Rosarium Publishing

In 1947, Orrin C. Evans created one of the world's first Black superheroes--Lion Man! Appearing in the only issue of All Negro Comics, superhero history was forever changed. And now Lion Man is back!

Readapted and remixed for modern times, the award-winning visionary team of John Jennings and David Brame (After the Rain) create a mind-blowing Afrofuturistic tale of cosmic splendor while Bill Campbell (The Day the Klan Came to Town) and up-and-coming Zimbabwean writer, Yvette Lisa Ndlovu (Drinking from Graveyard Wells) deliver a Bondian African spy thriller full of plot twists, conspiracy thriillers, and political intrigue.

In The Adventures of Lion Man, our hero steps bravely out of the past into a bold new future. 

Pain, hope, and love collide in this explosive collection of speculative fiction. Arkdust demands revolutions while seeking compassion and understanding. Alex Smith gives us abandoned Black Panthers, disillusioned queer anarchists, warrior queen grocery clerks, all fighting for a better future against sadistic superheroes and white supremacist automatons—while a high-heeled bag lady with utopia in her eyes leads the way. Worlds we hope to never see and only dare to imagine, Arkdust challenges and implores the reader to explore the unimaginable to make all worlds possible. As Samuel R. Delany says, “You should be in that armchair, this word-wonder in your hand, reading...”

Long before there was Terminator and Skynet, there was R.U.R., the Czech classic that gave us the word "robot".

The R.U.R. Factory, far from humanity on its own island, has produced the perfect product: Robots! Devoid of pain, love, and all human emotion, never tiring, never bored, unfazed by death they are the ideal worker for modern-day society!

All of this is about to change, and only Helena can see it. She is condemned to remain alone in her dread, as all of society embraces the robots and the automatons' presence increases. However, there has been a glitch in the programming. All of our assumptions may have been wrong. The robots may indeed feel pain. They may harbor passions and hatred, and the Robot Revolution may be near!

As retold and drawn by the young, award-winning Czech graphic novelist, Katerina Cupová, this seminal dystopian work by Karel Čapek (which gave us the word “robot”) makes the reader question the notions of work and progress and humanity itself. Through Cupová's deft hand, R.U.R. Is a sight to behold.

Hellraiser meets Black history as the Box of Bones exacts revenge throughout time and space.

When Black graduate student Lyndsey begins her dissertation work on a mysterious box that pops up during the most violent and troubled time in Africana history, she has no idea that her research will lead her on a phantasmagorical journey from West Philadelphia riots to Haitian slave uprisings. Wherever Lyndsey finds someone who has seen the Box, chaos ensues. Soon, even her own sanity falls into question. In the end, Lyndsey will have to decide if she really wants to see what's inside the Box of Bones. Described as "Tales from the Crypt Meets Black History," Box of Bones is a supernatural nightmare tour through some of the most violent and horrific episodes in the African Diaspora.

Ayize Jama-Everett and John Jennings have assembled a talented group of artists for this ten-issue project, including cover artist, Stacey Robinson (I Am Alfonso Jones), David Brame (MediSIN), Avy Jetter (APB: Artists against Police Brutality), and Tim Fielder (Matty's Rocket).

Bill Campbell is the author of Sunshine Patriots, My Booty Novel, and Pop Culture: Politics, Puns, "Poohbutt" from a Liberal Stay-at-Home Dad, and Koontown Killing Kaper. Along with Edward Austin Hall, he co-edited the groundbreaking anthology, Mothership: Tales from Afrofuturism and Beyond as well as Stories for Chip: A Tribute to Samuel R. Delany (with Nisi Shawl) and the Glyph Award-winning comic book anthology, APB: Artists against Police Brutality (with Jason Rodriguez and John Jennings). Campbell lives in Washington, DC, where he spends his time with his family, helps produce audio books for the blind, and helms Rosarium Publishing. 

Francesco Verso is the author of several SF books in Italian and winner of the Odyssey Award, The Cassiopea Award, and two Urania Mondadori Awards. He's currently working on his latest book, I Camminatori, that will deal with the consequences of the substitution of food with nanotechnology. He is the editor of the mutlicultural Future Fiction anthology series in Italian. He lives in Rome with his wife and daughter.

