Fiction

Winnie-the-Pooh meets The Blair Witch Project in this very grown-up tale of a camping trip gone horribly awry.

Twelve six-year-olds and their three adult chaperones head into the woods on a camping trip. None of them make it out alive. The Laws of the Skies tells the harrowing story of those days in the woods, of illness and accidents, and a murderous child.

Part fairy tale, part horror film, this macabre fable takes us through the minds of all the members of this doomed party, murderers and murdered alike.

“Excellent...crystalline." – New York Times, Summer Reads

Annie Ernaux meets Annie Dillard in this sultry story of a woman’s obsession with a painter — and a river. 

A woman is on an artists’ retreat on an island in the St. Lawrence Seaway, taking time away from her partner and her daughter to write. There she encounters a painter who spends his days with his easel set up on the shore trying to capture the blue of the water. They are drawn to each other, and their desire builds, through conversations about art and the colour blue, into a passionate extramarital affair, both deep and fleeting.

Savage in its beauty, this new work from Anaïs Barbeau-Lavalette is a novel of resilience and longing, staking out the territory of female desire, exploring how it’s been regarded through the ages and how it’s reflected in art and nature.

Following the bestselling Suzanne and To the Forest, this latest offering in a series of novels about women by Anaïs Barbeau-Lavalette captures the power and beauty of desire set against the power and beauty of nature. An accomplished filmmaker, Barbeau-Lavalette writes with a visual flair, embodying both the calm and the turbulence of the river that runs through the story.

SHORTLISTED FOR THE 2022 MILES FRANKLIN LITERARY AWARD

Pain was Joe Grim’s self-expression, his livelihood and reason for being.

A superstar boxer who rarely won a fight, Grim distinguished himself for his extraordinary ability to withstand physical punishment.

In this wild and expansive novel, Michael Winkler moves between the present day and Grim’s 1908–09 tour of Australia, bending genres and histories into a kaleidoscopic investigation of pain, masculinity, and narrative.

Pain is often said to defy the limits of language. And yet Grimmish suggests that pain – physical and mental – is also the most familiar and universal human condition; and, perhaps, the secret source of our impulse to tell stories.

“A powerful blast of literary ingenuity and originality.” – Lloyd Jones, author of Mister Pip

"Grimmish meets a need I didn't even know I had. I lurched between bursts of wild laughter, shudders of horror, and gasps of awe at Winkler’s verbal command: the freshness and muscle of his verbs, the unstoppable flow of his images, the bizarre wit of the language of pugilism—and all the while, a moving subterranean glint of strange masculine tenderness." – Helen Garner

‍“All the makings of a cult classic. It’s grotesque and gorgeous, smart and searching.” – Beejay Silcox, The Guardian

CBC BOOKS: 2024 SPRING FICTION PREVIEW

A queer writer travelling through India can't escape the regrets of his past, nor the impending ruin of his present.

"I am leaving for the winter – I have to get away from this small town and all its dangers – to write, read, think, all the most important things in the world but which are thought the least important, the most expendable."

Thus begins the Indian winter of our narrator, a queer writer and translator much like the author, a winter that includes a meandering journey through India, trying to write about a long-ago lover whose death he has just learned of. While on this journey into memory, he flees his current faltering relationship in search of new friendships and intimacies. Inspired by Antonio Tabucchi's Indian Nocturne, and by the writings of Anaïs Nin, Rachel Cusk, and Carole Maso, among others, Indian Winter finds itself where the travel diary, the künstlerroman, poetry, and autofiction meet. But the heartbreak brought on by his unravelling relationship and his family's inability to accept his queerness cannot be outrun; as he traverses India, our narrator can't help but repeatedly encounter himself and the range of love and alienation he has within.

White Lotus meets Shaun of the Dead in this absurdist take on the wellness retreat.

Our narrator and his accidental companion, K. Sohail, find themselves on an island wellness retreat impersonating the Dhaliwals, who have probably been killed in a helicopter crash. After being welcomed by Jerome the robot, the intrepid imposters eagerly partake of the all-you-stomach buffet, the motivational speechifyings of self-help guru Brad Beard, and Professor Sayer's uncomfortably erotic couples counselling.

But things quickly take an ominous turn when an excursion to a nearby deserted village reveals a guillotine and a haunted chapel. And then one of the retreaters is murdered and the real Dhaliwals show up. Accusations, counter-accusations, and counter-counter-accusations are made, until the whole retreat is caught up in a bizarre trial.

In All You Can Kill, Pasha Malla, with his inimitable absurdist style, collides horror and humour into an utterly unforgettable satire.

"Smart, hilarious, original, All You Can Kill is a feverish, one-of-a-kind, unhinged journey into the absurd shams of modern life. No one writes satire, or anything else, like Pasha Malla." – Iain Reid, author of We Spread

"Malla is a fabulously gifted writer." – Publishers Weekly

"I don’t really know how Malla gets away with what he does … but it is astounding to watch him do it." – The Rumpus

A rediscovered classic, Yesterdays turns colonialism on its head.

After years of suffering at the hands of white missionaries trying to convert Trinidadians to Christianity, Poonwa has decided, as payback, to go to Canada and start a Hindu mission. His father, Choonilal, doesn't want to borrow the money Poonwa needs from the corrupt local priest. The whole village gets dragged into the fight, a distraction from the usual arguments over latrines and sexual dalliances.

First published in 1974, Yesterdays is a ribald, outrageous portrait of Trinidadian village life, and a prescient proto-parody of what would become the archetypal immigrant story. Sacred cows both literal and figurative are skewered in a series of increasingly absurd encounters between villagers who can't keep their noses – and other body parts – out of their neighbours' business.

A foreword by Kevin Jared Hosein contextualizes this important book, which was politically and aesthetically ahead of its time but lost after the untimely death of Harold Sonny Ladoo.

"Yesterdays upends conventional narratives that find sexual liberation in the postindustrial city. Ladoo's agrarian villagers inhabit the fullness of their complex humanities in audaciously funny and often uncomfortable ways, and are radically at ease with their fluid sexual appetites. An under-appreciated gem, his novel is as much a testament to Ladoo's skillful observation and rendering of the world that surrounded him as it is to the value of being tellers of our own stories." – Andil Gosine, author of Nature's Wild: Love, Sex and Law in the Caribbean

"Yesterdays is the novel, underappreciated on its initial release and since forgotten, that should have charted a deviant, audacious path through the staid self-seriousness of Canadian literature. Let's hope there's still time." – Pasha Malla, author of All You Can Kill

An award-winning and haunting meditation on aging and self-determination.

