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At the Sign of the Compass and Quadrant

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This is a print on demand edition of a hard to find publication. A significant although little known figure in the history of early American science is Anthony Lamb, a maker of mathematical instruments who...
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  • January 1, 1984
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This is a print on demand edition of a hard to find publication. A significant although little known figure in the history of early American science is Anthony Lamb, a maker of mathematical instruments who was active in NY from 1730 to 1784. He had been trained in a skill which was rare in his time even in England, and it was one which was virtually unknown in the American colonies in the early 18th cent. English-born and transported to Maryland as a convicted felon, Lamb emerged as the first professionally trained maker of scientific instruments in the American colonies, and the first to be established in NY. Contents of this study: The Apprentice and the Sorcerer; The Fate of Felons; The Brave New World; The Invention of the Octant; The Mid-Century Years; Then the Revolution. Illustrations.
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Price: $40.00
Pages: 84
Publisher: University of Pennsylvania Press, Inc.
Imprint: The American Philosophical Society Press
Series: Transactions of the American Philosophical Society
Publication Date: January 1, 1984
Trim Size: 9.00 X 6.00 in
ISBN: 9781422381953
Format: Paperback
BISACs: SCIENCE / Scientific Instruments
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"Bedini has shown us what can be achieved through real determination to pursue the traces left by the working life of an individual maker…He has had to draw on a remarkable collection of scattered and ephemeral sources, and the story he tells is very clearly the result of a considerable and sustained piece of research."
— J. A. Bennett

"Bedini presents, in his customarily engaging manner, what surely must be the last word on the first (and only colonial) American with formal European training as a mathematical instrument maker."
— Deborah Jean Warner

"This biography is a very useful addition to the library of anyone interested in scientific instruments and I hope that it will encourage the study, in depth, of other instrument makers."
— Peter Delehar