Vern E. Smith formerly served as the Atlanta Bureau chief and as a national correspondent for Newsweek. As a principal reporter with Newsweek's Special Projects Unit, he contributed to four cover stories later published as books. One of the stories, “Charlie Co.: What Vietnam Did to Us,” won the 1981 National Magazine Award for Single Issue Topic. He also served as a principal reporter and blogger for the 2004 Voices of Civil Rights oral history project, which is permanently housed in the Library of Congress. His work has also appeared in Emerge, the London Sunday Times, Ebony, GEO, the Crisis magazine, Merian magazine, and the History Channel Magazine.

Nisi Shawl is a writer whose work has been published at Strange Horizons, in Asimov’s SF Magazine, and in anthologies including Dark Faith 2, Dark Matter, The Moment of Change, and The Other Half of the Sky. Her story collection, Filter House, was one of two winners of the 2009 James Tiptree Jr. Award. She is a cofounder of the Carl Brandon Society and serves on the Board of Directors of the Clarion West Writers Workshop. She lives in Seattle. 

Bill Campbell is the founder of Rosarium Publishing and the author the novels Koontown Killing Kaper, My Booty Novel, and Sunshine Patriots as well as the essay collection, Pop Culture: Politics, Puns, and “Poohbutt” from a Liberal Stay-at-Home Dad. He coedited, with Edward Austin Hall, the groundbreaking anthology Mothership: Tales from Afrofuturism and Beyond. He lives in Washington, DC.

Tenea D. Johnson’s debut novel, Smoketown, won the Parallax Award. R/evolution received an honorable mention the same year. Her short work appears in anthologies like Mothership: Tales of Afrofuturism and Beyond and Sycorax’s Daughters. She’s performed her musical stories at venues including The Public Theater and The Knitting Factory and is the founder of Progress By Design, an arts and empowerment enterprise. Her virtual home is teneadjohnson.com. Stop by anytime.

1931. Bronzeville. Chicago. The mage, Frank "Half Dead" Johnson, is a marked man. Literally. A drunken decision fueled by tragedy has left him with half a soul, sorcerous powers, and two centuries to work off his debt to Scratch (aka The Devil) himself. This graphic novel chronicles three adventures with this tragic conjure man. Watch as "Half Dead" attempts to save his own soul, pay his debt, and help as many people as he can along the way. It's a hard-hitting Hoodoo Noir highball with just a splash of Southern Gothic. Smack-dab in the dark heart of the Windy City. Hold on tight! It's going to be a bumpy ride down Hard Times Road.

Bill Campbell is the founder of Rosarium Publishing and the author the novels Koontown Killing Kaper, My Booty Novel, and Sunshine Patriots as well as the essay collection, Pop Culture: Politics, Puns, and “Poohbutt” from a Liberal Stay-at-Home Dad. He is the coeditor of the anthologies Mothership: Tales from Afrofuturism and Beyond and Stories for Chip: A Tribute to Samuel R. Delany. He lives in Washington, DC. 

Jason Rodriguez is an Eisner and Harvey Award–nominated writer and editor. He is the author of Postcards: True Stories That Never Happened and Try Looking Ahead, and his work has been published by Dark Horse Comics, Random House, and several small publishers. He lives in Arlington, Virginia. 

John Jennings is an associate professor of visual studies at the State University of New York–Buffalo. He is an award-winning graphic novelist and the author of Pitch Black Rainbow: The Art of John Jennings. 

Sabrina Vourvoulias is an award-winning Latina news editor, writer and digital storyteller. An American citizen from birth, she grew up in Guatemala during the armed internal conflict and moved to the United States when she was 15. Her news stories have been published at The Guardian US, Philly.com, Public Radio International’s Global Voices, NBC10/Telemundo62, Philadelphia Weekly, Philadelphia Magazine, City and State PA, and Al Día News, among others. Her short fiction has been published by Tor.com, Strange Horizons and Uncanny, GUD, and Crossed Genres magazines. She lives in Pennsylvania with her husband and daughter. Read more at www.sabrinavourvoulias.com, and follow her on Twitter @followthelede.   