A CBC Canada Reads 2015 Selection! Finalist for the 2013 Governor General's Literary Award for French-to-English Translation Deep in a Northern Ontario forest live Tom and Charlie, two octogenarians determined to live out the rest of their lives on their own terms: free of all ties and responsibilities, their only connection to civilization two pot farmers who bring them whatever they can't eke out for themselves. But their solitude is disrupted by the arrival of two women. The first is a photographer searching for survivors of a series of catastrophic fires nearly a century earlier; the second is an elderly escapee from a psychiatric institution. The little hideaway in the woods will never be the same. Originally published in French, And the Birds Rained Down, the recipient of several prestigious prizes, including the Prix de Cinq Continents de la Francophonie, is a haunting meditation on aging and self-determination.

'Nostalgic and beautifully grotesque, this novel is delightfully baroque and, although short, so striking it will simply never leave you.' —The Coast

Winner of Canada Reads 2017

Winner of the 2015 Scotiabank Giller Prize

Finalist for the 2015 Toronto Book Awards

Winner of the 2015 Rogers Writers' Trust Fiction Prize

"[Alexis] devises an inventive romp through the nature of humanity in this beautiful, entertaining read … A clever exploration of our essence, communication, and how our societies are organized." – Kirkus Reviews

"This might be the best set-up of the spring." – The Globe & Mail

"André Alexis has established himself as one of our preeminent voices." – Toronto Star

— I wonder, said Hermes, what it would be like if animals had human intelligence.
— I'll wager a year's servitude, answered Apollo, that animals – any animal you like – would be even more unhappy than humans are, if they were given human intelligence.

And so it begins: a bet between the gods Hermes and Apollo leads them to grant human consciousness and language to a group of dogs overnighting at a Toronto vet­erinary clinic. Suddenly capable of more complex thought, the pack is torn between those who resist the new ways of thinking, preferring the old 'dog' ways, and those who embrace the change. The gods watch from above as the dogs venture into their newly unfamiliar world, as they become divided among themselves, as each struggles with new thoughts and feelings. Wily Benjy moves from home to home, Prince becomes a poet, and Majnoun forges a relationship with a kind couple that stops even the Fates in their tracks.

André Alexis's contemporary take on the apologue offers an utterly compelling and affecting look at the beauty and perils of human consciousness. By turns meditative and devastating, charming and strange, Fifteen Dogs shows you can teach an old genre new tricks.

André Alexis was born in Trinidad and grew up in Canada. His debut novel, Childhood, won the Books in Canada First Novel Award, the Trillium Book Award, and was shortlisted for the Giller Prize and the Writers' Trust Fiction Prize. His other previous books include Asylum, Beauty and Sadness, Ingrid & the Wolf and, most recently, Pastoral, which was also nominated for the Rogers Writers' Trust Fiction Prize and was named a Globe and Mail Top 100 book of 2014.

In Greater America, with sleep under siege, this lucid and prophetic novel of ideas depicts the end of human reverie.

An unnamed, unemployed, dream-prone narrator finds himself following Chevauchet, diplomat of Onirica, a foreign republic of dreams, to resist a prohibition on sleep in near-future Greater America. On a mission to combat the state-sponsored drugging of citizens with uppers for greater productivity, they traverse an eerie landscape in an everlasting autumn, able to see inside other people’s nightmares and dreams. As Comprehensive Illusion – a social media-like entity that hijacks creativity – overtakes the masses, Chevauchet, the old radical, weakens and disappears, leaving our narrator to take up Chevauchet's dictum that "daydreaming is directly subversive” and forge ahead on his own.

In slippery, exhilarating, and erudite prose, The Eyelid revels in the camaraderie of free thinking that can only happen on the lam, aiming to rescue a species that can no longer dream.

"S. D. Chrostowska's The Eyelid is a brilliant, visionary satire on the digital mindscape of twenty-first-century late capitalism embodied in the new global state of Greater America. Insomnia is in; dreams are seditious; sleep is outlawed. Lulled by false fantasies projected by Artificial Intelligence (CI in the book), video games, and media collaborators, humans drug themselves to stay awake so they can slave through the now standard twenty-hour work days. Witty, oracular, Surreal, trenchant, politically astute, and often hilarious, The Eyelid is a throwback to the classics of the genre, Jonathan Swift's Gulliver's Travels and Samuel Butler's Erewhon. We are turning into a race of sleep-deprived automatons, Chrostowska warns, increasingly unable to mount political opposition or even dream a different future." —Douglas Glover

Feminist autofiction from one of Sweden’s blazing talents.

Blending autofiction and essay, The Bear Woman is a journey of feminism and literary detective work spanning centuries and continents. In the 1540s, a young French noblewoman, Marguerite de la Rocque, was abandoned on an island in the Gulf of Saint Lawrence with her maidservant and her lover. In present-day Stockholm, an author and mother becomes captivated by the image of Marguerite sheltered in a dark cave after her companions have died.

This image soon becomes an obsession. She must find out the real story of the woman she calls the Bear Woman. But so much in this history is written so as to gloss over male violence. And the maps and other sources she consults are at times undecipherable.

Karolina Ramqvist explores what it means to write history—and to live it.

“Karolina Ramqvist writes with frosty precision the kind of literature that is unforgettable. Her portraits of women hit deep into bone and marrow.” – Dorthe Nors, author of A Line in the World

“Ramqvist’s acute rendering of embodied sensual experience combined with her evocation of her double character’s increasingly desperate circumstances create a story of high tension, startling insights, and lasting resonance.” – Siri Hustvedt, author of Mothers, Fathers and Others

“One of my favorite discoveries from this year.” – Samanta Schweblin, author of Little Eyes

“Ramqvist is a serious contender for the Swedish literary limelight.” – Shelf Awareness

"The deeply personal journey of a writer, surprising and illuminating, and for me, familiar in the most reassuring way as she loses herself in this compelling story" – Esther Freud, author of Hideous Kinky

“This book is like a kiss in the afternoon sun." – Sheila Heti, author of How Should a Person Be?

A tenth anniversary edition of the worldwide cult favorite, now with new material and illustrations.

All Tom's friends really are superheroes. Tom even married a superhero, the Perfectionist. But at their wedding she was hypnotized to believe Tom is invisible. Six months later, she's sure Tom has abandoned her. With no idea Tom's beside her, she boards an airplane, determined to leave the heartbreak behind. He has till they land to make her see him.

This tenth anniversary edition adds short stories, illustrations, and a foreword to the cult classic that has been a bestseller in the United Kingdom, Germany, and Sweden.

“Expansive and imaginative.” —Kirkus Reviews

“Irreverent and bursting prose... Fans of Mark Leyner will enjoy Kaufman’s messy string of outrageous scenarios.” —Publishers Weekly

Part modern fable, part detective novel, a journey through grief in the imaginary world of Metaphoria.

