic experiments to parodies and cheeky references. They are as distinct as Sena Jeter Naslund’s novel Ahab’s Wife, Laurie Anderson’s mixed-media spectacle Songs and Stories from Moby-Dick, Maurice Sendak’s queer illustrations of Pierre, and the collaborative Emoji Dick. Melville turns up in opera, concrete poetry, auteur cinema, monumental murals, and sperm whale–sized sculptures. Why are so many artists drawn to Melville? What does his continuing presence say about contemporary culture?

Charting how a vast variety of writers, filmmakers, and artists channel Melville, Joseph Allen Boone offers new insights into the author, his works, and his many legacies. He argues that contemporary artists are drawn to Melville’s patchwork aesthetics, especially his mingling of genres and media and his prolific borrowings from popular and high culture. Boone’s cases range from artists drawing on the use of whalebone in nineteenth-century fashion to critique gender roles to those obsessed, like Melville, with size and monumentality in ever-proliferating artworks. Other contemporary artists find Melville’s environmental themes strikingly prescient, turning to his work to examine waste, extinction, and planetary crisis. Tracing a once nearly forgotten author’s improbable contemporaneity, The Melville Effect sheds light on how artists turn to literary pasts to make sense of the present and create art for the future.

Traces of Herman Melville are everywhere. Works directly or loosely inspired by the nineteenth-century writer abound, from adaptations and artistic experiments to parodies and cheeky references. They are as distinct as Sena Jeter Naslund’s novel Ahab’s Wife, Laurie Anderson’s mixed-media spectacle Songs and Stories from Moby-Dick, Maurice Sendak’s queer illustrations of Pierre, and the collaborative Emoji Dick. Melville turns up in opera, concrete poetry, auteur cinema, monumental murals, and sperm whale–sized sculptures. Why are so many artists drawn to Melville? What does his continuing presence say about contemporary culture?

Charting how a vast variety of writers, filmmakers, and artists channel Melville, Joseph Allen Boone offers new insights into the author, his works, and his many legacies. He argues that contemporary artists are drawn to Melville’s patchwork aesthetics, especially his mingling of genres and media and his prolific borrowings from popular and high culture. Boone’s cases range from artists drawing on the use of whalebone in nineteenth-century fashion to critique gender roles to those obsessed, like Melville, with size and monumentality in ever-proliferating artworks. Other contemporary artists find Melville’s environmental themes strikingly prescient, turning to his work to examine waste, extinction, and planetary crisis. Tracing a once nearly forgotten author’s improbable contemporaneity, The Melville Effect sheds light on how artists turn to literary pasts to make sense of the present and create art for the future.

To socialize, your brain needs to see and hear other people, yet your brain is sealed inside a bony box: your skull. How does an internal mass of tissue comprehend the world outside? How does it form social relationships? This groundbreaking book answers those questions and reveals the perceptual underpinnings of society.

Charles and Daphne Maurer provide a clear explanation of how the brain interprets sensory inputs, showing how rudimentary sensations evolve into social interactions at every scale from nursery to nation. Their novel approach shows how sights, sounds, and smells build social and political worlds. They offer fresh insights into broad swaths of the social sciences.

The World Inside Your Head brings science to life, interweaving cutting-edge research with eye-opening examples across cultures and eras. Its style is lively and free of jargon, yet its argument is rigorous and scholarly. It is an accessible and iconoclastic rethinking of conventional psychology.

To socialize, your brain needs to see and hear other people, yet your brain is sealed inside a bony box: your skull. How does an internal mass of tissue comprehend the world outside? How does it form social relationships? This groundbreaking book answers those questions and reveals the perceptual underpinnings of society.

Charles and Daphne Maurer provide a clear explanation of how the brain interprets sensory inputs, showing how rudimentary sensations evolve into social interactions at every scale from nursery to nation. Their novel approach shows how sights, sounds, and smells build social and political worlds. They offer fresh insights into broad swaths of the social sciences.

