Caoimhe Ring, Lecturer at the University of Bristol Law School

Eden Sarid, Lecturer at The Dickson Poon School of Law, King’s College London

Introduction – Caoimhe Ring and Eden Sarid

Part 1: Intellectual Property’s Creators

1. Copyright Markets and Marginalised Communities: A “Winner-Takes-All” Model? – Martin Kretschmer, Amy Thomas and Arthur Ehlinger

2. Negative Spaces in Fashion Law: Rethinking IP Effectiveness Through Empirical Socio-Legal Approaches – Tania Phipps-Rufus

3. Selling Fandom Back to Itself: The Case of English-Language Danmei Publishing – Yin Harn Lee

Part 2: Intellectual Property’s Subjects: Contested Boundaries

4. Intellectual “Property”? Indigenous Knowledge and Intellectual Property Essentialism – Graham Dutfield

5. Indigenous Knowledge and the Public Domain – Jocelyn Bosse

6. Balancing Laughs and Laws: Parody, Power, and the Politics of Copyright Law Harmonisation – Adela Wang

Part 3: Reimagining Intellectual Property: Queer, Feminist, Race, and Critical (Dis)ability Perspectives

7. Pleasure Patents in Europe From 1978 – Darren Smyth

8. Can Trade Mark Law Prevent Diversity Hijacking? – Luminita Olteanu

9. Humanity of Songs: A Feminist Reconstruction of Performers’ Rights – Metka Potočnik

10. ‘Towards a (Dis)ability Account of Patent Law and Inventorship’ – Caoimhe Ring

Part 4: Who Makes and Shapes Intellectual Property?

11. ‘AI and Copyright Law: Who Lobbies for the Public Domain?’ – Alina Trapova

12. When IP Policymakers and NGOs meet: A Dialogue Between IP Inclusive and the Intellectual Property Office – Erich Hou-Richards

13. IP in the Global South - Transforming or Replicating the System? – Vitor Ido