One cold winter night, Charlie shares a cab with a stranger in a purple hat. As they talk, a cloud of purple smoke overwhelms him and he wakes up to find himself behind the only desk in the Epiphany Detective Agency. Charlie, as it turns out, is trapped in Metaphoria, an otherworldly place that reality has forgotten, a place where everything means something else. His first client is Shirley Miller, who insists on hiring Charlie to find her husband's missing heart. In fact, she's so insistent that she replaces Charlie's heart with a bomb. He has twenty-four hours to find Twiggy Miller's heart - and its meaning - or his own will explode.

Tender and brutal, optimistic and despairing, this modern fable by the author of the cult hit All My Friends Are Superheroes takes a fresh look at what it means to fall into, and out of, love.

Libraries are magical places. But what if they’re even more magical than we know?

In Cyrille Martinez’s library, the books are alive: not just their ideas or their stories, but the books themselves. Meet the Angry Young Book, who has strong opinions about who reads what and why. He’s tired of people reading bestsellers, so he places himself on the desks of those who might appreciate him. Meet the Old Historian who mysteriously vanished from the stacks. Meet the Blue Librarian, the Mauve Librarian, the Yellow Librarian, and spend a day with the Red Librarian trying to banish coffee cups and laptops.

Then one day there are no empty desks anywhere in the Great Library. A great horde of student workers has descended, and they will scan every single book in the library: the much-borrowed, the neglected, the popular, the obscure. What will happen to the library then? Will it still be necessary?

The Dark Library is a theoretical fiction, a meditation on what libraries mean in our digital world. Has the act of reading changed? What is a reader? A book? Martinez, a librarian himself, has written a love letter to the urban forest of the dark, wild library, where ideas and stories roam free.

Rocky meets Elmore Leonard meets Miranda July as Pillow Wilson, a past-his-prime boxer, trains for his last title shot. Shenanigans ensue.

Boxer ‘Pillow Fist’ Pete Wilson should be preparing for his big comeback fight. But, having recently undergone an ethical awakening, the new vegan is busy trying to find humane new homes for his menagerie of exotic pets (including Jersey Joe the sloth and Rigoberto the shark). His roommate, Sherlock Holmes, who faked his own death by waterfall, is now Pillow’s in-house doping expert.

Pillow just can’t get motivated to train, and he’s further distracted from his push-ups when both his car and Rigoberto mysteriously disappear. Luckily, Sherlock is a master of deduction. What follows is part underdog sports story, part work of neozoological surrealism, and part existential mystery novel.

"Reckless, desperate, and achingly human, Battershill remains funnier than anyone else on your shelf." – Andrew F. Sullivan, author of The Marigold

"The adventures of Battershill’s returning protagonist Pillow are witty and occasionally absurd, but the story never trips on ironies. Battershill twines the humanity of pulp noir with the unsettling play of surrealism to build a world in which pet sloths, Sherlock Holmes, and skilled drug pushers all seem to have found their ideal home." – Naben Ruthnum, author of A Hero of Our Time

"Pillow Wilson is one of my favourite characters in CanLit, and he is in fine form in Pet, Pet, Slap, a deeply funny, inventive, bizarre, heartbreaker of a book. Andrew Battershill not only writes with that magical alchemy of humour and pathos that most writers only wish they could pull off, but he somehow also balances surrealism and profound humanity in a way I’m sure I’ll spend the rest of my life trying to figure out. I haven’t had this much fun reading in a long, long time." – Amy Jones, author of Pebble & Dove

Squatters at a rural gas station try to find freedom and build something new on the ashes of our petrocivilization in this sensual novel.

A community of outsiders takes over an abandoned gas station. They spend their days ripping up asphalt, drinking beer and eating hot dogs, and wandering through woods and towns in search of new ways of living. People come and go: a charismatic landscaper, Italian anarchists, a policewoman, travellers. A teenager drifts into homelessness. And The Girl With No Name keeps a journal of her attempts to meet new people and sleep with them, sex that is “not a sideline” but the motivating force in a story she is struggling to understand.

Neighbors grow hostile. An investigation threatens the community. Tension builds between the surface violence of “normal life” and the attempt of these outsiders to experience freedom and build something new on the ashes of our oil-addicted society.

With a character borrowed from Agnès Varda’s Vagabond and inspiration taken from Anne Boyer’s writings, Anne Lardeux’s highly original debut assembles elements of poetry, film, and visual arts into an exuberant choral novel, an ode to the daughters of fire and to the poetry of the body. Often funny, sometimes raunchy, consistently surprising, never flinching, The Second Substance heralds an important new voice in Quebec literature.

"A revolutionary diary that parses the lines of sex and power, in language that pushes itself around on the page like paint. With echoes of Emma Goldman's if I can't dance, Lardeux's revolution has fucking at its core. The Second Substance is fleshy, cinematic, intuitive." -Tamara Faith Berger, author of Queen Solomon

“A nomadic miscellany of gruff scavengers and would-be pioneers has commandeered the derelict filling station at 69 Rue Principale—an anonymous sensualist and moonlighting authoritarian among them—all jockeying for position at the nexus of self-determination and fate. In Anne Lardeux’s enigmatic debut, presented here in a translation by Pablo Strauss, the constant friction between societal strictures and communal revision spark a series of disorderly experiments, abstract epiphanies blasting off in every direction. The Second Substance is a novel about overriding our programming, rewriting our code in order to initiate an even more radical set of protocols for eroticism, destruction, and rebirth.” —Justin Walls, Bookshop.org

A chilling tale about what happens when we mess with nature.

In 1942, a young entomologist, Thomas, is sent to a remote island to work on biological weapons for the Allied military. The scientists live like prisoners while they produce anthrax and look for the perfect virus carrier among the island’s many insects.

Sixty years later, in the same region of Quebec, a heat wave unleashes swarms of horseflies while humans fall prey to strange flights of rage. Theodore is living a simple life, working double shifts and drinking to forget, when a horsefly bite stirs him from his apathy. He impulsively kidnaps his grandfather, whose dementia has him living in the past on Grosse Île. 

The horseflies, meanwhile, know a few secrets…

Loosely based on historical fact, Horsefly is a terrifying tale about the ways in which we try to dominate nature, and how nature will, inevitably, wreak retribution upon us.

FEATURED ON MICHELLE OBAMA'S INSTAGRAM

SHORTLISTED FOR THE 2024 DUBLIN LITERARY AWARD

WINNER OF THE 2022 SCOTIABANK GILLER PRIZE

WINNER OF THE CITY OF CALGARY W.O. MITCHELL BOOK PRIZE

WINNER OF THE 2023 GEORGES BUGNET AWARD FOR FICTION

FINALIST FOR THE 2023 GOVERNOR GENERAL'S AWARD FOR ENGLISH-LANGUAGE FICTION

PUBLISHERS WEEKLY TOP 20 LITERARY FICTION BOOKS OF 2022

OPRAH DAILY: BOOKS TO READ BY THE FIRE

THE GLOBE 100: THE BEST BOOKS OF 2022

CBC BOOKS: THE BEST CANADIAN FICTION OF 2022

SHORTLISTED FOR THE CAROL SHIELDS PRIZE FOR FICTION

SHORTLISTED FOR THE 2022 REPUBLIC OF CONSCIOUSNESS PRIZE

When a mudslide strands a train, Baxter, a queer Black sleeping car porter, must contend with the perils of white passengers, ghosts, and his secret love affair

The Sleeping Car Porter brings to life an important part of Black history in North America, from the perspective of a queer man living in a culture that renders him invisible in two ways. Affecting, imaginative, and visceral enough that you’ll feel the rocking of the train, The Sleeping Car Porter is a stunning accomplishment.

