We're sorry. An error has occurred
Please cancel or retry.
Dogme Uncut
Regular price
$26.95
Regular price
$0.00
Sale price
$26.95
Unit price
/
per
Sold out
Re-stocking soon
In 1995, Danish filmmaker Lars von Trier (Breaking the Waves, Dancer in the Dark, Dogville) and three fellow Danish directors swore allegiance to a vow of chastity” aimed at jolting filmmakers aro...
Read More
Some error occured while loading the Quick View. Please close the Quick View and try reloading the page.
Couldn't load pickup availability
Ships within 2 business days
-
01 September 2003

In 1995, Danish filmmaker Lars von Trier (Breaking the Waves, Dancer in the Dark, Dogville) and three fellow Danish directors swore allegiance to a vow of chastity” aimed at jolting filmmakers around the world who had become stuck in the mire of slick, emotionally manipulative, high-concept, and bombastic movie productions. They named their philosophy Dogme95,” and its tenets demanded a return to the basic core of filmmaking: the use of natural lighting and a hand-held camera, and the refusal to use special effects, a soundtrack of any kind (only natural sounds found on location were acceptable), and movie sets (all shooting was to take place on location).
Like the French New Wave and 1960s American Underground film movements, Dogme had a profound affect on filmmaking around the world, including the sacred cow known as Hollywood.” In part because of the proliferation of relatively inexpensive digital cameras and technology, the movement resonated with young and independent filmmakers, creating a surge in back-to-the-basics, guerilla filmmaking. It also had a profound influence on everything from Hollywood filmmakers to dance choreographers to computer game manufacturers.
The list of films and filmmakers to come out of the Dogme movement reads like a who’s who of art-house cinema from the late-1990s and early-2000s: the aforementioned Lars von Trier, Thomas Vinterberg (The Celebration), Harmony Korine (Julien Donkey-Boy), Lone Scherfig (Italian for Beginners), and Susanne Bier (Open Hearts), among many others.
Dogme Uncut is written by film journalist and historian Jack Stevenson, who, while living in Demark for the past decade, has had a true insider’s view of the Dogme movement from its conception to its early triumphs to its current incarnation. With a good deal of humor and fascinating insights, Stevenson brings a mixture of history, analysis, and reportage to bear on the eight-year-old film movement, examining the subject from multiple perspectives. Dogme’s debt to previous film waves” is explored, as is the impact Dogme itself has had on current trends in cinema and on today’s young filmmakers. Penned in a lively, accessible, and jargon-free style, Dogme Uncut is a richly illustrated survey of the entire Dogme canon that is both entertaining and hugely informative.
Like the French New Wave and 1960s American Underground film movements, Dogme had a profound affect on filmmaking around the world, including the sacred cow known as Hollywood.” In part because of the proliferation of relatively inexpensive digital cameras and technology, the movement resonated with young and independent filmmakers, creating a surge in back-to-the-basics, guerilla filmmaking. It also had a profound influence on everything from Hollywood filmmakers to dance choreographers to computer game manufacturers.
The list of films and filmmakers to come out of the Dogme movement reads like a who’s who of art-house cinema from the late-1990s and early-2000s: the aforementioned Lars von Trier, Thomas Vinterberg (The Celebration), Harmony Korine (Julien Donkey-Boy), Lone Scherfig (Italian for Beginners), and Susanne Bier (Open Hearts), among many others.
Dogme Uncut is written by film journalist and historian Jack Stevenson, who, while living in Demark for the past decade, has had a true insider’s view of the Dogme movement from its conception to its early triumphs to its current incarnation. With a good deal of humor and fascinating insights, Stevenson brings a mixture of history, analysis, and reportage to bear on the eight-year-old film movement, examining the subject from multiple perspectives. Dogme’s debt to previous film waves” is explored, as is the impact Dogme itself has had on current trends in cinema and on today’s young filmmakers. Penned in a lively, accessible, and jargon-free style, Dogme Uncut is a richly illustrated survey of the entire Dogme canon that is both entertaining and hugely informative.
Price: $26.95
Pages: 312
Publisher: Santa Monica Press
Imprint: Santa Monica Press
Publication Date:
01 September 2003
Trim Size: 9.20 X 5.84 in
ISBN: 9781891661358
Format: Paperback
BISACs:
PERFORMING ARTS / Film / History & Criticism, PERFORMING ARTS / Film / Direction & Production, PERFORMING ARTS / Film / General
Jack Stevenson has contributed articles about American cult, underground, and exploitation cinema to American film magazines as disparate as Film Quarterly and The Big Reel. He also contributed to many of the leading European film journals, and his texts have been translated into nine languages. He is the author of Lars Von Trier (British Film Institute), and has also written about Dogme for Danish, German, and Czech film journals. Born and raised in upstate New York, today Stevenson resides in Allerød, just north of Copenhagen.