Kathleen Alcalá is an award-winning author of six books of fiction and non-fiction, including Deepest Roots and Spirits of the Ordinary. She received her second Artist Trust Fellowship in 2008, and was honored by the national Latino writers group, Con Tinta, at the Associated Writing Programs Conference in 2014. Kathleen has been both a student and instructor in the Clarion West Science Fiction Workshop. Until recently, Kathleen was a fiction instructor at the Northwest Institute of Literary Arts on Whidbey Island. She now lectures for Antioch University, and an instructor at the Bainbridge Artisan Resouce Network . 

Whit Taylor is a cartoonist, writer, editor, and public health educator from New Jersey. She has a BA in cultural anthropology from Brown University and received an MPH in Social and Behavioral Sciences from Boston University School of Public Health. Her comics have been published by The Nib, The New Yorker, Rosarium Publishing, BOOM!, Sparkplug Books, Kus, Ninth Art Press, Illustrated PEN, and others.

2023 Shirley Jackson Award Winner

Best Collection

In They Will Dream in the Garden, Otherwise Award-winning author, Gabriela Damián Miravete elaborates the disconcerting experience of living as a woman in Mexico—a territory characterized by its great contrasts, from violence and activism to affectionate and communal resistance: flowers that arise from the earth to expand the cosmic consciousness of those who take it, nuns who create artifacts so that their native languages do not perish, a memorial for the victims of femicide that the State controls, but whose old guardian wants to turn into a laboratory to return their lost future…

They Will Dream in the Garden shows the journey that its author has undertaken towards a more conscious writing that, through wonder and beauty, trusts in the possibilities that literature offers to unite, question, and transform our being in the world.

A gritty "voodoo" Western tale about what happens when fighting is all both sides know what to do.

1879. After decades of violence of fleeing, having gone everywhere from Florida to Mexico, a war-weary band of Seminole Blacks led by their sheriff, Desi Leans, and his wise-cracking deputy, Gay Day, have finally settled in the Oklahoma Territory. They have built their dream, Refuge, and they will do whatever it takes to make it work.

But they fear that it may all go up in smoke when a band of renegade buffalo soldiers, The Testimony Gang, and their firebrand leader, Prester John, come to town.

Will Refuge hold true to its promise or will it all be burned to the ground?

The fate of humanity hangs in the balance while the Gods play.

The distant future. Humanity is ruled by the godlike Dawn and her Triangulan allies. Her Golden Swarm keeps the garden world of Prithvi safe. Her nephew’s Red Fleet secures the rest of the Nine Worlds. In the depths of the system, her regents—the Charioteer of Daitya, and the Huntress of Himenduh—bolster her authority with their own fleets, their own armies, and their own power. So it has been for three thousand years.

But, of course, nothing lasts forever.

On Daitya, a refugee family arrives from Prithvi. A mother sells her daughter into slavery. A princess seeks forbidden knowledge. Their lives could not be more different, but their stories are intertwined. They will meet in the belly of the juggernaut Skо̄lex—a vast, living starship (vimana). They will witness the fall of kingdoms and the destruction of fleets and the toppling of the old order. They will participate first-hand in the confrontation, millennia in the making, between the Dawn and her long-estranged sister, the Night, who has traveled a million light years to right an ancient wrong.

They will discover that not all is as it seems. The Triangulans are not gods. The Dawn is not just. And above all, the future—their future, humanity’s future, the future of the Nine Worlds of Surya—is nothing like what they thought it would be.

Welcome to the battlefield of gods and humans. Welcome to the Nine Worlds of Surya.

Lisa M. Bradley is a Tejana who grew up in deep South Texas, before the construction of the Border Wall. Not coincidentally, she writes about boundaries and those who defy them in works ranging from haiku to novels. Her work regularly appears in journals and anthologies. Her first collection is The Haunted Girl. In articles and conference presentations, she honors the often-overlooked speculative elements in work by Latina poets, including Gabriela Mistral, Sara Estela Ramirez, and Alfonsina Storni.