Baxter’s name isn’t George. But it’s 1929, and Baxter is lucky enough, as a Black man, to have a job as a sleeping car porter on a train that crisscrosses the country. So when the passengers call him George, he has to just smile and nod and act invisible. What he really wants is to go to dentistry school, but he’ll have to save up a lot of nickel and dime tips to get there, so he puts up with “George.”

On this particular trip out west, the passengers are more unruly than usual, especially when the train is stalled for two extra days; their secrets start to leak out and blur with the sleep-deprivation hallucinations Baxter is having. When he finds a naughty postcard of two queer men, Baxter’s memories and longings are reawakened; keeping it puts his job in peril, but he can’t part with the postcard or his thoughts of Edwin Drew, Porter Instructor.

"Suzette Mayr’s The Sleeping Car Porter offers a richly detailed account of a particular occupation and time—train porter on a Canadian passenger train in 1929—and unforcedly allows it to illuminate the societal strictures imposed on black men at the time—and today. Baxter is a secretly-queer and sleep-deprived porter saving up for dental school, working a system that periodically assigns unexplained demerits, and once a certain threshold is reached, the porter loses his job. Thus, success is impossible, the best one can do is to fail slowly. As Baxter takes a cross-continental run, the boarding passengers have more secrets than an Agatha Christie cast, creating a powder keg on train tracks. The Sleeping Car Porter is an engaging and illuminating novel about the costs of work, service, and secrets." – Keith Mosman, Powell's Books

"I thought The Sleeping Car Porter was fantastic! It strikes a balance between being about the struggles of being black and gay at that time while not being too heavy handed with it. I enjoyed his constant mental math on how many demerits he might receive for each infraction. The reader really gets a sense of the conflict that Baxter is going through. I really liked reading a book from the perspective of a porter." – Hunter Gillum, Beaverdale Books

Longlisted for the 2022 DUBLIN Literary Award

A woman must emerge from the virtual world she’s created to confront her flesh-and-blood past and family.

Growing up with a menacing drunk for a father and a grief-stricken mother, a girl spends her 1980s childhood staring at the television to escape the tension, depression, and looming violence that fill her suburban home. After winning a modelling competition, she dedicates herself to becoming a placid image onto which anything can be projected, a blank slate with a blank stare. Earning enough in Paris to retire in her twenties, she buys a studio in Montreal and retreats from the world and its perceived threats, cultivating her existence as an image through her virtual reality avatar. But when her mother develops cancer and nears the end of her life, she is forced to leave her cocoon – surrounded by her posse of augmented reality superheroes – and interact with the world and her parents without the mask of her perfect, virtual self.

Georges offers up an alienated childhood with shifting pop culture obsessions, a woman’s awakening to the role of the image in culture, and her eventual isolation in her apartment and the world online. It is a catalogue of the anxieties of an age, from nuclear war to terrorism, climate change to biological warfare. Set in the past and not-too-distant future of Montreal, The Imago Stage is an ominous tale of oppression, suppression, and disembodiment.

FINALIST FOR THE 2024 BIG OTHER BOOK AWARD FOR TRANSLATION 

FINALIST FOR THE CERCADOR PRIZE FOR LITERATURE IN TRANSLATION

WINNER OF A 2023 PEN TRANSLATES AWARD

This punk-like blend of Roberto Bolaño’s The Savage Detectives and Samanta Schweblin’s Fever Dream heralds an exciting new voice in international fiction.

Munir, G, Ernesto, and Álex leave Madrid after graduation for a carefree summer of picking grapes in the south of France. But there's no grape harvest, and they end up in a series of increasingly nightmarish factory-farming gigs, where workers start disappearing. Soon the youngmen find themselves far away from the world of books and ideas, immersed in an existence that is lawless, inhumane and increasingly menacing…

"Startling, compulsive, and vibrant; Living Things reads like an ignition. The most honest thing I’ve read in a long time about being young and alive in a beautiful, horrible world." – Dizz Tate, author of Brutes

"Living Things dips blithely in and out of genres and packs more ideas in its lean frame than seems possible. It’s a novel posing as a journal posing as a meditation on the function of the journal that playfully interrogates form and content in art, what it means to write, and what it means to care or not care about anything, or about everything. Munir Hachemi is a magician, and his marvellous book, deftly translated by Julia Sanches, defies adequate description." – James Greer, author of Bad Eminence

"Gorgeously labyrinthine." – Molly McGhee, author of Jonathan Abernathy You Are Kind

It’s 1944, and a little village in rural Quebec sits quietly beside an aging mountain and an angry river. The air tastes of kelp, and the wind keeps knocking over the cross. Beside that river an eleven-year-old girl lives with her parents. Her mother is very sad, and her father has vanished because he can’t bear to look at his own daughter. You see, this little girl has suddenly sprouted a full beard.

And so her mother has shut the curtains and locked the girl inside to keep her safe from the townspeople, the Boots, who think there’s something wrong with a bearded little girl. And when they come for her, she escapes into the wintry night…

A small-town embalmer's daughter lifts the shroud on the fascinating minutiae of dealing with the dead.

Imagine rubbing shoulders with the dead for most of your life. As she picks the brain of her father for the most gruesome and thought-provoking secrets of his embalming career - from the drowned boy whose organs were eaten by eels to how to inject just the right amount of colour into a corpse's skin for that blushing look - the narrator must look her parents' deaths, and her relationship with them, straight in the eye.

Quietly poetic, The Embalmer glimpses at something most would rather look away from.

LONGLISTED FOR CANADA READS 2025
SHORTLISTED FOR THE 2024 ATWOOD GIBSON WRITERS' TRUST PRIZE 

SHORTLISTED FOR THE 2024 GILLER PRIZE

SHORTLISTED FOR THE 2024 DAYNE OGILVIE PRIZE FOR LGBTQ2S+ EMERGING WRITERS

STARRED REVIEWS IN KIRKUS, BOOKLIST AND QUILL & QUIRE

A heartbreaking tale of a family and an impossible love, torn apart by secrets and traditions in late-twentieth-century Cairo.

As a boy in 1960s Cairo, Tarek knows that his entire life is written in advance. He’ll be a doctor like his father, marry, and have children. Under the watchful eyes of his mother and his sister, he starts to do just that – until Ali enters his life and turns it upside down. The two men, from very different worlds, embark on an unsayable relationship that threatens to tear apart Tarek’s family.

