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African Theatre 10: Media and Performance
Martin banham,
James gibbs,
Femi osofisan,
Akinwumi isola,
Christy adair,
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David kerr,
Gbemisola adeoti,
Moratiwa molema,
Nehemiah chivandikwa,
Ngonidzashe muwonwa,
Sam kasule,
Samuel ravengai,
Sarah woodward,
Torsten sannar,
Vicensia shule
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Examines the impact of new media (such as video and YouTube) and the use of multi-media on live and recorded performance in Africa.Focuses on the ways African theatre and performance relate to vari...
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20 November 2011

Examines the impact of new media (such as video and YouTube) and the use of multi-media on live and recorded performance in Africa.
Focuses on the ways African theatre and performance relate to various kinds of media. Includes contributions on dance; popular video, with an emphasis on video drama and soaps from Eastern and Southern Africa, and the Nigerian 'Nollywood' phenomenon; the interface between live performance and video (or still photography), and links between on-line social networks and new performance identities. As a group the articles raise, from original angles, the issues of racism, gender, identity, advocacy and sponsorship.
Volume Editor: DAVID KERR is Professor of English in the University of Botswana, and is the author of African Popular Theatre
Series Editors: Martin Banham, Emeritus Professor of Drama & Theatre Studies, University of Leeds; James Gibbs, Senior Visiting Research Fellow, University of the West of England; Femi Osofisan, Professor of Drama at the University of Ibadan; Jane Plastow, Professor of African Theatre, University of Leeds; Yvette Hutchison, Associate Professor, Department of Theatre & Performance Studies, University of Warwick
Focuses on the ways African theatre and performance relate to various kinds of media. Includes contributions on dance; popular video, with an emphasis on video drama and soaps from Eastern and Southern Africa, and the Nigerian 'Nollywood' phenomenon; the interface between live performance and video (or still photography), and links between on-line social networks and new performance identities. As a group the articles raise, from original angles, the issues of racism, gender, identity, advocacy and sponsorship.
Volume Editor: DAVID KERR is Professor of English in the University of Botswana, and is the author of African Popular Theatre
Series Editors: Martin Banham, Emeritus Professor of Drama & Theatre Studies, University of Leeds; James Gibbs, Senior Visiting Research Fellow, University of the West of England; Femi Osofisan, Professor of Drama at the University of Ibadan; Jane Plastow, Professor of African Theatre, University of Leeds; Yvette Hutchison, Associate Professor, Department of Theatre & Performance Studies, University of Warwick
Price: $29.99
Pages: 174
Publisher: Boydell & Brewer Inc.
Imprint: James Currey
Series: African Theatre
Publication Date:
20 November 2011
Trim Size: 8.50 X 5.43 in
ISBN: 9781847010384
Format: Paperback
BISACs:
DRAMA / African, Plays, playscripts, PERFORMING ARTS / Theater / Direction & Production, PERFORMING ARTS / Theater / History & Criticism, Theatre direction and production
An important contribution to the study of the current state of media and performance in Africa and, collectively, the authors address the issues of racism, gender, identity, advocacy, and sponsorship.
Editor's Introduction - David Kerr
'I Ain't Gonna Play Sun City': Anti-apartheid Solidarity & its Consequences - Torsten Sannar
Ownership & Power: Debate & Discourse around the Subcultural Phenomenon of Die Antwoord - Sarah Woodward
'Border-Neutering' Devices in Nigerian Home Video Tradition: A Study of Mainframe Films - Gbemisola Adeoti
Tanzanian Films: Between Innovation & Incompetence - Vicensia Shule
'Telling Our Story': Conversations with KinaUganda Home Movie Directors, Mariam Ndaigire & Ashraf Simwogerere - Sam Kasule
Zimbabwe's Studio 263: Navigating Between Entertainment & Health Messaging - Samuel Ravengai
Vele Abantu Sinjalo: Nationhood & Ethno-Linguistic dissent in Zimbabwean Television Drama - Nehemiah Chivandikwa
Vele Abantu Sinjalo: Nationhood & Ethno-Linguistic dissent in Zimbabwean Television Drama - Ngonidzashe Muwonwa
Within Between: Engaging Communities in Contemporary Dance Practice in East Africa - Christy Adair
Water Feels: Layering Time in a Contemporary Multi-Media Performance - Moratiwa Molema
Playscript: The Campus Queen - Akinwumi Isola
Book Reviews
'I Ain't Gonna Play Sun City': Anti-apartheid Solidarity & its Consequences - Torsten Sannar
Ownership & Power: Debate & Discourse around the Subcultural Phenomenon of Die Antwoord - Sarah Woodward
'Border-Neutering' Devices in Nigerian Home Video Tradition: A Study of Mainframe Films - Gbemisola Adeoti
Tanzanian Films: Between Innovation & Incompetence - Vicensia Shule
'Telling Our Story': Conversations with KinaUganda Home Movie Directors, Mariam Ndaigire & Ashraf Simwogerere - Sam Kasule
Zimbabwe's Studio 263: Navigating Between Entertainment & Health Messaging - Samuel Ravengai
Vele Abantu Sinjalo: Nationhood & Ethno-Linguistic dissent in Zimbabwean Television Drama - Nehemiah Chivandikwa
Vele Abantu Sinjalo: Nationhood & Ethno-Linguistic dissent in Zimbabwean Television Drama - Ngonidzashe Muwonwa
Within Between: Engaging Communities in Contemporary Dance Practice in East Africa - Christy Adair
Water Feels: Layering Time in a Contemporary Multi-Media Performance - Moratiwa Molema
Playscript: The Campus Queen - Akinwumi Isola
Book Reviews