The World Inside Your Head brings science to life, interweaving cutting-edge research with eye-opening examples across cultures and eras. Its style is lively and free of jargon, yet its argument is rigorous and scholarly. It is an accessible and iconoclastic rethinking of conventional psychology.

For thousands of years, people have believed that the configuration of stars and planets in the sky influences earthly events. Today, astrology is a lucrative global market, with newspaper columns, mobile apps, and professional counselors weighing in on everything from love life to health to the stock market. Yet scientific evidence shows indisputably that it is simply superstition. Why does astrology appeal to so many people? What makes its prognostications seem persuasive? Is there any harm to believing in astrology anyway?

This book aims a scientific lens at astrology, from its colorful history to experimental tests of its predictions through the social and psychological factors that explain its enduring popularity. Carlos Orsi explores the importance of astrology to the history of science and the reasons it has been categorized as a pseudoscience. He investigates its tenets, recounting how scientists debunked common claims. With both empathy and skepticism, Orsi illuminates the psychological, rhetorical, and emotional mechanisms that cause people to find astrological predictions convincing. He also addresses the dangers of irrational beliefs and the risks of applying astrology to serious decisions. Wide-ranging and entertaining, this book offers a critical look at the modern appeal of an ancient superstition.

The African allies of the United States are often depicted as mere pawns or clients seeking aid. Yet African leaders have deftly capitalized on security partnerships with the United States in ways that have been widely overlooked. Through skillful negotiating, hosting US military operations, and deploying their soldiers to support Washington’s strategic aims, they have advanced their own interests—sometimes at the expense of their citizens.

Treachery and Diplomacy shines a light on US-Africa security partnerships, revealing their simmering internal tensions, hidden racial politics, and consequences for peace and democracy. Sobukwe Odinga explores the contentious relations between the US and key African allies—Liberia, Ethiopia, Zaire (now the Democratic Republic of the Congo), and Uganda—from the Cold War to the War on Terror. He brings to life the diplomatic gambits of leaders such as William Tubman, Mobutu Sese Seko, and Yoweri Museveni, documenting how they prodded Washington to back them in regional conflicts, increase aid, and temper criticisms of their domestic policies. Odinga also considers the African American political elites who denounced and championed US-Africa security partnerships—in some moments undercutting the influence of African leaders, in others abetting their authoritarianism. Connecting American racial thought, Pan-Africanism, and Black transnationalism to US security policy toward Africa, Treachery and Diplomacy offers new insight into how African governments have pursued their own agendas.

The African allies of the United States are often depicted as mere pawns or clients seeking aid. Yet African leaders have deftly capitalized on security partnerships with the United States in ways that have been widely overlooked. Through skillful negotiating, hosting US military operations, and deploying their soldiers to support Washington’s strategic aims, they have advanced their own interests—sometimes at the expense of their citizens.

Treachery and Diplomacy shines a light on US-Africa security partnerships, revealing their simmering internal tensions, hidden racial politics, and consequences for peace and democracy. Sobukwe Odinga explores the contentious relations between the US and key African allies—Liberia, Ethiopia, Zaire (now the Democratic Republic of the Congo), and Uganda—from the Cold War to the War on Terror. He brings to life the diplomatic gambits of leaders such as William Tubman, Mobutu Sese Seko, and Yoweri Museveni, documenting how they prodded Washington to back them in regional conflicts, increase aid, and temper criticisms of their domestic policies. Odinga also considers the African American political elites who denounced and championed US-Africa security partnerships—in some moments undercutting the influence of African leaders, in others abetting their authoritarianism. Connecting American racial thought, Pan-Africanism, and Black transnationalism to US security policy toward Africa, Treachery and Diplomacy offers new insight into how African governments have pursued their own agendas.

In many emerging economies, impressive progress in reducing poverty has been overshadowed by persistent inequality and growing frustration with political elites. This widespread social discontent has driven governments to respond with short-term policies aimed at increasing equity that run the risk of jeopardizing long-term development. Is it possible to build fairer societies without undermining economic growth?

