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A New Chronology of Venetian Opera and Related Genres, 1660-1760

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From 1637 to the middle of the eighteenth century, Venice was the world center for operatic activity. No exact chronology of the Venetian stage during this period has previously existed in any lang...
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  • 25 October 2007
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From 1637 to the middle of the eighteenth century, Venice was the world center for operatic activity. No exact chronology of the Venetian stage during this period has previously existed in any language. This reference work, the culmination of two decades of research throughout Europe, provides a secure ordering of 800 operas and 650 related works from the period 1660 to 1760. Derived from thousands of manuscript news-sheets and other unpublished materials, the Chronology provides a wealth of new information on about 1500 works. Each entry in this production-based survey provides not only perfunctory reference information but also a synopsis of the text, eyewitness accounts, and pointers to surviving musical scores. What emerges, in addition to secure dates, is a profusion of new information about events, personalities, patronage, and the response of opera to changing political and social dynamics. Appendixes and supplements provide basic information in Venetian history for music, drama, and theater scholars who are not specialists in Italian studies.

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Price: $120.00
Pages: 784
Publisher: Stanford University Press
Imprint: Stanford University Press
Publication Date: 25 October 2007
Trim Size: 11.00 X 8.50 in
ISBN: 9780804744379
Format: Hardcover
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"The difficulties in establishing a chronology of Venetian opera have plagued scholars for centuries. . . . In A New Chronology of Venetian Opera and Related Genres, 1660-1760, Eleanor Selfridge-Field, using sources not fully exploited before, has resolved nearly all the problems. . . . This is a major accomplishment, and will make the book an important reference tool."
Eleanor Selfridge-Field is Consulting Professor of Music and Co-Director of the Center for Computer-Assisted Research in the Humanities at Stanford University. She is the author of many books and articles in various fields, including Beyond MIDI (1997); The Music of Benedetto and Alessandro Marcello (1990); and Venetian Instrumental Music from Gabrieli to Vivaldi (1975).