We're sorry. An error has occurred
Please cancel or retry.
extra
Some error occured while loading the Quick View. Please close the Quick View and try reloading the page.
Couldn't load pickup availability
-
02 October 2009

Graphic designers who wish to work with print finishes like blind embossing and phosphorescent ink constantly face the same problem: there are no compelling examples of the available techniques. They must either turn to existing books, which only present them in photographs and make it impossible to experience their tactile qualities, or to samples in advertising brochures put out by individual printing presses, which are so focused on the technology that their visual and haptic appeal is lost.
This is where extra comes in: it uses sensuously experienced examples to present the most important finishing techniques practically and theoretically, in variants and experimental combinations. Thirty internationally renowned designers created pages especially for this book as a basis for explaining the special design and technical features of each technique, with an in-depth exploration of its possible uses.
Additional articles deal with general issues such as planning and costing a finish or its mode of operation. With its large amount of information, its easy-to-navigate structure, and a glossary, this book is an indispensable reference work on print finishing. At the same time, its experimental character and high-quality design make it a source of inspiration for everyone with an interest in the subject.
Designers of the "show pages" in alphabetical order:
- 123buero
- Antoine+Manuel
- Catalogtree
- Drushba Pankow
- Fanette Mellier
- Fons Hickmann m23
- Hans Gremmen
- Hort
- Sarah Illenberger
- Jung+Wenig
- Karlssonwilker inc.
- Hoon Kim
- Hort
- Yang Liu
- Mario Lombardo
- LUST
- Thomas Mayfried
- mischen
- Maureen Mooren
- NODE Berlin Oslo
- OK-RM
- onlab
- Pixelgarten
- Project Projects
- Rimini Berlin
- Viola Schmieskors
- Ariane Spanier
- Annik Troxler
- Üppig
- Weiss–heiten Design
- Welcometo.as
Franziska Morlok und Till Beckmann, Gründer Designstudio Rimini Berlin, Lehraufträge an der Universität der Künste Berlin, Deutschland.
A. TEXT SECTION
1.) Print & Varnishing
Matt, satin and gloss varnishes
Soft-touch varnish
Structured varnish
Tactile varnish
Effect pigment varnish
Glitter varnish
Scented varnish
Fluorescent ink
Phosphorescent ink
Thermochromic ink
Thermography printing
Abrasive ink
Rub-off ink
Flock printing
Lenticular printing
Other effect inks
2.) Foil lamination
Foil lamination matt, gloss
Foil lamination structured
Foil lamination metallic
Foil lamination diffraction
3.) Embossing
Blind embossing
Relief forms for embossing
Flat foil stamping
Stamping foils
Foil stamping with structure
Combination foiling/embossing
Microembossing
Variogram
Stamped hologram
Cold foil transfer
Steel engraving
Paper engraving
4.) Cutting
Die cutting
Laser cut
Perforation
5.) Edge finishes
Foil edges, edge inking
6.) Texts
Planning a finish
Interview with Müller + Hess
Experiences
Questions of perception
The history of print finishing techniques
Print finishes and the environment
The finished pages
7.) Glossary
8.) Appendix
Designers
Production firms
Authors
Index
B. SHOW PAGES
Matt and gloss varnishes
Soft-touch varnish, scented varnish
Structured varnish
Tactile varnish
Effect pigment varnish
Glitter varnish
Fluorescent ink
Phosphorescent ink
Thermochromic ink
Thermography printing
Abrasive ink
Rub-off ink
Flock printing
Lenticular printing
Foil lamination structured
Foil lamination metallic
Foil lamination diffraction
Blind embossing
Flat foil stamping
Foil stamping with structure
Combination foiling/embossing
Microembossing
Variogram
Stamped hologram
Cold foil transfer
Steel engraving
Paper engraving
Die cutting
Laser cut
Perforation