From Equity to Growth explores this dilemma, offering new perspectives on one of the defining challenges of the era. Combining economic theory, political analysis, and real-world case studies, the book contrasts two potential outcomes. In one, poorly designed redistributive policies distort markets, weaken institutions, and trap countries in middle-income stagnation. In the other, well-crafted equity strategies boost investment, strengthen institutional trust, and spur sustainable development.

Rejecting simplistic binaries between equity and growth, the authors argue that inclusive development is not only possible but essential. They highlight specific policy choices that can reconcile social demands with macroeconomic stability, providing a road map to escape the middle-income trap without sacrificing fairness. Clear, timely, and rigorous, From Equity to Growth offers both a diagnosis of many countries’ current predicament and a hopeful vision of how to move forward.

There is an enduring fascination with Joan of Arc, yet she is almost always seen alone, as a victim or martyr. A strikingly different person is heard in her letters and the testimony of her companions. To the king of England, she wrote, “I am a commander of war, and in whatever place I come upon your men in France, I will make them leave . . . And if they do not wish to obey, I will have them all killed.” She wrote to the people of the towns she defended, giving them news and seeking their support. Her companions spoke of her intelligence, bravery, and military competence. Hers was a collective mission to rescue the people from the depredations of war.

Focusing on her life rather than her death, Winnifred Fallers Sullivan offers an interpretation of Joan of Arc as a political thinker and actor who sought, during her meteoric presence in fifteenth-century France, to legitimate a king, channel God’s word, convene a coronation, and speak for the people in an alternative legal order. She assembled sacred kingship, mystical experience, and the press of political and economic chaos into a vernacular political theology that still speaks to our moment. Making a King illuminates Joan’s extraordinary life and vision—her conception of sovereignty from below, her form of female masculinity, and her power as kingmaker—and shows why she can help us find a deeper understanding of religion and politics today.

Song Jiaoren (1882–1913) was early-twentieth-century China’s greatest champion of constitutional democracy. Fleeing the police after a failed plot in 1904, the young revolutionary found refuge in Japan, where his eyes were opened to new political possibilities. Along with Sun Yatsen, he was one of the founders of the Nationalist Party, turning an underground organization into a nationwide force. After the 1911 revolution, Song campaigned for a truly democratic constitution guaranteeing a representative government. Following parliamentary elections in 1913, he was on the verge of becoming prime minister—but he was struck down by an assassin’s bullet on a Shanghai railway platform, and China began its descent into chaos and authoritarianism.

Don C. Price provides the definitive biography of Song Jiaoren, recounting his remarkable career and illuminating a period of epochal change. Drawing on a wide variety of sources—especially his revealing diary—this book chronicles Song’s life and times, interweaving his personal relationships with his revolutionary activities and intellectual development. From his early life in a rural interior province to his Japanese exile through his meteoric ascent and tragic death, it explores how Song became an unwavering advocate for democracy—and why antidemocratic forces sought to eliminate him. By detailing Song’s legacy, this book sheds light on the roots of democratic aspirations in China and on the path not taken in the country’s tumultuous history.

Song Jiaoren (1882–1913) was early-twentieth-century China’s greatest champion of constitutional democracy. Fleeing the police after a failed plot in 1904, the young revolutionary found refuge in Japan, where his eyes were opened to new political possibilities. Along with Sun Yatsen, he was one of the founders of the Nationalist Party, turning an underground organization into a nationwide force. After the 1911 revolution, Song campaigned for a truly democratic constitution guaranteeing a representative government. Following parliamentary elections in 1913, he was on the verge of becoming prime minister—but he was struck down by an assassin’s bullet on a Shanghai railway platform, and China began its descent into chaos and authoritarianism.

Don C. Price provides the definitive biography of Song Jiaoren, recounting his remarkable career and illuminating a period of epochal change. Drawing on a wide variety of sources—especially his revealing diary—this book chronicles Song’s life and times, interweaving his personal relationships with his revolutionary activities and intellectual development. From his early life in a rural interior province to his Japanese exile through his meteoric ascent and tragic death, it explores how Song became an unwavering advocate for democracy—and why antidemocratic forces sought to eliminate him. By detailing Song’s legacy, this book sheds light on the roots of democratic aspirations in China and on the path not taken in the country’s tumultuous history.