Bill Campbell is the author of Sunshine Patriots, My Booty Novel,Pop Culture: Politics, Puns, "Poohbutt" from a Liberal Stay-at-Home Dad and Koontown Killing Kaper. Along with Edward Austin Hall, he co-edited the groundbreaking anthology, Mothership: Tales from Afrofuturism and Beyond. Campbell lives in Washington, DC, where he spends his time with his family, helps produce audiobooks for the blind, and helms Rosarium Publishing.

Bill Campbell is the author of Sunshine Patriots, My Booty Novel, and the anti-racism satire, Koontown Killing Kaper. Along with Edward Austin Hall, he co-edited the groundbreaking anthology, Mothership: Tales from Afrofuturism and Beyond. He also co-edited Stories for Chip: A Tribute to Samuel R. Delany with Nisi Shawl, Future Fiction: New Dimensions in International Science Fiction and Fantasy with Francesco Verso, and APB: Artists against Police Brutality with Jason Rodriguez and John Jennings (for which he won a Pioneer/Lifetime Achievement Glyph Award). His Afrofuturist spaceploitation graphic novel, Baaaad Muthaz (with David Brame and Damian Duffy) was released in 2019. His historical graphic novel with Bizhan Khodabandeh, The Day the Klan Came to Town, was released by PM Press in 2021. In the summer of 2021, Campbell won a Locus Award for his work helping to diversify the field of science fiction. Campbell lives in Washington, DC, where he spends his time with his family and helms Rosarium Publishing.

Based on the Persian children's classic by Samad Behrangi, this book is about a young fish's courage to question authority and strike out on her own.
 
An inquisitive little fish decided to question authority and leave the safety of her own home to venture out into the expansive sea. The creatures she meets along the way teach her important lessons and make her learn the most valuable treasure in life: freedom.

Bizhan Khodabandeh is a visual communicator who moves freely across the professional boundaries as designer, illustrator, artist, and activist. His works vary from small graphic art projects to major public campaigns. Khodabandeh is particularly fascinated by how art and design can catalyze social change. He has received numerous international and national awards for his work, including: a silver medal from the Society of Illustrators, a silver medal from the International Design Awards, a finalist in the Cross-Cultural Design Competition, and best in show through the American Institute of Graphic Arts. He has received numerous international and national awards for his work as both an illustration and designer through various institutions such as: The American Institute of Graphic Arts, Creativity International, Adbusters, and Creative Quarterly. Khodabandeh has had work featured in publications such as Print, Creativity International, Adbusters, and Comic Bastards among others. Currently Khodabandeh teaches full-time at VCU’s Robertson School of Media & Culture and freelances under the name, Mended Arrow.

Nikhil Singh is an artist, writer, musician and film-maker. They have fronted the critically acclaimed South African art-rock bands, The Wild Eyes and Hi Spider, as well as released a plethora of solo albums under the moniker, “Witchboy." They have recently written and directed a feature-length film, Trillzone (2014), which was commissioned by the South African National Arts Festival as part of a J.G. Ballard symposium. As an artist, they have illustrated the graphic novels, The Ziggurat and Salem Brownstone, which was longlisted for The Branford Boase Award. Their work has also been featured in Pictures and Words: New Comic Art and Narrative Illustration, Dazed, I-D Online, Creative Review, The Times (UK), Mail & Guardian (UK), The Independent (UK), Rolling Stone (SA), GQ (SA), and featured as part of the COMICA festival exhibition at the ICA.

Bill Campbell is the author of Sunshine Patriots, My Booty Novel, Pop Culture: Politics, Puns, "Poohbutt" from a Liberal Stay-at-Home Dad, and Koontown Killing Kaper. He co-edited the groundbreaking anthology, Mothership: Tales from Afrofuturism and Beyond in addition to Stories for Chip: A Tribute to Samuel R. Delany, APB: Artists against Police Brutality, and Future Fiction. He's also edited the two-volume international science fiction anthology, Sunspot Jungle. 

