‘This is an urgent and necessary book. It insists, without apology, that digital access to performance is not a luxury, but a lifeline – a matter of both disability rights and human rights. By offering practical tools for theatre makers to reach disabled, elderly, homebound and geographically isolated audiences – as well as the digital natives who grew up online – it challenges our field to expand its horizons and embrace the communities that sustained it during the darkest months of the pandemic. In doing so, it calls upon artists, institutions and funders alike to imagine a future of both access and artistry.’ Anne Bogart, Columbia University

‘Polemically embracing disabled communities’ Right to Art, Digital Access marshals legal and cultural experts to assess inhibiting policies in a livestreaming age. Differently-abled folks were able to access culture with unprecedented ease during the coronavirus pandemic, when pivoting to digital online performance suddenly became urgent. The current book gathers the data about how this historical event enlarged audiences and became dramatically more inclusive – but also reveals the absence of any economic model to sustain it. Magda Romanska, tireless theorizer of transmedia and performance studies, here summons a team of legal experts and digital mavens to report on how online accessibility is faring across cultures in the Anglophone world. Extending the Future Stage manifesto that framed live performance within online culture and accessibility, Digital Access posits streaming as a new creative vehicle of inclusive, dynamic, dramaturgical might.’ Caroline Jones, Massachusetts Institute of Technology

'One of the best books to examine the implications of the huge increase, and subsequent fall off, of digital streamed theatre in the early part of this decade.' Sierz.co.uk

'The study offers a history of digital theater experiments before, during and after the lockdown; analyzes a series of real and perceived challenges; and gives recommendations for legislation and partnerships ... An accessible handbook to rethink and reactivate the genre.' New York Theater

Magda Romanska is Professor of Performing Arts at Emerson College, Faculty Associate at Berkman Klein Center for Internet and Society at Harvard University, and researcher at metaLAB at Harvard.

1. Introduction

2. Theatre and Digitality

3. Successful Case Studies

4. Real and Perceived Challenges

5. Recommendations