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New essays providing a comprehensive view of the pathbreaking dramatist and theorist Lessing.
One of the most independent thinkers in German intellectual history, the Enlightenment author Gotthold Ephraim Lessing (1729-1781) contributed in decisive and lasting fashion to literature, philosophy, theology, criticism, and drama theory. Lessing invented the bürgerliches Trauerspiel (bourgeois tragedy) and wrote one of the first successful German tragedies as well as one of the finest German comedies. In his final dramatic masterpiece, Nathander Weise, he writes of Christianity, Judaism, and Islam, of religious tolerance and intolerance and the clash of civilizations. Lessing's dramas are the oldest German theater pieces still regularly performed (both in Germanyand internationally), and both his plays and his drama theory have influenced such writers as Goethe, Schiller, Hebbel, Hauptmann, Ibsen, Strindberg, Schnitzler, and Brecht. Addressing an audience ranging from graduate students toseasoned scholars, this volume introduces Lessing's life and times and places him within the broader context of the European Enlightenment. It discusses his pathbreaking dramas, his equally revolutionary theoretical, critical, and aesthetic writings, his original fables, his innovative work in philosophy and theology, and his significant contributions to Jewish emancipation. The volume concludes by examining 20th-century reception of Lessing and his oeuvre.
Contributors: Barbara Fischer, Thomas C. Fox, Steven D. Martinson, Klaus L. Berghahn, John Pizer, Beate Allert, H. B. Nisbet, Arno Schilson, Willi Goetschel, Peter Höyng, Karin A. Wurst, Ann Schmiesing, Reinhart Meyer, Hans-Joachim Kertscher, Hinrich C. Seeba, Dieter Fratzke, Helmut Berthold, Herbert Rowland.
Barbara Fischer is Associate Professor of German and Thomas C. Fox is Professor of German, both at the University of Alabama.
One of the most independent thinkers in German intellectual history, the Enlightenment author Gotthold Ephraim Lessing (1729-1781) contributed in decisive and lasting fashion to literature, philosophy, theology, criticism, and drama theory. Lessing invented the bürgerliches Trauerspiel (bourgeois tragedy) and wrote one of the first successful German tragedies as well as one of the finest German comedies. In his final dramatic masterpiece, Nathander Weise, he writes of Christianity, Judaism, and Islam, of religious tolerance and intolerance and the clash of civilizations. Lessing's dramas are the oldest German theater pieces still regularly performed (both in Germanyand internationally), and both his plays and his drama theory have influenced such writers as Goethe, Schiller, Hebbel, Hauptmann, Ibsen, Strindberg, Schnitzler, and Brecht. Addressing an audience ranging from graduate students toseasoned scholars, this volume introduces Lessing's life and times and places him within the broader context of the European Enlightenment. It discusses his pathbreaking dramas, his equally revolutionary theoretical, critical, and aesthetic writings, his original fables, his innovative work in philosophy and theology, and his significant contributions to Jewish emancipation. The volume concludes by examining 20th-century reception of Lessing and his oeuvre.
Contributors: Barbara Fischer, Thomas C. Fox, Steven D. Martinson, Klaus L. Berghahn, John Pizer, Beate Allert, H. B. Nisbet, Arno Schilson, Willi Goetschel, Peter Höyng, Karin A. Wurst, Ann Schmiesing, Reinhart Meyer, Hans-Joachim Kertscher, Hinrich C. Seeba, Dieter Fratzke, Helmut Berthold, Herbert Rowland.
Barbara Fischer is Associate Professor of German and Thomas C. Fox is Professor of German, both at the University of Alabama.
Price: $49.95
Pages: 428
Publisher: Boydell & Brewer Inc.
Imprint: Camden House
Series: Studies in German Literature Linguistics and Culture
Publication Date:
01 June 2010
Trim Size: 9.00 X 6.00 in
ISBN: 9781571134523
Format: Paperback
BISACs:
LITERARY CRITICISM / European / German, Literature: history and criticism, PHILOSOPHY / General, LITERARY CRITICISM / Drama, Philosophy
A very nice presentation, work by work. The bibliography is up to date, with index. A work that is useful and welcome.
Introduction: Lessing's Life and Work - Barbara Fischer and Thomas C. Fox
Lessing and the European Enlightenment - Steven D. Martinson
Lessing the Critic - Klaus L. Berghahn
Lessing and the Fable - John Pizer
Lessing's Poetics as an Approach to Aesthetics - Beate Allert
Lessing and Philosophy - H. B. Nisbet
Lessing and Theology - Arno Schilson
Lessing and the Jews - Willi Goetschel
Lessing's Drama Theory - Peter Höyng
Gender and Identity in Lessing's Dramatic Works - Karin A. Wurst
Lessing and the Third Reich - Ann Schmiesing
Lessing on the German-Speaking Stage in the Federal Republic of Germany, Austria, and Switzerland, 1945-1990 - Reinhart Meyer
Lessing on the East German Stage and Screen - Thomas C. Fox and Heinz-Joachim Kertscher
200 Years of Lessing Reception - Hinrich C. Seeba
The Lessing Museum in Kamenz - Dieter Fratzke
The Lessing Academy in Wolfenbüttel - Helmut Berthold
The Lessing Society - Herbert Rowland
Lessing and the European Enlightenment - Steven D. Martinson
Lessing the Critic - Klaus L. Berghahn
Lessing and the Fable - John Pizer
Lessing's Poetics as an Approach to Aesthetics - Beate Allert
Lessing and Philosophy - H. B. Nisbet
Lessing and Theology - Arno Schilson
Lessing and the Jews - Willi Goetschel
Lessing's Drama Theory - Peter Höyng
Gender and Identity in Lessing's Dramatic Works - Karin A. Wurst
Lessing and the Third Reich - Ann Schmiesing
Lessing on the German-Speaking Stage in the Federal Republic of Germany, Austria, and Switzerland, 1945-1990 - Reinhart Meyer
Lessing on the East German Stage and Screen - Thomas C. Fox and Heinz-Joachim Kertscher
200 Years of Lessing Reception - Hinrich C. Seeba
The Lessing Museum in Kamenz - Dieter Fratzke
The Lessing Academy in Wolfenbüttel - Helmut Berthold
The Lessing Society - Herbert Rowland