There is an enduring fascination with Joan of Arc, yet she is almost always seen alone, as a victim or martyr. A strikingly different person is heard in her letters and the testimony of her companions. To the king of England, she wrote, “I am a commander of war, and in whatever place I come upon your men in France, I will make them leave . . . And if they do not wish to obey, I will have them all killed.” She wrote to the people of the towns she defended, giving them news and seeking their support. Her companions spoke of her intelligence, bravery, and military competence. Hers was a collective mission to rescue the people from the depredations of war.

Focusing on her life rather than her death, Winnifred Fallers Sullivan offers an interpretation of Joan of Arc as a political thinker and actor who sought, during her meteoric presence in fifteenth-century France, to legitimate a king, channel God’s word, convene a coronation, and speak for the people in an alternative legal order. She assembled sacred kingship, mystical experience, and the press of political and economic chaos into a vernacular political theology that still speaks to our moment. Making a King illuminates Joan’s extraordinary life and vision—her conception of sovereignty from below, her form of female masculinity, and her power as kingmaker—and shows why she can help us find a deeper understanding of religion and politics today.

If someone posts a death threat or a violent manifesto online, will they cross over from words to deeds? Explicit threats, intimidation campaigns, and incitements to violence are no rarity among white nationalists, incels, and other racist and misogynist extremists. Yet it is often difficult to determine whether they pose genuine risks, since the boundaries between trolling and true violent intent can be blurry. How can we tell the difference between online bluster and terrorist threats?

Julia Ebner—an internationally acclaimed expert on online radicalization—offers a fresh approach, showing how language patterns reveal the potential for political violence. She investigates the psychological underpinnings of texts by terrorists such as Anders Breivik, Dylann Roof, Elliot Rodger, and Brenton Tarrant, offering statistical and qualitative contrasts with nonviolent political writing. Ebner finds striking similarities among their manifestos, including the fusion of personal identity with the group, visceral othering of outgroups, narratives of existential conflict, and the glorification of violence. Following these trails, she demonstrates that perpetrators of extremist violence inadvertently give away their intentions in what they say. Featuring vivid writing and actionable conclusions, The Language of Terrorists presents a new model of violent threat detection that can address pressing challenges faced by the international security and intelligence communities.

Jonathan Demme was one of the most accomplished American film directors of his era, yet despite the scope and variety of his work, he remains underappreciated. After apprenticing with the B-movie impresario Roger Corman, from whom he learned to make films cheaply and quickly, Demme rapidly rose through the Hollywood ranks while retaining his restlessly curious instincts. He directed eighteen feature films and twelve documentaries and music films, as well as numerous shorter works. Among them are critical and cult favorites such as Something Wild, blockbusters including The Silence of the Lambs, and groundbreaking performance films, notably Stop Making Sense.

This book offers an in-depth look at Demme’s four decades of filmmaking, tracing the core elements that unite the disparate strands of his work. Louis Black and Steven Fore argue that Demme’s films share a compassionate, emotionally generous perspective on humanity’s flaws and foibles. No matter their scale, style, or subject matter, they show an affection for and fascination with people, as individuals and in communities. Ranging from low-budget productions to the pinnacle of Hollywood success, this book highlights the humanist sensibility, artistic ambitions, keen social criticism, and wry humor that are hallmarks of Demme’s work. Lively and comprehensive, The Cinema of Jonathan Demme offers a new lens on a major director.

Religion is making itself unbelievable—scandal-ridden, antiscientific, authoritarian, and reactionary. Can religion be saved? Is it even worth saving? Can religion be saved not just from its critics but from itself?

