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Blue Hand Mojo

Regular price $14.95
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1931. Bronzeville. Chicago. The mage, Frank "Half Dead" Johnson, is a marked man. Literally. A drunken decision fueled by tragedy has left him with half a soul, sorcerous powers, and two centuries ...
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  • 01 March 2017
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1931. Bronzeville. Chicago. The mage, Frank "Half Dead" Johnson, is a marked man. Literally. A drunken decision fueled by tragedy has left him with half a soul, sorcerous powers, and two centuries to work off his debt to Scratch (aka The Devil) himself. This graphic novel chronicles three adventures with this tragic conjure man. Watch as "Half Dead" attempts to save his own soul, pay his debt, and help as many people as he can along the way. It's a hard-hitting Hoodoo Noir highball with just a splash of Southern Gothic. Smack-dab in the dark heart of the Windy City. Hold on tight! It's going to be a bumpy ride down Hard Times Road.

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Price: $14.95
Pages: 130
Publisher: Rosarium Publishing
Imprint: Rosarium Publishing
Publication Date: 01 March 2017
Trim Size: 10.00 X 7.00 in
ISBN: 9780990319146
Format: Paperback
REVIEWS Icon
"Magic, murder, and Mississippi mud. Blue Hand Mojo is a comic book unlike anything you've been reading. Set in 1931 Chicago where the shadow of Al Capone still looms, Half-Dead Johnson has to solve a murder with the devil on his tail. This is a book to watch."-- Justin Jordan, The Legacy of Luther Strode

"Blue Hand Mojo is a delicious, riveting blend of steamy noir and conjure-man hoodoo mayhem. Utterly brilliant."--Daniel Jose Older, Shadowshaper

"John Jennings has crafted a graphic novel that puts on the page what is missing from so many other comics--heart and soul."--David Walker, Power Man and Iron Fist

John Jennings is a professor, author, graphic novelist, curator, Harvard Fellow, New York Times Bestseller, 2018 Eisner Winner, and all-around champion of Black culture. As Professor of Media and Cultural Studies at the University of California at Riverside (UCR), Jennings examines the visual culture of race in various media forms including film, illustrated fiction, and comics and graphic novels. He is also the director of Abrams ComicArts imprint Megascope, which publishes graphic novels focused on the experiences of people of color. His research interests include the visual culture of Hip Hop, Afrofuturism and politics, Visual Literacy, Horror, and the EthnoGothic, and Speculative Design and its applications to visual rhetoric.

Jennings is co-editor of the 2016 Eisner Award-winning collection The Blacker the Ink: Constructions of Black Identity in Comics and Sequential Art (Rutgers) and co-founder/organizer of The Schomburg Center’s Black Comic Book Festival in Harlem. He is co-founder and organizer of the MLK NorCal’s Black Comix Arts Festival in San Francisco and also SOL-CON: The Brown and Black Comix Expo at the Ohio State University.