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Art and Aesthetics after Adorno
J. m. bernstein,
Claudia brodsky,
Anthony j. cascardi,
Thierry de duve,
Ales erjavec,
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Robert kaufman,
Fred rush
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Theodor Adorno’s Aesthetic Theory (1970) offers one of the most powerful and comprehensive critiques of art and of the discipline of aesthetics ever written. The work offers a deeply critical engag...
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01 April 2013

Theodor Adorno’s Aesthetic Theory (1970) offers one of the most powerful and comprehensive critiques of art and of the discipline of aesthetics ever written. The work offers a deeply critical engagement with the history and philosophy of aesthetics and with the traditions of European art through the middle of the 20th century. It is coupled with ambitious claims about what aesthetic theory ought to be. But the cultural horizon of Adorno’s Aesthetic Theory was the world of high modernism, and much has happened since then both in theory and in practice. Adorno’s powerful vision of aesthetics calls for reconsideration in this light. Must his work be defended, updated, resisted, or simply left behind? This volume gathers new essays by leading philosophers, critics, and theorists writing in the wake of Adorno in order to address these questions. They hold in common a deep respect for the power of Adorno’s aesthetic critique and a concern for the future of aesthetic theory in response to recent developments in aesthetics and its contexts.
Price: $40.00
Pages: 302
Publisher: Fordham University Press
Imprint: Fordham University Press
Series: Berkeley Forum in the Humanities
Publication Date:
01 April 2013
Trim Size: 9.00 X 6.00 in
ISBN: 9780823253098
Format: Paperback
BISACs:
PHILOSOPHY / Aesthetics
J. M. Bernstein (Author)
J. M. Bernstein is University Distinguished Professor in Philosophy at The New School for Social Research in New York City.
Claudia Brodsky (Author)
Claudia Brodsky is Professor of Comparative Literature at Princeton University. She is the author of The Imposition of Form: Studies in Narrative Representation and Knowledge, Lines of Thought: Discourse, Archetonics, and the Origin of Modern Philosophy and the editor, with Toni Morrison, of Birth of a Nation ’hood.
Anthony J. Cascardi (Author)
Anthony J. Cascardi is Professor of Comparative Literature, Rhetroric & Spanish, U.C. Berkeley.
Thierry de Duve (Author)
Thierry de Duve is Professor at Université Lille 3, Département Arts Plastiques in Villeneuve d'Ascq, France.
Ales Erjavec (Author)
Aleš Erjavec is at the Institute of Philosophy, Scientific Research Centre of the Slovenian Academy of Sciences and Arts.
Robert Kaufman (Author)
Robert Kaufman is Assistant Professor of Comparative Literature, U.C. Berkeley.
Fred Rush (Author)
Fred Rush is Associate Professor of Philosophy, University of Notre Dame.
J. M. Bernstein is University Distinguished Professor in Philosophy at The New School for Social Research in New York City.
Claudia Brodsky (Author)
Claudia Brodsky is Professor of Comparative Literature at Princeton University. She is the author of The Imposition of Form: Studies in Narrative Representation and Knowledge, Lines of Thought: Discourse, Archetonics, and the Origin of Modern Philosophy and the editor, with Toni Morrison, of Birth of a Nation ’hood.
Anthony J. Cascardi (Author)
Anthony J. Cascardi is Professor of Comparative Literature, Rhetroric & Spanish, U.C. Berkeley.
Thierry de Duve (Author)
Thierry de Duve is Professor at Université Lille 3, Département Arts Plastiques in Villeneuve d'Ascq, France.
Ales Erjavec (Author)
Aleš Erjavec is at the Institute of Philosophy, Scientific Research Centre of the Slovenian Academy of Sciences and Arts.
Robert Kaufman (Author)
Robert Kaufman is Assistant Professor of Comparative Literature, U.C. Berkeley.
Fred Rush (Author)
Fred Rush is Associate Professor of Philosophy, University of Notre Dame.