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Bound Fast with Letters brings together in one volume many of the significant contributions that Richard H. Rouse and Mary A. Rouse have made over the past forty years to the study of medieval manuscripts through the prism of textual transmission and manuscript production. The eighteen essays collected here address medieval authors, craftsmen, book producers, and patrons of manuscripts from different epochs in the Middle Ages, extending from late antiquity to the early Renaissance, and ranging from North Africa to northern England. Their investigations reveal valuable information about the history of texts and their transmission, and their careful scrutiny of texts and of the physical manuscripts that convey them illuminate the societies that created, read, and preserved these objects.
The book begins in Part I with articles on writers from the patristic era through the twelfth century who experimented with, and mastered, various physical forms of presenting ideas in writing. Part II contains essays on patronage and patrons, including Richard de Fournival, Jean de Brienne, Watriquet de Couvin, Pope Clement V, the Counts of Saint-Pol, and Christine de Pizan. Part III, on manuscript producers, discusses the questions, for whom? and by whom? were manuscripts made. The four essays in this section each reflect on a different part of the process of book-making. Throughout, Bound Fast with Letters focuses on the close ties between the physical remains of literate culture—from the wax tablets of the patristic era to the vernacular literature of the wealthy laity of the late Middle Ages—and their social and economic context.
“Over four decades the Rouses’ prolific work on medieval manuscripts has continuously advanced knowledge in this field by providing convincing answers to and unique examples of the way books were conceived, constructed, copied, illuminated, commissioned, sold, and used. . . . The result is a breathtaking stretch of work ranging from writing practices in fifth-century Northern Africa to fifteenth-century commercial book-making in France and Italy.” —Manuscripta
“[Bound Fast with Letters] a useful and frequently humbling compendium of what one particular approach to manuscript study can reveal as it is exercised over many years and on a broad spectrum of materials. . . The many discoveries about the Middle Ages laid out in Bound Fast with Letters—discoveries made through extraordinarily skilled research and explained with erudite lucidity—demonstrate the value of Richard and Mary Rouse’s approach to the study of the past.” —Modern Philology
“These astonishing episodes, recovered from erasures tucked between books of the Bible, are emblematic of the Rouses’ method. Combining codicology, deep archival research, bibliographical mastery, and, most important, deep sympathy for their historical subjects, their own collaboration uncovers the most varied examples of teamwork in the past. In the process, their persistent, probing scrutiny renders visible a Middle Ages previously lost from view.” —Common Knowledge
“. . . the collection opens up scintillating scenes of medieval life as a whole. This is a very useful collection, a major contribution by which future explorers in the wilderness of medieval book culture might wish to be guided in their task.” —Parergon
“Far from merely reprinting old material, the Rouses have created a cohesive volume in which the essays speak to each other on both thematic and methodological levels. The studies in this volume paint a vivid and comprehensive picture of medieval manuscript production, circulation of texts, and cultural movements by looking at specific actors and the objects they left behind.” —Comitatus: A Journal of Medieval and Renaissance Studies
“This book collects eighteen articles written over four decades that study writing, broadly conceived, as a medium of social preservation and cultural production. . . . No review can do justice to this beautifully produced and carefully edited gathering of well over 500 pages—neither to the riches it reveals or the methods it champions.” —Information and Culture: A Journal of History
"This is a comprehensive look at the Rouses' professional career and covers many areas of their research in the field. Though not a typical survey of early manuscript production, it will be a valuable reference tool for scholars interested in the history and politics of the early bound manuscript trade. . . . Highly recommended." —Choice
"Few have done more in the past half-century to nurture the study of medieval manuscripts in North America than Richard and Mary Rouse. . . . One of the elements that make Bound Fast with Letters so striking is its capacity to set manuscript production in human contexts. . . . This is a book that makes the dry bones of medieval codicology live." —Times Literary Supplement
"Bound Fast with Letters is an outstanding contribution to our understanding of the worlds in which medieval books moved. Impressive in its chronological and geographical scope and richly textured, the book offers detailed readings of manuscripts and archives, words and images. These collected articles increase our understanding of the humans who authored, copied, illustrated, read, and reread books in medieval Europe." —Anne D. Hedeman, Judith Harris Murphy Distinguished Professor of Art History, University of Kansas
"The common denominator shared by all of these essays is the human dimension, constituting in some ways a people-oriented history of the book and the book trade. The collection emphasizes the experimental nature of book production, the communities of artisans of the book, and the practicalities of life in them, the movement of scribes and artists, and the expectations of patrons. All of the articles place manuscript production in historical, social, and cultural contexts." —Keith Busby, University of Wisconsin, Madison
Richard H. Rouse is professor of history emeritus at University of California, Los Angeles.
Mary A. Rouse is former managing editor of Viator. They are coauthors of a number of books, including Manuscripts and Their Makers: Commercial Book Producers in Medieval Paris, 1200–1500.
Foreword by Robert Somerville
Acknowledgments
List of Abbreviations
Introduction
Part I. Writing It Down: Practicalities and Imagery, 500–1220
1. The Vocabulary of Wax Tablets
2. Donatist Aids to Bible Study: North African Literary Production in the Fifth Century by Charles McNelis
3. Two Carolingian Bifolia: Haimo of Auxerre and Carolingian Liturgical Texts
4. From Flax to Parchment: A Monastic Sermon from Twelfth-Century Durham
5. The Schools and the Waldensians: A New Work by Durand of Huesca
Part II. Patrons and the Use of Books, 1250–1400
6. Manuscripts Belonging to Richard de Fournival
7. Early Manuscripts of Jean de Meun’s Translation of Vegetius
8. Publishing Watriquet’s Dits
9. Context and Reception: A Crusading Collection for Charles IV
of France
10. The Goldsmith and the Peacocks: Jean de le Mote in the Household of Simon de Lille, 1340
11. French Literature and the Counts of Saint-Pol, ca. 1178–1377
12. Prudence, Mother of Virtues: The Chapelet des vertus and Christine de Pizan
Part III. Commercial Book-Makers, French and Italian, 1290–1410
13. Wandering Scribes and Traveling Artists: Raulinus of Fremington and His Bolognese Bible
14. Thomas of Wymondswold and the Making of a Glossed Decretum
15. Jean Marlais and Bonne, His Wife: Last Wills from the Medieval Paris Book Trade
16. Pierre le Portier and the Makers of the Antiphonals of St-Jacques
17. St. Antoninus of Florence on Manuscript Production
Part IV. Epilogue
18. Archives in the Service of Manuscript Study: The Well-Known by Nicolas Flamel
Index of Manuscripts and Documents Cited
General Index