Damian Duffy is a cartoonist, scholar, writer, curator, lecturer, teacher, a Glyph Comics and Bram Stoker Award-winner, and a New York Times bestselling graphic novelist. He holds a MS and PhD in Library and Information Sciences from the University of Illinois at Urbana-Champaign, where he is on faculty. His many publications range from academic essays (in comics form) on new media and learning to art books about under-representation in comics culture, from editorial comics to a graphic novel adaptation of Kindred by Octavia E. Butler, which was awarded a 2017 Bram Stoker Award. 

David Brame makes comics, some of which can be seen on splitlip.com and henbracomics.com, in numerous anthologies, and in the Action Lab OGN The Trip.

What happens when an angel's devilish appetite threatens to cause the Apocalypse?

What would you do for the perfect sandwich? Kill? Die? Well, if you were a rogue angel, you might cause the Apocalypse. And it looks like that's just what this darkly funny fantasy's rogue angel is about to do when he lands in a polygamist cult in Utah. Now it's up to the rest of God's divine posse, including Jesus and Lucifer, to save all of existence from certain destruction. In his debut novel, Brett Cottrell takes you on a provocative, celestial roller coaster ride that will have you laughing on the edge of your seat all the way to the gates of Hell.

Brett Cottrell was born and bred in Las Vegas. His writings blend religious and political satire with whimsical, action-packed absurdity. He’s been a bartender, drummer in a rock and roll band, legislative intern, and attorney. He studied political theory at Boise State University and graduated from The George Washington University Law School. Cottrell lives in Washington, DC, with his wife and their opinionated dog, Tico.  

Mothership: Tales from Afrofuturism and Beyond is a groundbreaking speculative fiction anthology that showcases the work from some of the most talented writers inside and outside speculative fiction across the globe—including Junot Diaz, Victor LaValle, Lauren Beukes, N. K. Jemisin, Rabih Alameddine, S. P. Somtow, and more. These authors have earned such literary honors as the Pulitzer Prize, the American Book Award, the World Fantasy Award, and the Bram Stoker Award, among others.

“A provocative, entertaining, and vital anthology.” —Publishers Weekly

“Mothership may just be one of the most important SF anthologies of the decade.” —The Magazine of Fantasy and Science Fiction

“If the biggest revolution of the past 10 years has been an attempt (not yet successful) at making the stories in front of you look more like the world they are reflecting, then Mothership could be like a table of contents for the future of science fiction. —NPR.org

A 2024 Philip K. Dick Award Finalist

The stunning, new collection from the Ugandan master of Africanfuturism.

A young teen, haunted by the ghost of his father, takes it upon himself to save his brother and his people from a warlord's marauding army. A frustrated detective is driven to the brink, confronting the vengeful spirit killing grooms on their wedding night. What happens when British colonials find Martians in Africa, a brash warrior battles his elders and ancient horrors in order to secure paradise for his people, or an exiled abiba is stolen away to find his true destiny? 

Emerging Africanfuturist writer/director, Dilman Dila, brings us Where Rivers Go to Die, a startling collection of eight wonderful tales full of imagination, wonder, sorrow, power, and hope that weave Uganda's wonderful myth and reality with its past, present, and possible future as only he can.

When you’re the only Black kid in the honors program or (any program) at your mostly white high school, or one of a handful of Black graduate students in your PhD program, or one of two African American women on the faculty at your Pac-10 employer, it’s not your gender non-conformity that sets you apart from your peers. In those environments, your Blackness is the first thing people notice about you. Still, there are other ways of being different--and feeling different--that can’t be attributed to race, especially if you’re one of the people whose awareness of the unwritten rules of what it means to be a boy or a girl (or a man or a woman) is tempered by the fact that most of those rules don’t feel quite right.

In Gender Studies: True Confessions of an Accidental Outlaw, Ajuan Mance gives comic treatment to the challenges, complexities, and occasional absurdity of life at the crossroads of race, gender, and geekiness. This graphic memoir answers important questions like: How many preschoolers have to mistake you for your dad before you actually start to forget your own name; if a Black girl is awful at double-dutch jump rope is it a reflection on her gender identity, racial identity, or both; and is viola player a gender or just a sexual orientation? Ajuan Mance’s comic Gender Confessions take up each of these questions and more, as it invites to share in those moments that mark the path of a gender explorer.