John D. Caputo proposes a radical alternative—what he calls “religion’s last stand”—by turning to theopoetics. In the traditional account, theopoetics calls for approaching God poetically because God transcends human language. Caputo contests this view, arguing that in the radical account, God does not precede but is generated by the poetic imagination. Theopoetics is not adorning an already constituted God; it is constituting the very idea of God. A radical God, untethered from theological orthodoxy and confessional rivalries, is neither a real being nor an unreal illusion, neither the object of supernatural belief nor the reject of skeptical disbelief. By adopting a phenomenological suspension of both belief and disbelief, both theism and atheism, both the religious and the secular, Caputo demystifies the distinction between the natural and the supernatural and replaces it with the distinction between the prosaic and the poetic. A daring undertaking in radical theology, this lively and provocative book proposes a startlingly different future for religion.

Religion is making itself unbelievable—scandal-ridden, antiscientific, authoritarian, and reactionary. Can religion be saved? Is it even worth saving? Can religion be saved not just from its critics but from itself?

John D. Caputo proposes a radical alternative—what he calls “religion’s last stand”—by turning to theopoetics. In the traditional account, theopoetics calls for approaching God poetically because God transcends human language. Caputo contests this view, arguing that in the radical account, God does not precede but is generated by the poetic imagination. Theopoetics is not adorning an already constituted God; it is constituting the very idea of God. A radical God, untethered from theological orthodoxy and confessional rivalries, is neither a real being nor an unreal illusion, neither the object of supernatural belief nor the reject of skeptical disbelief. By adopting a phenomenological suspension of both belief and disbelief, both theism and atheism, both the religious and the secular, Caputo demystifies the distinction between the natural and the supernatural and replaces it with the distinction between the prosaic and the poetic. A daring undertaking in radical theology, this lively and provocative book proposes a startlingly different future for religion.

Jonathan Demme was one of the most accomplished American film directors of his era, yet despite the scope and variety of his work, he remains underappreciated. After apprenticing with the B-movie impresario Roger Corman, from whom he learned to make films cheaply and quickly, Demme rapidly rose through the Hollywood ranks while retaining his restlessly curious instincts. He directed eighteen feature films and twelve documentaries and music films, as well as numerous shorter works. Among them are critical and cult favorites such as Something Wild, blockbusters including The Silence of the Lambs, and groundbreaking performance films, notably Stop Making Sense.

This book offers an in-depth look at Demme’s four decades of filmmaking, tracing the core elements that unite the disparate strands of his work. Louis Black and Steven Fore argue that Demme’s films share a compassionate, emotionally generous perspective on humanity’s flaws and foibles. No matter their scale, style, or subject matter, they show an affection for and fascination with people, as individuals and in communities. Ranging from low-budget productions to the pinnacle of Hollywood success, this book highlights the humanist sensibility, artistic ambitions, keen social criticism, and wry humor that are hallmarks of Demme’s work. Lively and comprehensive, The Cinema of Jonathan Demme offers a new lens on a major director.

If someone posts a death threat or a violent manifesto online, will they cross over from words to deeds? Explicit threats, intimidation campaigns, and incitements to violence are no rarity among white nationalists, incels, and other racist and misogynist extremists. Yet it is often difficult to determine whether they pose genuine risks, since the boundaries between trolling and true violent intent can be blurry. How can we tell the difference between online bluster and terrorist threats?

Julia Ebner—an internationally acclaimed expert on online radicalization—offers a fresh approach, showing how language patterns reveal the potential for political violence. She investigates the psychological underpinnings of texts by terrorists such as Anders Breivik, Dylann Roof, Elliot Rodger, and Brenton Tarrant, offering statistical and qualitative contrasts with nonviolent political writing. Ebner finds striking similarities among their manifestos, including the fusion of personal identity with the group, visceral othering of outgroups, narratives of existential conflict, and the glorification of violence. Following these trails, she demonstrates that perpetrators of extremist violence inadvertently give away their intentions in what they say. Featuring vivid writing and actionable conclusions, The Language of Terrorists presents a new model of violent threat detection that can address pressing challenges faced by the international security and intelligence communities.

