Unfortunately, It Was Paradise

Unfortunately, It Was Paradise

Selected Poems

By Mahmoud Darwish Edited by Sinan Antoon and Amira El-Zein Translated by Munir Akash and Carolyn Forché Foreword by Fady Joudah
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$29.95

Publication Date: 15th April 2013

Tilda Swinton’s Top Ten Favorite Books for T: The New York Times Style Magazine Mahmoud Darwish is a literary rarity: at once critically acclaimed as one of the most important poets in the Arabic... Read More
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Tilda Swinton’s Top Ten Favorite Books for T: The New York Times Style Magazine Mahmoud Darwish is a literary rarity: at once critically acclaimed as one of the most important poets in the Arabic... Read More
Description
Tilda Swinton’s Top Ten Favorite Books for T: The New York Times Style Magazine

Mahmoud Darwish is a literary rarity: at once critically acclaimed as one of the most important poets in the Arabic language, and beloved as the voice of his people. A legend in Palestine, his lyrics are sung by fieldworkers and schoolchildren. He has assimilated some of the world's oldest literary traditions while simultaneously struggling to open new possibilities for poetry. This collection spans Darwish's entire career, nearly four decades, revealing an impressive range of expression and form. A splendid team of translators has collaborated with the poet on these new translations, which capture Darwish's distinctive voice and spirit. Fady Joudah’s foreword, new to this edition, addresses Darwish’s enduring legacy following his death in 2008.
Details
  • Price: $29.95
  • Pages: 224
  • Carton Quantity: 26
  • Publisher: University of California Press
  • Imprint: University of California Press
  • Publication Date: 15th April 2013
  • Trim Size: 6 x 8 in
  • ISBN: 9780520273030
  • Format: Paperback
  • BISACs:
    POETRY / General
Reviews
"This book—perhaps the most important, available, and representative volume of Darwish to date—is really remarkable. It's striking how this poet is so much at once and as a whole: personal and political, 'experimental' yet lyrically so, informed by philosophy yet reminiscent of prayer."
- PopMatters
"This book is a beautiful rendering of beautiful verse. It is an important contribution in making accessible an important figure in modern Arab culture. Unfortunately, It Was Paradise demonstrates that Darwish is a poet of our time as well as a poet of all times."
- Journal of Palestine Studies
“These translations of Mahmoud Darwish’s marvelous poems reveal the lifelong development of a major world poet. The book is a gift to other poets and lovers of poetry. It’s also an important contribution to current and future discourse on culture and politics.”
- American Poet
"Darwish's complex linguistic negotiations of deeply contested places, on the earth and in the mind, demand and sustain serious reading and discussion.  . . . [Forché's] fluid and precise approach to translation is everywhere apparent here."
- Publishers Weekly
Author Bio
Mahmoud Darwish (1941 - 2008) was the author of over thirty books of poems, including Memory for Forgetfulness: August, Beirut, 1982 (California, 1995), The Adam of Two Edens (2001), and Psalms (1994). He received the 2001 Prize for Cultural Freedom from the Lannan Foundation.

Munir Akash is a founding editor of Jusoor, The Arab American Journal of Cultural Exchange, and coeditor of The Adam of Two Edens (2001) and Post Gibran: Anthropology of New Arab American Writing (2000). Carolyn Forché is Professor of English at George Mason University and author of The Angel of History (1994). Sinan Antoon is coeditor of Arab Studies Journal. Amira El-Zein is the author of Bedouin of Hell (1992) and The Book of Palm Trees (1973).

Fady Joudah is a prize-winning poet, translator, and physician. He is the author of The Earth in the Attic (2008) and Alight (2013), and the translator of two volumes of Mahmoud Darwish’s poetry, The Butterfly’s Burden (2007) and If I Were Another (2009).
Table of Contents
Acknowledgments Munir Akash
Introduction Munir Akash and Carolyn Forché

FROM Fewer Roses (1986)
I Will Slog over This Road
Another Road in the Road
Were It Up to Me to Begin Again
On This Earth
I Belong There
Addresses for the Soul, outside This Place
Earth Presses against Us
We Journey towards a Home
We Travel Like All People
Athens Airport
I Talk Too Much
We Have the Right to Love Autumn
The Last Train Has Stopped
On the Slope, Higher Than the Sea, They Slept
He Embraces His Murderer
Winds Shift against Us
Neighing on the Slope
Other Barbarians Will Come
They Would Love to See Me Dead
When the Martyrs Go to Sleep
The Night There
We Went to Aden
Another Damascus in Damascus
The Flute Cried
In This Hymn

FROM I See What I Want to See (1993)
The Hoopoe

FROM Why Have You Left the Horse Alone? (1995)
I See My Ghost Coming from Afar
A Cloud in My Hands
The Kindhearted Villagers
The Owl’s Night
The Everlasting Indian Fig
The Lute of Ismael
The Strangers’ Picnic
The Raven’s Ink
Like the Letter "N" in the Qur’an
Ivory Combs
The Death of the Phoenix
Poetic Regulations
Excerpts from the Byzantine Odes of Abu Firas
The Dreamers Pass from One Sky to Another
A Rhyme for the Odes (Mu‘allaqat)
Night That Overflows My Body
The Gypsy Woman Has a Tame Sky

