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Islamic art is often misrepresented as an iconophobic tradition. As a result of this assumption, the polyvalence of figural artworks made for South Asian Muslim audiences has remained hidden in plain view.
This book situates manuscript illustrations and album paintings within cultures of devotion and ritual shaped by Islamic intellectual and religious histories. Central to this story are the Mughal siblings, Jahanara Begum and Dara Shikoh, and their Sufi guide Mulla Shah.
Through detailed art historical analysis supported by new translations, this study contextualizes artworks made for Indo-Muslim patrons by putting them into direct dialogue with written testimonies.
This book situates manuscript illustrations and album paintings within cultures of devotion and ritual shaped by Islamic intellectual and religious histories. Central to this story are the Mughal siblings, Jahanara Begum and Dara Shikoh, and their Sufi guide Mulla Shah.
Through detailed art historical analysis supported by new translations, this study contextualizes artworks made for Indo-Muslim patrons by putting them into direct dialogue with written testimonies.
Price: $171.00
Pages: 378
Publisher: Brill
Imprint: Brill
Publication Date:
30 August 2023
ISBN: 9789004548831
Format: Hardcover
From the readers' reports:
"This is a well-researched and well-written book that is a pleasure to read. It has the potential to reshape the field of South Asian art by exploring the central, affective role of images in devotional practices in the early modern era, and Islamic art, as well as speak to audiences interested in South Asian and Islamic literature and culture more broadly."
Holly Shaffer, Assistant Professor of History of Art & Architecture, Brown University
"The virtue of the book lies not just in the originality of its approach, but in the persuasiveness of its arguments and the solidity of its evidence as well. It is a major piece of scholarship that marshals an impressive range of material."
Kavita Singh, formerly Professor of Art History, Jawaharlal Nehru University
"This is a well-researched and well-written book that is a pleasure to read. It has the potential to reshape the field of South Asian art by exploring the central, affective role of images in devotional practices in the early modern era, and Islamic art, as well as speak to audiences interested in South Asian and Islamic literature and culture more broadly."
Holly Shaffer, Assistant Professor of History of Art & Architecture, Brown University
"The virtue of the book lies not just in the originality of its approach, but in the persuasiveness of its arguments and the solidity of its evidence as well. It is a major piece of scholarship that marshals an impressive range of material."
Kavita Singh, formerly Professor of Art History, Jawaharlal Nehru University
Murad Khan Mumtaz, Ph.D. (2018), University of Virginia, is Assistant Professor at Williams College. He has published numerous articles on South Asian painting. Mumtaz is also a practicing artist trained in traditional Hindustani painting techniques.