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An Alaṅkāra Reader

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Classical Indian poetics prized the skillful use of alaṅkāras, or “ornaments”—literary figures of speech. An Alaṅkāra Reader is a groundbreaking panoramic overview of this tradition, presenting ext...
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  • 08 September 2026
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Classical Indian poetics prized the skillful use of alaṅkāras, or “ornaments”—literary figures of speech. Across more than a millennium, Sanskrit writers developed and elaborated an account of literary embellishment that is perhaps the world’s most complex and long-standing theory of figuration. Yet it remains the least studied of India’s major classical systems of thought.

An Alaṅkāra Reader is a groundbreaking panoramic overview of this tradition, presenting extensive and accessible translations of key works that span its history, from the sixth century CE to the eighteenth. These texts vividly show how Indian theorists analyzed simile, metaphor, allegory, and dozens of other figures that are distinctive to their world. Yigal Bronner’s commentary makes Sanskrit concepts of ornamentation approachable while placing them in historical context. He provides a new account of the history of Sanskrit poetics, showing how it underwent successive waves of theoretical revolutions and emerged as a prestigious field that attracted a variety of scholars in the early modern era.

Featuring many previously untranslated texts, An Alaṅkāra Reader is an essential resource for the study of classical Indian thought, the intellectual history of South Asia, and comparative literature. It reveals the depth and nuance of Sanskrit’s “science of ornaments” for anyone interested in poetic theory, figuration, and aesthetics across world traditions.

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Price: $40.00
Pages: 432
Publisher: Columbia University Press
Imprint: Columbia University Press
Series: Historical Sourcebooks in Classical Indian Thought
Publication Date: 08 September 2026
Trim Size: 10.00 X 7.00 in
ISBN: 9780231224260
Format: Paperback
BISACs: LITERARY CRITICISM / Asian / Indic, POETRY / Ancient & Classical, PHILOSOPHY / Aesthetics
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An Alaṅkāra Reader is a scholarly masterpiece, unique in its field. Although Sanskrit poetic theory has enjoyed considerable scholarly attention, there has never been such a full-fledged presentation of the discipline. Bronner’s reconstruction of the evolution of Sanskrit poetics, beautifully articulated in his very strong introduction, offers a strikingly new perspective. This is a pioneering work that will change the study of premodern South Asian intellectual history.
— David Shulman, author of Tamil: A Biography

An Alaṅkāra Reader instantiates “integrity,” a quality cherished by classical Sanskrit literary theorists that becomes evident “when things of the past and of the future that are uniquely amazing take shape, as it were, before one’s very eyes.” In language friendly to all kinds of readers, Yigal Bronner has given us an integral, groundbreaking history of Sanskrit reflection on poetics, which opens up a bright future in which Indian thinkers can help us understand the ornaments that make literature beautiful. A dazzling achievement.
— Maria Heim, author of Words for the Heart: A Treasury of Emotions from Classical India

Bronner has written the best history of Sanskrit poetic theory I have ever read. His translations are at once thoughtful and playful, precise and fun to read. An Alaṅkāra Reader is an ideal introduction to some of the most sophisticated thinking about poetry the world has ever seen.
— Whitney Cox, author of Politics, Kingship, and Poetry in Medieval South India: Moonset on Sunrise Mountain

In The Alaṅkāra Reader, Yigal Bronner’s glittering erudition, evident on every page, is matched only by his luminous translations of Sanskrit poets and theoreticians of language. A book to treasure, to read slowly, attentively, and meditatively, it ought to adorn the bookshelf of anyone interested in literary worlds.
— Archana Venkatesan, author of The Secret Garland: Translations of Tiruppavai and Nacciyar Tirumoli
Yigal Bronner is a Sanskritist whose areas of interest include literature, literary theory, and South Asian intellectual history more generally. He worked on this volume while teaching in the Department of Asian Studies at the Hebrew University of Jerusalem and now teaches in the Department of History, Classics, and Religion at the University of Alberta. His books include Extreme Poetry: The South Asian Movement of Simultaneous Narration (2010) and A Lasting Vision: Dandin’s Mirror in the World of Asian Letters (2023).

Preface
Acknowledgments
English Translations of Sanskrit Titles
Abbreviations
Introduction: An Intellectual History of Ornaments
1. Laying the Foundations: Bhamaha’s Ornament of Literature
2. Ornaments in Dandin’s Mirror
3. Udbhata’s Semantic Turn
4. The Analysis of Ornaments in the Kingdom of Kashmir
5. Into and Out of the Light: Ornaments Beyond Kashmir
6. Still Relevant: Ornaments in the Early Modern Period
English-Sanskrit Glossary
Notes
Bibliography
Index