Years later, as Tarek is living a solitary life in Montreal, someone starts writing about him and to him, piecing together a past he wants only to forget. But who is the writer of this tale? And will he figure it out in time?

A bestseller in its original Quebec edition, and the recipient of several awards, including the Prix Femina des Lycéens, What I Know About You is poised to be an international sensation.

"This novel is a searing love story that moves between Egypt and Montréal, that shifts between hearts, highlighting the sacrifices the characters feel they have to make for the ones they love. Romantic, surprising, mesmerizing, and so devastating, What I Know About You examines the terrible costs of family secrets and toxic shame." – Suzette Mayr, author of The Sleeping Car Porter

Four writers, four different perspectives on the problematic notion of purity.

"All purity is created by resemblance and disavowal." With this sentence as a starting point, four authors each write a novella considering the concept of purity, all from astonishingly different angles. Jean Marc Ah-Sen writes about love blooming between two writers belonging to feuding literary movements. Emily Anglin explores an architect's search for her twin at a rural historic house. Devon Code documents the Wittgensteinian upheavals of the last days of an elderly woman. And Lee Henderson imagines Dada artist Kurt Schwitters finding unlikely inspiration in a Second World War internment camp in northern Norway.

Wildly different in style and subject matter, these four virtuoso pieces give us a 360-degree view of a philosophical theme that has never felt so urgent.

“Despite the disparity of their subject matter – a Nazi-evading Dadaist detained in Norway, urban and familial estrangements, complicated love amid the avant-garde, the vicissitudes of old age – these brilliantly inventive, delightfully strange stories cling together like four unlikely soulmates, unified by art’s pursuit of coherence through life’s various disintegrations.” —Pasha Malla, author of Kill the Mall

In a near-future world ravaged by climate change, who will win in the struggle between humanity and nature?

A thick fog rolls in over Shivering Heights. The river overflows, the sky is streaked with toxic green, parasites proliferate in torrential rains and once safely classified species – humans included – are evolving and behaving in unprecedented ways. Against this poetically hostile backdrop, a biologist, Laura, fights to understand the nature and scope of the changes transforming her own body and the world around her.

Ten lush and bracing linked climate fictions depict a world gorgeous and terrifying in its likeness to our own.

Fauna, Christiane Vadnais’s first work of fiction, won the Horizons Imaginaires speculative fiction award, the City of Quebec book award, and was named one of 2018’s best books by Radio-Canada.

SHORTLISTED FOR THE 2025 CAROL SHIELDS PRIZE FOR FICTION

FEATURED ON LITHUB

CBC BOOKS: 2024 SPRING FICTION PREVIEW

Dickinson after her death: a novel of the trio of women who brought Emily Dickinson’s poems out of the shadows 

When she died, Emily Dickinson left behind hundreds of texts scribbled on scraps of paper. She also left behind three formidable women: her steadfast sister, Lavinia; her brother’s ambitious mistress, Mabel Loomis Todd; and his grief-stricken wife, Susan Gilbert Dickinson. With no clear instructions from Emily, these three women would, through mourning and strife, make from those scraps of paper a book that would change American literature.

From the author of Paper Houses, this is the improbable, almost miraculous, story of the birth of a book years after the death of its author. In these sensitive and luminous pages, Dominique Fortier explores, through Dickinson’s poetry, the mysterious power that books have over our lives, and the fragile and necessary character of literature.

2022 QUILL & QUIRE BEST BOOKS OF THE YEAR

SHORTLISTED FOR THE 30TH ANNUAL HAMILTON LITERARY FICTION AWARD

A bold and absurd new take on the dystopian plague novel, where people are treated like IKEA furniture

Distraught and hopeless, an eighteen-year-old distance runner, Regan, decides to end her life. And she’ll do it through an unusual new method available only on the dark web. Enter Ülle, a woman with amnesia, who will, inadvertently, make Regan’s wish come true.

But Ülle begins to remember her past and the outrageous steps her government took to combat a deadly pandemic of parasitic infections, which have brought her to this new country and to Regan’s house. Meanwhile, Regan might be changing her mind, and she finds herself more and more concerned about keeping both Ülle and herself alive. But the shadowy organization that brought them together wants to keep them both quiet – permanently.

A Suitable Companion for the End of Your Life is a darkly comic dystopian tale that probes our anxieties around boundaries, whether territorial or bodily, and our fraught desire not to die alone.

"Gripping from the first page, Robert McGill’s A Suitable Companion for the End of Your Life is a dark, speculative novel with echoes of The Handmaid’s Tale, set against the backdrop of a plague. Some of us would do anything to survive, down to flatpacking ourselves like IKEA furniture, while others would do anything to make our miserable lives end. This is timely, provocative, ethically challenging fiction that asks whether the drive to survive is stronger than the inevitability of death." –Ian Williams, author of Reproduction

"Terrifying and tender, A Suitable Companion's sci-fi angle serves to frame a fascinating parable about the post-post-modern family. Unpredictable and completely original, this is a propulsive, rewarding, and thought-provoking read." –Michael Redhill, author of Bellevue Square

​​“The guy knows what he’s doing, from missing children to silk parachutes, you are never lost and he will catch you.” – Zadie Smith, author of Swing Time

“A storyteller who refuses to keep things straight, and for this produces freshly captivating effects.” – Andrew Pyper, author of The Demonologist

“A writer of striking talent and originality.” – Daily Mail on The Mysteries

“McGill is a talented writer, adept at expressing the nuanced, unspoken truths that beg the lies by which we live.” – Observer on The Mysteries

CBC BOOKS - CANADIAN FICTION TO READ IN THE FIRST HALF OF 2023

Peter Greenaway meets Angela Carter: a Gothic tale of secrets and revenge

When the curtain rises on Malmaison, it reveals a once-enchanting estate, quietly falling into darkness and ruin, and at the heart of it, a father, one of a long line of fathers who have flourished at the expense of those around them. The silence seems peaceful, but lurking under it is a deep malevolence, scores of ugly and violent secrets kept by cast-off mistresses and abandoned daughters. Ever-greedy, the father brings in Aliénor, a woman who promises to make the lands give even more of themselves; the plants will flourish, the animals will multiply, each feast will be more sumptuous than the last. The father thinks the stage is set to satisfy his every desire, but Aliénor will bring a new script, one in which the hunters are hunted and a new reign will begin.

Boy meets Girl, Boy marries Girl, and years later Boy mysteriously disappears in this Gordon Lish–style novel.

The boy and the girl have been married for decades, mostly getting along as they go about their lives. But one day, like thousands of people around the world, the boy vanishes, and the girl is left to wait, wonder, and worry. Will he return? Who might she be if she moves on without him?

