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Borderland Solidarity

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Kachinland is an unrecognized state in the borderlands of Myanmar, India, China, and Thailand. Its geography throws into sharp relief the intersecting dynamics of British colonialism, settler colon...
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  • 18 August 2026
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Kachinland is an unrecognized state in the borderlands of Myanmar, India, China, and Thailand. Its geography throws into sharp relief the intersecting dynamics of British colonialism, settler colonialism, and protracted war between the Kachin Independence Army and the Myanmar Army. Kachinland's rich natural resources—including jade and hydropower—are coveted by the junta-led Myanmar government and its energy hungry neighbor, China. As resource extraction and land confiscation intensifies, Kachin activists and artists turn to Indigenous law and media to stem the tide of displacement and dispossession.

  Emily Hong follows a diverse cast of Kachin activists, punk rock musicians, women farmers, and armed group leaders dreaming up new futures for Kachinland. She examines how they draw on the infrastructures of the borderlands—cross-border media tactics, inter-ethnic solidarity, and an expanded sense of the law and political possibility—to sustain activism for the long-haul. With critical awareness of the colonial legacies of the region and of anthropology itself, Hong uncovers the limitations and liberatory potential of borderland solidarity, offering a powerful lens for understanding global activism and for navigating collaborative ethnography. Through evocative storytelling and sensory ethnography, Hong's book challenges readers to move beyond a Western lens on solidarity to ask what activists, artists, and anthropologists alike can learn from centering non-Western ways of theorizing and embodying political sensation and collective action.

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Price: $110.00
Pages: 260
Publisher: Stanford University Press
Imprint: Stanford University Press
Publication Date: 18 August 2026
Trim Size: 9.00 X 6.00 in
ISBN: 9781503645042
Format: Hardcover
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"Emily Hong's brilliant, beautifully written and deeply thoughtful ethnography vividly chronicles her years of work with Indigenous political, environmental and media activists in Kachinland, in Northern Myanmar. Drawing on her experiences creating a film with Kachin collaborators, as well as her work with Kachin environmental and media activists, musicians, and women farmers, Hong's commitment to feminist sensory ethnography shapes the rich texture of her writing—from karaoke sessions, to journeys on harrowing mountain roads, to travels with a popular Kachin punk rock activist band—evoking the lived experience of borderland solidarities and the Kachin idea of zin lum, the affect that catalyzes collective action. More broadly, she offers both an incisive critique of anthropology's historical complicity with colonial projects and a road forward for decolonizing the discipline."—Faye Ginsburg, New York University

"Grounded in rich ethnography of music, law, and indigeneity in Kachinland, anthropologist and filmmaker Emily Hong's urgent ethnography traverses and undoes a series of borders to illuminate how dispossession both comes naturally to capital and becomes the center of community-building political struggle. Her concept of borderland solidarity, in which researching activism and creating activist scholarship must intertwine, is the kind of clarion and challenging intervention needed in a moment in which authoritarianism has entrenched itself in and beyond Myanmar."—Tyrell Haberkorn, University of Wisconsin-Madison

"Borderland Solidarity offers a brilliant theorization of solidarity at the intersection of political activism and ethnographic engagement. Hong centers Indigenous epistemologies of political affect, sensation, and collective action. A beautifully written, moving account of the borderland struggles for self-determination of Kachinland, Hong develops a narrative that foregrounds the 'touch and feel' of political desire by examining Indigenous media and the enactment of Indigenous land law by Kachin women farmers. Full of unexpected insights and methodological innovation, this book is a must read for all scholar-activists involved in fieldwork in the context of political struggles for freedom."—Chandra Talpade Mohanty, Syracuse University
Emily Hong is Assistant Professor of Anthropology and Visual Studies at Haverford College.