Pain, hope, and love collide in this explosive collection of speculative fiction. Arkdust demands revolutions while seeking compassion and understanding. Alex Smith gives us abandoned Black Panthers, disillusioned queer anarchists, warrior queen grocery clerks, all fighting for a better future against sadistic superheroes and white supremacist automatons—while a high-heeled bag lady with utopia in her eyes leads the way. Worlds we hope to never see and only dare to imagine, Arkdust challenges and implores the reader to explore the unimaginable to make all worlds possible. As Samuel R. Delany says, “You should be in that armchair, this word-wonder in your hand, reading...”

Long before there was Terminator and Skynet, there was R.U.R., the Czech classic that gave us the word "robot".

The R.U.R. Factory, far from humanity on its own island, has produced the perfect product: Robots! Devoid of pain, love, and all human emotion, never tiring, never bored, unfazed by death they are the ideal worker for modern-day society!

All of this is about to change, and only Helena can see it. She is condemned to remain alone in her dread, as all of society embraces the robots and the automatons' presence increases. However, there has been a glitch in the programming. All of our assumptions may have been wrong. The robots may indeed feel pain. They may harbor passions and hatred, and the Robot Revolution may be near!

As retold and drawn by the young, award-winning Czech graphic novelist, Katerina Cupová, this seminal dystopian work by Karel Čapek (which gave us the word “robot”) makes the reader question the notions of work and progress and humanity itself. Through Cupová's deft hand, R.U.R. Is a sight to behold.

Hellraiser meets Black history as the Box of Bones exacts revenge throughout time and space.

When Black graduate student Lyndsey begins her dissertation work on a mysterious box that pops up during the most violent and troubled time in Africana history, she has no idea that her research will lead her on a phantasmagorical journey from West Philadelphia riots to Haitian slave uprisings. Wherever Lyndsey finds someone who has seen the Box, chaos ensues. Soon, even her own sanity falls into question. In the end, Lyndsey will have to decide if she really wants to see what's inside the Box of Bones. Described as "Tales from the Crypt Meets Black History," Box of Bones is a supernatural nightmare tour through some of the most violent and horrific episodes in the African Diaspora.

Ayize Jama-Everett and John Jennings have assembled a talented group of artists for this ten-issue project, including cover artist, Stacey Robinson (I Am Alfonso Jones), David Brame (MediSIN), Avy Jetter (APB: Artists against Police Brutality), and Tim Fielder (Matty's Rocket).

Bill Campbell is the author of Sunshine Patriots, My Booty Novel, and Pop Culture: Politics, Puns, "Poohbutt" from a Liberal Stay-at-Home Dad, and Koontown Killing Kaper. Along with Edward Austin Hall, he co-edited the groundbreaking anthology, Mothership: Tales from Afrofuturism and Beyond as well as Stories for Chip: A Tribute to Samuel R. Delany (with Nisi Shawl) and the Glyph Award-winning comic book anthology, APB: Artists against Police Brutality (with Jason Rodriguez and John Jennings). Campbell lives in Washington, DC, where he spends his time with his family, helps produce audio books for the blind, and helms Rosarium Publishing. 

Francesco Verso is the author of several SF books in Italian and winner of the Odyssey Award, The Cassiopea Award, and two Urania Mondadori Awards. He's currently working on his latest book, I Camminatori, that will deal with the consequences of the substitution of food with nanotechnology. He is the editor of the mutlicultural Future Fiction anthology series in Italian. He lives in Rome with his wife and daughter.

Vern E. Smith formerly served as the Atlanta Bureau chief and as a national correspondent for Newsweek. As a principal reporter with Newsweek's Special Projects Unit, he contributed to four cover stories later published as books. One of the stories, “Charlie Co.: What Vietnam Did to Us,” won the 1981 National Magazine Award for Single Issue Topic. He also served as a principal reporter and blogger for the 2004 Voices of Civil Rights oral history project, which is permanently housed in the Library of Congress. His work has also appeared in Emerge, the London Sunday Times, Ebony, GEO, the Crisis magazine, Merian magazine, and the History Channel Magazine.