This is a world where every morning the cat gets fed and the coffee gets made, but also one in which God sometimes lives in the garage – she likes to sleep on the freezer – and gigantic words can fall from the sky. Not Anywhere, Just Not cracks open the small dramas of our lives to show the dread and wonder inside all of us.

"Ken Sparling is a brilliant writer and this book, like all his books, is a beauty. Sparling chronicles the times I fear most—the moments of loneliness, of loss, of ennui—and somehow makes them seem worthwhile, even wondrous, and often flat-out funny. His work makes life look livable, which makes him a wizard to me." – Derek McCormack, author of Castle Faggot

"A gorgeous rendition of the domestic uncanny, Not Anywhere, Just Not is an ostensibly quiet book that slowly and carefully unnerves and unsettles you--both because of its precise swapping out of reality and because of just how familiar it so often seems. All of us, Sparling seems to say, are on the verge of vanishing at any moment." – Brian Evenson, author of Song for the Unraveling of the World

Longlisted for the 2010 Scotiabank Giller Prize!

Shortlisted for the 2010 Trillium Book Award!

Lemon has three mothers: a biological one she’s never met, her adopted father’s suicidal ex, and Drew, a school principal who hasn’t left the house since she was stabbed by a student. She has one deadbeat dad, one young cancer-riddled protégé, and two friends, the school tramp and a depressed poet.

Figuring the numbers are against her, Lemon just can’t be bothered trying to fit in. She spurns fashion, television, and even the mall. She reads Mary Wollstonecraft and gets pissed off that Jane Eyre is such a wimp. Meanwhile, the adults in her life are all mired in self-centredness, and the other kids are getting high, beating each other up in parks, and trying to outsex one another. High school is misery, a trial run for an unhappy adulthood of bloated waistlines, bad sex, contradictions, and inequities, and nothing guidance counsellor Blecher can say will convince Lemon otherwise.

But making the choice to opt out of sex and violence and cancer and disappointment doesn’t mean that these things don’t find you. It will be up to Lemon if she can survive them with her usual cavalier aplomb.

FINALIST FOR THE 2025 ATWOOD GIBSON WRITERS' TRUST FICTION PRIZE

With an intimate, comic, and compassionate eye, the twelve stories in Simple Creatures consider what it means to live with less in the twenty-first century.

In this debut collection, featuring stories set in locations from the Pacific Northwest and upstate New York to the English coast, Robert McGill explores the heartaches and joys of people who are desperate to uncomplicate their complicated world. Through stories consisting of YouTube monologues, pet-care instructions, school reports, and the unspoken thoughts of a young scholar obsessed with a famous Canadian writer, Simple Creatures also shows us the sometimes hilarious, often poignant ways in which our use of language shapes our relationships with others and ourselves.

Along the way, we meet a teenager who wants to live among a community of Bigfoot that he claims to have discovered in the woods; the widow of a famous endocrinologist after she gains custody of a chimpanzee from his lab; a boy whose fledgling hockey career is troubled by the fact that his name is Leo Gretzky; and a divorcee seeking out the mysterious author of a viral environmental pledge. Through their lives, Simple Creatures offers an acute, sympathetic portrait of our time.

“Here are people struggling with simple needs and small dramas that nevertheless got entirely under my skin – sublime awe, tender longing, painful anxiety, too. Robert McGill’s masterful Simple Creatures reminded me of how potent an elixir the short story form can be – the magic of words alchemically transforming within me into raw feeling. The stories in Simple Creatures truly live and breathe.” – Kathryn Kuitenbrouwer, author of Wait Softly Brother

"Robert McGill writes hilarious, smart, heart-breaking stories. A master of voice and dialogue, character and perspective, he knows everyone’s loneliness. We’re all in here, the whole arc of life: children in the beginning, elderly athletes battling to the end, and middle aged lovers trying to love in the middle of the internet and a climate disaster. Come watch as one of our best stylists plies his trade, pushing short fiction to its contemporary, ecstatic edge." – Alexander MacLeod, author of Light Lifting and Animal Person

FEATURED IN QUILL & QUIRE'S 2023 FALL PREVIEW

THE GLOBE AND MAIL: BOOKS TO READ IN FALL 2023

CBC BOOKS CANADIAN FICTION TO READ IN FALL 2023

PUBLISHERS WEEKLY BIG INDIE BOOKS OF FALL 2023

THE GLOBE AND MAIL BEST 100 BOOKS OF 2023

THE TORONTO STAR BEST 100 BOOKS OF 2023

From the author of Maidenhead, a reverse cautionary tale about a young woman exploring the boundaries of sex and belonging in the early 2000s

Distraught that her teenage daughter is in love with a woman a decade older, Yara’s mother sends her away from their home in Brazil to Israel, on a Birthright trip for Jewish youth. Freed from her increasingly controlling and jealous girlfriend, Yara is determined to forge her own path and follow her desires. 

But Birthright takes a debaucherous turn, and Yara flees Israel for Toronto and then California. As she wanders, Yara is forced to reframe her relationship and her ideas around consent. Set in the sex-tape-panicked early 2000s, Yara is a reverse cautionary tale about what the body can teach us.

"Tamara Faith Berger is one of our best writers of the body, capturing in sharp, red-hot prose its raw animal urges, its often confused and contradictory desires, and the way our search for pleasure can be both liberatory and self-annihilating. Like Israel, bodies are contested territories, and in Berger's revelatory new novel, Yara seeks to wrest control and meaning from the forces that seek to instrumentalize hers: nationalism, capitalism, pornography, and lovers." – Jordan Tannahill, author of The Listeners

"Yara is a complicated novel about the confusions of consent and kinship, the way love makes victims of us all, told with cool, epigrammatic verve. As raw, destabilizing and searching as its titular protagonist, it's Berger's best book yet." – Jason McBride, author of Eat Your Mind

"Canada’s finest and boldest writer. Tamara Faith Berger is my favourite ball buster." – Anakana Schofield, author of Bina: A Novel in Warnings

LAMBDA LITERARY OCTOBER'S MOST ANTICIPATED LGBTQIA+ LITERATURE

THE GLOBE AND MAIL TOP 30 CANADIAN BOOKS TO READ IN 2023

A novel about Berlin: a city for artists and libertines, a perfect place to find love and madness.

When he tired of Toronto’s insular scene, art critic Martin Heather fled to Berlin, where he tried to sleep his way through the entire population of gay men. And then he met Alexandar, who began to tutor Martin in increasingly violent sex – and in love.

Pervatory is a series of journal entries about Martin and Alexandar’s relationship. But interjections from the present, where Martin has been institutionalized, suggest that the hints we get of his increasing instability and obsession with the idea that his apartment is haunted by an evil spirit may have led to something dire …

RM Vaughan was an astute art critic, a dazzling poet, and an important queer activist. His untimely death in October 2020 was a tremendous loss to the queer and literary communities. This novel is what he left for us.