The Wagner Group emerged from Russia’s shadowy criminal underworld in 2014 and soon became one of the world’s most infamous private military companies. Led by the provocative oligarch Yevgeny Prigozhin, Wagner developed into a key instrument of Russian power projection, with deep and direct ties to the Kremlin. Its mercenaries fought on the front lines in Ukraine, propped up regimes in the Middle East and Africa, and exploited chaos to secure lucrative resource contracts before Prigozhin’s mutiny against Moscow in 2023 brought him down.

This book traces the Wagner Group’s violent ascent and descent, exposing how a shadow army built an empire that seemed to have no end in sight until it turned on its masters. Drawing on a wide range of sources and interviews, Moscow’s Mercenaries offers a comprehensive examination of Wagner’s inner workings: its hybrid structure, battlefield tactics, propaganda campaigns, and connections to the Russian military. From Ukraine to brutal counterinsurgency campaigns in Syria, the Central African Republic, Mali, and beyond, the book shows how Wagner evolved into a global criminal syndicate and reveals why its ambitions led to a fatal collision with the Russian state.

Moscow’s Mercenaries explores what Wagner’s rise tells us about the future of modern warfare, the erosion of international norms, and how authoritarian regimes outsource violence. Anyone interested in the evolution of mercenary warfare, great power competition, and the dark underbelly of global security stands to learn important lessons from this well-timed and insightful book.

What might religious practice learn from plants? Recent years have seen the emergence of critical plant studies, and philosophers have found a radical mode of thought in vegetal life. Ecologies of Ecstasy recasts religious contemplation as a form of vegetal being, arguing that spiritual practice is rooted in the generation of life on earth.

Simone Kotva explores the role of vegetal life in the history of Christian mysticism and the practice of contemplation, demonstrating its significance to the concept of mystical union, which rests on the loss of distinction between self and world. She shows that plants, animals, and other creatures were once understood to exist by virtue of contemplation and examines how religious orthodoxies suppressed this idea. Ecologies of Ecstasy provides fresh readings of texts by figures such as Plotinus, Evagrius of Pontus, Hildegard of Bingen, Marguerite of Porete, the Helfta mystics, and Jeanne Guyon in light of contemporary philosophies of vegetal life and critical plant studies. It brings together feminist, queer, and ecocritical readings of Christian mysticism with continental philosophy and the works of Michael Marder, Emanuele Coccia, and Luce Irigaray. Entwining Christian contemplation with philosophies of vegetal life, this book offers new ways to understand mysticism and spiritual practice.

What might religious practice learn from plants? Recent years have seen the emergence of critical plant studies, and philosophers have found a radical mode of thought in vegetal life. Ecologies of Ecstasy recasts religious contemplation as a form of vegetal being, arguing that spiritual practice is rooted in the generation of life on earth.

Simone Kotva explores the role of vegetal life in the history of Christian mysticism and the practice of contemplation, demonstrating its significance to the concept of mystical union, which rests on the loss of distinction between self and world. She shows that plants, animals, and other creatures were once understood to exist by virtue of contemplation and examines how religious orthodoxies suppressed this idea. Ecologies of Ecstasy provides fresh readings of texts by figures such as Plotinus, Evagrius of Pontus, Hildegard of Bingen, Marguerite of Porete, the Helfta mystics, and Jeanne Guyon in light of contemporary philosophies of vegetal life and critical plant studies. It brings together feminist, queer, and ecocritical readings of Christian mysticism with continental philosophy and the works of Michael Marder, Emanuele Coccia, and Luce Irigaray. Entwining Christian contemplation with philosophies of vegetal life, this book offers new ways to understand mysticism and spiritual practice.

What if the most consequential alliance between the United States and Turkey was not signed—but screened? Beginning in 1930 and crystallizing during the Cold War, the two nations forged an alliance through film: American and Turkish institutions used educational films—short documentaries shown in schools, villages, theaters, and public spaces—not just to inform but to persuade. These films promoted cooperation, encouraged economic development, and modeled ideals of modern citizenship. Yet beneath their instructional surface, they also advanced a racialized vision of progress.

