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In Devotional Portraiture and Spiritual Experience Ingrid Falque analyses the meditative functions of early Netherlandish paintings including devotional portraits, that is portraits of people kneeling in prayer. Such paintings have been mainly studied in the context of commemorative and social practices, but as Ingrid Falque shows, they also served as devotional instruments.
By drawing parallels between the visual strategies of these paintings and texts of the major spiritual writers of the medieval Low Countries, she demonstrates that paintings with devotional portraits functioned as a visualisation of the spiritual process of the sitters.
The book is accompanied by the first exhaustive catalogue of paintings with devotional portraits produced in the Low Countries between c. 1400 and 1550. This catalogue is available at no costs in e-format (HERE) and can also be purchased as a printed hardcover book (HERE).
By drawing parallels between the visual strategies of these paintings and texts of the major spiritual writers of the medieval Low Countries, she demonstrates that paintings with devotional portraits functioned as a visualisation of the spiritual process of the sitters.
The book is accompanied by the first exhaustive catalogue of paintings with devotional portraits produced in the Low Countries between c. 1400 and 1550. This catalogue is available at no costs in e-format (HERE) and can also be purchased as a printed hardcover book (HERE).
Price: $170.00
Pages: 310
Publisher: Brill
Imprint: Brill
Series: Brill's Studies on Art, Art History, and Intellectual History
Publication Date:
19 September 2019
ISBN: 9789004369757
Format: Hardcover
“With Falque’s lucid description of the complex visual language of the paintings, this project will be appreciated by art historians already familiar with the pictorial conventions of the era but it will also serve as an effective lens for scholars in neighboring disciplines – especially those concerned with devotional literature – who seek to explore the participation of the visual arts in theological and devotional discourse.”
Mitzi Kirkland-Ives, Missouri State University. In: HNA Reviews, April 2020.
“A monumental achievement.”
Catherine Levesque, College of William and Mary. In: Renaissance Quarterly, Vol. 75, No. 1 (Spring 2022), pp. 213–216.
Mitzi Kirkland-Ives, Missouri State University. In: HNA Reviews, April 2020.
“A monumental achievement.”
Catherine Levesque, College of William and Mary. In: Renaissance Quarterly, Vol. 75, No. 1 (Spring 2022), pp. 213–216.
Ingrid Falque, Ph.D. (2009), Université catholique de Louvain, is Research Associate of the F.R.S.-FNRS. She is an art historian and has published numerous articles on the various relationships between late medieval images and spirituality in journals (e.g. Speculum, Revue d’histoire ecclésiastique) and edited volumes.