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Post-digital art suggests a form of embodiment of digital technologies that unfolds in physical space through hands-on material approaches, and even the repurposing of older analogue media. Pedro Ferreira examines these aesthetics in contemporary audiovisual arts as reactions to our post-digital condition. He traces four post-digital territories by looking on the digital infrastructure, within the effects of the post-digital condition, in-between digital and non-digital media as media hybrids, and off digital media in a turn to analogue media. Concluding with a series of artworks, this study exposes the material, sociocultural and environmental consequences of digital technologies in our post-digital age.
Price: $59.00
Pages: 198
Publisher: transcript publishing
Imprint: transcript publishing
Series: Image
Publication Date:
04 March 2025
Trim Size: 8.86 X 5.83 in
ISBN: 9783837674163
Format: Paperback
BISACs:
ART / Criticism & Theory, ART / History / 20th & 21st Century
»For anyone interested in artistic research, digital frameworks, or contemporary aesthetics, this book offers a critical and inspiring resource that is sure to spark joy in readers’ minds.«
— Tomi Slotte Dufva
»›Audiovisual Disruption‹ succeeds in providing a rich and thought-provoking analysis of the post-digital condition. Its dual emphasis on theoretical rigour and artistic practice ensures its appeal to a diverse audience, from scholars and educators to practising artists. By the end of the book, readers are left not only with a deeper understanding of post-digital aesthetics but also with practical tools for engaging with this complex landscape. For anyone interested in artistic research, digital frameworks, or contemporary aesthetics, this book offers a critical and inspiring resource that is sure to spark joy in readers’ minds.«
— Tomi Slotte Dufva
»›Audiovisual Disruption‹ succeeds in providing a rich and thought-provoking analysis of the post-digital condition. Its dual emphasis on theoretical rigour and artistic practice ensures its appeal to a diverse audience, from scholars and educators to practising artists. By the end of the book, readers are left not only with a deeper understanding of post-digital aesthetics but also with practical tools for engaging with this complex landscape. For anyone interested in artistic research, digital frameworks, or contemporary aesthetics, this book offers a critical and inspiring resource that is sure to spark joy in readers’ minds.«
Pedro Ferreira, born in 1988, is an artist and researcher based in Berlin. He holds a doctorate degree in fine arts with the specialisation of multimedia art from the University of Lisbon. He researches post-digital aesthetics that address the effects of digital technologies on daily life, society and the environment. In his artistic practice he experiments with media materiality. His works range from experimental music and sound art to generative art, audiovisual performance, experimental film, video art, game art and net art.