"Pervatory is RM Vaughan's perverse Valentine to Berlin. It is sexy, funny, often elegant, and a fitting elegiac punctuation mark to his incredible body of work. Given the way he left us, it is as devastating as it is exhilarating." – journalist and Lambda Award–winning author Matthew Hays

"RM Vaughan was a promiscuous pansy, a louche moralist, a lonely heart, but most importantly, he was a writer, an irritating, idiosyncratic, incisive writer. This country, with its mawkish, mediocre literary culture, didn't know what to do with him. Pervatory is his final affront." – Derek McCormack, author of Castle Faggot

"Brilliant, funny, propulsive." – Zoe Whittall, author of The Best Kind of People

The lives of three families intersect in the hallways of an apartment block in a Montreal neighborhood.

Mélissa, Roxane, and Kevin have never had it easy. As their parents face their own struggles – with addiction, unemployment, and abuse – they must learn to fend for themselves. Though their lives converge at school, on the street, at the corner store, or when they can hear each other through their apartments’ thin walls, they each feel deeply alone. Neighbourhood Watch tells their coming-of-age stories with a cinematic ease, moving between despair and the unalterable hope of childhood.

With her characteristic poetic flair and generosity, Anaïs Barbeau-Lavalette, author of the acclaimed Suzanne, has painted, in brief strokes, an unforgettable and moving portrait of a fictional apartment block in Montreal.

This translation of her 2010 debut novel is presented with an afterword interview with a woman who, as a child, was the inspiration behind the character of Roxane.

‘This is prose to lose yourself in. Never complicated, it’s gentle like a love song, comforting and enveloping like a black-and-white film, full of tones and textures. These sentences can destroy us. Not for their simplicity, but for the powerful beauty within the simplicity.’ —Peter McCambridge, ‘Best Translated Book Award: Why This Book Should Win,’ on Suzanne

The debut novel by acclaimed poet Lisa Robertson, in which a poet realizes she's written the works of Baudelaire.

One morning, Hazel Brown awakes in a badly decorated hotel room to find that she’s written the complete works of Charles Baudelaire. In her bemusement the hotel becomes every cheap room she ever stayed in during her youthful perambulations in 1980s Paris. This is the legend of a she-dandy’s life.

Part magical realism, part feminist ars poetica, part history of tailoring, part bibliophilic anthem, part love affair with nineteenth-century painting, The Baudelaire Fractal is poet and art writer Lisa Robertson’s first novel.

"Robertson, with feminist wit, a dash of kink, and a generous brain, has written an urtext that tenders there can be, in fact, or in fiction, no such thing. Hers is a boon for readers and writers, now and in the future."—Jennifer Krasinski, Bookforum

"It’s brilliant, strange, and unlike anything I’ve read before."—Rebecca Hussey, BOOKRIOT

A lost river, a lost aunt, a found literary life: from the cult-favourite poet and author of The Baudelaire Fractal comes a glittering and erudite new novel of Paris.  

Some ruins are invisible. 

Under the pavements of Paris there lies buried an ancient river, the Bièvre. For years, our narrator has walked along these streets, unaware of the water and history under her feet, on her way to clean the apartments of Paris’s academic class. As she begins to study and transcribe the inherited notebooks and papers of her great-aunt, a teacher and researcher who disappeared years earlier, she commits to continuing her aunt’s youthful research on the Bièvre, mining the river’s documentary traces in the works of Rousseau, Rabelais, Hugo, Chateaubriand, and the like. She uncovers a history of industry: paper mills, dyeing workshops, tanneries, and textile manufacturers – and laundries. 

She finds resonances of her own labour in the history of the river’s laundresses. On stolen time at work, and in her insomniac hours of nightwriting, she fills notebooks with these woven stories and descriptions of obsolete sites, textiles, cosmologies, and voices, constructing her own forms of relation with the lost.

Riverwork unearths not just an urban river but also a philosophy of research and the archive, a politics of hydrology, an ontology of aging and belatedness, and a consideration of the unrepresented labour of women, past and present. Along the way it brings to life, in pyrotechnic prose, a long-gone Paris and both its domestic workers and its writers.

CBC BOOKS WORKS OF CANADIAN FICTION TO READ IN THE FIRST HALF OF 2023

THE TORONTO STAR 'MUST READ, HANDS DOWN BEST BOOKS OF 2023 SO FAR'

‘Cat Person’ meets Station Eleven in this apocalyptic depiction of toxic masculinity.

An unnamed man is spending the evening with his ex-girlfriend. She’s obsessed with the 1956 John Wayne classic The Searchers, and she recounts the story as a way for them to talk about their histories, their families, maybe even their relationship. But as he gets more drunk and belligerent, she gets more and more uncomfortable with him being in her home.

And then, two days later, a mysterious catastrophic event befalls Toronto, and our protagonist must trek across the city to find Melanie. His quest spirals into increasing violence, bloodshed, and hallucinations as he moves west through the confusion and chaos of the city.

Using the tropes of both the Western and the disaster movie, Soldiers, Hunters, Not Cowboys looks at the violence of our contemporary masculinity, and its deep roots in shaping our culture. A suspenseful and thought-provoking evocation of our current moment.

"Ask the right questions and a conversation about the movies becomes a conversation about your life, family, past, and everything you value: Aaron Tucker’s novel, which starts chatty before turning deeply, unexpectedly inward, grasps the ceaseless, sometimes terrible relevance of violence and troubling art." – Naben Ruthnum, author of A Hero of Our Time

"In Soldiers, Hunters, Not Cowboys, Aaron Tucker refuses the easy projections of masculinity from film history. Instead he gallops into the screen to sift out how drama collaborates with the bloodiest of truths. That this novel shifts from dialogical treatise into a thriller proves that Tucker is well on his way to stealing the weird fiction mantle away from Don DeLillo." – Emily Schultz, author of The Blondes and Little Threats

"Sad, smart, innocent and wise. A relentless retelling of a movie and a life, full of hope, if there is any." – John Haskell, author of The Complete Ballet: A Fictional Essay in Five Acts

CBC BOOKS WORKS OF CANADIAN FICTION TO READ IN THE FIRST HALF OF 2023

49th SHELF EDITORS' PICK FOR JUNE 2023

When a family is forced to return to the mother’s childhood home, she seeks meaning in her ancestral roots and the violent beauty of the natural world.

Fleeing the city at the beginning of the pandemic, two families are cramped together in a small century-old country house. Winter seeps through the walls, the wallpaper is peeling, and mice make their nest in the piano. Without phones or internet, they turn to the outdoors, where a new language unfolds, a language of fireflies and clover. The five children explore nature and its treasures, while our narrator, Anaïs, turns to the eccentric neighbours and her own family history to find peace and meaning in the middle of her life.

To the Forest is a field guide to a quieter life, a call to return to the places where we can reweave the threads of memory, where existence waltzes with death, where we can recapture what it means to be alive.