FROM A Bed for the Stranger (1999)
We Were without a Present
Sonnet II
The Stranger Finds Himself in the Stranger
The Land of the Stranger, the Serene Land
Inanna’s Milk
Who Am I, without Exile?
Lesson from the Kama Sutra
Mural (2000)
Mural
Three Poems (before 1986)
A Soldier Dreams of White Tulips
As Fate Would Have It
Four Personal Addresses

Glossary
Tilda Swinton’s Top Ten Favorite Books for T: The New York Times Style Magazine

Mahmoud Darwish is a literary rarity: at once critically acclaimed as one of the most important poets in the Arabic language, and beloved as the voice of his people. A legend in Palestine, his lyrics are sung by fieldworkers and schoolchildren. He has assimilated some of the world's oldest literary traditions while simultaneously struggling to open new possibilities for poetry. This collection spans Darwish's entire career, nearly four decades, revealing an impressive range of expression and form. A splendid team of translators has collaborated with the poet on these new translations, which capture Darwish's distinctive voice and spirit. Fady Joudah’s foreword, new to this edition, addresses Darwish’s enduring legacy following his death in 2008.
  • Price: $29.95
  • Pages: 224
  • Carton Quantity: 26
  • Publisher: University of California Press
  • Imprint: University of California Press
  • Publication Date: 15th April 2013
  • Trim Size: 6 x 8 in
  • ISBN: 9780520273030
  • Format: Paperback
  • BISACs:
    POETRY / General
"This book—perhaps the most important, available, and representative volume of Darwish to date—is really remarkable. It's striking how this poet is so much at once and as a whole: personal and political, 'experimental' yet lyrically so, informed by philosophy yet reminiscent of prayer."
– PopMatters
"This book is a beautiful rendering of beautiful verse. It is an important contribution in making accessible an important figure in modern Arab culture. Unfortunately, It Was Paradise demonstrates that Darwish is a poet of our time as well as a poet of all times."
– Journal of Palestine Studies
“These translations of Mahmoud Darwish’s marvelous poems reveal the lifelong development of a major world poet. The book is a gift to other poets and lovers of poetry. It’s also an important contribution to current and future discourse on culture and politics.”
– American Poet
"Darwish's complex linguistic negotiations of deeply contested places, on the earth and in the mind, demand and sustain serious reading and discussion.  . . . [Forché's] fluid and precise approach to translation is everywhere apparent here."
– Publishers Weekly
Mahmoud Darwish (1941 - 2008) was the author of over thirty books of poems, including Memory for Forgetfulness: August, Beirut, 1982 (California, 1995), The Adam of Two Edens (2001), and Psalms (1994). He received the 2001 Prize for Cultural Freedom from the Lannan Foundation.

Munir Akash is a founding editor of Jusoor, The Arab American Journal of Cultural Exchange, and coeditor of The Adam of Two Edens (2001) and Post Gibran: Anthropology of New Arab American Writing (2000). Carolyn Forché is Professor of English at George Mason University and author of The Angel of History (1994). Sinan Antoon is coeditor of Arab Studies Journal. Amira El-Zein is the author of Bedouin of Hell (1992) and The Book of Palm Trees (1973).

Fady Joudah is a prize-winning poet, translator, and physician. He is the author of The Earth in the Attic (2008) and Alight (2013), and the translator of two volumes of Mahmoud Darwish’s poetry, The Butterfly’s Burden (2007) and If I Were Another (2009).
Acknowledgments Munir Akash
Introduction Munir Akash and Carolyn Forché

FROM Fewer Roses (1986)
I Will Slog over This Road
Another Road in the Road
Were It Up to Me to Begin Again
On This Earth
I Belong There
Addresses for the Soul, outside This Place
Earth Presses against Us
We Journey towards a Home
We Travel Like All People
Athens Airport
I Talk Too Much
We Have the Right to Love Autumn
The Last Train Has Stopped
On the Slope, Higher Than the Sea, They Slept
He Embraces His Murderer
Winds Shift against Us
Neighing on the Slope
Other Barbarians Will Come
They Would Love to See Me Dead
When the Martyrs Go to Sleep
The Night There
We Went to Aden
Another Damascus in Damascus
The Flute Cried
In This Hymn

FROM I See What I Want to See (1993)
The Hoopoe

FROM Why Have You Left the Horse Alone? (1995)
I See My Ghost Coming from Afar
A Cloud in My Hands
The Kindhearted Villagers
The Owl’s Night
The Everlasting Indian Fig
The Lute of Ismael
The Strangers’ Picnic
The Raven’s Ink
Like the Letter "N" in the Qur’an
Ivory Combs
The Death of the Phoenix
Poetic Regulations
Excerpts from the Byzantine Odes of Abu Firas
The Dreamers Pass from One Sky to Another
A Rhyme for the Odes (Mu‘allaqat)
Night That Overflows My Body
The Gypsy Woman Has a Tame Sky

FROM A Bed for the Stranger (1999)
We Were without a Present
Sonnet II
The Stranger Finds Himself in the Stranger
The Land of the Stranger, the Serene Land
Inanna’s Milk
Who Am I, without Exile?
Lesson from the Kama Sutra
Mural (2000)
Mural
Three Poems (before 1986)
A Soldier Dreams of White Tulips
As Fate Would Have It
Four Personal Addresses

Glossary

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