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This volume presents papers originally delivered at the Netherlands University Institute for Art History (NIKI) in 2023 and developed from the research of The Working Renaissance, an international group of leading academics and curators devoted to the study of life in the workspaces of Renaissance artists. The book employs a range of methodological approaches to explore day-to-day operation in workshops, which were the nexus of artistic production. The chapters offer fresh interpretations of diverse aspects including training, workshop locations, systems of management, practices of design, multi-media production, and the terminology of collaborative production.
Contributors include: Aoife Brady, Elizabeth Eisenberg, Lydia Goodson, Lois Haines, Amanda Hilliam, Victoria Jimenez, Louisa McKenzie, Rossella Monopoli, Michelle O’Malley, Guido Rebecchini, Giorgio Tagliaferro, and Linda Wolk-Simon.
Contributors include: Aoife Brady, Elizabeth Eisenberg, Lydia Goodson, Lois Haines, Amanda Hilliam, Victoria Jimenez, Louisa McKenzie, Rossella Monopoli, Michelle O’Malley, Guido Rebecchini, Giorgio Tagliaferro, and Linda Wolk-Simon.
Price: $129.00
Publisher: Brill
Imprint: Brill
Series: NIKI Studies in Netherlandish-Italian Art History
Publication Date:
March 11, 2027
ISBN: 9789004758247
Format: Hardcover
Lydia Goodson Ph.D. (The Warburg Institute, University of London) 2020, is an Associate Fellow at the Warburg Institute working on issues of artistic production and patronage in early modern Italy as well as on questions of connoisseurship related to materiality, production and identity in the period.
Michelle O’Malley Ph.D. (The Warburg Institute, University of London) 1994, is Professor Emerita of Renaissance Art History at that university. She is the author of two monographs, two co-edited volumes and numerous articles on the production of Renaissance painting and issues of early modern materiality.
Michael W. Kwakkelstein, Ph.D. (Leiden University) 1994, is Professor of Italian Renaissance Art and Art Theory at the Department of History and Art History at Utrecht University and Director of the Netherlands University Institute for Art History in Florence.
Michelle O’Malley Ph.D. (The Warburg Institute, University of London) 1994, is Professor Emerita of Renaissance Art History at that university. She is the author of two monographs, two co-edited volumes and numerous articles on the production of Renaissance painting and issues of early modern materiality.
Michael W. Kwakkelstein, Ph.D. (Leiden University) 1994, is Professor of Italian Renaissance Art and Art Theory at the Department of History and Art History at Utrecht University and Director of the Netherlands University Institute for Art History in Florence.