Some error occured while loading the Quick View. Please close the Quick View and try reloading the page.
This book explores works by key artists who shaped conceptualism in post-Mao China. Drawing from understudied archival materials and qualitative research, it analyzes artistic struggles for autonomy, re-evaluating Robert Rauschenberg’s 1985 exhibition in Beijing and Chinese artists’ exploration of appropriation, affect, dehumanization, and collective practice since the 1980s. A continuous development can be found in the politics and aesthetics of post-socialism, which has struggled to define its space for expression, from the 1980s until today.
Price: $140.00
Pages: 272
Publisher: Brill
Imprint: Brill
Publication Date:
10 June 2025
ISBN: 9789004537095
Format: Hardcover
Yu-Chieh Li, Ph.D. (2018), Ruprecht-Karls-Universität Heidelberg, is an Assistant Professor in the Department of Fine Arts at the Chinese University of Hong Kong. She has taught at Lingnan University (Hong Kong) and the University of New South Wales (Sydney), and held research positions at Tate Research Centre: Asia (London) and the Museum of Modern Art (New York). Li’s research engages with the aesthetics of conceptual and performance art in Asia and post-colonial art historiography. Her papers have appeared in Third Text, World Art, and Australian and New Zealand Journal of Art, with an edited volume, Visual Representations of the Cold War and Postcolonial Struggles, published by Routledge (co-edited with Midori Yamamura).