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A Ten Peso Burial For Which Truth I Sign
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In A TEN PESO BURIAL FOR WHICH TRUTH I SIGN, debut poet Gabriel Palacios slipstreams through a hauntological, historicized Southwest, to make sense out of the life inherited. Episodes of modern dec...
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12 March 2024

In A TEN PESO BURIAL FOR WHICH TRUTH I SIGN, debut poet Gabriel Palacios slipstreams through a hauntological, historicized Southwest, to make sense out of the life inherited. Episodes of modern decay, violence and indignity co-mingle with the colonial horrors sometimes visited upon, and often committed by the ancestors of the author, who traveled from Basque Spain to the Southwestern border region in the Eighteenth-century. These are poems that reckon with complicity: historic and on the streets of South Tucson, Arizona in the present. This collection represents a prism through which we assess time, place, and the specters of one’s own conduct and circumstances.
Price: $17.95
Pages: 104
Publisher: Fonograf Editions
Imprint: Fonograf Editions
Publication Date:
12 March 2024
Trim Size: 8.00 X 5.00 in
ISBN: 9798987589045
Format: Paperback
BISACs:
POETRY / General, POETRY / American / Hispanic American
"When someone asks me what a poet is, I answer: the one who changes (is changing) the definition of what a poet is. Gabriel Palacios, for example: he’s an urban archeologist, hauntologist, holographer, oral cartographer, de-mosaicist, muralist, and all of these as a poet. A Ten Peso Burial is the evidence. It is both a book-length mural being painted on something that is always moving (i.e. constant traffic), and the study, years later, of that mural, through the scraping away of its faded mask to reveal the neon historama underneath, still in the process of being painted."
Gabriel Palacios was born in Tucson, Arizona and earned an MFA from the University of Arizona, where he was the recipient of the Minnie Torrance Award for Poetry, selected by giovanni singleton. He works as a college writing instructor and serves as a contributing editor for Diagram. His work has appeared in The Volta, New Sinews, Annulet: A Journal of Poetics Denver Quarterly, Poetry Northwest, The Brooklyn Rail, Typo Magazine, and elsewhere.