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Customised Books in Early Modern Europe and the Americas, 1400–1700
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Customised Books in Early Modern Europe and the Americas, 1400‒1700 examines the form, function, and meaning of alterations made by users to the physical structure of their book, through insertion ...
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17 January 2024

Customised Books in Early Modern Europe and the Americas, 1400‒1700 examines the form, function, and meaning of alterations made by users to the physical structure of their book, through insertion or interpolation, subtraction or deletion, adjustments in the ordering of folios or quires, amendments of image or text. Although our primary interest is in printed books and print series bound like books, we also consider selected manuscripts since meaningful alterations made to incunabula and early printed books often followed the patterns such changes took in late fourteenth- and fifteenth-century codices. Throughout Customised Books the emphasis falls on the hermeneutic functions of the modifications made by makers and users to their manuscripts and books.
Contributors: B. Boler Hunter, T. Cummins, A. Dlabačova, K.A.E. Enenkel, C.D. Fletcher, P.F. Gehl, P. Germano Leal, J. Kiliańczyk-Zięba, J. Koguciuk, A. van Leerdam, S. Leitch, S. McKeown, W.S. Melion, K. Michael, S. Midanik, B. Purkaple, J. Rosenholtz-Witt, B.L. Rothstein, M.R. Wade, and G. Warnar.
Contributors: B. Boler Hunter, T. Cummins, A. Dlabačova, K.A.E. Enenkel, C.D. Fletcher, P.F. Gehl, P. Germano Leal, J. Kiliańczyk-Zięba, J. Koguciuk, A. van Leerdam, S. Leitch, S. McKeown, W.S. Melion, K. Michael, S. Midanik, B. Purkaple, J. Rosenholtz-Witt, B.L. Rothstein, M.R. Wade, and G. Warnar.
Price: $299.00
Pages: 778
Publisher: Brill
Imprint: Brill
Series: Intersections
Publication Date:
17 January 2024
ISBN: 9789004680555
Format: Hardcover
Shaun Midanik's chapter, "Picture Bound: Customized Books of Prints and the Myth of the Ideal Series," was awarded the 2024 Schulman and Bullard Article Prize. This award is given by the Association of Print Scholars (APS) to an article published by an early-career scholar that features compelling and innovative research on prints or printmaking.
Walter Melion, Asa Griggs Candler Professor of Art History at Emory University in Atlanta, is the author of three monographs and a critical edition of Karel van Mander’s Foundation of the Noble, Free Art of Painting, co-author of two exhibition catalogues, editor or co-editor of more than twenty-five volumes, and author of more than ninety articles.br/>
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Christopher D. Fletcher, Assistant Director of the Center for Renaissance Studies at the Newberry Library, is a historian of public engagement and book history before 1800 whose work has appeared in articles, book chapters, gallery exhibitions, and digital resources.