Carlos Hernandez is the author of more than 30 works of fiction, poetry, prose, and drama. He is an associate professor at the City University of New York (CUNY), where he teaches English courses at the Borough of Manhattan Community College, and is a member of the doctoral faculty at the CUNY Graduate Center. He is a coauthor of Abecedarium and is a game designer, currently serving as lead writer on Meriwether, a computer role playing game (CRPG) about the Lewis and Clark Expedition. He lives in Queens.

Marguerite Dabaie is a freelance illustrator and has worked with such organizations as School Library Journal, Mizna, and Just World Books, among others. The Hookah Girl and Other True Stories is her first major comic, and it was awarded two grants. She lives in New York City with her husband, Chris.

An exquisitely unique retelling of the origin of jolly, old St. Nick.

Volume 1: The Muse

It’s the one story of magic and wonder everyone thinks they know—yet the most epic part of the tale remains shrouded in mystery. What actually happened 1,800 years ago to transform a starry-eyed young priest named Nicholas into a winter wizard destined to circle the world on a sleigh of hope? Now, the secret is revealed: She happened. This is the story of Amara, one of the legendary Muses of the House of Polyhymnia. Sent by the Muses to a small town in ancient Lycia, Amara sees something special in Nicholas’s kindness and generosity. As she prepares to defend humankind against the Kobaloi, creatures who feed on fear and chaos, she senses this young man may be the partner she needs to stand against their growing power. But binding her fate and her magic to Saint Nicholas will mean breaking the laws of the Muses—and risking their eternal wrath.

An aquatic reef held down by an oppressive regime of blood-thirsty herons struggles to rise up in this harrowing tale of self-discovery, heritage, and revolution. 

We follow The Little Red Fish as they journey deep into themselves and blossom into the leader they were meant to be. Guided by a magical orb and the will of the people, our hero strives to help a small reef in the Persian Gulf regain its freedom. The Little Red Fish is a creative retelling of the events of the Iranian Revolution from the perspective of those actually involved. A stunning mixture of political allegory and magical realism, The Little Red Fish collects the 6 part comic book series into one trade, including artist features and process notes.  The Little Red Fish vividly captures an often-overlooked part of history, channeling folk history, oral histories from first-hand accounts, and academic research. 

Jaymee Goh is a writer, editor, reviewer, blogger, and academic of science fiction, fantasy, and steampunk. She is the author of the steampunk blog Silver Goggles and has written steampunk-related nonfiction in The WisCon Chronicles and Steampunk III: Steampunk Revolution.   

Joyce Chng writes science fiction, steampunk, and urban fantasy, and her fiction has been published in publications including Crossed Genres, the Apex Book of World SF II, and The Alchemy Press Book of Urban Mythic. She coedited The Ayam Curtain, a Singaporean anthology of SFF micro fiction, and she blogs at A Wolf’s Tale.

Mahendra Singh is an author, illustrator and editor who has worked on a variety of SF, humor, children’s and literary titles. His most recent solo project was a graphic novel version of Lewis Carroll’s Hunting of the Snark. He also edits the Knight Letter, the journal of the Lewis Carroll Society of North America. In his spare time he promotes atheism by distributing blank pamphlets on the subway. He lives in Montreal.

Co-creators Eileen Kaur Alden and Supreet Singh Manchanda, together with award-winning artist Amit Tayal (Steve Jobs: Genius by Design, The Jungle Book, Alibaba and Forty Thieves: Reloaded), launched Super Sikh® Comics with a successful Kickstarter campaign in 2015 and continue to bring the adventures of Secret Agent Deep Singh to fans all over the world.

Hellraiser meets Black History.

