Fred Moten works at the intersection of black studies, performance studies, poetry, and critical theory. He is the author of Arkansas (Pressed Wafer Press, 2000), In the Break: The Aesthetics of the Black Radical Tradition (University of Minnesota Press, 2003), I ran from it but was still in it. (Cusp Press, 2007), Hughson’s Tavern (Leon Works, 2008), B Jenkins (Duke University Press, 2010), The Feel Trio (Letter Machine 2014), The Little Edges (Wesleyan University Press 2015), with Stefano Harney, The Undercommons: Fugitive Planning & Black Study (Autonomedia, 2013), and The Service Porch (Letter Machine Editions 2016).