Annie Ernaux meets Annie Dillard in this sultry story of a woman’s obsession with a painter — and a river. 

A woman is on an artists’ retreat on an island in the St. Lawrence Seaway, taking time away from her partner and her daughter to write. There she encounters a painter who spends his days with his easel set up on the shore trying to capture the blue of the water. They are drawn to each other, and their desire builds, through conversations about art and the colour blue, into a passionate extramarital affair, both deep and fleeting.

Savage in its beauty, this new work from Anaïs Barbeau-Lavalette is a novel of resilience and longing, staking out the territory of female desire, exploring how it’s been regarded through the ages and how it’s reflected in art and nature.

Following the bestselling Suzanne and To the Forest, this latest offering in a series of novels about women by Anaïs Barbeau-Lavalette captures the power and beauty of desire set against the power and beauty of nature. An accomplished filmmaker, Barbeau-Lavalette writes with a visual flair, embodying both the calm and the turbulence of the river that runs through the story.

THE GLOBE AND MAIL BEST BOOKS OF 2021

CBC BOOKS THE BEST CANADIAN FICTION OF 2021

A fresh take on the romance novel from the Giller Prize–winning author of Fifteen Dogs

From their first meeting, it was clear that Gwen and Tancred were meant to be together. But, as we know, the course of true love never did run smooth.

Gwen’s mother, intuiting that her daughter is in love, gives her a magic ring that has been passed down through endless generations of mothers and daughters. This ring grants its wearer the opportunity to change three things about her beloved. Like all blessings, this may also be a curse.

Ring turns the literary romance upside down and shakes out its pockets. It’s a playful meditation on the past, on magic, on race, on honour, on faith, and, yes, on love.

Following on the heels of Pastoral, Fifteen Dogs, The Hidden Keys, and Days by Moonlight, Ring completes Alexis’s Quincunx, a group of five genre-bending, philosophically sophisticated, and utterly delightful novels.

“A great novel doesn’t try to answer questions, but, like Days by Moonlight, complicates them. ” —The Globe and Mail on Days by Moonlight

“This imaginative travelogue will amuse readers even as it raises weightier issues. ” —Publishers Weekly on Days by Moonlight

“I’m far from being a dog person, but as a book person I loved this smart, exuberant fantasy from start to finish. ” —The Guardian on Fifteen Dogs

“A clever exploration of our essence, communication, and how our societies are organized. ” —Kirkus Reviews on Fifteen Dogs

"Ring raises questions about love, marriage, fidelity, and the divine." —Canadian Writers Abroad

ONE OF BOOK RIOT'S "20 MUST-READ HORROR BOOKS YOU'VE NEVER HEARD OF"

2022 QUILL & QUIRE BEST BOOKS OF THE YEAR

SHORTLISTED FOR THE 30TH ANNUAL HAMILTON LITERARY FICTION AWARD

A bold and absurd new take on the dystopian plague novel, where people are treated like IKEA furniture

Distraught and hopeless, an eighteen-year-old distance runner, Regan, decides to end her life. And she’ll do it through an unusual new method available only on the dark web. Enter Ülle, a woman with amnesia, who will, inadvertently, make Regan’s wish come true.

But Ülle begins to remember her past and the outrageous steps her government took to combat a deadly pandemic of parasitic infections, which have brought her to this new country and to Regan’s house. Meanwhile, Regan might be changing her mind, and she finds herself more and more concerned about keeping both Ülle and herself alive. But the shadowy organization that brought them together wants to keep them both quiet – permanently.

A Suitable Companion for the End of Your Life is a darkly comic dystopian tale that probes our anxieties around boundaries, whether territorial or bodily, and our fraught desire not to die alone.

"Gripping from the first page, Robert McGill’s A Suitable Companion for the End of Your Life is a dark, speculative novel with echoes of The Handmaid’s Tale, set against the backdrop of a plague. Some of us would do anything to survive, down to flatpacking ourselves like IKEA furniture, while others would do anything to make our miserable lives end. This is timely, provocative, ethically challenging fiction that asks whether the drive to survive is stronger than the inevitability of death." –Ian Williams, author of Reproduction

"Terrifying and tender, A Suitable Companion's sci-fi angle serves to frame a fascinating parable about the post-post-modern family. Unpredictable and completely original, this is a propulsive, rewarding, and thought-provoking read." –Michael Redhill, author of Bellevue Square

​​“The guy knows what he’s doing, from missing children to silk parachutes, you are never lost and he will catch you.” – Zadie Smith, author of Swing Time

“A storyteller who refuses to keep things straight, and for this produces freshly captivating effects.” – Andrew Pyper, author of The Demonologist

“A writer of striking talent and originality.” – Daily Mail on The Mysteries

“McGill is a talented writer, adept at expressing the nuanced, unspoken truths that beg the lies by which we live.” – Observer on The Mysteries

FEATURED IN QUILL & QUIRE'S 2023 FALL PREVIEW

THE GLOBE AND MAIL: BOOKS TO READ IN FALL 2023

CBC BOOKS CANADIAN FICTION TO READ IN FALL 2023

PUBLISHERS WEEKLY BIG INDIE BOOKS OF FALL 2023

THE GLOBE AND MAIL BEST 100 BOOKS OF 2023

THE TORONTO STAR BEST 100 BOOKS OF 2023

From the author of Maidenhead, a reverse cautionary tale about a young woman exploring the boundaries of sex and belonging in the early 2000s

Distraught that her teenage daughter is in love with a woman a decade older, Yara’s mother sends her away from their home in Brazil to Israel, on a Birthright trip for Jewish youth. Freed from her increasingly controlling and jealous girlfriend, Yara is determined to forge her own path and follow her desires. 

But Birthright takes a debaucherous turn, and Yara flees Israel for Toronto and then California. As she wanders, Yara is forced to reframe her relationship and her ideas around consent. Set in the sex-tape-panicked early 2000s, Yara is a reverse cautionary tale about what the body can teach us.

"Tamara Faith Berger is one of our best writers of the body, capturing in sharp, red-hot prose its raw animal urges, its often confused and contradictory desires, and the way our search for pleasure can be both liberatory and self-annihilating. Like Israel, bodies are contested territories, and in Berger's revelatory new novel, Yara seeks to wrest control and meaning from the forces that seek to instrumentalize hers: nationalism, capitalism, pornography, and lovers." – Jordan Tannahill, author of The Listeners

"Yara is a complicated novel about the confusions of consent and kinship, the way love makes victims of us all, told with cool, epigrammatic verve. As raw, destabilizing and searching as its titular protagonist, it's Berger's best book yet." – Jason McBride, author of Eat Your Mind

"Canada’s finest and boldest writer. Tamara Faith Berger is my favourite ball buster." – Anakana Schofield, author of Bina: A Novel in Warnings