Some error occured while loading the Quick View. Please close the Quick View and try reloading the page.
The story of the one great artist's exit from the stage just as another was beginning his career in the theater.
In Exits and Entrances, Fugard details his brief yet formative experience with mentor André Huguenet, considered the finest classical actor of their native South Africa. The play opens in 1961, the year South Africa declared its independence from the British Commonwealth, as well as the year of Huguenet's death. As Fugard's playwright
character learns of his mentor's passing, he reminisces about their first collaboration: a production of Oedipus Rex in 1956. Throughout the run of this 1956 production and in the years that follow, Huguenet and Fugard grow close and offer each other insights on life, writing, and art.
Athol Fugard (1932-2025) worked in the theater as a playwright, director and actor for more than fifty years. His plays include Blood Knot, Boesman and Lena, “Master Harold”… and the boys, The Road to Mecca, My Children! My Africa!, Statements After an Arrest Under the Immorality Act and Valley Song.