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Digital Culture & Society (DCS)

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This issue of Digital Culture & Society addresses the ideological and political aspects of metadata practices within image collections from an interdisciplinary perspective. The overall aim is ...
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  • 30 August 2022
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The design and use of metadata is always culturally, socially, and ideologically inflected. The actors, whether these are institutions (museums, archives, libraries, corporate image suppliers) or individuals (image producers, social media agents, researchers), as well as their agendas and interests, affect the character of metadata. There is a politics of metadata. This issue of Digital Culture & Society addresses the ideological and political aspects of metadata practices within image collections from an interdisciplinary perspective. The overall aim is to consider the implications, tensions, and challenges involved in the creation of metadata in terms of content, structure, searchability, and diversity.
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Price: $35.00
Pages: 274
Publisher: transcript publishing
Imprint: transcript publishing
Series: Digital Culture & Society
Publication Date: 30 August 2022
Trim Size: 9.45 X 6.10 in
ISBN: 9783837649567
Format: Paperback
BISACs: SOCIAL SCIENCE / Media Studies, TECHNOLOGY & ENGINEERING / Social Aspects, POLITICAL SCIENCE / Globalization
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Anna Näslund (former Dahlgren) is professor of art history at Stockholm University. She has written extensively on different aspects of visual culture, photography, media history, digitization, archives and museum practices. She has been the PI of several research projects, such as »The Politics of Metadata« and »Sharing the Visual Heritage« focusing different aspects of cultural heritage institutions image collections online, and media historical projects on social media photography and photo albums.
Karin Hansson, is an associate professor in computer and
systems sciences and part of the Politics of Metadata project at the Department of Culture and Aesthetics, Stockholm University. She has written extensively about technology-based participation from a design perspective.
Ramón Reichert (Dr. phil. habil.) teaches and researches as a senior researcher at the Department of Cultural Studies at the Universität für Angewandte Kunst in Vienna. Previously, he taught and researched in Basel, Berlin, Canberra, Fribourg, Helsinki, Sankt Gallen, Stockholm and Zurich and was EU project coordinator for many years. His current research project »Visual Politics and Protest. Artistic Research Project on the visual framing of the Russia-Ukraine War on internet portals and social media« (2022-2024) deals with the visual politics of violence, conflict and resistance.
}Amanda Wasielewski is a postdoctoral researcher in art history and part of the Politics of Metadata project at the Department of Culture and Aesthetics, Stockholm University. Wasielewski has taught social media and internet studies at the University of Amsterdam, architectural history at the Spitzer School of Architecture, and modern art history at Lehman College.

Title 1
Content 3
Introduction 5
Institutional Metadata and the Problem of Context 17
One-Eyed Archive 35
Man, Woman, Child 63
Pioneers and Feminisms 87
Designing Digital Diagnostics 115
Archiving the Leftovers of Science 133
Europeana, EDM, and the Europeanisation of Cultural Heritage Institutions 163
Paradata in Documentation Standards and Recommendations for Digital Archaeological Visualisations 191
Minor Politics, Major Consequences 221
The Diversity Paradox 239
Enabling Multiple Voices in the Museum: Challenges and Approaches 259
Biographical Notes 267