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‘Dickens and the Sentimental Tradition’ is a timely study of the ‘sentimental’ in Dickens’s novels, which places them in the context of the tradition of Fielding, Richardson, Sterne, Goldsmith, Sheridan and Lamb. This study re-evaluates Dickens’s presentation of emotion – first within the eighteenth-century tradition and then within the dissimilar nineteenth-century tradition – as part of a complex literary heritage that enables him to critique nineteenth-century society. The book sheds light on the construction of feelings and of the ‘good heart’, ideas which resonate with current critical debates about literary ‘affect’. Sentimentalism, as the text demonstrates, is crucial to understanding fully the achievement of Dickens and his contemporaries.
'This remarkable book … is surely one of the most original and illuminating studies of Dickens’s novels to have been published in recent years'.—Michael Slater-Emeritus Professor of Victorian Literature at Birkbeck, past President of the International Dickens Fellowship, and former editor of its journal, 'The Dickensian'.
Valerie Purton is Reader in Victorian Literature at Anglia Ruskin University in Cambridge.
Introduction; Chapter 1: Dickens and the Sentimentalist Tradition; Chapter 2: Sentimentalism and its Discontents in the Eighteenth-Century Novel: Fielding, Richardson and Sterne; Chapter 3: Sentimentalism and its Discontents in Eighteenth-Century Drama: Goldsmith and Sheridan; Chapter 4: Dickens and Nineteenth-Century Drama; Chapter 5: The Early Novels and ‘The Vicar of Wakefield’; Chapter 6: The Later Novels; Conclusion: The Afterlife of Sentimentalism