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Contemporary Indian Writing in English between Global Fiction and Transmodern Historiography
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This study offers a comprehensive overview of Indian writing in English in the 21st century. Through ten exemplary analyses in which canonical authors stand next to less well-known and diasporic on...
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21 January 2016

This study offers a comprehensive overview of Indian writing in English in the 21st century. Through ten exemplary analyses in which canonical authors stand next to less well-known and diasporic ones Christoph Senft provides deep insights into India’s complex literary world and develops an argumentative framework in which narrative texts are interpreted as transmodern re-readings of history, historicity and memory. Reconciling different postmodern and postcolonial theoretical approaches to the interpretation and construction of literature and history, Senft substitutes traditional, Eurocentric and universalistic views on past and present by decolonial and pluralistic practices. He thus helps to better understand the entanglements of colonial politics and cultural production, not only on the subcontinent.
Price: $125.00
Pages: 240
Publisher: Brill
Imprint: Brill
Series: Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft
Publication Date:
21 January 2016
ISBN: 9789004309067
Format: Hardcover
“The merits of the book can be found in its close readings, which are articulated from well-defined theoretical perspectives. Chistoph Senft is conscious of the pitfalls in studying a complex pluralistic society such as India.”
- E. V. Ramakrishnan, Central University of Gujarat, India in Recherche Littéraire/Literary Research, Vol. 33 2017 pp. 68-71
- E. V. Ramakrishnan, Central University of Gujarat, India in Recherche Littéraire/Literary Research, Vol. 33 2017 pp. 68-71
Christoph Senft, Dr. phil., Universität Potsdam, is lecturer at Pune University and Director of the DAAD Information Centre Pune. He has published articles on contemporary Indian literature and co-edited Just Politics? Ökokritische Perspektiven im postkolonialen Raum (Unrast, 2014).