When Black graduate student Lyndsey begins her dissertation work on a mysterious box that pops up during the most violent and troubled time in Africana history, she has no idea that her research will lead her on a phantasmagorical journey from West Philadelphia riots to Haitian slave uprisings. Wherever Lyndsey finds someone who has seen the Box, chaos ensues. Soon, even her own sanity falls into question. In the end, Lyndsey will have to decide if she really wants to see what's inside the Box of Bones. Described as "Tales from the Crypt Meets Black History," Box of Bones is a supernatural nightmare tour through some of the most violent and horrific episodes in the African Diaspora. Ayize Jama-Everett and John Jennings have assembled a talented group of artists for this ten-issue project, including cover artist, Stacey Robinson (I Am Alfonso Jones), David Brame (MediSIN), Avy Jetter (APB: Artists against Police Brutality), and Tim Fielder (Matty's Rocket).

Bill Campbell is the author of Sunshine Patriots, My Booty Novel,Pop Culture: Politics, Puns, "Poohbutt" from a Liberal Stay-at-Home Dad, and Koontown Killing Kaper. Along with Edward Austin Hall, he co-edited the groundbreaking anthology, Mothership: Tales from Afrofuturismand Beyond. Campbell lives in Washington, DC, where he spends his time with his family, helps produce audiobooks for the blind, and helms Rosarium Publishing.

Bill Campbell is the author of Sunshine Patriots, My Booty Novel, and the anti-racism satire, Koontown Killing Kaper. Along with Edward Austin Hall, he co-edited the groundbreaking anthology, Mothership: Tales from Afrofuturism and Beyond. He also co-edited Stories for Chip: A Tribute to Samuel R. Delany with Nisi Shawl, Future Fiction: New Dimensions in International Science Fiction and Fantasy with Francesco Verso, and APB: Artists against Police Brutality with Jason Rodriguez and John Jennings (for which he won a Pioneer/Lifetime Achievement Glyph Award). His Afrofuturist spaceploitation graphic novel, Baaaad Muthaz (with David Brame and Damian Duffy) was released in 2019. His historical graphic novel with Bizhan Khodabandeh, The Day the Klan Came to Town, was released by PM Press in 2021. In the summer of 2021, Campbell won a Locus Award for his work helping to diversify the field of science fiction. Campbell lives in Washington, DC, where he spends his time with his family and helms Rosarium Publishing.

Keith A. Miller was born but not completely bred in Brooklyn, New York. When he’s not busy corralling thirteen-year-olds (he's a teacher), he writes independent comics. He likes to play around in the science-fiction and urban fantasy genres but is not above a good slice-of-life graphic novel. He is the co-creator of Triboro Tales and Insensitives. His latest graphic novella, Infest, will hit the convention floors in 2015. He is a graduate of CUNY Queens College, where he received a degree in Comparative Literature and Cultural Anthropology, and CUNY Law School. His interests lie in telling speculative fiction stories of people generally not represented in genre fiction so that the plucky character of color will not die first.

Ian Gabriel is an illustrator who graduated from SUNY Geneseo with a Bachelor’s in Studio Art. Manticore is his first foray into graphic novels, but won’t be his last. He lives in New York.

Born in Cagliari in 1967, Clelia Farris graduated in psychology with a thesis on epistemology. A favorite with both readers and experts, she is considered one of Italy's best science fiction authors. She won the Fantascienza.com award with Rupes Recta, the Odyssey award with No Man Is My Brother, and the Kipple prize with The Weighing of the Soul. In 2012 she published The Justice of Isis, set in the same futuristic Egypt of The Weighing of the Soul. In 2015 she published the novella, "Creative Surgery," which has been included in the anthologies, Storie dal domani 2 and Rosarium Publishing's Future Fiction: New Dimensions in International Science Fiction and Fantasy. She was a finalist for the Urania Mondadori Award 2016 with her story, "Uomini e Necro." Her stories have also been published Italian and international magazines such as Robot, Fantasy Magazine, Future Science Fiction, and Strange Horizons.

Rachel Cordasco has a Ph.D in literary studies and currently works as a developmental editor. She’s written for World Literature Today, Strange Horizons, and Samovar Magazine and also translates Italian SFF. 

Jennifer Delare is a full-time Italian-to-English translator.