Film Diplomacy offers a powerful new account of how film shaped international relations and national identity. Drawing on previously unexamined and recently declassified archives in Turkey and the United States, Ayşehan Jülide Etem demonstrates how both countries used educational films to align institutional agendas and geopolitical interests. The United States built on missionaries’ earlier use of film programs while shifting from Christianization to modernization to promote free market capitalism and prevent the spread of communism. Turkish officials embraced film to promote a homogenous, secular, and Western-facing national identity that erased groups such as Armenians, Blacks, Greeks, Jews, and Kurds. In both contexts, whiteness operated as an invisible standard—shaping who belonged, who was excluded, and what counted as modern.

By tracing the transnational network of educational cinema, Etem uncovers how film functioned as infrastructure, circulating ideologies, organizing institutions, and training citizens. Moving beyond conventional accounts of propaganda and soft power, this book exposes how film was central to the making of modern Turkey and sheds new light on media’s role in global politics.

What if the most consequential alliance between the United States and Turkey was not signed—but screened? Beginning in 1930 and crystallizing during the Cold War, the two nations forged an alliance through film: American and Turkish institutions used educational films—short documentaries shown in schools, villages, theaters, and public spaces—not just to inform but to persuade. These films promoted cooperation, encouraged economic development, and modeled ideals of modern citizenship. Yet beneath their instructional surface, they also advanced a racialized vision of progress.

Film Diplomacy offers a powerful new account of how film shaped international relations and national identity. Drawing on previously unexamined and recently declassified archives in Turkey and the United States, Ayşehan Jülide Etem demonstrates how both countries used educational films to align institutional agendas and geopolitical interests. The United States built on missionaries’ earlier use of film programs while shifting from Christianization to modernization to promote free market capitalism and prevent the spread of communism. Turkish officials embraced film to promote a homogenous, secular, and Western-facing national identity that erased groups such as Armenians, Blacks, Greeks, Jews, and Kurds. In both contexts, whiteness operated as an invisible standard—shaping who belonged, who was excluded, and what counted as modern.

By tracing the transnational network of educational cinema, Etem uncovers how film functioned as infrastructure, circulating ideologies, organizing institutions, and training citizens. Moving beyond conventional accounts of propaganda and soft power, this book exposes how film was central to the making of modern Turkey and sheds new light on media’s role in global politics.

There is a long history of discrimination against LGBTQ+ people in the American military and intelligence services, from vice squad stings during World War I to the “Lavender Scare” of the early Cold War through “Don’t Ask, Don’t Tell” and the Trump administration’s transgender ban. How have the rationales for anti-LGBTQ+ policies changed over time? When and why did these policies shift? What does anti-LGBTQ+ discrimination reveal about the US military, American political institutions, and broader themes in queer history?

The Lavender Bans is a comprehensive account of the evolution of anti-LGBTQ+ policies from World War I to the present. Dorian Rhea Debussy—a leading expert on LGBTQ+ history in the US military—examines six distinct periods of exclusion over the course of a century, tracing continuities and changes alongside the growth of the national security state. Bringing together interdisciplinary scholarship and close analysis of archival documents, she offers new insights into the policies affecting LGBTQ+ people in the armed forces.

Meticulously researched and rich in detail, The Lavender Bans sheds light on a long and troubling history—with deep contemporary relevance as exclusion of transgender people continues. It is an engaging, important, and timely book for a range of readers, including scholars, students, policy makers, military personnel, and people affected by anti-LGBTQ+ discrimination.

Are there only five tastes, sweet, salty, sour, bitter, and umami? Why are some so appealing to us while others are what we call acquired tastes? Do other animals perceive tastes in the same way humans do? How did the sense of taste evolve? Should the hotness of chili peppers, the coolness of mint, and the pungency of garlic be considered tastes? What can taste teach us about our health and our environment?

In this book, two leading researchers take readers on a lively journey through the science of taste. Davide Risso and Gabriella Morini trace its evolution across millions of years, ranging from microbes to octopuses through birds and finally humans. They explain how taste receptors allow us to decode the chemical composition of food and distinguish between edible and toxic items. Evolution has given varied species different capabilities, so pandas lack the ability to taste umami and cats do not perceive sweetness. On Taste also reveals how mosquitoes choose their prey—and why they like some people more than others. Rigorous and accessible, this book shows how taste unlocks the connections between science and culture, letting us understand our foods and our world more richly.

