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An examination of the passion and crucifixion of Christ as depicted in the visual and religious culture of Anglo-Norman England.
The twelfth century has long been recognised as a period of unusual vibrancy and importance, witnessing seminal changes in the inter-related spheres of theology, devotional practice, and iconography, especially with regard to thecross and the crucifixion of Christ. However, the visual arts of the period have been somewhat neglected, scholarly activity tending to concentrate on its textual and intellectual heritage.
This book explores this extraordinarily rich and vibrant visual and religious culture, offering new and exciting insights into its significance, and studying the dynamic relationships between ideas and images in England between 1066 and the first decades of the thirteenth century. In addition to providing the first extensive survey of surviving Passion imagery from the period, it explores those images' contexts: intellectual, cultural, religious, and art-historical. It thus not only enhances our understanding of the place of the cross in Anglo-Norman culture; it also demonstrates how new image theories and patterns of agency shaped the life of the later medieval church.
John Munns is a Fellow of MagdaleneCollege, Cambridge.
The twelfth century has long been recognised as a period of unusual vibrancy and importance, witnessing seminal changes in the inter-related spheres of theology, devotional practice, and iconography, especially with regard to thecross and the crucifixion of Christ. However, the visual arts of the period have been somewhat neglected, scholarly activity tending to concentrate on its textual and intellectual heritage.
This book explores this extraordinarily rich and vibrant visual and religious culture, offering new and exciting insights into its significance, and studying the dynamic relationships between ideas and images in England between 1066 and the first decades of the thirteenth century. In addition to providing the first extensive survey of surviving Passion imagery from the period, it explores those images' contexts: intellectual, cultural, religious, and art-historical. It thus not only enhances our understanding of the place of the cross in Anglo-Norman culture; it also demonstrates how new image theories and patterns of agency shaped the life of the later medieval church.
John Munns is a Fellow of MagdaleneCollege, Cambridge.
Price: $170.00
Pages: 360
Publisher: Boydell & Brewer Inc.
Imprint: Boydell Press
Publication Date:
19 August 2016
Trim Size: 9.45 X 6.69 in
ISBN: 9781783271269
Format: Hardcover
BISACs:
ART / European, History of art, ART / Subjects & Themes / Religious, HISTORY / Europe / Medieval, European history, Religious and ceremonial art
[Munns] demonstrates clearly the interdependence of theology, artistic production, devotion, philosophy, individual agency, and religious institutions that characterize the development of human thought. In doing so, he also demonstrates his own magisterial grasp of them.
Beautifully produced .. Munns has complied a remarkably comprehensive overview of the centrality of the Cross in English society. [His] lavishly illustrated study opens a window onto the rich and vibrant visual culture of post-Conquest England, shedding new light on contemporary expressions of devotion and of individual spiritual practices.
Both a good read and an original contribution to its complex subject.
[A] truly impressive interdisciplinary study of a period of art history that has long merited more scholarly attention. . . . Cross and Culture in Anglo-Norman England is a monumental work of scholarship that will long be a primary point of reference for medievalists in a variety of fields.
Beautifully produced .. Munns has complied a remarkably comprehensive overview of the centrality of the Cross in English society. [His] lavishly illustrated study opens a window onto the rich and vibrant visual culture of post-Conquest England, shedding new light on contemporary expressions of devotion and of individual spiritual practices.
Both a good read and an original contribution to its complex subject.
[A] truly impressive interdisciplinary study of a period of art history that has long merited more scholarly attention. . . . Cross and Culture in Anglo-Norman England is a monumental work of scholarship that will long be a primary point of reference for medievalists in a variety of fields.
Introduction
Part I: The Theology of the Cross, c. 1066-c. 1170
St Anselm, Affect, and the Site of Salvation
The Cross, the Trinity, and the Sacrifice of the Mass
The Art of Imitation
Part II: The Image of the Cross
In ecclesio media: The Public Image
Ecce homo: Liturgy and Exposition
Narrative and Contemplation in Manuscript Illumination
Part III: The Way of the Cross, c. 1170-c. 1215
Pilgrimage and Relics: Proximity to the Holy
Cross, Councils, and Crusade
Epilogue
Bibliography
Part I: The Theology of the Cross, c. 1066-c. 1170
St Anselm, Affect, and the Site of Salvation
The Cross, the Trinity, and the Sacrifice of the Mass
The Art of Imitation
Part II: The Image of the Cross
In ecclesio media: The Public Image
Ecce homo: Liturgy and Exposition
Narrative and Contemplation in Manuscript Illumination
Part III: The Way of the Cross, c. 1170-c. 1215
Pilgrimage and Relics: Proximity to the Holy
Cross, Councils, and Crusade
Epilogue
Bibliography