In 1947, Orrin C. Evans created one of the world's first Black superheroes--Lion Man! Appearing in the only issue of All Negro Comics, superhero history was forever changed. And now Lion Man is back!

Readapted and remixed for modern times, the award-winning visionary team of John Jennings and David Brame (After the Rain) create a mind-blowing Afrofuturistic tale of cosmic splendor while Bill Campbell (The Day the Klan Came to Town) and up-and-coming Zimbabwean writer, Yvette Lisa Ndlovu (Drinking from Graveyard Wells) deliver a Bondian African spy thriller full of plot twists, conspiracy thriillers, and political intrigue.

In The Adventures of Lion Man, our hero steps bravely out of the past into a bold new future. 

Pain, hope, and love collide in this explosive collection of speculative fiction. Arkdust demands revolutions while seeking compassion and understanding. Alex Smith gives us abandoned Black Panthers, disillusioned queer anarchists, warrior queen grocery clerks, all fighting for a better future against sadistic superheroes and white supremacist automatons—while a high-heeled bag lady with utopia in her eyes leads the way. Worlds we hope to never see and only dare to imagine, Arkdust challenges and implores the reader to explore the unimaginable to make all worlds possible. As Samuel R. Delany says, “You should be in that armchair, this word-wonder in your hand, reading...”

Anyi is the gem of the Countless Clans. Their Queens make lifeblood, a magical substance used for everything from medicine to weapons. Once, Anyi had so much lifeblood that they gave it away. Now their Queen is dying, none of her daughters, the Diviewe, can produce lifeblood and the gods that guide the clan have gone silent.In the Empire of Ka, Anyi native Aseye dreams of leaving her work at the imperial armory to strike out on her own. Kwame, a spy with a hidden heritage, is a charming distraction. A man of conflicting loyalties, he’s not to be trusted with Aseye’s heart – or her secret, buried so deep that even she doesn’t remember it. A secret that could end her life.As Anyi’s lifeblood dwindles, the Diviewe beg the Elders to unleash an ancient weapon to save the clan. The Elders refuse. The Diviewe take matters into their own hands. But the weapon is not what they thought it would be, and it’s not the only thing to wake…

Cheryl S. Ntumy is a Ghanaian writer of speculative fiction, young adult fiction, and romance. Her work has appeared in FIYAH Literary Magazine; Apex Magazine; World Literature Today; Best of World SF Vol. 3 and Year’s Best African Speculative Fiction 2022, among others. Her work has also been nominated for the Nommo Award for African Speculative Fiction, the British Science Fiction Association Award, the Commonwealth Writers Short Story Prize and the Miles Morland Foundation Scholarship. She is part of the Sauútiverse Collective, which created a shared universe for Afrocentric speculative fiction, and a member of Petlo Literary Arts, an organization that develops and promotes creative writing in Botswana. Her Sauútiverse novella Songs for the Shadows was released in 2024 by Atthis Arts and her short story collection Black Friday: Short Stories from Africa (Beyond and Within) was published in April 2025 by Flame Tree Press.

Long before there was Terminator and Skynet, there was R.U.R., the Czech classic that gave us the word "robot".

The R.U.R. Factory, far from humanity on its own island, has produced the perfect product: Robots! Devoid of pain, love, and all human emotion, never tiring, never bored, unfazed by death they are the ideal worker for modern-day society!

All of this is about to change, and only Helena can see it. She is condemned to remain alone in her dread, as all of society embraces the robots and the automatons' presence increases. However, there has been a glitch in the programming. All of our assumptions may have been wrong. The robots may indeed feel pain. They may harbor passions and hatred, and the Robot Revolution may be near!

As retold and drawn by the young, award-winning Czech graphic novelist, Katerina Cupová, this seminal dystopian work by Karel Čapek (which gave us the word “robot”) makes the reader question the notions of work and progress and humanity itself. Through Cupová's deft hand, R.U.R. Is a sight to behold.

Hellraiser meets Black history as the Box of Bones exacts revenge throughout time and space.

When Black graduate student Lyndsey begins her dissertation work on a mysterious box that pops up during the most violent and troubled time in Africana history, she has no idea that her research will lead her on a phantasmagorical journey from West Philadelphia riots to Haitian slave uprisings. Wherever Lyndsey finds someone who has seen the Box, chaos ensues. Soon, even her own sanity falls into question. In the end, Lyndsey will have to decide if she really wants to see what's inside the Box of Bones. Described as "Tales from the Crypt Meets Black History," Box of Bones is a supernatural nightmare tour through some of the most violent and horrific episodes in the African Diaspora.

Ayize Jama-Everett and John Jennings have assembled a talented group of artists for this ten-issue project, including cover artist, Stacey Robinson (I Am Alfonso Jones), David Brame (MediSIN), Avy Jetter (APB: Artists against Police Brutality), and Tim Fielder (Matty's Rocket).