In 2015, students at the University of Cape Town ignited a movement that would reverberate across the globe by demanding the removal of a statue of the British imperialist Cecil Rhodes. What began as a protest against a single monument became Rhodes Must Fall: a confrontation with colonial legacies at South African universities that inspired a movement at Oxford and beyond.

A. Kayum Ahmed tells the powerful story of Rhodes Must Fall, tracing the emergence of a new decolonial framework, Fallism, and its trajectory from Africa to empire. Drawing on archival research and interviews with activists, he interprets Fallism as both a critique of the university—rooted in patriarchy, white supremacy, and capitalism—and a broader decolonial theory. Ahmed reveals how students combined acts of defiance with deeper forms of intellectual insurgency to challenge Eurocentric curricula, linguistic hierarchies, and the silencing of Black epistemologies. In so doing, they transformed Black pain—the source of the uprising—into a collective struggle for Black liberation.

By following Fallism’s journey, this book demonstrates how student movements create new vocabularies of resistance that transcend geographies of power. It underscores why universities remain battlegrounds in global struggles, from conflicts over statues and curricula to pro-Palestinian protests. Both a history of a movement and a theoretical intervention, Theorizing Fallism illuminates the enduring influence of students to challenge entrenched structures of knowledge and power.

In 2015, students at the University of Cape Town ignited a movement that would reverberate across the globe by demanding the removal of a statue of the British imperialist Cecil Rhodes. What began as a protest against a single monument became Rhodes Must Fall: a confrontation with colonial legacies at South African universities that inspired a movement at Oxford and beyond.

A. Kayum Ahmed tells the powerful story of Rhodes Must Fall, tracing the emergence of a new decolonial framework, Fallism, and its trajectory from Africa to empire. Drawing on archival research and interviews with activists, he interprets Fallism as both a critique of the university—rooted in patriarchy, white supremacy, and capitalism—and a broader decolonial theory. Ahmed reveals how students combined acts of defiance with deeper forms of intellectual insurgency to challenge Eurocentric curricula, linguistic hierarchies, and the silencing of Black epistemologies. In so doing, they transformed Black pain—the source of the uprising—into a collective struggle for Black liberation.

By following Fallism’s journey, this book demonstrates how student movements create new vocabularies of resistance that transcend geographies of power. It underscores why universities remain battlegrounds in global struggles, from conflicts over statues and curricula to pro-Palestinian protests. Both a history of a movement and a theoretical intervention, Theorizing Fallism illuminates the enduring influence of students to challenge entrenched structures of knowledge and power.

In 1901, Lizzie Black Kander put together a cookbook based on the classes she taught at the Milwaukee Jewish Mission. “I was trying to teach a group of young foreign girls in a crowded neighborhood how to cook simple and nutritious food, yet have it attractive and inexpensive as we prepare it in America,” she recalled. The Settlement Cook Book would go on to be the most successful charitable cookbook in American history, remaining a best-seller into the 1970s. Despite including nonkosher recipes, it became a mainstay in Jewish kitchens and an enduring touchstone of Jewish American culture.

Recipes for the Melting Pot tells the remarkable story of The Settlement Cook Book, demonstrating how it shaped Jewish American identity—and was in turn shaped by generations of Jewish women. Nora L. Rubel traces the cookbook’s evolution across forty editions over several decades, through waves of immigration, shifting gender roles, upward mobility, suburbanization, and rapid changes in Jewish life. She argues that the book celebrates pluralism, allowing it to serve at once as a tool for Americanization, a repository of tradition, and a platform for culinary innovation. Ultimately, The Settlement Cook Book is a record of American Jewish women’s history, told through the food they made and the lives they led. A cultural biography of an iconic cookbook, this lively and inviting book shares an inclusive vision of American cuisine.