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1944. America. Celebrated actor, singer and political campaigner Paul Robeson – forever associated with 'Ol' Man River' – is touring the country as the eponymous hero in Shakespeare's Othello. His Desdemona is the brilliant young actress Uta Hagen. Her husband, the Broadway star José Ferrer, plays Iago.
All the actors are friends. But in mid-century American society, they are not all equals.
As the tour goes on, the boundaries between the onstage passions and their offstage lives begin to blur. Soon the chemistry between Robeson and Hagen and the rivalry between Robeson and Ferrer is every bit as dangerous as that between their famous characters. Revenge takes many forms and in post-war America it isn't always purely personal – it can be disturbingly political too.
Nicholas Wright is a leading British playwright. His plays include: an adaptation of Patrick Hamilton's novel The Slaves of Solitude (Hampstead Theatre, 2017); an adaptation of Pat Barker's novel Regeneration (Royal & Derngate, Northampton, 2014); Travelling Light (National Theatre, 2012); The Last of the Duchess (Hampstead Theatre, 2011); Rattigan's Nijinsky (Chichester Festival Theatre, 2011); The Reporter (National Theatre, 2007); a version of Emile Zola's Therese Raquin (National Theatre, 2006); an adaptation of Philip Pullman’s His Dark Materials (National Theatre, 2003-4); Vincent In Brixton (National Theatre, 2002; winner of the Olivier Award for Best New Play); a version of Luigi Pirandello's Naked (Almeida Theatre, 1998); and Mrs Klein (National Theatre & West End, 1988).
His writing about the theatre includes Changing Stages: A View of British Theatre in the Twentieth Century, co-written with Richard Eyre.